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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C397D8 it is the complementary color #3C6827. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C397D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C397D8 shade: #C897D3, #D9A9E6, #EABBF9, #FBCDFF and #FFDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C397D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C397D8 shade: #C397D8, #B285C5, #A173B2, #90619F and #7F4F8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C397D8 shade: #C397D8, #D497D8, #D897CA, #D897B8 and #D897A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C397D8 shade: #C397D8, #B297D8, #A097D8 and #9797D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C397D8 shade matches the following richer shades: #C397D8, #C78CE3, #CB80EF and #CF75FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C397D8 shade: #C397D8, #BFA3CC, #BBAFC1, #B7BAB5 and #B3C6AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C397D8 shade: #A097D8, #B197D8, #C297D8, #D397D8 and #D897CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C397D8 shade: #A05CC1, #B27ACC, #C397D8, #D4B5E3 and #E6D3EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C397D8 shade: #C397D8, #D897A0 and #97D8A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C397D8 shade: #C397D8, #D8C297 and #97D8C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C397D8 shade: #C397D8, #D897A0, #ADD897 and #97D8CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C397D8 shade: #C397D8, #D8A297, #ADD897 and #97CDD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 30 / 0 / 15

HEX #C397D8

RGB 195 151 216

HSL 280.62, 0.45%, 0.72%

LAB 68.53, 28.12, -26.88

 

Complementary color

CMYK 42 / 0 / 63 / 59

HEX #3C6827

RGB 60 104 39

HSL 100.62, 0.45%, 0.28%

LAB 39.59, -28.26, 31.27

 

CMYK 5 / 28 / 0 / 17

HEX #C897D3

RGB 200 151 211

HSL 289, 0.41%, 0.71%

LAB 68.84, 28.72, -23.61

 

CMYK 6 / 27 / 0 / 10

HEX #D9A9E6

RGB 217 169 230

HSL 287.21, 0.55%, 0.78%

LAB 75.35, 28.1, -23.93

 

CMYK 6 / 25 / 0 / 2

HEX #EABBF9

RGB 234 187 249

HSL 285.48, 0.84%, 0.85%

LAB 81.77, 27.52, -24.24

 

CMYK 2 / 20 / 0 / 0

HEX #FBCDFF

RGB 251 205 255

HSL 295.2, 1%, 0.9%

LAB 87.68, 24.55, -18.33

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 10 / 30 / 0 / 15

HEX #C397D8

RGB 195 151 216

HSL 280.62, 0.45%, 0.72%

LAB 68.53, 28.12, -26.88

 

CMYK 10 / 32 / 0 / 23

HEX #B285C5

RGB 178 133 197

HSL 282.19, 0.36%, 0.65%

LAB 61.89, 28.79, -26.64

 

CMYK 10 / 35 / 0 / 30

HEX #A173B2

RGB 161 115 178

HSL 283.81, 0.29%, 0.57%

LAB 55.13, 29.5, -26.4

 

CMYK 9 / 39 / 0 / 38

HEX #90619F

RGB 144 97 159

HSL 285.48, 0.24%, 0.5%

LAB 48.24, 30.27, -26.14

 

CMYK 9 / 44 / 0 / 45

HEX #7F4F8C

RGB 127 79 140

HSL 287.21, 0.28%, 0.43%

LAB 41.21, 31.09, -25.86

 

CMYK 10 / 30 / 0 / 15

HEX #C397D8

RGB 195 151 216

HSL 280.62, 0.45%, 0.72%

LAB 68.53, 28.12, -26.88

 

CMYK 2 / 30 / 0 / 15

HEX #D497D8

RGB 212 151 216

HSL 296.31, 0.45%, 0.72%

LAB 70.24, 33.56, -24.12

 

CMYK 0 / 30 / 6 / 15

HEX #D897CA

RGB 216 151 202

HSL 312.92, 0.45%, 0.72%

LAB 70.17, 32.31, -16.44

 

