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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C378EB it is the complementary color #3C8714. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C378EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C378EB shade: #C878E6, #D98AF9, #EA9CFF, #FBAEFF and #FFC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C378EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C378EB shade: #C378EB, #B266D8, #A154C5, #9042B2 and #7F309F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C378EB shade: #C47AEB, #E27AEB, #EB7AD5, #EB7AB7 and #EB7A98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C378EB shade: #C47AEB, #A57AEB, #877AEB and #7A7AEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C378EB shade matches the following richer shades: #C47AEB and #C76EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C378EB shade: #C47AEB, #C086DF, #BC93D2, #B89FC6 and #B5ABBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C378EB shade: #877AEB, #A57AEB, #C37AEB, #E27AEB and #EB7AD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C378EB shade: #A432E0, #B456E6, #C47AEB, #D49EF0 and #E4C2F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C378EB shade: #C378EB, #EB7A8B and #7AEB96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C378EB shade: #C378EB, #EBC37A and #7AEBC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C378EB shade: #C378EB, #EB7A8B, #A2EB7A and #7AEBDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C378EB shade: #C378EB, #EB8B7A, #A2EB7A and #7ADAEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 49 / 0 / 8

HEX #C378EB

RGB 195 120 235

HSL 279.13, 0.74%, 0.7%

LAB 62.54, 48.91, -46.75

 

Complementary color

CMYK 56 / 0 / 85 / 47

HEX #3C8714

RGB 60 135 20

HSL 99.13, 0.74%, 0.3%

LAB 49.9, -42.99, 49.2

 

CMYK 13 / 48 / 0 / 10

HEX #C878E6

RGB 200 120 230

HSL 283.64, 0.69%, 0.69%

LAB 62.87, 49.24, -43.41

 

CMYK 13 / 45 / 0 / 2

HEX #D98AF9

RGB 217 138 249

HSL 282.7, 0.9%, 0.76%

LAB 69.3, 48.47, -43.64

 

CMYK 8 / 39 / 0 / 0

HEX #EA9CFF

RGB 234 156 255

HSL 287.27, 1%, 0.81%

LAB 75.13, 45.14, -37.67

 

CMYK 2 / 32 / 0 / 0

HEX #FBAEFF

RGB 251 174 255

HSL 297.04, 1%, 0.84%

LAB 80.74, 40.85, -28.87

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 17 / 49 / 0 / 8

HEX #C378EB

RGB 195 120 235

HSL 279.13, 0.74%, 0.7%

LAB 62.54, 48.91, -46.75

 

CMYK 18 / 53 / 0 / 15

HEX #B266D8

RGB 178 102 216

HSL 280, 0.59%, 0.62%

LAB 56.01, 49.7, -46.55

 

CMYK 18 / 57 / 0 / 23

HEX #A154C5

RGB 161 84 197

HSL 280.88, 0.49%, 0.55%

LAB 49.43, 50.44, -46.28

 

CMYK 19 / 63 / 0 / 30

HEX #9042B2

RGB 144 66 178

HSL 281.79, 0.46%, 0.48%

LAB 42.82, 51.03, -45.89

 

CMYK 20 / 70 / 0 / 38

HEX #7F309F

RGB 127 48 159

HSL 282.7, 0.54%, 0.41%

LAB 36.23, 51.33, -45.25

 

CMYK 17 / 48 / 0 / 8

HEX #C47AEB

RGB 196 122 235

HSL 279.29, 0.74%, 0.7%

LAB 63.06, 48.13, -45.92

 

CMYK 4 / 48 / 0 / 8

HEX #E27AEB

RGB 226 122 235

HSL 295.22, 0.74%, 0.7%

LAB 66.59, 56.4, -40.13

 

CMYK 0 / 48 / 9 / 8

HEX #EB7AD5

RGB 235 122 213

HSL 311.68, 0.74%, 0.7%

LAB 66.81, 55.19, -27.47

 

CMYK 0 / 48 / 22 / 8

HEX #EB7AB7

RGB 235 122 183

HSL 327.61, 0.74%, 0.7%

LAB 65.75, 50.64, -12.25

 

CMYK 0 / 48 / 35 / 8

HEX #EB7A98

RGB 235 122 152

HSL 344.07, 0.74%, 0.7%

LAB 64.84, 46.62, 4.01

 

CMYK 17 / 48 / 0 / 8

HEX #C47AEB

RGB 196 122 235

HSL 279.29, 0.74%, 0.7%

LAB 63.06, 48.13, -45.92

 

CMYK 30 / 48 / 0 / 8

HEX #A57AEB

RGB 165 122 235

HSL 262.83, 0.74%, 0.7%

LAB 59.81, 39.85, -51.26

 

CMYK 43 / 48 / 0 / 8

HEX #877AEB

RGB 135 122 235

HSL 246.9, 0.74%, 0.7%

LAB 57.14, 32.38, -55.67

 

CMYK 48 / 48 / 0 / 8

HEX #7A7AEB

RGB 122 122 235

HSL 240, 0.74%, 0.7%

LAB 56.14, 29.4, -57.33

 

CMYK 17 / 48 / 0 / 8

HEX #C47AEB

RGB 196 122 235

HSL 279.29, 0.74%, 0.7%

LAB 63.06, 48.13, -45.92

 

CMYK 19 / 55 / 0 / 3

HEX #C76EF7

RGB 199 110 247

HSL 278.98, 0.9%, 0.7%

LAB 61.66, 57.58, -54.74

 

CMYK 17 / 48 / 0 / 8

HEX #C47AEB

RGB 196 122 235

HSL 279.29, 0.74%, 0.7%

LAB 63.06, 48.13, -45.92

 

