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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3ADE1 it is the complementary color #3C521E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3ADE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3ADE1 shade: #C8ADDC, #D9BFEF, #EAD1FF, #FBE3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3ADE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3ADE1 shade: #C3ADE1, #B29BCE, #A189BB, #9077A8 and #7F6595

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3ADE1 shade: #C3ADE1, #D1ADE1, #DFADE1, #E1ADD5 and #E1ADC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3ADE1 shade: #C3ADE1, #B5ADE1 and #ADADE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3ADE1 shade matches the following richer shades: #C3ADE1, #C2A4EA, #C09BF3 and #BF92FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3ADE1 shade: #C3ADE1, #C4B6D8, #C6BFCF, #C7C8C5 and #C9D1BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3ADE1 shade: #ADB3E1, #B5ADE1, #C3ADE1, #D0ADE1 and #DEADE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3ADE1 shade: #9771CA, #AD8FD6, #C3ADE1, #D9CBEC and #EFE9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3ADE1 shade: #C3ADE1, #E1ADC1 and #ADE1AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3ADE1 shade: #C3ADE1, #E1C3AD and #ADE1C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3ADE1 shade: #C3ADE1, #E1ADC1, #CBE1AD and #ADE1CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3ADE1 shade: #C3ADE1, #E1ADB1, #CBE1AD and #ADE1DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 23 / 0 / 12

HEX #C3ADE1

RGB 195 173 225

HSL 265.38, 0.46%, 0.78%

LAB 74.14, 17.86, -23.23

 

Complementary color

CMYK 27 / 0 / 63 / 68

HEX #3C521E

RGB 60 82 30

HSL 85.38, 0.46%, 0.22%

LAB 32.01, -18.16, 27.27

 

CMYK 9 / 21 / 0 / 14

HEX #C8ADDC

RGB 200 173 220

HSL 274.47, 0.4%, 0.77%

LAB 74.4, 18.43, -20.07

 

CMYK 9 / 20 / 0 / 6

HEX #D9BFEF

RGB 217 191 239

HSL 272.5, 0.6%, 0.84%

LAB 80.87, 17.98, -20.39

 

CMYK 8 / 18 / 0 / 0

HEX #EAD1FF

RGB 234 209 255

HSL 272.61, 1%, 0.91%

LAB 87.15, 16.98, -19.27

 

CMYK 2 / 11 / 0 / 0

HEX #FBE3FF

RGB 251 227 255

HSL 291.43, 1%, 0.95%

LAB 92.87, 13.03, -10.56

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 13 / 23 / 0 / 12

HEX #C3ADE1

RGB 195 173 225

HSL 265.38, 0.46%, 0.78%

LAB 74.14, 17.86, -23.23

 

CMYK 14 / 25 / 0 / 19

HEX #B29BCE

RGB 178 155 206

HSL 267.06, 0.34%, 0.71%

LAB 67.55, 18.35, -22.99

 

CMYK 14 / 27 / 0 / 27

HEX #A189BB

RGB 161 137 187

HSL 268.8, 0.27%, 0.64%

LAB 60.83, 18.87, -22.76

 

CMYK 14 / 29 / 0 / 34

HEX #9077A8

RGB 144 119 168

HSL 270.61, 0.22%, 0.56%

LAB 53.97, 19.46, -22.54

 

CMYK 15 / 32 / 0 / 42

HEX #7F6595

RGB 127 101 149

HSL 272.5, 0.19%, 0.49%

LAB 46.96, 20.1, -22.35

 

CMYK 13 / 23 / 0 / 12

HEX #C3ADE1

RGB 195 173 225

HSL 265.38, 0.46%, 0.78%

LAB 74.14, 17.86, -23.23

 

CMYK 7 / 23 / 0 / 12

HEX #D1ADE1

RGB 209 173 225

HSL 281.54, 0.46%, 0.78%

LAB 75.38, 22.36, -21.24

 

