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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3AD14 it is the complementary color #3C52EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3AD14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3AD14 shade: #C8AD0F, #D9BF22, #EAD135, #FBE348 and #FFF55B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3AD14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3AD14 shade: #C3AD14, #B29B01, #A18900, #907700 and #7F6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3AD14 shade: #C2AC14, #C27D14, #C24E14, #C22014 and #C21414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3AD14 shade: #C2AC14, #A9C214, #7AC214, #4BC214 and #1DC214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3AD14 shade matches the following richer shades: #C2AC14 and #D3B903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3AD14 shade: #C2AC14, #B19F26, #9F9237, #8E8548 and #7D785A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3AD14 shade: #C24E14, #C27C14, #C2AB14, #ABC214 and #7CC214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3AD14 shade: #776A0D, #9D8B10, #C2AC14, #E7CD19 and #EBD53E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3AD14 shade: #C3AD14, #14C220 and #6514C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3AD14 shade: #C3AD14, #14C2AB and #AB14C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3AD14 shade: #C3AD14, #14C220, #142BC2 and #C214B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3AD14 shade: #C3AD14, #14C254, #142BC2 and #C21482

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 90 / 24

HEX #C3AD14

RGB 195 173 20

HSL 52.46, 0.81%, 0.42%

LAB 70.55, -6.11, 70.27

 

Complementary color

CMYK 74 / 65 / 0 / 8

HEX #3C52EB

RGB 60 82 235

HSL 232.46, 0.81%, 0.58%

LAB 42.75, 43.53, -79.22

 

CMYK 0 / 14 / 93 / 22

HEX #C8AD0F

RGB 200 173 15

HSL 51.24, 0.86%, 0.42%

LAB 71.01, -3.97, 71.65

 

CMYK 0 / 12 / 84 / 15

HEX #D9BF22

RGB 217 191 34

HSL 51.48, 0.73%, 0.49%

LAB 77.36, -5.52, 73.62

 

CMYK 0 / 11 / 77 / 8

HEX #EAD135

RGB 234 209 53

HSL 51.71, 0.81%, 0.56%

LAB 83.63, -6.86, 74.38

 

CMYK 0 / 10 / 71 / 2

HEX #FBE348

RGB 251 227 72

HSL 51.96, 0.96%, 0.63%

LAB 89.82, -8.01, 74.38

 

CMYK 0 / 4 / 64 / 0

HEX #FFF55B

RGB 255 245 91

HSL 56.34, 1%, 0.68%

LAB 94.87, -14.27, 72.47

 

CMYK 0 / 11 / 90 / 24

HEX #C3AD14

RGB 195 173 20

HSL 52.46, 0.81%, 0.42%

LAB 70.55, -6.11, 70.27

 

CMYK 0 / 13 / 99 / 30

HEX #B29B01

RGB 178 155 1

HSL 52.2, 0.99%, 0.35%

LAB 64.09, -4.45, 67.45

 

CMYK 0 / 15 / 100 / 37

HEX #A18900

RGB 161 137 0

HSL 51.06, 1%, 0.32%

LAB 57.53, -2.48, 62.17

 

CMYK 0 / 17 / 100 / 44

HEX #907700

RGB 144 119 0

HSL 49.58, 1%, 0.28%

LAB 50.83, -0.41, 56.64

 

CMYK 0 / 20 / 100 / 50

HEX #7F6500

RGB 127 101 0

HSL 47.72, 1%, 0.25%

LAB 43.97, 1.77, 50.98

 

CMYK 0 / 11 / 90 / 24

HEX #C2AC14

RGB 194 172 20

HSL 52.41, 0.81%, 0.42%

LAB 70.19, -6.02, 69.95

 

CMYK 0 / 36 / 90 / 24

HEX #C27D14

RGB 194 125 20

HSL 36.21, 0.81%, 0.42%

LAB 58.21, 19.44, 60.65

 