CMYK 0 / 30 / 15 / 15

HEX #D897B8

RGB 216 151 184

HSL 329.54, 0.45%, 0.72%

LAB 69.61, 29.28, -7.29

 

CMYK 0 / 30 / 23 / 15

HEX #D897A7

RGB 216 151 167

HSL 345.23, 0.45%, 0.72%

LAB 69.13, 26.66, 1.48

 

CMYK 10 / 30 / 0 / 15

HEX #C397D8

RGB 195 151 216

HSL 280.62, 0.45%, 0.72%

LAB 68.53, 28.12, -26.88

 

CMYK 18 / 30 / 0 / 15

HEX #B297D8

RGB 178 151 216

HSL 264.92, 0.45%, 0.72%

LAB 66.94, 22.79, -29.46

 

CMYK 26 / 30 / 0 / 15

HEX #A097D8

RGB 160 151 216

HSL 248.31, 0.45%, 0.72%

LAB 65.41, 17.31, -31.96

 

CMYK 30 / 30 / 0 / 15

HEX #9797D8

RGB 151 151 216

HSL 240, 0.45%, 0.72%

LAB 64.7, 14.67, -33.11

 

CMYK 10 / 30 / 0 / 15

HEX #C397D8

RGB 195 151 216

HSL 280.62, 0.45%, 0.72%

LAB 68.53, 28.12, -26.88

 

CMYK 12 / 38 / 0 / 11

HEX #C78CE3

RGB 199 140 227

HSL 280.69, 0.61%, 0.72%

LAB 66.86, 37.67, -35.51

 

CMYK 15 / 46 / 0 / 6

HEX #CB80EF

RGB 203 128 239

HSL 280.54, 0.78%, 0.72%

LAB 65.25, 47.75, -44.62

 

CMYK 17 / 53 / 0 / 2

HEX #CF75FA

RGB 207 117 250

HSL 280.6, 0.93%, 0.72%

LAB 64.07, 56.73, -52.51

 

CMYK 10 / 30 / 0 / 15

HEX #C397D8

RGB 195 151 216

HSL 280.62, 0.45%, 0.72%

LAB 68.53, 28.12, -26.88

 

CMYK 6 / 20 / 0 / 20

HEX #BFA3CC

RGB 191 163 204

HSL 280.98, 0.29%, 0.72%

LAB 70.62, 17.74, -17.11

 

CMYK 3 / 9 / 0 / 24

HEX #BBAFC1

RGB 187 175 193

HSL 280, 0.13%, 0.72%

LAB 72.94, 7.62, -7.61

 

CMYK 2 / 0 / 3 / 27

HEX #B7BAB5

RGB 183 186 181

HSL 96, 0.03%, 0.72%

LAB 75.15, -1.97, 2.16

 

CMYK 10 / 0 / 14 / 22

HEX #B3C6AA

RGB 179 198 170

HSL 100.71, 0.2%, 0.72%

LAB 77.8, -11.64, 11.86

 

CMYK 26 / 30 / 0 / 15

HEX #A097D8

RGB 160 151 216

HSL 248.31, 0.45%, 0.72%

LAB 65.41, 17.31, -31.96

 

CMYK 18 / 30 / 0 / 15

HEX #B197D8

RGB 177 151 216

HSL 264, 0.45%, 0.72%

LAB 66.85, 22.48, -29.6

 

CMYK 10 / 30 / 0 / 15

HEX #C297D8

RGB 194 151 216

HSL 279.69, 0.45%, 0.72%

LAB 68.43, 27.81, -27.04

 

CMYK 2 / 30 / 0 / 15

HEX #D397D8

RGB 211 151 216

HSL 295.38, 0.45%, 0.72%

LAB 70.13, 33.23, -24.28

 

CMYK 0 / 30 / 6 / 15

HEX #D897CB

RGB 216 151 203

HSL 312, 0.45%, 0.72%

LAB 70.21, 32.49, -16.94

 

