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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C36B67 it is the complementary color #3C9498. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C36B67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C36B67 shade: #C86B62, #D97D75, #EA8F88, #FBA19B and #FFB3AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C36B67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C36B67 shade: #C36B67, #B25954, #A14741, #90352E and #7F231B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C36B67 shade: #C26A66 and #C26666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C36B67 shade: #C26A66, #C28366, #C29C66, #C2B466 and #B7C266

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C36B67 shade matches the following richer shades: #C26A66, #D35A55, #E54A43 and #F63A32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C36B67 shade: #C26A66, #B17A77, #9F8989, #8E999A and #7DA9AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C36B67 shade: #C26694, #C2667B, #C26966, #C28166 and #C29A66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C36B67 shade: #98413D, #B64D49, #C26A66, #CE8783 and #D9A3A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C36B67 shade: #C36B67, #ACC266 and #6688C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C36B67 shade: #C36B67, #66C269 and #6966C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C36B67 shade: #C36B67, #ACC266, #66BFC2 and #7B66C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C36B67 shade: #C36B67, #91C266, #66BFC2 and #9766C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 47 / 24

HEX #C36B67

RGB 195 107 103

HSL 2.61, 0.43%, 0.58%

LAB 55.17, 34.46, 17.84

 

Complementary color

CMYK 61 / 3 / 0 / 40

HEX #3C9498

RGB 60 148 152

HSL 182.61, 0.43%, 0.42%

LAB 56.49, -24.7, -9.98

 

CMYK 0 / 47 / 51 / 22

HEX #C86B62

RGB 200 107 98

HSL 5.29, 0.48%, 0.58%

LAB 55.76, 35.89, 21.65

 

CMYK 0 / 42 / 46 / 15

HEX #D97D75

RGB 217 125 117

HSL 4.8, 0.57%, 0.65%

LAB 62.26, 34.74, 19.94

 

CMYK 0 / 39 / 42 / 8

HEX #EA8F88

RGB 234 143 136

HSL 4.29, 0.7%, 0.73%

LAB 68.69, 33.68, 18.44

 

CMYK 0 / 36 / 38 / 2

HEX #FBA19B

RGB 251 161 155

HSL 3.75, 0.92%, 0.8%

LAB 75.05, 32.7, 17.09

 

CMYK 0 / 30 / 32 / 0

HEX #FFB3AE

RGB 255 179 174

HSL 3.7, 1%, 0.84%

LAB 79.93, 27.03, 13.67

 

CMYK 0 / 45 / 47 / 24

HEX #C36B67

RGB 195 107 103

HSL 2.61, 0.43%, 0.58%

LAB 55.17, 34.46, 17.84

 

CMYK 0 / 50 / 53 / 30

HEX #B25954

RGB 178 89 84

HSL 3.19, 0.38%, 0.51%

LAB 48.57, 35.63, 19.69

 

CMYK 0 / 56 / 60 / 37

HEX #A14741

RGB 161 71 65

HSL 3.75, 0.42%, 0.44%

LAB 41.95, 36.86, 21.89

 

CMYK 0 / 63 / 68 / 44

HEX #90352E

RGB 144 53 46

HSL 4.29, 0.52%, 0.37%

LAB 35.35, 38.05, 24.58

 

CMYK 0 / 72 / 79 / 50

HEX #7F231B

RGB 127 35 27

HSL 4.8, 0.65%, 0.3%

LAB 28.88, 38.99, 27.88

 

CMYK 0 / 45 / 47 / 24

HEX #C26A66

RGB 194 106 102

HSL 2.61, 0.43%, 0.58%

LAB 54.8, 34.5, 17.89

 

CMYK 0 / 47 / 47 / 24

HEX #C26666

RGB 194 102 102

HSL 0, 0.43%, 0.58%

LAB 53.95, 36.61, 16.74

 

CMYK 0 / 45 / 47 / 24

HEX #C26A66

RGB 194 106 102

HSL 2.61, 0.43%, 0.58%

LAB 54.8, 34.5, 17.89

 

CMYK 0 / 32 / 47 / 24

HEX #C28366

RGB 194 131 102

HSL 18.91, 0.43%, 0.58%

LAB 60.48, 20.92, 25.5

 

CMYK 0 / 20 / 47 / 24

HEX #C29C66

RGB 194 156 102

HSL 35.22, 0.43%, 0.58%

LAB 66.68, 7.18, 33.53

 

CMYK 0 / 7 / 47 / 24

HEX #C2B466

RGB 194 180 102

HSL 50.87, 0.43%, 0.58%

LAB 72.94, -5.66, 41.36

 

CMYK 6 / 0 / 47 / 24

HEX #B7C266

RGB 183 194 102

HSL 67.17, 0.43%, 0.58%

LAB 75.83, -17.36, 44.69

 

CMYK 0 / 45 / 47 / 24

HEX #C26A66

RGB 194 106 102

HSL 2.61, 0.43%, 0.58%

LAB 54.8, 34.5, 17.89

 

CMYK 0 / 57 / 60 / 17

HEX #D35A55

RGB 211 90 85

HSL 2.38, 0.59%, 0.58%

LAB 53.83, 47.41, 26.94

 

CMYK 0 / 68 / 71 / 10

HEX #E54A43

RGB 229 74 67

HSL 2.59, 0.76%, 0.58%

LAB 53.99, 59.35, 38.09

 

CMYK 0 / 76 / 80 / 4

HEX #F63A32

RGB 246 58 50

HSL 2.45, 0.92%, 0.58%

LAB 54.92, 69.31, 49.18

 

CMYK 0 / 45 / 47 / 24

HEX #C26A66

RGB 194 106 102

HSL 2.61, 0.43%, 0.58%

LAB 54.8, 34.5, 17.89

 