CMYK 14 / 40 / 0 / 13

HEX #C086DF

RGB 192 134 223

HSL 279.1, 0.58%, 0.7%

LAB 64.63, 38.01, -36.82

 

CMYK 10 / 30 / 0 / 18

HEX #BC93D2

RGB 188 147 210

HSL 279.05, 0.41%, 0.7%

LAB 66.68, 26.87, -26.46

 

CMYK 7 / 20 / 0 / 22

HEX #B89FC6

RGB 184 159 198

HSL 278.46, 0.25%, 0.7%

LAB 68.8, 16.41, -16.6

 

CMYK 3 / 8 / 0 / 27

HEX #B5ABBA

RGB 181 171 186

HSL 280, 0.1%, 0.7%

LAB 71.21, 6.38, -6.38

 

CMYK 43 / 48 / 0 / 8

HEX #877AEB

RGB 135 122 235

HSL 246.9, 0.74%, 0.7%

LAB 57.14, 32.38, -55.67

 

CMYK 30 / 48 / 0 / 8

HEX #A57AEB

RGB 165 122 235

HSL 262.83, 0.74%, 0.7%

LAB 59.81, 39.85, -51.26

 

CMYK 17 / 48 / 0 / 8

HEX #C37AEB

RGB 195 122 235

HSL 278.76, 0.74%, 0.7%

LAB 62.94, 47.86, -46.1

 

CMYK 4 / 48 / 0 / 8

HEX #E27AEB

RGB 226 122 235

HSL 295.22, 0.74%, 0.7%

LAB 66.59, 56.4, -40.13

 

CMYK 0 / 48 / 9 / 8

HEX #EB7AD6

RGB 235 122 214

HSL 311.15, 0.74%, 0.7%

LAB 66.85, 55.35, -27.97

 

CMYK 27 / 78 / 0 / 12

HEX #A432E0

RGB 164 50 224

HSL 279.31, 0.74%, 0.54%

LAB 46.39, 71.17, -66.64

 

CMYK 22 / 63 / 0 / 10

HEX #B456E6

RGB 180 86 230

HSL 279.17, 0.74%, 0.62%

LAB 54.1, 61.04, -57.47

 

CMYK 17 / 48 / 0 / 8

HEX #C47AEB

RGB 196 122 235

HSL 279.29, 0.74%, 0.7%

LAB 63.06, 48.13, -45.92

 

CMYK 12 / 34 / 0 / 6

HEX #D49EF0

RGB 212 158 240

HSL 279.51, 0.73%, 0.78%

LAB 72.72, 34.5, -33.45

 

CMYK 7 / 21 / 0 / 4

HEX #E4C2F6

RGB 228 194 246

HSL 279.23, 0.74%, 0.86%

LAB 82.77, 21.28, -21.17

 

CMYK 17 / 49 / 0 / 8

HEX #C378EB

RGB 195 120 235

HSL 279.13, 0.74%, 0.7%

LAB 62.54, 48.91, -46.75

 

CMYK 0 / 48 / 41 / 8

HEX #EB7A8B

RGB 235 122 139

HSL 350.97, 0.74%, 0.7%

LAB 64.52, 45.16, 10.95

 

CMYK 48 / 0 / 36 / 8

HEX #7AEB96

RGB 122 235 150

HSL 134.87, 0.74%, 0.7%

LAB 84.87, -50.24, 31.56

 

CMYK 17 / 49 / 0 / 8

HEX #C378EB

RGB 195 120 235

HSL 279.13, 0.74%, 0.7%

LAB 62.54, 48.91, -46.75

 

CMYK 0 / 17 / 48 / 8

HEX #EBC37A

RGB 235 195 122

HSL 38.76, 0.74%, 0.7%

LAB 80.79, 5.15, 41.85

 

CMYK 48 / 0 / 17 / 8

HEX #7AEBC3

RGB 122 235 195

HSL 158.76, 0.74%, 0.7%

LAB 85.75, -41.57, 9.53

 

CMYK 17 / 49 / 0 / 8

HEX #C378EB

RGB 195 120 235

HSL 279.13, 0.74%, 0.7%

LAB 62.54, 48.91, -46.75

 

CMYK 0 / 48 / 41 / 8

HEX #EB7A8B

RGB 235 122 139

HSL 350.97, 0.74%, 0.7%

LAB 64.52, 45.16, 10.95

 

CMYK 31 / 0 / 48 / 8

HEX #A2EB7A

RGB 162 235 122

HSL 98.76, 0.74%, 0.7%

LAB 86.26, -42.26, 47.48

 

CMYK 48 / 0 / 7 / 8

HEX #7AEBDA

RGB 122 235 218

HSL 170.97, 0.74%, 0.7%

LAB 86.31, -36.34, -1.72

 

CMYK 17 / 49 / 0 / 8

HEX #C378EB

RGB 195 120 235

HSL 279.13, 0.74%, 0.7%

LAB 62.54, 48.91, -46.75

 

CMYK 0 / 41 / 48 / 8

HEX #EB8B7A

RGB 235 139 122

HSL 9.03, 0.74%, 0.7%

LAB 67.67, 34.74, 24.85

 

CMYK 31 / 0 / 48 / 8

HEX #A2EB7A

RGB 162 235 122

HSL 98.76, 0.74%, 0.7%

LAB 86.26, -42.26, 47.48

 

CMYK 48 / 7 / 0 / 8

HEX #7ADAEB

RGB 122 218 235

HSL 189.03, 0.74%, 0.7%

LAB 81.99, -23.94, -17.14

 

Description

Color code: HEX #C378EB | qconv.com Color code: HEX #C378EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 120 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 120 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 49 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 49% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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