CMYK 17 / 52 / 0 / 24

HEX #A05CC1

RGB 160 92 193

HSL 280.4, 0.45%, 0.56%

LAB 50.66, 45.16, -42.04

 

CMYK 13 / 40 / 0 / 20

HEX #B27ACC

RGB 178 122 204

HSL 280.98, 0.45%, 0.64%

LAB 59.66, 36.39, -34.05

 

CMYK 10 / 30 / 0 / 15

HEX #C397D8

RGB 195 151 216

HSL 280.62, 0.45%, 0.72%

LAB 68.53, 28.12, -26.88

 

CMYK 7 / 20 / 0 / 11

HEX #D4B5E3

RGB 212 181 227

HSL 280.43, 0.45%, 0.8%

LAB 77.63, 19.39, -18.88

 

CMYK 3 / 11 / 0 / 7

HEX #E6D3EE

RGB 230 211 238

HSL 282.22, 0.44%, 0.88%

LAB 86.79, 11.37, -10.86

 

CMYK 10 / 30 / 0 / 15

HEX #C397D8

RGB 195 151 216

HSL 280.62, 0.45%, 0.72%

LAB 68.53, 28.12, -26.88

 

CMYK 0 / 30 / 26 / 15

HEX #D897A0

RGB 216 151 160

HSL 351.69, 0.45%, 0.72%

LAB 68.95, 25.65, 5.12

 

CMYK 30 / 0 / 22 / 15

HEX #97D8A9

RGB 151 216 169

HSL 136.62, 0.45%, 0.72%

LAB 81.05, -30.11, 16.72

 

CMYK 10 / 30 / 0 / 15

HEX #C397D8

RGB 195 151 216

HSL 280.62, 0.45%, 0.72%

LAB 68.53, 28.12, -26.88

 

CMYK 0 / 10 / 30 / 15

HEX #D8C297

RGB 216 194 151

HSL 39.69, 0.45%, 0.72%

LAB 79.28, 1.36, 24.5

 

CMYK 30 / 0 / 10 / 15

HEX #97D8C2

RGB 151 216 194

HSL 159.69, 0.45%, 0.72%

LAB 81.61, -25.2, 4.27

 

CMYK 10 / 30 / 0 / 15

HEX #C397D8

RGB 195 151 216

HSL 280.62, 0.45%, 0.72%

LAB 68.53, 28.12, -26.88

 

CMYK 0 / 30 / 26 / 15

HEX #D897A0

RGB 216 151 160

HSL 351.69, 0.45%, 0.72%

LAB 68.95, 25.65, 5.12

 

CMYK 20 / 0 / 30 / 15

HEX #ADD897

RGB 173 216 151

HSL 99.69, 0.45%, 0.72%

LAB 81.96, -25.82, 27.59

 

CMYK 30 / 0 / 4 / 15

HEX #97D8CF

RGB 151 216 207

HSL 171.69, 0.45%, 0.72%

LAB 81.94, -22.4, -2.16

 

CMYK 10 / 30 / 0 / 15

HEX #C397D8

RGB 195 151 216

HSL 280.62, 0.45%, 0.72%

LAB 68.53, 28.12, -26.88

 

CMYK 0 / 25 / 30 / 15

HEX #D8A297

RGB 216 162 151

HSL 10.15, 0.45%, 0.72%

LAB 71.33, 18.46, 13.51

 

CMYK 20 / 0 / 30 / 15

HEX #ADD897

RGB 173 216 151

HSL 99.69, 0.45%, 0.72%

LAB 81.96, -25.82, 27.59

 

CMYK 30 / 5 / 0 / 15

HEX #97CDD8

RGB 151 205 216

HSL 190.15, 0.45%, 0.72%

LAB 79.16, -14.8, -11.1

 

Description

Color code: HEX #C397D8 | qconv.com Color code: HEX #C397D8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 151 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 151 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 30 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 30% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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