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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3A937 it is the complementary color #3C56C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3A937. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3A937 shade: #C8A932, #D9BB45, #EACD58, #FBDF6B and #FFF17E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3A937. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3A937 shade: #C3A937, #B29724, #A18511, #907300 and #7F6100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3A937 shade: #C3A937, #C38337, #C35D37, #C33837 and #C33737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3A937 shade: #C3A937, #B7C337, #91C337, #6CC337 and #46C337

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3A937 shade matches the following richer shades: #C3A937, #D7B623 and #EBC20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3A937 shade: #C3A937, #AF9C4B, #9A905F, #868374 and #727688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3A937 shade: #C35C37, #C38237, #C3A737, #BAC337 and #94C337

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3A937 shade: #837125, #A38D2E, #C3A937, #CFB854 and #D8C574

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3A937 shade: #C3A937, #37C337 and #6F37C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3A937 shade: #C3A937, #37C3A7 and #A737C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3A937 shade: #C3A937, #37C337, #3753C3 and #C337C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3A937 shade: #C3A937, #37C361, #3753C3 and #C33799

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 72 / 24

HEX #C3A937

RGB 195 169 55

HSL 48.86, 0.56%, 0.49%

LAB 69.65, -2.84, 59.24

 

Complementary color

CMYK 70 / 57 / 0 / 22

HEX #3C56C8

RGB 60 86 200

HSL 228.86, 0.56%, 0.51%

LAB 40.87, 28.71, -62.27

 

CMYK 0 / 16 / 75 / 22

HEX #C8A932

RGB 200 169 50

HSL 47.6, 0.6%, 0.49%

LAB 70.1, -0.89, 61.72

 

CMYK 0 / 14 / 68 / 15

HEX #D9BB45

RGB 217 187 69

HSL 47.84, 0.66%, 0.56%

LAB 76.51, -2.08, 61.22

 

CMYK 0 / 12 / 62 / 8

HEX #EACD58

RGB 234 205 88

HSL 48.08, 0.78%, 0.63%

LAB 82.84, -3.09, 60.36

 

CMYK 0 / 11 / 57 / 2

HEX #FBDF6B

RGB 251 223 107

HSL 48.33, 0.95%, 0.7%

LAB 89.09, -3.96, 59.32

 

CMYK 0 / 5 / 51 / 0

HEX #FFF17E

RGB 255 241 126

HSL 53.49, 1%, 0.75%

LAB 94.17, -9.87, 56.64

 

CMYK 0 / 13 / 72 / 24

HEX #C3A937

RGB 195 169 55

HSL 48.86, 0.56%, 0.49%

LAB 69.65, -2.84, 59.24

 

CMYK 0 / 15 / 80 / 30

HEX #B29724

RGB 178 151 36

HSL 48.59, 0.66%, 0.42%

LAB 63.12, -1.55, 59.36

 

CMYK 0 / 17 / 89 / 37

HEX #A18511

RGB 161 133 17

HSL 48.33, 0.81%, 0.35%

LAB 56.48, 0.01, 58.39

 

CMYK 0 / 20 / 100 / 44

HEX #907300

RGB 144 115 0

HSL 47.92, 1%, 0.28%

LAB 49.73, 1.86, 55.86

 

CMYK 0 / 24 / 100 / 50

HEX #7F6100

RGB 127 97 0

HSL 45.83, 1%, 0.25%

LAB 42.86, 4.11, 50.2

 

CMYK 0 / 13 / 72 / 24

HEX #C3A937

RGB 195 169 55

HSL 48.86, 0.56%, 0.49%

LAB 69.65, -2.84, 59.24

 

CMYK 0 / 33 / 72 / 24

HEX #C38337

RGB 195 131 55

HSL 32.57, 0.56%, 0.49%

LAB 59.99, 17.79, 49.43

 

