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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C39C7E it is the complementary color #3C6381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C39C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C39C7E shade: #C89C79, #D9AE8C, #EAC09F, #FBD2B2 and #FFE4C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C39C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C39C7E shade: #C39C7E, #B28A6B, #A17858, #906645 and #7F5432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C39C7E shade: #C39C7D, #C3897D and #C37D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C39C7E shade: #C39C7D, #C3AE7D, #C3C17D, #B2C37D and #9FC37D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C39C7E shade matches the following richer shades: #C39C7D, #D29A6E, #E2985F and #F1964F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C39C7E shade: #C39C7D, #B49E8D, #A5A09C, #95A2AB and #86A4BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C39C7E shade: #C37D84, #C3897D, #C39B7D, #C3AE7D and #C3C17D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C39C7E shade: #A3714B, #B68661, #C39C7D, #D0B19A and #DDC7B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C39C7E shade: #C39C7E, #97C37D and #807DC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C39C7E shade: #C39C7E, #7DC39B and #9B7DC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C39C7E shade: #C39C7E, #97C37D, #7DA5C3 and #A97DC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C39C7E shade: #C39C7E, #82C37D, #7DA5C3 and #BE7DC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 35 / 24

HEX #C39C7E

RGB 195 156 126

HSL 26.09, 0.37%, 0.63%

LAB 67.19, 10.28, 21.21

 

Complementary color

CMYK 53 / 23 / 0 / 49

HEX #3C6381

RGB 60 99 129

HSL 206.09, 0.37%, 0.37%

LAB 40.36, -4.65, -20.97

 

CMYK 0 / 22 / 40 / 22

HEX #C89C79

RGB 200 156 121

HSL 26.58, 0.42%, 0.63%

LAB 67.6, 11.69, 24.6

 

CMYK 0 / 20 / 35 / 15

HEX #D9AE8C

RGB 217 174 140

HSL 26.49, 0.5%, 0.7%

LAB 74.14, 10.99, 23.4

 

CMYK 0 / 18 / 32 / 8

HEX #EAC09F

RGB 234 192 159

HSL 26.4, 0.64%, 0.77%

LAB 80.57, 10.37, 22.28

 

CMYK 0 / 16 / 29 / 2

HEX #FBD2B2

RGB 251 210 178

HSL 26.3, 0.9%, 0.84%

LAB 86.91, 9.82, 21.23

 

CMYK 0 / 11 / 23 / 0

HEX #FFE4C5

RGB 255 228 197

HSL 32.07, 1%, 0.89%

LAB 92.03, 4.57, 18.51

 

CMYK 0 / 20 / 35 / 24

HEX #C39C7E

RGB 195 156 126

HSL 26.09, 0.37%, 0.63%

LAB 67.19, 10.28, 21.21

 

CMYK 0 / 22 / 40 / 30

HEX #B28A6B

RGB 178 138 107

HSL 26.2, 0.32%, 0.56%

LAB 60.52, 11, 22.44

 

CMYK 0 / 25 / 45 / 37

HEX #A17858

RGB 161 120 88

HSL 26.3, 0.29%, 0.49%

LAB 53.72, 11.84, 23.79

 

CMYK 0 / 29 / 52 / 44

HEX #906645

RGB 144 102 69

HSL 26.4, 0.35%, 0.42%

LAB 46.79, 12.85, 25.28

 

CMYK 0 / 34 / 61 / 50

HEX #7F5432

RGB 127 84 50

HSL 26.49, 0.44%, 0.35%

LAB 39.72, 14.09, 26.93

 

CMYK 0 / 20 / 36 / 24

HEX #C39C7D

RGB 195 156 125

HSL 26.57, 0.37%, 0.63%

LAB 67.17, 10.15, 21.74

 

CMYK 0 / 30 / 36 / 24

HEX #C3897D

RGB 195 137 125

HSL 10.29, 0.37%, 0.63%

LAB 62.49, 20.6, 15.3

 

