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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C393DF it is the complementary color #3C6C20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C393DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C393DF shade: #C893DA, #D9A5ED, #EAB7FF, #FBC9FF and #FFDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C393DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C393DF shade: #C393DF, #B281CC, #A16FB9, #905DA6 and #7F4B93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C393DF shade: #C495DF, #D895DF, #DF95D3, #DF95BF and #DF95AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C393DF shade: #C495DF, #B095DF, #9C95DF and #9595DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C393DF shade matches the following richer shades: #C495DF, #C78AEA and #CA7FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C393DF shade: #C495DF, #C1A0D4, #BEABC9, #BBB6BE and #B8C2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C393DF shade: #9B95DF, #AF95DF, #C395DF, #D795DF and #DF95D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C393DF shade: #A155CC, #B275D6, #C495DF, #D6B5E9 and #E7D5F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C393DF shade: #C393DF, #DF95A3 and #95DFA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C393DF shade: #C393DF, #DFC395 and #95DFC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C393DF shade: #C393DF, #DF95A3, #B1DF95 and #95DFD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C393DF shade: #C393DF, #DF9E95, #B1DF95 and #95D7DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 34 / 0 / 13

HEX #C393DF

RGB 195 147 223

HSL 277.89, 0.54%, 0.73%

LAB 67.87, 31.79, -31.76

 

Complementary color

CMYK 44 / 0 / 70 / 58

HEX #3C6C20

RGB 60 108 32

HSL 97.89, 0.54%, 0.27%

LAB 40.88, -30.84, 36.05

 

CMYK 8 / 33 / 0 / 15

HEX #C893DA

RGB 200 147 218

HSL 284.79, 0.49%, 0.72%

LAB 68.17, 32.31, -28.49

 

CMYK 8 / 30 / 0 / 7

HEX #D9A5ED

RGB 217 165 237

HSL 283.33, 0.67%, 0.79%

LAB 74.68, 31.65, -28.75

 

CMYK 8 / 28 / 0 / 0

HEX #EAB7FF

RGB 234 183 255

HSL 282.5, 1%, 0.86%

LAB 81.06, 30.83, -28.53

 

CMYK 2 / 21 / 0 / 0

HEX #FBC9FF

RGB 251 201 255

HSL 295.56, 1%, 0.89%

LAB 86.75, 26.66, -19.73

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 13 / 34 / 0 / 13

HEX #C393DF

RGB 195 147 223

HSL 277.89, 0.54%, 0.73%

LAB 67.87, 31.79, -31.76

 

CMYK 13 / 37 / 0 / 20

HEX #B281CC

RGB 178 129 204

HSL 279.2, 0.42%, 0.65%

LAB 61.24, 32.5, -31.58

 

CMYK 13 / 40 / 0 / 27

HEX #A16FB9

RGB 161 111 185

HSL 280.54, 0.35%, 0.58%

LAB 54.5, 33.27, -31.4

 

CMYK 13 / 44 / 0 / 35

HEX #905DA6

RGB 144 93 166

HSL 281.92, 0.29%, 0.51%

LAB 47.64, 34.08, -31.2

 

CMYK 14 / 49 / 0 / 42

HEX #7F4B93

RGB 127 75 147

HSL 283.33, 0.32%, 0.44%

LAB 40.66, 34.92, -30.97

 

CMYK 12 / 33 / 0 / 13

HEX #C495DF

RGB 196 149 223

HSL 278.11, 0.54%, 0.73%

LAB 68.43, 30.99, -30.89

 

CMYK 3 / 33 / 0 / 13

HEX #D895DF

RGB 216 149 223

HSL 294.32, 0.54%, 0.73%

LAB 70.47, 37.23, -27.58

 

CMYK 0 / 33 / 5 / 13

HEX #DF95D3

RGB 223 149 211

HSL 309.73, 0.54%, 0.73%

LAB 70.79, 37.28, -20.4

 

CMYK 0 / 33 / 14 / 13

HEX #DF95BF

RGB 223 149 191

HSL 325.95, 0.54%, 0.73%

LAB 70.14, 33.91, -10.31

 

CMYK 0 / 33 / 23 / 13

HEX #DF95AB

RGB 223 149 171

HSL 342.16, 0.54%, 0.73%

LAB 69.56, 30.85, -0.03

 

CMYK 12 / 33 / 0 / 13

HEX #C495DF

RGB 196 149 223

HSL 278.11, 0.54%, 0.73%

LAB 68.43, 30.99, -30.89

 

CMYK 21 / 33 / 0 / 13

HEX #B095DF

RGB 176 149 223

HSL 261.89, 0.54%, 0.73%

LAB 66.56, 24.89, -33.94

 

CMYK 30 / 33 / 0 / 13

HEX #9C95DF

RGB 156 149 223

HSL 245.68, 0.54%, 0.73%

LAB 64.88, 19.02, -36.69

 

CMYK 33 / 33 / 0 / 13

HEX #9595DF

RGB 149 149 223

HSL 240, 0.54%, 0.73%

LAB 64.33, 17.04, -37.58

 

CMYK 12 / 33 / 0 / 13

HEX #C495DF

RGB 196 149 223

HSL 278.11, 0.54%, 0.73%

LAB 68.43, 30.99, -30.89

 

CMYK 15 / 41 / 0 / 8

HEX #C78AEA

RGB 199 138 234

HSL 278.13, 0.7%, 0.73%

LAB 66.72, 40.22, -39.59

 

CMYK 18 / 48 / 0 / 4

HEX #CA7FF6

RGB 202 127 246

HSL 277.82, 0.87%, 0.73%

LAB 65.27, 49.47, -48.45

 

