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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C37152 it is the complementary color #3C8EAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C37152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C37152 shade: #C8714D, #D98360, #EA9573, #FBA786 and #FFB999

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C37152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C37152 shade: #C37152, #B25F3F, #A14D2C, #903B19 and #7F2906

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C37152 shade: #C27051, #C25251 and #C25151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C37152 shade: #C27051, #C28F51, #C2AD51, #B9C251 and #9AC251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C37152 shade matches the following richer shades: #C27051, #D5683E, #E85F2B and #FB5718

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C37152 shade: #C27051, #AF7964, #9C8177, #898A8A and #76939D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C37152 shade: #C2516F, #C25151, #C26F51, #C28D51 and #C2AB51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C37152 shade: #8F4C32, #AD5C3D, #C27051, #CD8970 and #D7A28E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C37152 shade: #C37152, #8DC251 and #5160C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C37152 shade: #C37152, #51C26F and #6F51C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C37152 shade: #C37152, #8DC251, #51A4C2 and #8651C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C37152 shade: #C37152, #6CC251, #51A4C2 and #A851C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 58 / 24

HEX #C37152

RGB 195 113 82

HSL 16.46, 0.48%, 0.54%

LAB 56.11, 29.37, 31.06

 

Complementary color

CMYK 65 / 18 / 0 / 32

HEX #3C8EAD

RGB 60 142 173

HSL 196.46, 0.48%, 0.46%

LAB 55.4, -15.02, -23.66

 

CMYK 0 / 44 / 62 / 22

HEX #C8714D

RGB 200 113 77

HSL 17.56, 0.53%, 0.54%

LAB 56.71, 31.01, 34.71

 

CMYK 0 / 40 / 56 / 15

HEX #D98360

RGB 217 131 96

HSL 17.36, 0.61%, 0.61%

LAB 63.2, 29.66, 32.89

 

CMYK 0 / 36 / 51 / 8

HEX #EA9573

RGB 234 149 115

HSL 17.14, 0.74%, 0.68%

LAB 69.63, 28.45, 31.24

 

CMYK 0 / 33 / 47 / 2

HEX #FBA786

RGB 251 167 134

HSL 16.92, 0.94%, 0.75%

LAB 75.99, 27.37, 29.73

 

CMYK 0 / 27 / 40 / 0

HEX #FFB999

RGB 255 185 153

HSL 18.82, 1%, 0.8%

LAB 80.88, 21.42, 26.24

 

CMYK 0 / 42 / 58 / 24

HEX #C37152

RGB 195 113 82

HSL 16.46, 0.48%, 0.54%

LAB 56.11, 29.37, 31.06

 

CMYK 0 / 47 / 65 / 30

HEX #B25F3F

RGB 178 95 63

HSL 16.7, 0.48%, 0.47%

LAB 49.51, 30.79, 33.02

 

CMYK 0 / 52 / 73 / 37

HEX #A14D2C

RGB 161 77 44

HSL 16.92, 0.57%, 0.4%

LAB 42.86, 32.38, 35.19

 

CMYK 0 / 59 / 83 / 44

HEX #903B19

RGB 144 59 25

HSL 17.14, 0.7%, 0.33%

LAB 36.23, 34.08, 37.42

 

CMYK 0 / 68 / 95 / 50

HEX #7F2906

RGB 127 41 6

HSL 17.36, 0.91%, 0.26%

LAB 29.69, 35.73, 39.08

 

CMYK 0 / 42 / 58 / 24

HEX #C27051

RGB 194 112 81

HSL 16.46, 0.48%, 0.54%

LAB 55.74, 29.42, 31.12

 

CMYK 0 / 58 / 58 / 24

HEX #C25251

RGB 194 82 81

HSL 0.53, 0.48%, 0.54%

LAB 49.61, 44.85, 23.29

 

CMYK 0 / 58 / 58 / 24

HEX #C25151

RGB 194 81 81

HSL 0, 0.48%, 0.54%

LAB 49.43, 45.32, 23.06

 

CMYK 0 / 42 / 58 / 24

HEX #C27051

RGB 194 112 81

HSL 16.46, 0.48%, 0.54%

LAB 55.74, 29.42, 31.12

 

CMYK 0 / 26 / 58 / 24

HEX #C28F51

RGB 194 143 81

HSL 32.92, 0.48%, 0.54%

LAB 63.1, 12.43, 40.13

 

CMYK 0 / 11 / 58 / 24

HEX #C2AD51

RGB 194 173 81

HSL 48.85, 0.48%, 0.54%

LAB 70.84, -3.78, 49.15

 

CMYK 5 / 0 / 58 / 24

HEX #B9C251

RGB 185 194 81

HSL 64.78, 0.48%, 0.54%

LAB 75.76, -18.37, 54.48

 

CMYK 21 / 0 / 58 / 24

HEX #9AC251

RGB 154 194 81

HSL 81.24, 0.48%, 0.54%

LAB 73.58, -30.81, 51.44

 

CMYK 0 / 42 / 58 / 24

HEX #C27051

RGB 194 112 81

HSL 16.46, 0.48%, 0.54%

LAB 55.74, 29.42, 31.12

 

CMYK 0 / 51 / 71 / 16

HEX #D5683E

RGB 213 104 62

HSL 16.69, 0.64%, 0.54%

LAB 56.48, 39.93, 42.94

 

CMYK 0 / 59 / 81 / 9

HEX #E85F2B

RGB 232 95 43

HSL 16.51, 0.8%, 0.54%

LAB 57.57, 50.59, 54.21

 

CMYK 0 / 65 / 90 / 2

HEX #FB5718

RGB 251 87 24

HSL 16.65, 0.97%, 0.54%

LAB 59.34, 60.18, 64.15

 