CMYK 1 / 23 / 0 / 12

HEX #DFADE1

RGB 223 173 225

HSL 297.69, 0.46%, 0.78%

LAB 76.69, 26.93, -19.13

 

CMYK 0 / 23 / 5 / 12

HEX #E1ADD5

RGB 225 173 213

HSL 313.85, 0.46%, 0.78%

LAB 76.5, 25.42, -12.87

 

CMYK 0 / 23 / 12 / 12

HEX #E1ADC7

RGB 225 173 199

HSL 330, 0.46%, 0.78%

LAB 76.08, 23.02, -5.86

 

CMYK 13 / 23 / 0 / 12

HEX #C3ADE1

RGB 195 173 225

HSL 265.38, 0.46%, 0.78%

LAB 74.14, 17.86, -23.23

 

CMYK 20 / 23 / 0 / 12

HEX #B5ADE1

RGB 181 173 225

HSL 249.23, 0.46%, 0.78%

LAB 72.99, 13.46, -25.1

 

CMYK 23 / 23 / 0 / 12

HEX #ADADE1

RGB 173 173 225

HSL 240, 0.46%, 0.78%

LAB 72.37, 11.01, -26.1

 

CMYK 13 / 23 / 0 / 12

HEX #C3ADE1

RGB 195 173 225

HSL 265.38, 0.46%, 0.78%

LAB 74.14, 17.86, -23.23

 

CMYK 17 / 30 / 0 / 8

HEX #C2A4EA

RGB 194 164 234

HSL 265.71, 0.63%, 0.78%

LAB 72.2, 24.45, -31.12

 

CMYK 21 / 36 / 0 / 5

HEX #C09BF3

RGB 192 155 243

HSL 265.23, 0.79%, 0.78%

LAB 70.26, 30.84, -39.05

 

CMYK 24 / 42 / 0 / 1

HEX #BF92FC

RGB 191 146 252

HSL 265.47, 0.95%, 0.78%

LAB 68.51, 37.58, -46.71

 

CMYK 13 / 23 / 0 / 12

HEX #C3ADE1

RGB 195 173 225

HSL 265.38, 0.46%, 0.78%

LAB 74.14, 17.86, -23.23

 

CMYK 9 / 16 / 0 / 15

HEX #C4B6D8

RGB 196 182 216

HSL 264.71, 0.3%, 0.78%

LAB 76.16, 11.4, -15.27

 

CMYK 4 / 8 / 0 / 19

HEX #C6BFCF

RGB 198 191 207

HSL 266.25, 0.14%, 0.78%

LAB 78.33, 5.42, -7.14

 

CMYK 0 / 0 / 1 / 22

HEX #C7C8C5

RGB 199 200 197

HSL 80, 0.03%, 0.78%

LAB 80.45, -0.89, 1.37

 

CMYK 4 / 0 / 10 / 18

HEX #C9D1BC

RGB 201 209 188

HSL 82.86, 0.19%, 0.78%

LAB 82.73, -6.47, 9.48

 

CMYK 23 / 20 / 0 / 12

HEX #ADB3E1

RGB 173 179 225

HSL 233.08, 0.46%, 0.78%

LAB 73.91, 7.7, -23.75

 

CMYK 20 / 23 / 0 / 12

HEX #B5ADE1

RGB 181 173 225

HSL 249.23, 0.46%, 0.78%

LAB 72.99, 13.46, -25.1

 

CMYK 13 / 23 / 0 / 12

HEX #C3ADE1

RGB 195 173 225

HSL 265.38, 0.46%, 0.78%

LAB 74.14, 17.86, -23.23

 

CMYK 8 / 23 / 0 / 12

HEX #D0ADE1

RGB 208 173 225

HSL 280.38, 0.46%, 0.78%

LAB 75.29, 22.04, -21.39

 

CMYK 1 / 23 / 0 / 12

HEX #DEADE1

RGB 222 173 225

HSL 296.54, 0.46%, 0.78%

LAB 76.59, 26.6, -19.28

 

