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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C38F7E it is the complementary color #3C7081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C38F7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C38F7E shade: #C88F79, #D9A18C, #EAB39F, #FBC5B2 and #FFD7C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C38F7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C38F7E shade: #C38F7E, #B27D6B, #A16B58, #905945 and #7F4732

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C38F7E shade: #C38E7D and #C37D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C38F7E shade: #C38E7D, #C3A17D, #C3B47D, #BFC37D and #ACC37D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C38F7E shade matches the following richer shades: #C38E7D, #D2876E, #E27F5F and #F1774F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C38F7E shade: #C38E7D, #B4968D, #A59E9C, #95A6AB and #86ADBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C38F7E shade: #C37D92, #C37D80, #C38E7D, #C3A07D and #C3B37D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C38F7E shade: #A3604B, #B67661, #C38E7D, #D0A79A and #DDBFB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C38F7E shade: #C38F7E, #A5C37D and #7D89C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C38F7E shade: #C38F7E, #7DC38E and #8E7DC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C38F7E shade: #C38F7E, #A5C37D, #7DB3C3 and #9B7DC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C38F7E shade: #C38F7E, #90C37D, #7DB3C3 and #B07DC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 35 / 24

HEX #C38F7E

RGB 195 143 126

HSL 14.78, 0.37%, 0.63%

LAB 63.96, 17.42, 16.79

 

Complementary color

CMYK 53 / 13 / 0 / 49

HEX #3C7081

RGB 60 112 129

HSL 194.78, 0.37%, 0.37%

LAB 44.42, -12.29, -14.73

 

CMYK 0 / 29 / 40 / 22

HEX #C88F79

RGB 200 143 121

HSL 16.71, 0.42%, 0.63%

LAB 64.41, 18.81, 20.28

 

CMYK 0 / 26 / 35 / 15

HEX #D9A18C

RGB 217 161 140

HSL 16.36, 0.5%, 0.7%

LAB 70.96, 17.99, 19.06

 

CMYK 0 / 24 / 32 / 8

HEX #EAB39F

RGB 234 179 159

HSL 16, 0.64%, 0.77%

LAB 77.42, 17.26, 17.93

 

CMYK 0 / 22 / 29 / 2

HEX #FBC5B2

RGB 251 197 178

HSL 15.62, 0.9%, 0.84%

LAB 83.79, 16.61, 16.89

 

CMYK 0 / 16 / 23 / 0

HEX #FFD7C5

RGB 255 215 197

HSL 18.62, 1%, 0.89%

LAB 88.87, 11.27, 14.07

 

CMYK 0 / 27 / 35 / 24

HEX #C38F7E

RGB 195 143 126

HSL 14.78, 0.37%, 0.63%

LAB 63.96, 17.42, 16.79

 

CMYK 0 / 30 / 40 / 30

HEX #B27D6B

RGB 178 125 107

HSL 15.21, 0.32%, 0.56%

LAB 57.26, 18.27, 18.04

 

CMYK 0 / 34 / 45 / 37

HEX #A16B58

RGB 161 107 88

HSL 15.62, 0.29%, 0.49%

LAB 50.45, 19.26, 19.44

 

CMYK 0 / 38 / 52 / 44

HEX #905945

RGB 144 89 69

HSL 16, 0.35%, 0.42%

LAB 43.51, 20.41, 21.04

 

CMYK 0 / 44 / 61 / 50

HEX #7F4732

RGB 127 71 50

HSL 16.36, 0.44%, 0.35%

LAB 36.46, 21.77, 22.91

 

CMYK 0 / 27 / 36 / 24

HEX #C38E7D

RGB 195 142 125

HSL 14.57, 0.37%, 0.63%

LAB 63.7, 17.85, 16.98

 

CMYK 0 / 36 / 36 / 24

HEX #C37D7D

RGB 195 125 125

HSL 0, 0.37%, 0.63%

LAB 59.66, 27.2, 11.36

 

CMYK 0 / 27 / 36 / 24

HEX #C38E7D

RGB 195 142 125

HSL 14.57, 0.37%, 0.63%

LAB 63.7, 17.85, 16.98

 

CMYK 0 / 17 / 36 / 24

HEX #C3A17D

RGB 195 161 125

HSL 30.86, 0.37%, 0.63%

LAB 68.44, 7.43, 23.46

 

CMYK 0 / 8 / 36 / 24

HEX #C3B47D

RGB 195 180 125

HSL 47.14, 0.37%, 0.63%

LAB 73.37, -2.77, 30.02

 

CMYK 2 / 0 / 36 / 24

HEX #BFC37D

RGB 191 195 125

HSL 63.43, 0.37%, 0.63%

LAB 77.03, -12.17, 34.75

 

CMYK 12 / 0 / 36 / 24

HEX #ACC37D

RGB 172 195 125

HSL 79.71, 0.37%, 0.63%

LAB 75.63, -19.53, 32.65

 

CMYK 0 / 27 / 36 / 24

HEX #C38E7D

RGB 195 142 125

HSL 14.57, 0.37%, 0.63%

LAB 63.7, 17.85, 16.98

 

CMYK 0 / 36 / 48 / 18

HEX #D2876E

RGB 210 135 110

HSL 15, 0.53%, 0.63%

LAB 63.47, 25.98, 25.35

 

CMYK 0 / 44 / 58 / 11

HEX #E27F5F

RGB 226 127 95

HSL 14.66, 0.69%, 0.63%

LAB 63.49, 35.24, 34.04

 

CMYK 0 / 51 / 67 / 5

HEX #F1774F

RGB 241 119 79

HSL 14.81, 0.85%, 0.63%

LAB 63.72, 44, 43.38

 