CMYK 0 / 52 / 72 / 24

HEX #C35D37

RGB 195 93 55

HSL 16.29, 0.56%, 0.49%

LAB 51.5, 38.16, 40.32

 

CMYK 0 / 71 / 72 / 24

HEX #C33837

RGB 195 56 55

HSL 0.43, 0.56%, 0.49%

LAB 45.23, 54.76, 33.21

 

CMYK 0 / 72 / 72 / 24

HEX #C33737

RGB 195 55 55

HSL 0, 0.56%, 0.49%

LAB 45.1, 55.13, 33.06

 

CMYK 0 / 13 / 72 / 24

HEX #C3A937

RGB 195 169 55

HSL 48.86, 0.56%, 0.49%

LAB 69.65, -2.84, 59.24

 

CMYK 6 / 0 / 72 / 24

HEX #B7C337

RGB 183 195 55

HSL 65.14, 0.56%, 0.49%

LAB 75.68, -21.33, 64.78

 

CMYK 26 / 0 / 72 / 24

HEX #91C337

RGB 145 195 55

HSL 81.43, 0.56%, 0.49%

LAB 73.11, -36.67, 61.39

 

CMYK 45 / 0 / 72 / 24

HEX #6CC337

RGB 108 195 55

HSL 97.29, 0.56%, 0.49%

LAB 71.21, -49.72, 58.86

 

CMYK 64 / 0 / 72 / 24

HEX #46C337

RGB 70 195 55

HSL 113.57, 0.56%, 0.49%

LAB 69.9, -59.9, 57.11

 

CMYK 0 / 13 / 72 / 24

HEX #C3A937

RGB 195 169 55

HSL 48.86, 0.56%, 0.49%

LAB 69.65, -2.84, 59.24

 

CMYK 0 / 15 / 84 / 16

HEX #D7B623

RGB 215 182 35

HSL 49, 0.72%, 0.49%

LAB 74.84, -1.69, 71.19

 

CMYK 0 / 17 / 94 / 8

HEX #EBC20F

RGB 235 194 15

HSL 48.82, 0.88%, 0.49%

LAB 79.77, 0.38, 79.69

 

CMYK 0 / 13 / 72 / 24

HEX #C3A937

RGB 195 169 55

HSL 48.86, 0.56%, 0.49%

LAB 69.65, -2.84, 59.24

 

CMYK 0 / 11 / 57 / 31

HEX #AF9C4B

RGB 175 156 75

HSL 48.6, 0.4%, 0.49%

LAB 64.48, -3.34, 44.29

 

CMYK 0 / 6 / 38 / 40

HEX #9A905F

RGB 154 144 95

HSL 49.83, 0.24%, 0.49%

LAB 59.56, -3.8, 27.39

 

CMYK 0 / 2 / 13 / 47

HEX #868374

RGB 134 131 116

HSL 50, 0.07%, 0.49%

LAB 54.62, -1.64, 8.51

 

CMYK 16 / 13 / 0 / 47

HEX #727688

RGB 114 118 136

HSL 229.09, 0.09%, 0.49%

LAB 49.87, 2.46, -10.32

 

CMYK 0 / 53 / 72 / 24

HEX #C35C37

RGB 195 92 55

HSL 15.86, 0.56%, 0.49%

LAB 51.3, 38.67, 40.1

 

CMYK 0 / 33 / 72 / 24

HEX #C38237

RGB 195 130 55

HSL 32.14, 0.56%, 0.49%

LAB 59.75, 18.34, 49.18

 

CMYK 0 / 14 / 72 / 24

HEX #C3A737

RGB 195 167 55

HSL 48, 0.56%, 0.49%

LAB 69.12, -1.78, 58.71

 

CMYK 5 / 0 / 72 / 24

HEX #BAC337

RGB 186 195 55

HSL 63.86, 0.56%, 0.49%

LAB 75.91, -20.07, 65.09

 

CMYK 24 / 0 / 72 / 24

HEX #94C337

RGB 148 195 55

HSL 80.14, 0.56%, 0.49%

LAB 73.29, -35.51, 61.63

 

