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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C39710 it is the complementary color #3C68EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C39710. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C39710 shade: #C8970B, #D9A91E, #EABB31, #FBCD44 and #FFDF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C39710. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C39710 shade: #C39710, #B28500, #A17300, #906100 and #7F4F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C39710 shade: #C19610, #C16610, #C13610 and #C11010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C39710 shade: #C19610, #BDC110, #8DC110, #5DC110 and #2DC110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C39710 shade matches the following richer shades: #C19610

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C39710 shade: #C19610, #B18D21, #A08532, #8F7C42 and #7E7353

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C39710 shade: #C13610, #C16610, #C19510, #BEC110 and #8FC110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C39710 shade: #755B09, #9B780D, #C19610, #E8B313 and #EFC135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C39710 shade: #C39710, #19C110 and #4E10C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C39710 shade: #C39710, #10C195 and #9510C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C39710 shade: #C39710, #19C110, #103CC1 and #B910C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C39710 shade: #C39710, #10C13C, #103CC1 and #C11095

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 92 / 24

HEX #C39710

RGB 195 151 16

HSL 45.25, 0.85%, 0.41%

LAB 64.78, 5.57, 66.56

 

Complementary color

CMYK 75 / 56 / 0 / 6

HEX #3C68EF

RGB 60 104 239

HSL 225.25, 0.85%, 0.59%

LAB 48.38, 31.33, -72.27

 

CMYK 0 / 25 / 95 / 22

HEX #C8970B

RGB 200 151 11

HSL 44.44, 0.9%, 0.41%

LAB 65.31, 7.73, 67.99

 

CMYK 0 / 22 / 86 / 15

HEX #D9A91E

RGB 217 169 30

HSL 44.6, 0.76%, 0.48%

LAB 71.7, 5.91, 69.96

 

CMYK 0 / 20 / 79 / 8

HEX #EABB31

RGB 234 187 49

HSL 44.76, 0.81%, 0.55%

LAB 78.03, 4.33, 70.6

 

CMYK 0 / 18 / 73 / 2

HEX #FBCD44

RGB 251 205 68

HSL 44.92, 0.96%, 0.63%

LAB 84.27, 2.96, 70.44

 

CMYK 0 / 13 / 66 / 0

HEX #FFDF57

RGB 255 223 87

HSL 48.57, 1%, 0.67%

LAB 89.26, -3.59, 68.21

 

CMYK 0 / 23 / 92 / 24

HEX #C39710

RGB 195 151 16

HSL 45.25, 0.85%, 0.41%

LAB 64.78, 5.57, 66.56

 

CMYK 0 / 25 / 100 / 30

HEX #B28500

RGB 178 133 0

HSL 44.83, 1%, 0.35%

LAB 58.26, 7.55, 63.52

 

CMYK 0 / 29 / 100 / 37

HEX #A17300

RGB 161 115 0

HSL 42.86, 1%, 0.32%

LAB 51.65, 9.83, 58.1

 

CMYK 0 / 33 / 100 / 44

HEX #906100

RGB 144 97 0

HSL 40.42, 1%, 0.28%

LAB 44.91, 12.23, 52.58

 

CMYK 0 / 38 / 100 / 50

HEX #7F4F00

RGB 127 79 0

HSL 37.32, 1%, 0.25%

LAB 38.03, 14.76, 46.96

 

CMYK 0 / 22 / 92 / 24

HEX #C19610

RGB 193 150 16

HSL 45.42, 0.85%, 0.41%

LAB 64.31, 5.22, 66.11

 

CMYK 0 / 47 / 92 / 24

HEX #C16610

RGB 193 102 16

HSL 29.15, 0.85%, 0.41%

LAB 52.82, 31.4, 57.54

 

CMYK 0 / 72 / 92 / 24

HEX #C13610

RGB 193 54 16

HSL 12.88, 0.85%, 0.41%

LAB 44.25, 53.69, 51.45

 

CMYK 0 / 92 / 92 / 24

HEX #C11010

RGB 193 16 16

HSL 0, 0.85%, 0.41%

LAB 40.81, 63.39, 49.13

 

CMYK 0 / 22 / 92 / 24

HEX #C19610

RGB 193 150 16

HSL 45.42, 0.85%, 0.41%

LAB 64.31, 5.22, 66.11

 

CMYK 2 / 0 / 92 / 24

HEX #BDC110

RGB 189 193 16

HSL 61.36, 0.85%, 0.41%

LAB 75.45, -19.02, 74.5

 

CMYK 27 / 0 / 92 / 24

HEX #8DC110

RGB 141 193 16

HSL 77.63, 0.85%, 0.41%

LAB 72.12, -38.84, 70.45

 

CMYK 52 / 0 / 92 / 24

HEX #5DC110

RGB 93 193 16

HSL 93.9, 0.85%, 0.41%

LAB 69.83, -55.34, 67.63

 

CMYK 77 / 0 / 92 / 24

HEX #2DC110

RGB 45 193 16

HSL 110.17, 0.85%, 0.41%

LAB 68.56, -65.87, 66.06

 

CMYK 0 / 22 / 92 / 24

HEX #C19610

RGB 193 150 16

HSL 45.42, 0.85%, 0.41%

LAB 64.31, 5.22, 66.11

 

CMYK 0 / 22 / 92 / 24

HEX #C19610

RGB 193 150 16

HSL 45.42, 0.85%, 0.41%

LAB 64.31, 5.22, 66.11

 