CMYK 0 / 42 / 58 / 24

HEX #C27051

RGB 194 112 81

HSL 16.46, 0.48%, 0.54%

LAB 55.74, 29.42, 31.12

 

CMYK 0 / 31 / 43 / 31

HEX #AF7964

RGB 175 121 100

HSL 16.8, 0.32%, 0.54%

LAB 55.8, 18.48, 19.99

 

CMYK 0 / 17 / 24 / 39

HEX #9C8177

RGB 156 129 119

HSL 16.22, 0.16%, 0.54%

LAB 56.19, 8.73, 9.29

 

CMYK 1 / 0 / 0 / 46

HEX #898A8A

RGB 137 138 138

HSL 180, 0%, 0.54%

LAB 57.4, -0.37, -0.14

 

CMYK 25 / 6 / 0 / 38

HEX #76939D

RGB 118 147 157

HSL 195.38, 0.17%, 0.54%

LAB 59.12, -7.79, -8.63

 

CMYK 0 / 58 / 43 / 24

HEX #C2516F

RGB 194 81 111

HSL 344.07, 0.48%, 0.54%

LAB 50.1, 48.02, 5.99

 

CMYK 0 / 58 / 58 / 24

HEX #C25151

RGB 194 81 81

HSL 0, 0.48%, 0.54%

LAB 49.43, 45.32, 23.06

 

CMYK 0 / 43 / 58 / 24

HEX #C26F51

RGB 194 111 81

HSL 15.93, 0.48%, 0.54%

LAB 55.51, 29.96, 30.84

 

CMYK 0 / 27 / 58 / 24

HEX #C28D51

RGB 194 141 81

HSL 31.86, 0.48%, 0.54%

LAB 62.6, 13.53, 39.53

 

CMYK 0 / 12 / 58 / 24

HEX #C2AB51

RGB 194 171 81

HSL 47.79, 0.48%, 0.54%

LAB 70.31, -2.72, 48.55

 

CMYK 0 / 47 / 65 / 44

HEX #8F4C32

RGB 143 76 50

HSL 16.77, 0.48%, 0.38%

LAB 39.98, 25.8, 27.76

 

CMYK 0 / 47 / 65 / 32

HEX #AD5C3D

RGB 173 92 61

HSL 16.61, 0.48%, 0.46%

LAB 48.1, 30.24, 32.29

 

CMYK 0 / 42 / 58 / 24

HEX #C27051

RGB 194 112 81

HSL 16.46, 0.48%, 0.54%

LAB 55.74, 29.42, 31.12

 

CMYK 0 / 33 / 45 / 20

HEX #CD8970

RGB 205 137 112

HSL 16.13, 0.48%, 0.62%

LAB 63.38, 23.1, 24

 

CMYK 0 / 25 / 34 / 16

HEX #D7A28E

RGB 215 162 142

HSL 16.44, 0.48%, 0.7%

LAB 71.04, 16.91, 18.03

 

CMYK 0 / 42 / 58 / 24

HEX #C37152

RGB 195 113 82

HSL 16.46, 0.48%, 0.54%

LAB 56.11, 29.37, 31.06

 

CMYK 27 / 0 / 58 / 24

HEX #8DC251

RGB 141 194 81

HSL 88.14, 0.48%, 0.54%

LAB 72.79, -35.73, 50.33

 

CMYK 58 / 51 / 0 / 24

HEX #5160C2

RGB 81 96 194

HSL 232.04, 0.48%, 0.54%

LAB 44.25, 23.75, -53.28

 

CMYK 0 / 42 / 58 / 24

HEX #C37152

RGB 195 113 82

HSL 16.46, 0.48%, 0.54%

LAB 56.11, 29.37, 31.06

 

CMYK 58 / 0 / 43 / 24

HEX #51C26F

RGB 81 194 111

HSL 135.93, 0.48%, 0.54%

LAB 70.51, -50.18, 32.34

 

CMYK 43 / 58 / 0 / 24

HEX #6F51C2

RGB 111 81 194

HSL 255.93, 0.48%, 0.54%

LAB 43, 39.24, -55.17

 

CMYK 0 / 42 / 58 / 24

HEX #C37152

RGB 195 113 82

HSL 16.46, 0.48%, 0.54%

LAB 56.11, 29.37, 31.06

 

CMYK 27 / 0 / 58 / 24

HEX #8DC251

RGB 141 194 81

HSL 88.14, 0.48%, 0.54%

LAB 72.79, -35.73, 50.33

 

CMYK 58 / 15 / 0 / 24

HEX #51A4C2

RGB 81 164 194

HSL 195.93, 0.48%, 0.54%

LAB 63.5, -16.43, -23.03

 

CMYK 31 / 58 / 0 / 24

HEX #8651C2

RGB 134 81 194

HSL 268.14, 0.48%, 0.54%

LAB 45.43, 44.59, -51.14

 

CMYK 0 / 42 / 58 / 24

HEX #C37152

RGB 195 113 82

HSL 16.46, 0.48%, 0.54%

LAB 56.11, 29.37, 31.06

 

CMYK 44 / 0 / 58 / 24

HEX #6CC251

RGB 108 194 81

HSL 105.66, 0.48%, 0.54%

LAB 71.12, -47, 47.98

 

CMYK 58 / 15 / 0 / 24

HEX #51A4C2

RGB 81 164 194

HSL 195.93, 0.48%, 0.54%

LAB 63.5, -16.43, -23.03

 

CMYK 13 / 58 / 0 / 24

HEX #A851C2

RGB 168 81 194

HSL 286.19, 0.48%, 0.54%

LAB 49.62, 53.08, -44.2

 

Description

Color code: HEX #C37152 | qconv.com Color code: HEX #C37152 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 113 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 113 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 58 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 58% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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