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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C36051 it is the complementary color #3C9FAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C36051. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C36051 shade: #C8604C, #D9725F, #EA8472, #FB9685 and #FFA898

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C36051. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C36051 shade: #C36051, #B24E3E, #A13C2B, #902A18 and #7F1805

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C36051 shade: #C35F50 and #C35050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C36051 shade: #C35F50, #C37E50, #C39D50, #C3BC50 and #ABC350

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C36051 shade matches the following richer shades: #C35F50, #D6513D, #E9432A and #FC3517

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C36051 shade: #C35F50, #B06D63, #9D7B76, #8A8989 and #77979C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C36051 shade: #C35080, #C35061, #C35E50, #C37C50 and #C39B50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C36051 shade: #903E31, #AE4B3C, #C35F50, #CE7B6F and #D8978E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C36051 shade: #C36051, #9FC350 and #5071C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C36051 shade: #C36051, #50C35E and #5E50C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C36051 shade: #C36051, #9FC350, #50B6C3 and #7550C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C36051 shade: #C36051, #7CC350, #50B6C3 and #9750C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 58 / 24

HEX #C36051

RGB 195 96 81

HSL 7.89, 0.49%, 0.54%

LAB 52.47, 38.26, 27.01

 

Complementary color

CMYK 66 / 9 / 0 / 32

HEX #3C9FAE

RGB 60 159 174

HSL 187.89, 0.49%, 0.46%

LAB 60.62, -23.71, -16.27

 

CMYK 0 / 52 / 62 / 22

HEX #C8604C

RGB 200 96 76

HSL 9.68, 0.53%, 0.54%

LAB 53.13, 39.81, 30.87

 

CMYK 0 / 47 / 56 / 15

HEX #D9725F

RGB 217 114 95

HSL 9.34, 0.62%, 0.61%

LAB 59.54, 38.5, 28.76

 

CMYK 0 / 44 / 51 / 8

HEX #EA8472

RGB 234 132 114

HSL 9, 0.74%, 0.68%

LAB 65.91, 37.26, 26.91

 

CMYK 0 / 40 / 47 / 2

HEX #FB9685

RGB 251 150 133

HSL 8.64, 0.94%, 0.75%

LAB 72.24, 36.12, 25.27

 

CMYK 0 / 34 / 40 / 0

HEX #FFA898

RGB 255 168 152

HSL 9.32, 1%, 0.8%

LAB 77, 30.21, 21.49

 

CMYK 0 / 51 / 58 / 24

HEX #C36051

RGB 195 96 81

HSL 7.89, 0.49%, 0.54%

LAB 52.47, 38.26, 27.01

 

CMYK 0 / 56 / 65 / 30

HEX #B24E3E

RGB 178 78 62

HSL 8.28, 0.48%, 0.47%

LAB 45.99, 39.58, 29.34

 

CMYK 0 / 63 / 73 / 37

HEX #A13C2B

RGB 161 60 43

HSL 8.64, 0.58%, 0.4%

LAB 39.55, 40.88, 32.05

 

CMYK 0 / 71 / 83 / 44

HEX #902A18

RGB 144 42 24

HSL 9, 0.71%, 0.33%

LAB 33.25, 41.97, 35.09

 

CMYK 0 / 81 / 96 / 50

HEX #7F1805

RGB 127 24 5

HSL 9.34, 0.92%, 0.26%

LAB 27.23, 42.45, 37.47

 

CMYK 0 / 51 / 59 / 24

HEX #C35F50

RGB 195 95 80

HSL 7.83, 0.49%, 0.54%

LAB 52.25, 38.7, 27.31

 

CMYK 0 / 59 / 59 / 24

HEX #C35050

RGB 195 80 80

HSL 0, 0.49%, 0.54%

LAB 49.4, 46.08, 23.63

 

CMYK 0 / 51 / 59 / 24

HEX #C35F50

RGB 195 95 80

HSL 7.83, 0.49%, 0.54%

LAB 52.25, 38.7, 27.31

 

CMYK 0 / 35 / 59 / 24

HEX #C37E50

RGB 195 126 80

HSL 24, 0.49%, 0.54%

LAB 59.07, 22.13, 35.82

 

CMYK 0 / 19 / 59 / 24

HEX #C39D50

RGB 195 157 80

HSL 40.17, 0.49%, 0.54%

LAB 66.74, 5.14, 44.95

 

CMYK 0 / 4 / 59 / 24

HEX #C3BC50

RGB 195 188 80

HSL 56.35, 0.49%, 0.54%

LAB 74.92, -11.24, 54.22

 

CMYK 12 / 0 / 59 / 24

HEX #ABC350

RGB 171 195 80

HSL 72.52, 0.49%, 0.54%

LAB 74.99, -24.65, 53.78

 

