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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C362A2 it is the complementary color #3C9D5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C362A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C362A2 shade: #C8629D, #D974B0, #EA86C3, #FB98D6 and #FFAAE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C362A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C362A2 shade: #C362A2, #B2508F, #A13E7C, #902C69 and #7F1A56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C362A2 shade: #C360A1, #C36087, #C3606C and #C36060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C362A2 shade: #C360A1, #C360BC, #AF60C3, #9460C3 and #7A60C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C362A2 shade matches the following richer shades: #C360A1, #D44EA7, #E63DAC and #F82BB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C362A2 shade: #C360A1, #B1729B, #9F8396, #8D9590 and #7CA78A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C362A2 shade: #AF60C3, #C360BC, #C360A2, #C36087 and #C3606D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C362A2 shade: #973977, #B5458F, #C360A1, #CE7EB3 and #D99CC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C362A2 shade: #C362A2, #C39560 and #60C3BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C362A2 shade: #C362A2, #A2C360 and #60A2C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C362A2 shade: #C362A2, #C39560, #60C381 and #608EC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C362A2 shade: #C362A2, #C3B260, #60C381 and #6070C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 17 / 24

HEX #C362A2

RGB 195 98 162

HSL 320.41, 0.45%, 0.57%

LAB 55.02, 46.71, -16.94

 

Complementary color

CMYK 62 / 0 / 41 / 38

HEX #3C9D5D

RGB 60 157 93

HSL 140.41, 0.45%, 0.43%

LAB 57.91, -43.09, 25.27

 

CMYK 0 / 51 / 22 / 22

HEX #C8629D

RGB 200 98 157

HSL 325.29, 0.48%, 0.58%

LAB 55.53, 47.56, -13.17

 

CMYK 0 / 47 / 19 / 15

HEX #D974B0

RGB 217 116 176

HSL 324.36, 0.57%, 0.65%

LAB 61.98, 46.82, -14.18

 

CMYK 0 / 43 / 17 / 8

HEX #EA86C3

RGB 234 134 195

HSL 323.4, 0.7%, 0.72%

LAB 68.37, 46.06, -15.05

 

CMYK 0 / 39 / 15 / 2

HEX #FB98D6

RGB 251 152 214

HSL 322.42, 0.93%, 0.79%

LAB 74.71, 45.3, -15.82

 

CMYK 0 / 33 / 9 / 0

HEX #FFAAE9

RGB 255 170 233

HSL 315.53, 1%, 0.83%

LAB 79.55, 40.36, -18.81

 

CMYK 0 / 50 / 17 / 24

HEX #C362A2

RGB 195 98 162

HSL 320.41, 0.45%, 0.57%

LAB 55.02, 46.71, -16.94

 

CMYK 0 / 55 / 20 / 30

HEX #B2508F

RGB 178 80 143

HSL 321.43, 0.39%, 0.51%

LAB 48.49, 47.36, -15.87

 

CMYK 0 / 61 / 23 / 37

HEX #A13E7C

RGB 161 62 124

HSL 322.42, 0.44%, 0.44%

LAB 41.97, 47.84, -14.54

 

CMYK 0 / 69 / 27 / 44

HEX #902C69

RGB 144 44 105

HSL 323.4, 0.53%, 0.37%

LAB 35.5, 47.93, -12.79

 

CMYK 0 / 80 / 32 / 50

HEX #7F1A56

RGB 127 26 86

HSL 324.36, 0.66%, 0.3%

LAB 29.22, 47.29, -10.36

 

CMYK 0 / 51 / 17 / 24

HEX #C360A1

RGB 195 96 161

HSL 320.61, 0.45%, 0.57%

LAB 54.6, 47.56, -16.99

 

CMYK 0 / 51 / 31 / 24

HEX #C36087

RGB 195 96 135

HSL 336.36, 0.45%, 0.57%

LAB 53.73, 43.86, -3.02

 

