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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3AB56 it is the complementary color #3C54A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3AB56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3AB56 shade: #C8AB51, #D9BD64, #EACF77, #FBE18A and #FFF39D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3AB56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3AB56 shade: #C3AB56, #B29943, #A18730, #90751D and #7F630A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3AB56 shade: #C3AB55, #C38D55, #C37055 and #C35555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3AB56 shade: #C3AB55, #BEC355, #A0C355, #82C355 and #65C355

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3AB56 shade matches the following richer shades: #C3AB55, #D6B543, #E8C030 and #FBCA1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3AB56 shade: #C3AB55, #B1A168, #9E967A, #8C8C8D and #79829F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3AB56 shade: #C36F55, #C38C55, #C3AA55, #C0C355 and #A2C355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3AB56 shade: #937E33, #B1983E, #C3AB55, #CEBA74 and #D9C992

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3AB56 shade: #C3AB56, #59C355 and #7E55C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3AB56 shade: #C3AB56, #55C3AA and #AA55C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3AB56 shade: #C3AB56, #59C355, #556FC3 and #C055C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3AB56 shade: #C3AB56, #55C373, #556FC3 and #C355A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 56 / 24

HEX #C3AB56

RGB 195 171 86

HSL 46.79, 0.48%, 0.55%

LAB 70.46, -1.91, 46.34

 

Complementary color

CMYK 64 / 50 / 0 / 34

HEX #3C54A9

RGB 60 84 169

HSL 226.79, 0.48%, 0.45%

LAB 38.14, 18.83, -48.52

 

CMYK 0 / 15 / 60 / 22

HEX #C8AB51

RGB 200 171 81

HSL 45.38, 0.52%, 0.55%

LAB 70.87, -0.16, 49.34

 

CMYK 0 / 13 / 54 / 15

HEX #D9BD64

RGB 217 189 100

HSL 45.64, 0.61%, 0.62%

LAB 77.32, -1.02, 48.13

 

CMYK 0 / 12 / 49 / 8

HEX #EACF77

RGB 234 207 119

HSL 45.91, 0.73%, 0.69%

LAB 83.68, -1.75, 46.9

 

CMYK 0 / 10 / 45 / 2

HEX #FBE18A

RGB 251 225 138

HSL 46.19, 0.93%, 0.76%

LAB 89.95, -2.38, 45.68

 

CMYK 0 / 5 / 38 / 0

HEX #FFF39D

RGB 255 243 157

HSL 52.65, 1%, 0.81%

LAB 95.07, -7.92, 42.91

 

CMYK 0 / 12 / 56 / 24

HEX #C3AB56

RGB 195 171 86

HSL 46.79, 0.48%, 0.55%

LAB 70.46, -1.91, 46.34

 

CMYK 0 / 14 / 62 / 30

HEX #B29943

RGB 178 153 67

HSL 46.49, 0.45%, 0.48%

LAB 63.88, -1, 47.51

 

CMYK 0 / 16 / 70 / 37

HEX #A18730

RGB 161 135 48

HSL 46.19, 0.54%, 0.41%

LAB 57.19, 0.09, 48.49

 

CMYK 0 / 19 / 80 / 44

HEX #90751D

RGB 144 117 29

HSL 45.91, 0.66%, 0.34%

LAB 50.38, 1.45, 48.94

 

CMYK 0 / 22 / 92 / 50

HEX #7F630A

RGB 127 99 10

HSL 45.64, 0.85%, 0.27%

LAB 43.44, 3.15, 48.14

 

CMYK 0 / 12 / 56 / 24

HEX #C3AB55

RGB 195 171 85

HSL 46.91, 0.48%, 0.55%

LAB 70.44, -1.99, 46.81

 

CMYK 0 / 28 / 56 / 24

HEX #C38D55

RGB 195 141 85

HSL 30.55, 0.48%, 0.55%

LAB 62.77, 14.27, 37.67

 