CMYK 0 / 36 / 36 / 24

HEX #C37D7D

RGB 195 125 125

HSL 0, 0.37%, 0.63%

LAB 59.66, 27.2, 11.36

 

CMYK 0 / 20 / 36 / 24

HEX #C39C7D

RGB 195 156 125

HSL 26.57, 0.37%, 0.63%

LAB 67.17, 10.15, 21.74

 

CMYK 0 / 11 / 36 / 24

HEX #C3AE7D

RGB 195 174 125

HSL 42, 0.37%, 0.63%

LAB 71.8, 0.42, 27.94

 

CMYK 0 / 1 / 36 / 24

HEX #C3C17D

RGB 195 193 125

HSL 58.29, 0.37%, 0.63%

LAB 76.81, -9.56, 34.52

 

CMYK 9 / 0 / 36 / 24

HEX #B2C37D

RGB 178 195 125

HSL 74.57, 0.37%, 0.63%

LAB 76.05, -17.23, 33.29

 

CMYK 18 / 0 / 36 / 24

HEX #9FC37D

RGB 159 195 125

HSL 90.86, 0.37%, 0.63%

LAB 74.75, -24.4, 31.33

 

CMYK 0 / 20 / 36 / 24

HEX #C39C7D

RGB 195 156 125

HSL 26.57, 0.37%, 0.63%

LAB 67.17, 10.15, 21.74

 

CMYK 0 / 27 / 48 / 18

HEX #D29A6E

RGB 210 154 110

HSL 26.4, 0.53%, 0.63%

LAB 67.98, 15.67, 31.25

 

CMYK 0 / 33 / 58 / 11

HEX #E2985F

RGB 226 152 95

HSL 26.11, 0.69%, 0.63%

LAB 69.08, 22, 40.95

 

CMYK 0 / 38 / 67 / 5

HEX #F1964F

RGB 241 150 79

HSL 26.3, 0.85%, 0.63%

LAB 70.23, 28.12, 50.79

 

CMYK 0 / 20 / 36 / 24

HEX #C39C7D

RGB 195 156 125

HSL 26.57, 0.37%, 0.63%

LAB 67.17, 10.15, 21.74

 

CMYK 0 / 12 / 22 / 29

HEX #B49E8D

RGB 180 158 141

HSL 26.15, 0.21%, 0.63%

LAB 66.58, 5.33, 11.84

 

CMYK 0 / 3 / 5 / 35

HEX #A5A09C

RGB 165 160 156

HSL 26.67, 0.05%, 0.63%

LAB 66.17, 1.07, 2.71

 

CMYK 13 / 5 / 0 / 33

HEX #95A2AB

RGB 149 162 171

HSL 204.55, 0.12%, 0.63%

LAB 65.88, -2.71, -6.23

 

CMYK 28 / 12 / 0 / 27

HEX #86A4BA

RGB 134 164 186

HSL 205.38, 0.27%, 0.63%

LAB 65.88, -5.19, -14.72

 

CMYK 0 / 36 / 32 / 24

HEX #C37D84

RGB 195 125 132

HSL 354, 0.37%, 0.63%

LAB 59.83, 28.1, 7.58

 

CMYK 0 / 30 / 36 / 24

HEX #C3897D

RGB 195 137 125

HSL 10.29, 0.37%, 0.63%

LAB 62.49, 20.6, 15.3

 

CMYK 0 / 21 / 36 / 24

HEX #C39B7D

RGB 195 155 125

HSL 25.71, 0.37%, 0.63%

LAB 66.92, 10.7, 21.4

 

CMYK 0 / 11 / 36 / 24

HEX #C3AE7D

RGB 195 174 125

HSL 42, 0.37%, 0.63%

LAB 71.8, 0.42, 27.94

 

CMYK 0 / 1 / 36 / 24

HEX #C3C17D

RGB 195 193 125

HSL 58.29, 0.37%, 0.63%

LAB 76.81, -9.56, 34.52

 