CMYK 0 / 60 / 90 / 24

HEX #C24E14

RGB 194 78 20

HSL 20, 0.81%, 0.42%

LAB 48.22, 43.97, 53.03

 

CMYK 0 / 84 / 90 / 24

HEX #C22014

RGB 194 32 20

HSL 4.14, 0.81%, 0.42%

LAB 42.08, 60.73, 48.46

 

CMYK 0 / 90 / 90 / 24

HEX #C21414

RGB 194 20 20

HSL 0, 0.81%, 0.42%

LAB 41.25, 63.11, 47.85

 

CMYK 0 / 11 / 90 / 24

HEX #C2AC14

RGB 194 172 20

HSL 52.41, 0.81%, 0.42%

LAB 70.19, -6.02, 69.95

 

CMYK 13 / 0 / 90 / 24

HEX #A9C214

RGB 169 194 20

HSL 68.62, 0.81%, 0.42%

LAB 74.23, -27.91, 72.3

 

CMYK 37 / 0 / 90 / 24

HEX #7AC214

RGB 122 194 20

HSL 84.83, 0.81%, 0.42%

LAB 71.4, -46.25, 68.81

 

CMYK 61 / 0 / 90 / 24

HEX #4BC214

RGB 75 194 20

HSL 101.03, 0.81%, 0.42%

LAB 69.56, -60.33, 66.53

 

CMYK 85 / 0 / 90 / 24

HEX #1DC214

RGB 29 194 20

HSL 116.9, 0.81%, 0.42%

LAB 68.68, -67.96, 65.42

 

CMYK 0 / 11 / 90 / 24

HEX #C2AC14

RGB 194 172 20

HSL 52.41, 0.81%, 0.42%

LAB 70.19, -6.02, 69.95

 

CMYK 0 / 12 / 99 / 17

HEX #D3B903

RGB 211 185 3

HSL 52.5, 0.97%, 0.42%

LAB 75.17, -5.52, 76.59

 

CMYK 0 / 11 / 90 / 24

HEX #C2AC14

RGB 194 172 20

HSL 52.41, 0.81%, 0.42%

LAB 70.19, -6.02, 69.95

 

CMYK 0 / 10 / 79 / 31

HEX #B19F26

RGB 177 159 38

HSL 52.23, 0.65%, 0.42%

LAB 65.19, -6.22, 60.54

 

CMYK 0 / 8 / 65 / 38

HEX #9F9237

RGB 159 146 55

HSL 52.5, 0.49%, 0.42%

LAB 60.07, -6.41, 48.36

 

CMYK 0 / 6 / 49 / 44

HEX #8E8548

RGB 142 133 72

HSL 52.29, 0.33%, 0.42%

LAB 55.07, -5.43, 33.89

 

CMYK 0 / 4 / 28 / 51

HEX #7D785A

RGB 125 120 90

HSL 51.43, 0.16%, 0.42%

LAB 50.13, -3.24, 17.2

 

CMYK 0 / 60 / 90 / 24

HEX #C24E14

RGB 194 78 20

HSL 20, 0.81%, 0.42%

LAB 48.22, 43.97, 53.03

 

CMYK 0 / 36 / 90 / 24

HEX #C27C14

RGB 194 124 20

HSL 35.86, 0.81%, 0.42%

LAB 57.98, 19.98, 60.46

 

CMYK 0 / 12 / 90 / 24

HEX #C2AB14

RGB 194 171 20

HSL 52.07, 0.81%, 0.42%

LAB 69.93, -5.5, 69.74

 

CMYK 12 / 0 / 90 / 24

HEX #ABC214

RGB 171 194 20

HSL 67.93, 0.81%, 0.42%

LAB 74.38, -27.08, 72.47

 

CMYK 36 / 0 / 90 / 24

HEX #7CC214

RGB 124 194 20

HSL 84.14, 0.81%, 0.42%

LAB 71.5, -45.53, 68.93

 

