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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C36B7C it is the complementary color #3C9483. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C36B7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C36B7C shade: #C86B77, #D97D8A, #EA8F9D, #FBA1B0 and #FFB3C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C36B7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C36B7C shade: #C36B7C, #B25969, #A14756, #903543 and #7F2330

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C36B7C shade: #C26B7C and #C26B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C36B7C shade: #C26B7C, #C26B93, #C26BAB, #C26BC2 and #AA6BC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C36B7C shade matches the following richer shades: #C26B7C, #D35A71, #E44967 and #F5385C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C36B7C shade: #C26B7C, #B17B86, #A18C90, #909D9B and #7FAEA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C36B7C shade: #C26BAB, #C26B94, #C26B7C, #C2706B and #C2886B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C36B7C shade: #9B3F51, #B64D62, #C26B7C, #CE8895 and #DAA5AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C36B7C shade: #C36B7C, #C2C26B and #6B9FC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C36B7C shade: #C36B7C, #7CC26B and #6B7CC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C36B7C shade: #C36B7C, #C2C26B, #6BC2B1 and #6B6BC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C36B7C shade: #C36B7C, #A8C26B, #6BC2B1 and #856BC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 36 / 24

HEX #C36B7C

RGB 195 107 124

HSL 348.41, 0.42%, 0.59%

LAB 55.66, 36.78, 6.25

 

Complementary color

CMYK 59 / 0 / 11 / 42

HEX #3C9483

RGB 60 148 131

HSL 168.41, 0.42%, 0.41%

LAB 55.87, -30.56, 1.13

 

CMYK 0 / 47 / 41 / 22

HEX #C86B77

RGB 200 107 119

HSL 352.26, 0.46%, 0.6%

LAB 56.21, 38.03, 10.06

 

CMYK 0 / 42 / 36 / 15

HEX #D97D8A

RGB 217 125 138

HSL 351.52, 0.55%, 0.67%

LAB 62.72, 37.05, 8.63

 

CMYK 0 / 39 / 33 / 8

HEX #EA8F9D

RGB 234 143 157

HSL 350.77, 0.68%, 0.74%

LAB 69.16, 36.11, 7.38

 

CMYK 0 / 36 / 30 / 2

HEX #FBA1B0

RGB 251 161 176

HSL 350, 0.92%, 0.81%

LAB 75.53, 35.24, 6.26

 

CMYK 0 / 30 / 24 / 0

HEX #FFB3C3

RGB 255 179 195

HSL 347.37, 1%, 0.85%

LAB 80.43, 29.82, 3.04

 

CMYK 0 / 45 / 36 / 24

HEX #C36B7C

RGB 195 107 124

HSL 348.41, 0.42%, 0.59%

LAB 55.66, 36.78, 6.25

 

CMYK 0 / 50 / 41 / 30

HEX #B25969

RGB 178 89 105

HSL 349.21, 0.37%, 0.52%

LAB 49.04, 37.77, 7.77

 

CMYK 0 / 56 / 47 / 37

HEX #A14756

RGB 161 71 86

HSL 350, 0.39%, 0.45%

LAB 42.39, 38.76, 9.59

 

CMYK 0 / 63 / 53 / 44

HEX #903543

RGB 144 53 67

HSL 350.77, 0.46%, 0.39%

LAB 35.75, 39.64, 11.88

 

CMYK 0 / 72 / 62 / 50

HEX #7F2330

RGB 127 35 48

HSL 351.52, 0.57%, 0.32%

LAB 29.23, 40.2, 14.88

 

CMYK 0 / 45 / 36 / 24

HEX #C26B7C

RGB 194 107 124

HSL 348.28, 0.42%, 0.59%

LAB 55.52, 36.42, 6.04

 

CMYK 0 / 45 / 45 / 24

HEX #C26B6B

RGB 194 107 107

HSL 0, 0.42%, 0.59%

LAB 55.12, 34.48, 15.42

 

CMYK 0 / 45 / 36 / 24

HEX #C26B7C

RGB 194 107 124

HSL 348.28, 0.42%, 0.59%

LAB 55.52, 36.42, 6.04

 

CMYK 0 / 45 / 24 / 24

HEX #C26B93

RGB 194 107 147

HSL 332.41, 0.42%, 0.59%

LAB 56.18, 39.49, -6.45

 

CMYK 0 / 45 / 12 / 24

HEX #C26BAB

RGB 194 107 171

HSL 315.86, 0.42%, 0.59%

LAB 57, 43.23, -19.14

 

CMYK 0 / 45 / 0 / 24

HEX #C26BC2

RGB 194 107 194

HSL 300, 0.42%, 0.59%

LAB 57.92, 47.25, -30.93

 

CMYK 12 / 45 / 0 / 24

HEX #AA6BC2

RGB 170 107 194

HSL 283.45, 0.42%, 0.59%

LAB 55.03, 40.13, -35.66

 

CMYK 0 / 45 / 36 / 24

HEX #C26B7C

RGB 194 107 124

HSL 348.28, 0.42%, 0.59%

LAB 55.52, 36.42, 6.04

 

CMYK 0 / 57 / 46 / 17

HEX #D35A71

RGB 211 90 113

HSL 348.6, 0.58%, 0.59%

LAB 54.4, 49.74, 11.27

 

CMYK 0 / 68 / 55 / 11

HEX #E44967

RGB 228 73 103

HSL 348.39, 0.74%, 0.59%

LAB 54.28, 61.58, 17.46

 

CMYK 0 / 77 / 62 / 4

HEX #F5385C

RGB 245 56 92

HSL 348.57, 0.9%, 0.59%

LAB 55.09, 71.39, 25.6

 