CMYK 0 / 20 / 81 / 31

HEX #B18D21

RGB 177 141 33

HSL 45, 0.69%, 0.41%

LAB 60.34, 3.35, 57.83

 

CMYK 0 / 17 / 69 / 37

HEX #A08532

RGB 160 133 50

HSL 45.27, 0.52%, 0.41%

LAB 56.56, 0.87, 46.92

 

CMYK 0 / 13 / 54 / 44

HEX #8F7C42

RGB 143 124 66

HSL 45.19, 0.37%, 0.41%

LAB 52.56, -0.54, 34.06

 

CMYK 0 / 9 / 34 / 51

HEX #7E7353

RGB 126 115 83

HSL 44.65, 0.21%, 0.41%

LAB 48.66, -0.95, 19.29

 

CMYK 0 / 72 / 92 / 24

HEX #C13610

RGB 193 54 16

HSL 12.88, 0.85%, 0.41%

LAB 44.25, 53.69, 51.45

 

CMYK 0 / 47 / 92 / 24

HEX #C16610

RGB 193 102 16

HSL 29.15, 0.85%, 0.41%

LAB 52.82, 31.4, 57.54

 

CMYK 0 / 23 / 92 / 24

HEX #C19510

RGB 193 149 16

HSL 45.08, 0.85%, 0.41%

LAB 64.06, 5.76, 65.91

 

CMYK 2 / 0 / 92 / 24

HEX #BEC110

RGB 190 193 16

HSL 61.02, 0.85%, 0.41%

LAB 75.53, -18.59, 74.59

 

CMYK 26 / 0 / 92 / 24

HEX #8FC110

RGB 143 193 16

HSL 76.95, 0.85%, 0.41%

LAB 72.24, -38.06, 70.6

 

CMYK 0 / 22 / 92 / 54

HEX #755B09

RGB 117 91 9

HSL 45.56, 0.86%, 0.25%

LAB 40.05, 2.98, 45.23

 

CMYK 0 / 23 / 92 / 39

HEX #9B780D

RGB 155 120 13

HSL 45.21, 0.85%, 0.33%

LAB 52.32, 4.42, 55.73

 

CMYK 0 / 22 / 92 / 24

HEX #C19610

RGB 193 150 16

HSL 45.42, 0.85%, 0.41%

LAB 64.31, 5.22, 66.11

 

CMYK 0 / 23 / 92 / 9

HEX #E8B313

RGB 232 179 19

HSL 45.07, 0.85%, 0.49%

LAB 75.73, 6.95, 75.98

 

CMYK 0 / 19 / 78 / 6

HEX #EFC135

RGB 239 193 53

HSL 45.16, 0.85%, 0.57%

LAB 80.04, 3.48, 71.3

 

CMYK 0 / 23 / 92 / 24

HEX #C39710

RGB 195 151 16

HSL 45.25, 0.85%, 0.41%

LAB 64.78, 5.57, 66.56

 

CMYK 87 / 0 / 92 / 24

HEX #19C110

RGB 25 193 16

HSL 116.95, 0.85%, 0.41%

LAB 68.3, -68.15, 65.74

 

CMYK 60 / 92 / 0 / 24

HEX #4E10C1

RGB 78 16 193

HSL 261.02, 0.85%, 0.41%

LAB 29.01, 63.31, -77.62

 

CMYK 0 / 23 / 92 / 24

HEX #C39710

RGB 195 151 16

HSL 45.25, 0.85%, 0.41%

LAB 64.78, 5.57, 66.56

 

CMYK 92 / 0 / 23 / 24

HEX #10C195

RGB 16 193 149

HSL 165.08, 0.85%, 0.41%

LAB 69.77, -50.58, 10.96

 

CMYK 23 / 92 / 0 / 24

HEX #9510C1

RGB 149 16 193

HSL 285.08, 0.85%, 0.41%

LAB 38.92, 71.24, -60.97

 

CMYK 0 / 23 / 92 / 24

HEX #C39710

RGB 195 151 16

HSL 45.25, 0.85%, 0.41%

LAB 64.78, 5.57, 66.56

 

CMYK 87 / 0 / 92 / 24

HEX #19C110

RGB 25 193 16

HSL 116.95, 0.85%, 0.41%

LAB 68.3, -68.15, 65.74

 

CMYK 92 / 69 / 0 / 24

HEX #103CC1

RGB 16 60 193

HSL 225.08, 0.85%, 0.41%

LAB 32.24, 39.05, -72.39

 

CMYK 4 / 92 / 0 / 24

HEX #B910C1

RGB 185 16 193

HSL 297.29, 0.85%, 0.41%

LAB 44.99, 76.85, -50.86

 

CMYK 0 / 23 / 92 / 24

HEX #C39710

RGB 195 151 16

HSL 45.25, 0.85%, 0.41%

LAB 64.78, 5.57, 66.56

 

CMYK 92 / 0 / 69 / 24

HEX #10C13C

RGB 16 193 60

HSL 134.92, 0.85%, 0.41%

LAB 68.44, -66.09, 53.41

 

CMYK 92 / 69 / 0 / 24

HEX #103CC1

RGB 16 60 193

HSL 225.08, 0.85%, 0.41%

LAB 32.24, 39.05, -72.39

 

CMYK 0 / 92 / 23 / 24

HEX #C11095

RGB 193 16 149

HSL 314.92, 0.85%, 0.41%

LAB 44.06, 72.24, -26.1

 

Description

Color code: HEX #C39710 | qconv.com Color code: HEX #C39710 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 151 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 151 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 92 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 92% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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