CMYK 0 / 51 / 45 / 24

HEX #C3606C

RGB 195 96 108

HSL 352.73, 0.45%, 0.57%

LAB 53, 40.7, 11.91

 

CMYK 0 / 51 / 51 / 24

HEX #C36060

RGB 195 96 96

HSL 0, 0.45%, 0.57%

LAB 52.74, 39.52, 18.63

 

CMYK 0 / 51 / 17 / 24

HEX #C360A1

RGB 195 96 161

HSL 320.61, 0.45%, 0.57%

LAB 54.6, 47.56, -16.99

 

CMYK 0 / 51 / 4 / 24

HEX #C360BC

RGB 195 96 188

HSL 304.24, 0.45%, 0.57%

LAB 55.68, 52, -30.96

 

CMYK 10 / 51 / 0 / 24

HEX #AF60C3

RGB 175 96 195

HSL 287.88, 0.45%, 0.57%

LAB 53.41, 47.63, -38.74

 

CMYK 24 / 51 / 0 / 24

HEX #9460C3

RGB 148 96 195

HSL 271.52, 0.45%, 0.57%

LAB 50.22, 40.17, -43.98

 

CMYK 37 / 51 / 0 / 24

HEX #7A60C3

RGB 122 96 195

HSL 255.76, 0.45%, 0.57%

LAB 47.55, 33.34, -48.39

 

CMYK 0 / 51 / 17 / 24

HEX #C360A1

RGB 195 96 161

HSL 320.61, 0.45%, 0.57%

LAB 54.6, 47.56, -16.99

 

CMYK 0 / 63 / 21 / 17

HEX #D44EA7

RGB 212 78 167

HSL 320.15, 0.61%, 0.57%

LAB 54.28, 61.68, -20.76

 

CMYK 0 / 73 / 25 / 10

HEX #E63DAC

RGB 230 61 172

HSL 320.59, 0.77%, 0.57%

LAB 55.22, 73.11, -21.98

 

CMYK 0 / 83 / 28 / 3

HEX #F82BB2

RGB 248 43 178

HSL 320.49, 0.94%, 0.57%

LAB 56.98, 82.54, -22.51

 

CMYK 0 / 51 / 17 / 24

HEX #C360A1

RGB 195 96 161

HSL 320.61, 0.45%, 0.57%

LAB 54.6, 47.56, -16.99

 

CMYK 0 / 36 / 12 / 31

HEX #B1729B

RGB 177 114 155

HSL 320.95, 0.29%, 0.57%

LAB 55.83, 31.05, -11.85

 

CMYK 0 / 18 / 6 / 38

HEX #9F8396

RGB 159 131 150

HSL 319.29, 0.13%, 0.57%

LAB 57.85, 14.05, -6.14

 

CMYK 5 / 0 / 3 / 42

HEX #8D9590

RGB 141 149 144

HSL 142.5, 0.04%, 0.57%

LAB 60.93, -3.87, 1.63

 

CMYK 26 / 0 / 17 / 35

HEX #7CA78A

RGB 124 167 138

HSL 139.53, 0.2%, 0.57%

LAB 64.77, -20.61, 10.35

 

CMYK 10 / 51 / 0 / 24

HEX #AF60C3

RGB 175 96 195

HSL 287.88, 0.45%, 0.57%

LAB 53.41, 47.63, -38.74

 

CMYK 0 / 51 / 4 / 24

HEX #C360BC

RGB 195 96 188

HSL 304.24, 0.45%, 0.57%

LAB 55.68, 52, -30.96

 

CMYK 0 / 51 / 17 / 24

HEX #C360A2

RGB 195 96 162

HSL 320, 0.45%, 0.57%

LAB 54.63, 47.71, -17.52

 

CMYK 0 / 51 / 31 / 24

HEX #C36087

RGB 195 96 135

HSL 336.36, 0.45%, 0.57%

LAB 53.73, 43.86, -3.02

 