CMYK 0 / 45 / 36 / 24

HEX #C26B7C

RGB 194 107 124

HSL 348.28, 0.42%, 0.59%

LAB 55.52, 36.42, 6.04

 

CMYK 0 / 31 / 24 / 31

HEX #B17B86

RGB 177 123 134

HSL 347.78, 0.26%, 0.59%

LAB 57.3, 22.64, 2.51

 

CMYK 0 / 13 / 11 / 37

HEX #A18C90

RGB 161 140 144

HSL 348.57, 0.1%, 0.59%

LAB 60.2, 8.58, 0.77

 

CMYK 8 / 0 / 1 / 38

HEX #909D9B

RGB 144 157 155

HSL 170.77, 0.06%, 0.59%

LAB 63.68, -5.01, -0.55

 

CMYK 27 / 0 / 5 / 32

HEX #7FAEA5

RGB 127 174 165

HSL 168.51, 0.22%, 0.59%

LAB 67.65, -17.58, -0.45

 

CMYK 0 / 45 / 12 / 24

HEX #C26BAB

RGB 194 107 171

HSL 315.86, 0.42%, 0.59%

LAB 57, 43.23, -19.14

 

CMYK 0 / 45 / 24 / 24

HEX #C26B94

RGB 194 107 148

HSL 331.72, 0.42%, 0.59%

LAB 56.21, 39.64, -6.99

 

CMYK 0 / 45 / 36 / 24

HEX #C26B7C

RGB 194 107 124

HSL 348.28, 0.42%, 0.59%

LAB 55.52, 36.42, 6.04

 

CMYK 0 / 42 / 45 / 24

HEX #C2706B

RGB 194 112 107

HSL 3.45, 0.42%, 0.59%

LAB 56.21, 31.81, 16.91

 

CMYK 0 / 30 / 45 / 24

HEX #C2886B

RGB 194 136 107

HSL 20, 0.42%, 0.59%

LAB 61.77, 18.68, 24.43

 

CMYK 0 / 59 / 48 / 39

HEX #9B3F51

RGB 155 63 81

HSL 348.26, 0.42%, 0.43%

LAB 39.78, 40.07, 8.9

 

CMYK 0 / 58 / 46 / 29

HEX #B64D62

RGB 182 77 98

HSL 348, 0.42%, 0.51%

LAB 47.15, 44.48, 9.41

 

CMYK 0 / 45 / 36 / 24

HEX #C26B7C

RGB 194 107 124

HSL 348.28, 0.42%, 0.59%

LAB 55.52, 36.42, 6.04

 

CMYK 0 / 34 / 28 / 19

HEX #CE8895

RGB 206 136 149

HSL 348.86, 0.42%, 0.67%

LAB 64.08, 28.53, 4.14

 

CMYK 0 / 24 / 20 / 15

HEX #DAA5AF

RGB 218 165 175

HSL 348.68, 0.42%, 0.75%

LAB 72.83, 21.01, 2.46

 

CMYK 0 / 45 / 36 / 24

HEX #C36B7C

RGB 195 107 124

HSL 348.41, 0.42%, 0.59%

LAB 55.66, 36.78, 6.25

 

CMYK 0 / 0 / 45 / 24

HEX #C2C26B

RGB 194 194 107

HSL 60, 0.42%, 0.59%

LAB 76.75, -12.42, 43.54

 

CMYK 45 / 18 / 0 / 24

HEX #6B9FC2

RGB 107 159 194

HSL 204.14, 0.42%, 0.59%

LAB 63.19, -7.86, -23.41

 

CMYK 0 / 45 / 36 / 24

HEX #C36B7C

RGB 195 107 124

HSL 348.41, 0.42%, 0.59%

LAB 55.66, 36.78, 6.25

 

CMYK 36 / 0 / 45 / 24

HEX #7CC26B

RGB 124 194 107

HSL 108.28, 0.42%, 0.59%

LAB 72.18, -38.69, 36.86

 

CMYK 45 / 36 / 0 / 24

HEX #6B7CC2

RGB 107 124 194

HSL 228.28, 0.42%, 0.59%

LAB 53.42, 12.38, -38.58

 

CMYK 0 / 45 / 36 / 24

HEX #C36B7C

RGB 195 107 124

HSL 348.41, 0.42%, 0.59%

LAB 55.66, 36.78, 6.25

 

CMYK 0 / 0 / 45 / 24

HEX #C2C26B

RGB 194 194 107

HSL 60, 0.42%, 0.59%

LAB 76.75, -12.42, 43.54

 

CMYK 45 / 0 / 9 / 24

HEX #6BC2B1

RGB 107 194 177

HSL 168.28, 0.42%, 0.59%

LAB 72.82, -30.37, 0.38

 

CMYK 45 / 45 / 0 / 24

HEX #6B6BC2

RGB 107 107 194

HSL 240, 0.42%, 0.59%

LAB 48.93, 22.69, -45.69

 

CMYK 0 / 45 / 36 / 24

HEX #C36B7C

RGB 195 107 124

HSL 348.41, 0.42%, 0.59%

LAB 55.66, 36.78, 6.25

 

CMYK 13 / 0 / 45 / 24

HEX #A8C26B

RGB 168 194 107

HSL 77.93, 0.42%, 0.59%

LAB 74.81, -22.76, 40.71

 

CMYK 45 / 0 / 9 / 24

HEX #6BC2B1

RGB 107 194 177

HSL 168.28, 0.42%, 0.59%

LAB 72.82, -30.37, 0.38

 

CMYK 31 / 45 / 0 / 24

HEX #856BC2

RGB 133 107 194

HSL 257.93, 0.42%, 0.59%

LAB 51.15, 29.5, -42.03

 

Description

Color code: HEX #C36B7C | qconv.com Color code: HEX #C36B7C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 107 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 107 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 36 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 36% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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