CMYK 0 / 43 / 56 / 24

HEX #C37055

RGB 195 112 85

HSL 14.73, 0.48%, 0.55%

LAB 55.93, 30.14, 29.16

 

CMYK 0 / 56 / 56 / 24

HEX #C35555

RGB 195 85 85

HSL 0, 0.48%, 0.55%

LAB 50.4, 44.07, 21.99

 

CMYK 0 / 12 / 56 / 24

HEX #C3AB55

RGB 195 171 85

HSL 46.91, 0.48%, 0.55%

LAB 70.44, -1.99, 46.81

 

CMYK 3 / 0 / 56 / 24

HEX #BEC355

RGB 190 195 85

HSL 62.73, 0.48%, 0.55%

LAB 76.46, -16.51, 53.58

 

CMYK 18 / 0 / 56 / 24

HEX #A0C355

RGB 160 195 85

HSL 79.09, 0.48%, 0.55%

LAB 74.29, -28.59, 50.54

 

CMYK 33 / 0 / 56 / 24

HEX #82C355

RGB 130 195 85

HSL 95.45, 0.48%, 0.55%

LAB 72.52, -39.74, 48.03

 

CMYK 48 / 0 / 56 / 24

HEX #65C355

RGB 101 195 85

HSL 111.27, 0.48%, 0.55%

LAB 71.18, -49.05, 46.13

 

CMYK 0 / 12 / 56 / 24

HEX #C3AB55

RGB 195 171 85

HSL 46.91, 0.48%, 0.55%

LAB 70.44, -1.99, 46.81

 

CMYK 0 / 15 / 69 / 16

HEX #D6B543

RGB 214 181 67

HSL 46.53, 0.64%, 0.55%

LAB 74.67, -0.33, 60.06

 

CMYK 0 / 17 / 79 / 9

HEX #E8C030

RGB 232 192 48

HSL 46.96, 0.8%, 0.55%

LAB 79.08, 0.84, 71.78

 

CMYK 0 / 20 / 88 / 2

HEX #FBCA1D

RGB 251 202 29

HSL 46.76, 0.97%, 0.55%

LAB 83.36, 3.32, 80.86

 

CMYK 0 / 12 / 56 / 24

HEX #C3AB55

RGB 195 171 85

HSL 46.91, 0.48%, 0.55%

LAB 70.44, -1.99, 46.81

 

CMYK 0 / 9 / 41 / 31

HEX #B1A168

RGB 177 161 104

HSL 46.85, 0.32%, 0.55%

LAB 66.39, -2.4, 31.78

 

CMYK 0 / 5 / 23 / 38

HEX #9E967A

RGB 158 150 122

HSL 46.67, 0.16%, 0.55%

LAB 62.07, -1.78, 15.85

 

CMYK 1 / 1 / 0 / 45

HEX #8C8C8D

RGB 140 140 141

HSL 240, 0%, 0.55%

LAB 58.28, 0.2, -0.54

 

CMYK 24 / 18 / 0 / 38

HEX #79829F

RGB 121 130 159

HSL 225.79, 0.17%, 0.55%

LAB 54.59, 3.32, -16.57

 

CMYK 0 / 43 / 56 / 24

HEX #C36F55

RGB 195 111 85

HSL 14.18, 0.48%, 0.55%

LAB 55.71, 30.68, 28.88

 

CMYK 0 / 28 / 56 / 24

HEX #C38C55

RGB 195 140 85

HSL 30, 0.48%, 0.55%

LAB 62.52, 14.82, 37.37

 

CMYK 0 / 13 / 56 / 24

HEX #C3AA55

RGB 195 170 85

HSL 46.36, 0.48%, 0.55%

LAB 70.18, -1.46, 46.5

 

CMYK 2 / 0 / 56 / 24

HEX #C0C355

RGB 192 195 85

HSL 61.64, 0.48%, 0.55%

LAB 76.61, -15.68, 53.8

 

CMYK 17 / 0 / 56 / 24

HEX #A2C355

RGB 162 195 85

HSL 78, 0.48%, 0.55%

LAB 74.42, -27.81, 50.72

 