CMYK 0 / 51 / 44 / 24

HEX #C3606D

RGB 195 96 109

HSL 352.12, 0.45%, 0.57%

LAB 53.03, 40.8, 11.36

 

CMYK 0 / 62 / 21 / 41

HEX #973977

RGB 151 57 119

HSL 320.43, 0.45%, 0.41%

LAB 39.31, 46.36, -15.66

 

CMYK 0 / 62 / 21 / 29

HEX #B5458F

RGB 181 69 143

HSL 320.36, 0.45%, 0.49%

LAB 47.06, 53.37, -18.02

 

CMYK 0 / 51 / 17 / 24

HEX #C360A1

RGB 195 96 161

HSL 320.61, 0.45%, 0.57%

LAB 54.6, 47.56, -16.99

 

CMYK 0 / 39 / 13 / 19

HEX #CE7EB3

RGB 206 126 179

HSL 320.25, 0.45%, 0.65%

LAB 62.76, 38.47, -14.85

 

CMYK 0 / 28 / 10 / 15

HEX #D99CC4

RGB 217 156 196

HSL 320.66, 0.45%, 0.73%

LAB 71.22, 28.92, -11.53

 

CMYK 0 / 50 / 17 / 24

HEX #C362A2

RGB 195 98 162

HSL 320.41, 0.45%, 0.57%

LAB 55.02, 46.71, -16.94

 

CMYK 0 / 24 / 51 / 24

HEX #C39560

RGB 195 149 96

HSL 32.12, 0.45%, 0.57%

LAB 64.92, 10.85, 34.51

 

CMYK 51 / 0 / 4 / 24

HEX #60C3BC

RGB 96 195 188

HSL 175.76, 0.45%, 0.57%

LAB 72.99, -30.68, -5.4

 

CMYK 0 / 50 / 17 / 24

HEX #C362A2

RGB 195 98 162

HSL 320.41, 0.45%, 0.57%

LAB 55.02, 46.71, -16.94

 

CMYK 17 / 0 / 51 / 24

HEX #A2C360

RGB 162 195 96

HSL 80, 0.45%, 0.57%

LAB 74.54, -26.76, 45.7

 

CMYK 51 / 17 / 0 / 24

HEX #60A2C3

RGB 96 162 195

HSL 200, 0.45%, 0.57%

LAB 63.56, -11.87, -23.45

 

CMYK 0 / 50 / 17 / 24

HEX #C362A2

RGB 195 98 162

HSL 320.41, 0.45%, 0.57%

LAB 55.02, 46.71, -16.94

 

CMYK 0 / 24 / 51 / 24

HEX #C39560

RGB 195 149 96

HSL 32.12, 0.45%, 0.57%

LAB 64.92, 10.85, 34.51

 

CMYK 51 / 0 / 34 / 24

HEX #60C381

RGB 96 195 129

HSL 140, 0.45%, 0.57%

LAB 71.62, -43.81, 24.51

 

CMYK 51 / 27 / 0 / 24

HEX #608EC3

RGB 96 142 195

HSL 212.12, 0.45%, 0.57%

LAB 57.82, -0.65, -32.31

 

CMYK 0 / 50 / 17 / 24

HEX #C362A2

RGB 195 98 162

HSL 320.41, 0.45%, 0.57%

LAB 55.02, 46.71, -16.94

 

CMYK 0 / 9 / 51 / 24

HEX #C3B260

RGB 195 178 96

HSL 49.7, 0.45%, 0.57%

LAB 72.42, -4.76, 43.75

 

CMYK 51 / 0 / 34 / 24

HEX #60C381

RGB 96 195 129

HSL 140, 0.45%, 0.57%

LAB 71.62, -43.81, 24.51

 

CMYK 51 / 43 / 0 / 24

HEX #6070C3

RGB 96 112 195

HSL 230.3, 0.45%, 0.57%

LAB 49.51, 17.31, -45.38

 

Description

Color code: HEX #C362A2 | qconv.com Color code: HEX #C362A2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 98 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 98 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 17 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 17% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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