CMYK 0 / 14 / 72 / 49

HEX #837125

RGB 131 113 37

HSL 48.51, 0.56%, 0.33%

LAB 47.97, -1.97, 42.9

 

CMYK 0 / 13 / 72 / 36

HEX #A38D2E

RGB 163 141 46

HSL 48.72, 0.56%, 0.41%

LAB 59.01, -2.42, 51.24

 

CMYK 0 / 13 / 72 / 24

HEX #C3A937

RGB 195 169 55

HSL 48.86, 0.56%, 0.49%

LAB 69.65, -2.84, 59.24

 

CMYK 0 / 11 / 59 / 19

HEX #CFB854

RGB 207 184 84

HSL 48.78, 0.56%, 0.57%

LAB 74.94, -3.82, 52.72

 

CMYK 0 / 9 / 46 / 15

HEX #D8C574

RGB 216 197 116

HSL 48.6, 0.56%, 0.65%

LAB 79.5, -4.16, 42.87

 

CMYK 0 / 13 / 72 / 24

HEX #C3A937

RGB 195 169 55

HSL 48.86, 0.56%, 0.49%

LAB 69.65, -2.84, 59.24

 

CMYK 72 / 0 / 72 / 24

HEX #37C337

RGB 55 195 55

HSL 120, 0.56%, 0.49%

LAB 69.55, -62.8, 56.64

 

CMYK 43 / 72 / 0 / 24

HEX #6F37C3

RGB 111 55 195

HSL 264, 0.56%, 0.49%

LAB 37.94, 53.43, -63.97

 

CMYK 0 / 13 / 72 / 24

HEX #C3A937

RGB 195 169 55

HSL 48.86, 0.56%, 0.49%

LAB 69.65, -2.84, 59.24

 

CMYK 72 / 0 / 14 / 24

HEX #37C3A7

RGB 55 195 167

HSL 168, 0.56%, 0.49%

LAB 71.3, -43.36, 3.44

 

CMYK 14 / 72 / 0 / 24

HEX #A737C3

RGB 167 55 195

HSL 288, 0.56%, 0.49%

LAB 45.48, 64.3, -51.4

 

CMYK 0 / 13 / 72 / 24

HEX #C3A937

RGB 195 169 55

HSL 48.86, 0.56%, 0.49%

LAB 69.65, -2.84, 59.24

 

CMYK 72 / 0 / 72 / 24

HEX #37C337

RGB 55 195 55

HSL 120, 0.56%, 0.49%

LAB 69.55, -62.8, 56.64

 

CMYK 72 / 57 / 0 / 24

HEX #3753C3

RGB 55 83 195

HSL 228, 0.56%, 0.49%

LAB 39.48, 28.16, -61.65

 

CMYK 0 / 72 / 0 / 24

HEX #C337C3

RGB 195 55 195

HSL 300, 0.56%, 0.49%

LAB 49.83, 70.23, -44.21

 

CMYK 0 / 13 / 72 / 24

HEX #C3A937

RGB 195 169 55

HSL 48.86, 0.56%, 0.49%

LAB 69.65, -2.84, 59.24

 

CMYK 72 / 0 / 50 / 24

HEX #37C361

RGB 55 195 97

HSL 138, 0.56%, 0.49%

LAB 69.97, -57.86, 38.58

 

CMYK 72 / 57 / 0 / 24

HEX #3753C3

RGB 55 83 195

HSL 228, 0.56%, 0.49%

LAB 39.48, 28.16, -61.65

 

CMYK 0 / 72 / 22 / 24

HEX #C33799

RGB 195 55 153

HSL 318, 0.56%, 0.49%

LAB 47.8, 64.01, -22.68

 

Description

Color code: HEX #C3A937 | qconv.com Color code: HEX #C3A937 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 169 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 169 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 72 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 72% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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