CMYK 0 / 31 / 33 / 31

HEX #B17A77

RGB 177 122 119

HSL 3.1, 0.27%, 0.58%

LAB 56.68, 21.07, 10.31

 

CMYK 0 / 14 / 14 / 38

HEX #9F8989

RGB 159 137 137

HSL 0, 0.1%, 0.58%

LAB 59.04, 8.3, 3.06

 

CMYK 8 / 1 / 0 / 40

HEX #8E999A

RGB 142 153 154

HSL 185, 0.06%, 0.58%

LAB 62.39, -3.72, -1.88

 

CMYK 27 / 1 / 0 / 33

HEX #7DA9AB

RGB 125 169 171

HSL 182.61, 0.21%, 0.58%

LAB 66.27, -14.2, -5.83

 

CMYK 0 / 47 / 24 / 24

HEX #C26694

RGB 194 102 148

HSL 330, 0.43%, 0.58%

LAB 55.19, 42.25, -8.52

 

CMYK 0 / 47 / 37 / 24

HEX #C2667B

RGB 194 102 123

HSL 346.3, 0.43%, 0.58%

LAB 54.45, 38.92, 5.09

 

CMYK 0 / 46 / 47 / 24

HEX #C26966

RGB 194 105 102

HSL 1.96, 0.43%, 0.58%

LAB 54.59, 35.03, 17.6

 

CMYK 0 / 34 / 47 / 24

HEX #C28166

RGB 194 129 102

HSL 17.61, 0.43%, 0.58%

LAB 60.01, 22.02, 24.88

 

CMYK 0 / 21 / 47 / 24

HEX #C29A66

RGB 194 154 102

HSL 33.91, 0.43%, 0.58%

LAB 66.17, 8.27, 32.88

 

CMYK 0 / 57 / 60 / 40

HEX #98413D

RGB 152 65 61

HSL 2.64, 0.43%, 0.42%

LAB 39.23, 36.17, 20.53

 

CMYK 0 / 58 / 60 / 29

HEX #B64D49

RGB 182 77 73

HSL 2.2, 0.43%, 0.5%

LAB 46.62, 42.32, 23.79

 

CMYK 0 / 45 / 47 / 24

HEX #C26A66

RGB 194 106 102

HSL 2.61, 0.43%, 0.58%

LAB 54.8, 34.5, 17.89

 

CMYK 0 / 34 / 36 / 19

HEX #CE8783

RGB 206 135 131

HSL 3.2, 0.43%, 0.66%

LAB 63.42, 26.72, 13.4

 

CMYK 0 / 25 / 26 / 15

HEX #D9A3A1

RGB 217 163 161

HSL 2.14, 0.42%, 0.74%

LAB 71.91, 19.67, 8.82

 

CMYK 0 / 45 / 47 / 24

HEX #C36B67

RGB 195 107 103

HSL 2.61, 0.43%, 0.58%

LAB 55.17, 34.46, 17.84

 

CMYK 11 / 0 / 47 / 24

HEX #ACC266

RGB 172 194 102

HSL 74.35, 0.43%, 0.58%

LAB 75.02, -21.74, 43.52

 

CMYK 47 / 30 / 0 / 24

HEX #6688C2

RGB 102 136 194

HSL 217.83, 0.43%, 0.58%

LAB 56.41, 3.99, -33.91

 

CMYK 0 / 45 / 47 / 24

HEX #C36B67

RGB 195 107 103

HSL 2.61, 0.43%, 0.58%

LAB 55.17, 34.46, 17.84

 

CMYK 47 / 0 / 46 / 24

HEX #66C269

RGB 102 194 105

HSL 121.96, 0.43%, 0.58%

LAB 71.17, -45.73, 36.38

 

CMYK 46 / 47 / 0 / 24

HEX #6966C2

RGB 105 102 194

HSL 241.96, 0.43%, 0.58%

LAB 47.5, 25.26, -47.98

 

CMYK 0 / 45 / 47 / 24

HEX #C36B67

RGB 195 107 103

HSL 2.61, 0.43%, 0.58%

LAB 55.17, 34.46, 17.84

 

CMYK 11 / 0 / 47 / 24

HEX #ACC266

RGB 172 194 102

HSL 74.35, 0.43%, 0.58%

LAB 75.02, -21.74, 43.52

 

CMYK 47 / 2 / 0 / 24

HEX #66BFC2

RGB 102 191 194

HSL 181.96, 0.43%, 0.58%

LAB 72.22, -25.84, -9.79

 

CMYK 37 / 47 / 0 / 24

HEX #7B66C2

RGB 123 102 194

HSL 253.7, 0.43%, 0.58%

LAB 49.02, 29.77, -45.47

 

CMYK 0 / 45 / 47 / 24

HEX #C36B67

RGB 195 107 103

HSL 2.61, 0.43%, 0.58%

LAB 55.17, 34.46, 17.84

 

CMYK 25 / 0 / 47 / 24

HEX #91C266

RGB 145 194 102

HSL 91.96, 0.43%, 0.58%

LAB 73.26, -32.02, 40.96

 

CMYK 47 / 2 / 0 / 24

HEX #66BFC2

RGB 102 191 194

HSL 181.96, 0.43%, 0.58%

LAB 72.22, -25.84, -9.79

 

CMYK 22 / 47 / 0 / 24

HEX #9766C2

RGB 151 102 194

HSL 271.96, 0.43%, 0.58%

LAB 51.81, 37.41, -40.86

 

Description

Color code: HEX #C36B67 | qconv.com Color code: HEX #C36B67 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 107 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 107 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 47 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 47% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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