CMYK 0 / 11 / 89 / 53

HEX #776A0D

RGB 119 106 13

HSL 52.64, 0.8%, 0.26%

LAB 44.6, -4.7, 47.97

 

CMYK 0 / 11 / 90 / 38

HEX #9D8B10

RGB 157 139 16

HSL 52.34, 0.82%, 0.34%

LAB 57.72, -5.16, 59.42

 

CMYK 0 / 11 / 90 / 24

HEX #C2AC14

RGB 194 172 20

HSL 52.41, 0.81%, 0.42%

LAB 70.19, -6.02, 69.95

 

CMYK 0 / 11 / 89 / 9

HEX #E7CD19

RGB 231 205 25

HSL 52.43, 0.81%, 0.5%

LAB 82.23, -6.84, 79.9

 

CMYK 0 / 9 / 74 / 8

HEX #EBD53E

RGB 235 213 62

HSL 52.37, 0.81%, 0.58%

LAB 84.79, -8.1, 72.56

 

CMYK 0 / 11 / 90 / 24

HEX #C3AD14

RGB 195 173 20

HSL 52.46, 0.81%, 0.42%

LAB 70.55, -6.11, 70.27

 

CMYK 90 / 0 / 84 / 24

HEX #14C220

RGB 20 194 32

HSL 124.14, 0.81%, 0.42%

LAB 68.63, -68.19, 62.8

 

CMYK 48 / 90 / 0 / 24

HEX #6514C2

RGB 101 20 194

HSL 267.93, 0.81%, 0.42%

LAB 32.17, 64.67, -72.88

 

CMYK 0 / 11 / 90 / 24

HEX #C3AD14

RGB 195 173 20

HSL 52.46, 0.81%, 0.42%

LAB 70.55, -6.11, 70.27

 

CMYK 90 / 0 / 12 / 24

HEX #14C2AB

RGB 20 194 171

HSL 172.07, 0.81%, 0.42%

LAB 70.64, -45.06, 0.24

 

CMYK 12 / 90 / 0 / 24

HEX #AB14C2

RGB 171 20 194

HSL 292.07, 0.81%, 0.42%

LAB 42.84, 74.16, -55.02

 

CMYK 0 / 11 / 90 / 24

HEX #C3AD14

RGB 195 173 20

HSL 52.46, 0.81%, 0.42%

LAB 70.55, -6.11, 70.27

 

CMYK 90 / 0 / 84 / 24

HEX #14C220

RGB 20 194 32

HSL 124.14, 0.81%, 0.42%

LAB 68.63, -68.19, 62.8

 

CMYK 90 / 78 / 0 / 24

HEX #142BC2

RGB 20 43 194

HSL 232.07, 0.81%, 0.42%

LAB 28.83, 49.62, -78.62

 

CMYK 0 / 90 / 6 / 24

HEX #C214B6

RGB 194 20 182

HSL 304.14, 0.81%, 0.42%

LAB 46.11, 76.26, -42.54

 

CMYK 0 / 11 / 90 / 24

HEX #C3AD14

RGB 195 173 20

HSL 52.46, 0.81%, 0.42%

LAB 70.55, -6.11, 70.27

 

CMYK 90 / 0 / 57 / 24

HEX #14C254

RGB 20 194 84

HSL 142.07, 0.81%, 0.42%

LAB 69.02, -63.33, 43.59

 

CMYK 90 / 78 / 0 / 24

HEX #142BC2

RGB 20 43 194

HSL 232.07, 0.81%, 0.42%

LAB 28.83, 49.62, -78.62

 

CMYK 0 / 90 / 33 / 24

HEX #C21482

RGB 194 20 130

HSL 322.07, 0.81%, 0.42%

LAB 43.63, 69.74, -15.16

 

Description

Color code: HEX #C3AD14 | qconv.com Color code: HEX #C3AD14 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 173 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 173 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 90 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 90% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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