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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C37AFF it is the complementary color #3C8500. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C37AFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C37AFF: #C87AFA, #D98CFF, #EA9EFF, #FBB0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C37AFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C37AFF: #C37AFF, #B268EC, #A156D9, #9044C6 and #7F32B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 52 / 0 / 0

HEX #C37AFF

RGB 195 122 255

HSL 272.93, 1%, 0.74%

LAB 63.95, 52.21, -55.53

 

Complementary color

CMYK 55 / 0 / 100 / 48

HEX #3C8500

RGB 60 133 0

HSL 92.93, 1%, 0.26%

LAB 49.17, -42.92, 52.76

 

CMYK 20 / 51 / 0 / 2

HEX #C87AFA

RGB 200 122 250

HSL 276.56, 0.93%, 0.73%

LAB 64.24, 52.4, -52.29

 

CMYK 15 / 45 / 0 / 0

HEX #D98CFF

RGB 217 140 255

HSL 280.17, 1%, 0.77%

LAB 69.98, 48.65, -45.84

 

CMYK 8 / 38 / 0 / 0

HEX #EA9EFF

RGB 234 158 255

HSL 287.01, 1%, 0.81%

LAB 75.55, 44.09, -37.01

 

CMYK 2 / 31 / 0 / 0

HEX #FBB0FF

RGB 251 176 255

HSL 296.96, 1%, 0.85%

LAB 81.17, 39.81, -28.21

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 24 / 52 / 0 / 0

HEX #C37AFF

RGB 195 122 255

HSL 272.93, 1%, 0.74%

LAB 63.95, 52.21, -55.53

 

CMYK 25 / 56 / 0 / 7

HEX #B268EC

RGB 178 104 236

HSL 273.64, 0.78%, 0.67%

LAB 57.48, 53.05, -55.44

 

CMYK 26 / 60 / 0 / 15

HEX #A156D9

RGB 161 86 217

HSL 274.35, 0.63%, 0.59%

LAB 50.97, 53.84, -55.28

 

CMYK 27 / 66 / 0 / 22

HEX #9044C6

RGB 144 68 198

HSL 275.08, 0.53%, 0.52%

LAB 44.43, 54.49, -54.99

 

CMYK 29 / 72 / 0 / 30

HEX #7F32B3

RGB 127 50 179

HSL 275.81, 0.56%, 0.45%

LAB 37.93, 54.84, -54.48

 

CMYK 24 / 52 / 0 / 0

HEX #C37AFF

RGB 195 122 255

HSL 272.93, 1%, 0.74%

LAB 63.95, 52.21, -55.53

 

CMYK 16 / 52 / 0 / 0

HEX #D77AFF

RGB 215 122 255

HSL 281.95, 1%, 0.74%

LAB 66.2, 57.31, -51.82

 

CMYK 7 / 52 / 0 / 0

HEX #ED7AFF

RGB 237 122 255

HSL 291.88, 1%, 0.74%

LAB 68.86, 63.01, -47.46

 

CMYK 0 / 52 / 2 / 0

HEX #FF7AFA

RGB 255 122 250

HSL 302.26, 1%, 0.74%

LAB 70.93, 66.86, -41.31

 

CMYK 0 / 52 / 11 / 0

HEX #FF7AE4

RGB 255 122 228

HSL 312.18, 1%, 0.74%

LAB 70.02, 63.32, -30.63

 

CMYK 24 / 52 / 0 / 0

HEX #C37AFF

RGB 195 122 255

HSL 272.93, 1%, 0.74%

LAB 63.95, 52.21, -55.53

 

CMYK 24 / 53 / 0 / 80

HEX #271833

RGB 39 24 51

HSL 273.33, 0.36%, 0.15%

LAB 11.44, 14.03, -15.01

 

CMYK 24 / 52 / 0 / 60

HEX #4E3166

RGB 78 49 102

HSL 272.83, 0.35%, 0.3%

LAB 26.09, 24.51, -26.28

 

CMYK 24 / 52 / 0 / 40

HEX #754999

RGB 117 73 153

HSL 273, 0.35%, 0.44%

LAB 39.32, 34.53, -36.78

 

CMYK 24 / 52 / 0 / 20

HEX #9C62CC

RGB 156 98 204

HSL 272.83, 0.51%, 0.59%

LAB 52.02, 43.32, -46.23

 

CMYK 24 / 52 / 0 / 0

HEX #C37AFF

RGB 195 122 255

HSL 272.93, 1%, 0.74%

LAB 63.95, 52.21, -55.53

 

CMYK 0 / 52 / 38 / 0

HEX #FF7A9D

RGB 255 122 157

HSL 344.21, 1%, 0.74%

LAB 67.73, 53.92, 5.69

 

CMYK 52 / 0 / 45 / 0

HEX #7AFF8C

RGB 122 255 140

HSL 128.12, 1%, 0.74%

LAB 90.57, -59.77, 43.9

 

CMYK 24 / 52 / 0 / 0

HEX #C37AFF

RGB 195 122 255

HSL 272.93, 1%, 0.74%

LAB 63.95, 52.21, -55.53

 

CMYK 0 / 24 / 52 / 0

HEX #FFC17A

RGB 255 193 122

HSL 32.03, 1%, 0.74%

LAB 82.27, 14.25, 44.12

 

CMYK 52 / 0 / 24 / 0

HEX #7AFFC1

RGB 122 255 193

HSL 152.03, 1%, 0.74%

LAB 91.46, -50.6, 18.64

 

CMYK 24 / 52 / 0 / 0

HEX #C37AFF

RGB 195 122 255

HSL 272.93, 1%, 0.74%

LAB 63.95, 52.21, -55.53

 

CMYK 0 / 52 / 38 / 0

HEX #FF7A9D

RGB 255 122 157

HSL 344.21, 1%, 0.74%

LAB 67.73, 53.92, 5.69

 

CMYK 28 / 0 / 52 / 0

HEX #B8FF7A

RGB 184 255 122

HSL 92.03, 1%, 0.74%

LAB 93.06, -43.49, 55.99

 

CMYK 52 / 0 / 14 / 0

HEX #7AFFDB

RGB 122 255 219

HSL 163.76, 1%, 0.74%

LAB 92.03, -45.06, 6.07

 

CMYK 24 / 52 / 0 / 0

HEX #C37AFF

RGB 195 122 255

HSL 272.93, 1%, 0.74%

LAB 63.95, 52.21, -55.53

 

CMYK 0 / 51 / 52 / 0

HEX #FF7E7A

RGB 255 126 122

HSL 1.8, 1%, 0.74%

LAB 67.72, 48.66, 25.37

 

CMYK 28 / 0 / 52 / 0

HEX #B8FF7A

RGB 184 255 122

HSL 92.03, 1%, 0.74%

LAB 93.06, -43.49, 55.99

 

CMYK 52 / 2 / 0 / 0

HEX #7AFAFF

RGB 122 250 255

HSL 182.26, 1%, 0.74%

LAB 91.56, -34.09, -13.28

 

Description

Color code: HEX #C37AFF | qconv.com Color code: HEX #C37AFF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 122 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 122 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 52 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 52% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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