CMYK 0 / 27 / 36 / 24

HEX #C38E7D

RGB 195 142 125

HSL 14.57, 0.37%, 0.63%

LAB 63.7, 17.85, 16.98

 

CMYK 0 / 17 / 22 / 29

HEX #B4968D

RGB 180 150 141

HSL 13.85, 0.21%, 0.63%

LAB 64.51, 9.75, 8.92

 

CMYK 0 / 4 / 5 / 35

HEX #A59E9C

RGB 165 158 156

HSL 13.33, 0.05%, 0.63%

LAB 65.63, 2.17, 1.94

 

CMYK 13 / 3 / 0 / 33

HEX #95A6AB

RGB 149 166 171

HSL 193.64, 0.12%, 0.63%

LAB 66.98, -4.89, -4.61

 

CMYK 28 / 7 / 0 / 27

HEX #86ADBA

RGB 134 173 186

HSL 195, 0.27%, 0.63%

LAB 68.39, -10.07, -10.95

 

CMYK 0 / 36 / 25 / 24

HEX #C37D92

RGB 195 125 146

HSL 342, 0.37%, 0.63%

LAB 60.2, 30.03, 0.06

 

CMYK 0 / 36 / 34 / 24

HEX #C37D80

RGB 195 125 128

HSL 357.43, 0.37%, 0.63%

LAB 59.73, 27.58, 9.74

 

CMYK 0 / 27 / 36 / 24

HEX #C38E7D

RGB 195 142 125

HSL 14.57, 0.37%, 0.63%

LAB 63.7, 17.85, 16.98

 

CMYK 0 / 18 / 36 / 24

HEX #C3A07D

RGB 195 160 125

HSL 30, 0.37%, 0.63%

LAB 68.19, 7.97, 23.11

 

CMYK 0 / 8 / 36 / 24

HEX #C3B37D

RGB 195 179 125

HSL 46.29, 0.37%, 0.63%

LAB 73.1, -2.24, 29.68

 

CMYK 0 / 41 / 54 / 36

HEX #A3604B

RGB 163 96 75

HSL 14.32, 0.37%, 0.47%

LAB 47.83, 25.01, 23.62

 

CMYK 0 / 35 / 47 / 29

HEX #B67661

RGB 182 118 97

HSL 14.82, 0.37%, 0.55%

LAB 55.85, 22.7, 21.93

 

CMYK 0 / 27 / 36 / 24

HEX #C38E7D

RGB 195 142 125

HSL 14.57, 0.37%, 0.63%

LAB 63.7, 17.85, 16.98

 

CMYK 0 / 20 / 26 / 18

HEX #D0A79A

RGB 208 167 154

HSL 14.44, 0.36%, 0.71%

LAB 71.81, 13.1, 12.42

 

CMYK 0 / 14 / 18 / 13

HEX #DDBFB6

RGB 221 191 182

HSL 13.85, 0.36%, 0.79%

LAB 79.62, 9.23, 8.46

 

CMYK 0 / 27 / 35 / 24

HEX #C38F7E

RGB 195 143 126

HSL 14.78, 0.37%, 0.63%

LAB 63.96, 17.42, 16.79

 

CMYK 15 / 0 / 36 / 24

HEX #A5C37D

RGB 165 195 125

HSL 85.71, 0.37%, 0.63%

LAB 75.15, -22.17, 31.93

 

CMYK 36 / 30 / 0 / 24

HEX #7D89C3

RGB 125 137 195

HSL 229.71, 0.37%, 0.63%

LAB 58.22, 9.8, -31.56

 

CMYK 0 / 27 / 35 / 24

HEX #C38F7E

RGB 195 143 126

HSL 14.78, 0.37%, 0.63%

LAB 63.96, 17.42, 16.79

 

CMYK 36 / 0 / 27 / 24

HEX #7DC38E

RGB 125 195 142

HSL 134.57, 0.37%, 0.63%

LAB 73.12, -33.22, 19.84

 

CMYK 27 / 36 / 0 / 24

HEX #8E7DC3

RGB 142 125 195

HSL 254.57, 0.37%, 0.63%

LAB 56.44, 21.77, -34.22

 

CMYK 0 / 27 / 35 / 24

HEX #C38F7E

RGB 195 143 126

HSL 14.78, 0.37%, 0.63%

LAB 63.96, 17.42, 16.79

 

CMYK 15 / 0 / 36 / 24

HEX #A5C37D

RGB 165 195 125

HSL 85.71, 0.37%, 0.63%

LAB 75.15, -22.17, 31.93

 

CMYK 36 / 8 / 0 / 24

HEX #7DB3C3

RGB 125 179 195

HSL 193.71, 0.37%, 0.63%

LAB 69.85, -13.64, -13.77

 

CMYK 21 / 36 / 0 / 24

HEX #9B7DC3

RGB 155 125 195

HSL 265.71, 0.37%, 0.63%

LAB 57.63, 25.68, -32.28

 

CMYK 0 / 27 / 35 / 24

HEX #C38F7E

RGB 195 143 126

HSL 14.78, 0.37%, 0.63%

LAB 63.96, 17.42, 16.79

 

CMYK 26 / 0 / 36 / 24

HEX #90C37D

RGB 144 195 125

HSL 103.71, 0.37%, 0.63%

LAB 73.83, -29.78, 29.95

 

CMYK 36 / 8 / 0 / 24

HEX #7DB3C3

RGB 125 179 195

HSL 193.71, 0.37%, 0.63%

LAB 69.85, -13.64, -13.77

 

CMYK 10 / 36 / 0 / 24

HEX #B07DC3

RGB 176 125 195

HSL 283.71, 0.37%, 0.63%

LAB 59.74, 32.21, -28.84

 

Description

Color code: HEX #C38F7E | qconv.com Color code: HEX #C38F7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 143 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 143 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 35 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 35% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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