CMYK 25 / 44 / 0 / 21

HEX #9771CA

RGB 151 113 202

HSL 265.62, 0.46%, 0.62%

LAB 54.71, 33.07, -40.86

 

CMYK 19 / 33 / 0 / 16

HEX #AD8FD6

RGB 173 143 214

HSL 265.35, 0.46%, 0.7%

LAB 64.47, 25.3, -32.21

 

CMYK 13 / 23 / 0 / 12

HEX #C3ADE1

RGB 195 173 225

HSL 265.38, 0.46%, 0.78%

LAB 74.14, 17.86, -23.23

 

CMYK 8 / 14 / 0 / 7

HEX #D9CBEC

RGB 217 203 236

HSL 265.45, 0.46%, 0.86%

LAB 83.72, 10.96, -14.5

 

CMYK 3 / 6 / 0 / 3

HEX #EFE9F7

RGB 239 233 247

HSL 265.71, 0.47%, 0.94%

LAB 93.16, 4.53, -6.05

 

CMYK 13 / 23 / 0 / 12

HEX #C3ADE1

RGB 195 173 225

HSL 265.38, 0.46%, 0.78%

LAB 74.14, 17.86, -23.23

 

CMYK 0 / 23 / 14 / 12

HEX #E1ADC1

RGB 225 173 193

HSL 336.92, 0.46%, 0.78%

LAB 75.91, 22.04, -2.83

 

CMYK 23 / 0 / 23 / 12

HEX #ADE1AE

RGB 173 225 174

HSL 121.15, 0.46%, 0.78%

LAB 84.89, -26.46, 19.63

 

CMYK 13 / 23 / 0 / 12

HEX #C3ADE1

RGB 195 173 225

HSL 265.38, 0.46%, 0.78%

LAB 74.14, 17.86, -23.23

 

CMYK 0 / 13 / 23 / 12

HEX #E1C3AD

RGB 225 195 173

HSL 25.38, 0.46%, 0.78%

LAB 80.77, 7.26, 14.97

 

CMYK 23 / 0 / 13 / 12

HEX #ADE1C3

RGB 173 225 195

HSL 145.38, 0.46%, 0.78%

LAB 85.34, -22.67, 9.26

 

CMYK 13 / 23 / 0 / 12

HEX #C3ADE1

RGB 195 173 225

HSL 265.38, 0.46%, 0.78%

LAB 74.14, 17.86, -23.23

 

CMYK 0 / 23 / 14 / 12

HEX #E1ADC1

RGB 225 173 193

HSL 336.92, 0.46%, 0.78%

LAB 75.91, 22.04, -2.83

 

CMYK 10 / 0 / 23 / 12

HEX #CBE1AD

RGB 203 225 173

HSL 85.38, 0.46%, 0.78%

LAB 86.78, -16.27, 23.07

 

CMYK 23 / 0 / 9 / 12

HEX #ADE1CD

RGB 173 225 205

HSL 156.92, 0.46%, 0.78%

LAB 85.58, -20.72, 4.34

 

CMYK 13 / 23 / 0 / 12

HEX #C3ADE1

RGB 195 173 225

HSL 265.38, 0.46%, 0.78%

LAB 74.14, 17.86, -23.23

 

CMYK 0 / 23 / 21 / 12

HEX #E1ADB1

RGB 225 173 177

HSL 355.38, 0.46%, 0.78%

LAB 75.49, 19.57, 5.3

 

CMYK 10 / 0 / 23 / 12

HEX #CBE1AD

RGB 203 225 173

HSL 85.38, 0.46%, 0.78%

LAB 86.78, -16.27, 23.07

 

CMYK 23 / 0 / 2 / 12

HEX #ADE1DC

RGB 173 225 220

HSL 174.23, 0.46%, 0.78%

LAB 85.96, -17.63, -3.02

 

Description

Color code: HEX #C3ADE1 | qconv.com Color code: HEX #C3ADE1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 173 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 173 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 23 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 23% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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