CMYK 0 / 31 / 54 / 36

HEX #A3714B

RGB 163 113 75

HSL 25.91, 0.37%, 0.47%

LAB 51.96, 15.38, 28.89

 

CMYK 0 / 26 / 47 / 29

HEX #B68661

RGB 182 134 97

HSL 26.12, 0.37%, 0.55%

LAB 59.76, 13.78, 27.08

 

CMYK 0 / 20 / 36 / 24

HEX #C39C7D

RGB 195 156 125

HSL 26.57, 0.37%, 0.63%

LAB 67.17, 10.15, 21.74

 

CMYK 0 / 15 / 26 / 18

HEX #D0B19A

RGB 208 177 154

HSL 25.56, 0.36%, 0.71%

LAB 74.31, 7.71, 15.92

 

CMYK 0 / 10 / 18 / 13

HEX #DDC7B6

RGB 221 199 182

HSL 26.15, 0.36%, 0.79%

LAB 81.62, 4.99, 11.31

 

CMYK 0 / 20 / 35 / 24

HEX #C39C7E

RGB 195 156 126

HSL 26.09, 0.37%, 0.63%

LAB 67.19, 10.28, 21.21

 

CMYK 23 / 0 / 36 / 24

HEX #97C37D

RGB 151 195 125

HSL 97.71, 0.37%, 0.63%

LAB 74.25, -27.3, 30.58

 

CMYK 34 / 36 / 0 / 24

HEX #807DC3

RGB 128 125 195

HSL 242.57, 0.37%, 0.63%

LAB 55.27, 17.72, -36.14

 

CMYK 0 / 20 / 35 / 24

HEX #C39C7E

RGB 195 156 126

HSL 26.09, 0.37%, 0.63%

LAB 67.19, 10.28, 21.21

 

CMYK 36 / 0 / 21 / 24

HEX #7DC39B

RGB 125 195 155

HSL 145.71, 0.37%, 0.63%

LAB 73.39, -30.74, 13.24

 

CMYK 21 / 36 / 0 / 24

HEX #9B7DC3

RGB 155 125 195

HSL 265.71, 0.37%, 0.63%

LAB 57.63, 25.68, -32.28

 

CMYK 0 / 20 / 35 / 24

HEX #C39C7E

RGB 195 156 126

HSL 26.09, 0.37%, 0.63%

LAB 67.19, 10.28, 21.21

 

CMYK 23 / 0 / 36 / 24

HEX #97C37D

RGB 151 195 125

HSL 97.71, 0.37%, 0.63%

LAB 74.25, -27.3, 30.58

 

CMYK 36 / 15 / 0 / 24

HEX #7DA5C3

RGB 125 165 195

HSL 205.71, 0.37%, 0.63%

LAB 65.91, -6.1, -19.73

 

CMYK 13 / 36 / 0 / 24

HEX #A97DC3

RGB 169 125 195

HSL 277.71, 0.37%, 0.63%

LAB 59.01, 30.02, -30.03

 

CMYK 0 / 20 / 35 / 24

HEX #C39C7E

RGB 195 156 126

HSL 26.09, 0.37%, 0.63%

LAB 67.19, 10.28, 21.21

 

CMYK 33 / 0 / 36 / 24

HEX #82C37D

RGB 130 195 125

HSL 115.71, 0.37%, 0.63%

LAB 73.06, -34.52, 28.79

 

CMYK 36 / 15 / 0 / 24

HEX #7DA5C3

RGB 125 165 195

HSL 205.71, 0.37%, 0.63%

LAB 65.91, -6.1, -19.73

 

CMYK 3 / 36 / 0 / 24

HEX #BE7DC3

RGB 190 125 195

HSL 295.71, 0.37%, 0.63%

LAB 61.27, 36.64, -26.36

 

Description

Color code: HEX #C39C7E | qconv.com Color code: HEX #C39C7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 156 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 156 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 35 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 35% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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