CMYK 0 / 14 / 65 / 42

HEX #937E33

RGB 147 126 51

HSL 46.88, 0.48%, 0.39%

LAB 53.35, -1.06, 42.63

 

CMYK 0 / 14 / 65 / 31

HEX #B1983E

RGB 177 152 62

HSL 46.96, 0.48%, 0.47%

LAB 63.47, -1.24, 49.35

 

CMYK 0 / 12 / 56 / 24

HEX #C3AB55

RGB 195 171 85

HSL 46.91, 0.48%, 0.55%

LAB 70.44, -1.99, 46.81

 

CMYK 0 / 10 / 44 / 19

HEX #CEBA74

RGB 206 186 116

HSL 46.67, 0.48%, 0.63%

LAB 75.76, -2.49, 38

 

CMYK 0 / 7 / 33 / 15

HEX #D9C992

RGB 217 201 146

HSL 46.48, 0.48%, 0.71%

LAB 81.07, -2.54, 29.55

 

CMYK 0 / 12 / 56 / 24

HEX #C3AB56

RGB 195 171 86

HSL 46.79, 0.48%, 0.55%

LAB 70.46, -1.91, 46.34

 

CMYK 54 / 0 / 56 / 24

HEX #59C355

RGB 89 195 85

HSL 117.82, 0.48%, 0.55%

LAB 70.74, -52.35, 45.5

 

CMYK 35 / 56 / 0 / 24

HEX #7E55C3

RGB 126 85 195

HSL 262.36, 0.48%, 0.55%

LAB 45.46, 40.7, -51.71

 

CMYK 0 / 12 / 56 / 24

HEX #C3AB56

RGB 195 171 86

HSL 46.79, 0.48%, 0.55%

LAB 70.46, -1.91, 46.34

 

CMYK 56 / 0 / 13 / 24

HEX #55C3AA

RGB 85 195 170

HSL 166.36, 0.48%, 0.55%

LAB 72.14, -37.53, 3.11

 

CMYK 13 / 56 / 0 / 24

HEX #AA55C3

RGB 170 85 195

HSL 286.36, 0.48%, 0.55%

LAB 50.67, 51.84, -43.1

 

CMYK 0 / 12 / 56 / 24

HEX #C3AB56

RGB 195 171 86

HSL 46.79, 0.48%, 0.55%

LAB 70.46, -1.91, 46.34

 

CMYK 54 / 0 / 56 / 24

HEX #59C355

RGB 89 195 85

HSL 117.82, 0.48%, 0.55%

LAB 70.74, -52.35, 45.5

 

CMYK 56 / 43 / 0 / 24

HEX #556FC3

RGB 85 111 195

HSL 225.82, 0.48%, 0.55%

LAB 48.56, 15.51, -46.94

 

CMYK 2 / 56 / 0 / 24

HEX #C055C3

RGB 192 85 195

HSL 298.36, 0.48%, 0.55%

LAB 53.65, 57.62, -38.2

 

CMYK 0 / 12 / 56 / 24

HEX #C3AB56

RGB 195 171 86

HSL 46.79, 0.48%, 0.55%

LAB 70.46, -1.91, 46.34

 

CMYK 56 / 0 / 41 / 24

HEX #55C373

RGB 85 195 115

HSL 136.36, 0.48%, 0.55%

LAB 71.01, -48.99, 30.94

 

CMYK 56 / 43 / 0 / 24

HEX #556FC3

RGB 85 111 195

HSL 225.82, 0.48%, 0.55%

LAB 48.56, 15.51, -46.94

 

CMYK 0 / 56 / 15 / 24

HEX #C355A6

RGB 195 85 166

HSL 315.82, 0.48%, 0.55%

LAB 52.79, 53.63, -22.68

 

Description

Color code: HEX #C3AB56 | qconv.com Color code: HEX #C3AB56 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 171 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 171 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 56 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 56% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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