CMYK 12 / 33 / 0 / 13

HEX #C495DF

RGB 196 149 223

HSL 278.11, 0.54%, 0.73%

LAB 68.43, 30.99, -30.89

 

CMYK 9 / 25 / 0 / 17

HEX #C1A0D4

RGB 193 160 212

HSL 278.08, 0.38%, 0.73%

LAB 70.34, 21.68, -21.93

 

CMYK 5 / 15 / 0 / 21

HEX #BEABC9

RGB 190 171 201

HSL 278, 0.22%, 0.73%

LAB 72.42, 12.4, -12.75

 

CMYK 2 / 4 / 0 / 25

HEX #BBB6BE

RGB 187 182 190

HSL 277.5, 0.06%, 0.73%

LAB 74.66, 3.25, -3.43

 

CMYK 5 / 0 / 8 / 24

HEX #B8C2B3

RGB 184 194 179

HSL 100, 0.11%, 0.73%

LAB 77.3, -6.21, 6.35

 

CMYK 30 / 33 / 0 / 13

HEX #9B95DF

RGB 155 149 223

HSL 244.86, 0.54%, 0.73%

LAB 64.8, 18.73, -36.82

 

CMYK 22 / 33 / 0 / 13

HEX #AF95DF

RGB 175 149 223

HSL 261.08, 0.54%, 0.73%

LAB 66.47, 24.59, -34.08

 

CMYK 13 / 33 / 0 / 13

HEX #C395DF

RGB 195 149 223

HSL 277.3, 0.54%, 0.73%

LAB 68.33, 30.68, -31.05

 

CMYK 4 / 33 / 0 / 13

HEX #D795DF

RGB 215 149 223

HSL 293.51, 0.54%, 0.73%

LAB 70.36, 36.92, -27.75

 

CMYK 0 / 33 / 5 / 13

HEX #DF95D4

RGB 223 149 212

HSL 308.92, 0.54%, 0.73%

LAB 70.83, 37.45, -20.9

 

CMYK 21 / 58 / 0 / 20

HEX #A155CC

RGB 161 85 204

HSL 278.32, 0.54%, 0.57%

LAB 50.02, 51.45, -49.38

 

CMYK 17 / 45 / 0 / 16

HEX #B275D6

RGB 178 117 214

HSL 277.73, 0.54%, 0.65%

LAB 59.01, 41.28, -40.69

 

CMYK 12 / 33 / 0 / 13

HEX #C495DF

RGB 196 149 223

HSL 278.11, 0.54%, 0.73%

LAB 68.43, 30.99, -30.89

 

CMYK 8 / 22 / 0 / 9

HEX #D6B5E9

RGB 214 181 233

HSL 278.08, 0.54%, 0.81%

LAB 78.01, 21.22, -21.53

 

CMYK 5 / 12 / 0 / 5

HEX #E7D5F2

RGB 231 213 242

HSL 277.24, 0.53%, 0.89%

LAB 87.48, 11.39, -11.94

 

CMYK 13 / 34 / 0 / 13

HEX #C393DF

RGB 195 147 223

HSL 277.89, 0.54%, 0.73%

LAB 67.87, 31.79, -31.76

 

CMYK 0 / 33 / 27 / 13

HEX #DF95A3

RGB 223 149 163

HSL 348.65, 0.54%, 0.73%

LAB 69.35, 29.72, 4.13

 

CMYK 33 / 0 / 26 / 13

HEX #95DFA5

RGB 149 223 165

HSL 132.97, 0.54%, 0.73%

LAB 82.85, -34.73, 21.3

 

CMYK 13 / 34 / 0 / 13

HEX #C393DF

RGB 195 147 223

HSL 277.89, 0.54%, 0.73%

LAB 67.87, 31.79, -31.76

 

CMYK 0 / 13 / 33 / 13

HEX #DFC395

RGB 223 195 149

HSL 37.3, 0.54%, 0.73%

LAB 80.12, 3.3, 26.79

 

CMYK 33 / 0 / 13 / 13

HEX #95DFC3

RGB 149 223 195

HSL 157.3, 0.54%, 0.73%

LAB 83.5, -28.96, 6.45

 

CMYK 13 / 34 / 0 / 13

HEX #C393DF

RGB 195 147 223

HSL 277.89, 0.54%, 0.73%

LAB 67.87, 31.79, -31.76

 

CMYK 0 / 33 / 27 / 13

HEX #DF95A3

RGB 223 149 163

HSL 348.65, 0.54%, 0.73%

LAB 69.35, 29.72, 4.13

 

CMYK 21 / 0 / 33 / 13

HEX #B1DF95

RGB 177 223 149

HSL 97.3, 0.54%, 0.73%

LAB 84.12, -28.07, 31.55

 

CMYK 33 / 0 / 6 / 13

HEX #95DFD2

RGB 149 223 210

HSL 169.46, 0.54%, 0.73%

LAB 83.87, -25.74, -0.94

 

CMYK 13 / 34 / 0 / 13

HEX #C393DF

RGB 195 147 223

HSL 277.89, 0.54%, 0.73%

LAB 67.87, 31.79, -31.76

 

CMYK 0 / 29 / 33 / 13

HEX #DF9E95

RGB 223 158 149

HSL 7.3, 0.54%, 0.73%

LAB 71.09, 23.03, 14.37

 

CMYK 21 / 0 / 33 / 13

HEX #B1DF95

RGB 177 223 149

HSL 97.3, 0.54%, 0.73%

LAB 84.12, -28.07, 31.55

 

CMYK 33 / 4 / 0 / 13

HEX #95D7DF

RGB 149 215 223

HSL 186.49, 0.54%, 0.73%

LAB 82.01, -18.8, -10.59

 

Description

Color code: HEX #C393DF | qconv.com Color code: HEX #C393DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 147 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 147 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 34 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 34% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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