CMYK 0 / 51 / 59 / 24

HEX #C35F50

RGB 195 95 80

HSL 7.83, 0.49%, 0.54%

LAB 52.25, 38.7, 27.31

 

CMYK 0 / 62 / 71 / 16

HEX #D6513D

RGB 214 81 61

HSL 7.84, 0.65%, 0.54%

LAB 52.42, 51.17, 38.95

 

CMYK 0 / 71 / 82 / 9

HEX #E9432A

RGB 233 67 42

HSL 7.85, 0.81%, 0.54%

LAB 53.5, 62.3, 50.97

 

CMYK 0 / 79 / 91 / 1

HEX #FC3517

RGB 252 53 23

HSL 7.86, 0.97%, 0.54%

LAB 55.38, 71.85, 61.89

 

CMYK 0 / 51 / 59 / 24

HEX #C35F50

RGB 195 95 80

HSL 7.83, 0.49%, 0.54%

LAB 52.25, 38.7, 27.31

 

CMYK 0 / 38 / 44 / 31

HEX #B06D63

RGB 176 109 99

HSL 7.79, 0.33%, 0.54%

LAB 53.02, 25.49, 16.83

 

CMYK 0 / 22 / 25 / 38

HEX #9D7B76

RGB 157 123 118

HSL 7.69, 0.17%, 0.54%

LAB 54.7, 12.41, 7.77

 

CMYK 0 / 1 / 1 / 46

HEX #8A8989

RGB 138 137 137

HSL 0, 0%, 0.54%

LAB 57.17, 0.37, 0.12

 

CMYK 24 / 3 / 0 / 39

HEX #77979C

RGB 119 151 156

HSL 188.11, 0.16%, 0.54%

LAB 60.3, -9.91, -6.29

 

CMYK 0 / 59 / 34 / 24

HEX #C35080

RGB 195 80 128

HSL 334.96, 0.49%, 0.54%

LAB 50.57, 50.72, -3.52

 

CMYK 0 / 59 / 50 / 24

HEX #C35061

RGB 195 80 97

HSL 351.13, 0.49%, 0.54%

LAB 49.74, 47.46, 13.93

 

CMYK 0 / 52 / 59 / 24

HEX #C35E50

RGB 195 94 80

HSL 7.3, 0.49%, 0.54%

LAB 52.05, 39.21, 27.05

 

CMYK 0 / 36 / 59 / 24

HEX #C37C50

RGB 195 124 80

HSL 22.96, 0.49%, 0.54%

LAB 58.6, 23.22, 35.24

 

CMYK 0 / 21 / 59 / 24

HEX #C39B50

RGB 195 155 80

HSL 39.13, 0.49%, 0.54%

LAB 66.23, 6.22, 44.36

 

CMYK 0 / 57 / 66 / 44

HEX #903E31

RGB 144 62 49

HSL 8.21, 0.49%, 0.38%

LAB 37.11, 33.75, 24.9

 

CMYK 0 / 57 / 66 / 32

HEX #AE4B3C

RGB 174 75 60

HSL 7.89, 0.49%, 0.46%

LAB 44.74, 39.43, 28.83

 

CMYK 0 / 51 / 59 / 24

HEX #C35F50

RGB 195 95 80

HSL 7.83, 0.49%, 0.54%

LAB 52.25, 38.7, 27.31

 

CMYK 0 / 40 / 46 / 19

HEX #CE7B6F

RGB 206 123 111

HSL 7.58, 0.49%, 0.62%

LAB 60.28, 30.97, 20.42

 

CMYK 0 / 30 / 34 / 15

HEX #D8978E

RGB 216 151 142

HSL 7.3, 0.49%, 0.7%

LAB 68.52, 23.25, 14.55

 

CMYK 0 / 51 / 58 / 24

HEX #C36051

RGB 195 96 81

HSL 7.89, 0.49%, 0.54%

LAB 52.47, 38.26, 27.01

 

CMYK 18 / 0 / 59 / 24

HEX #9FC350

RGB 159 195 80

HSL 78.78, 0.49%, 0.54%

LAB 74.18, -29.42, 52.65

 

CMYK 59 / 42 / 0 / 24

HEX #5071C3

RGB 80 113 195

HSL 222.78, 0.49%, 0.54%

LAB 48.83, 13.24, -46.53

 

CMYK 0 / 51 / 58 / 24

HEX #C36051

RGB 195 96 81

HSL 7.89, 0.49%, 0.54%

LAB 52.47, 38.26, 27.01

 

CMYK 59 / 0 / 52 / 24

HEX #50C35E

RGB 80 195 94

HSL 127.3, 0.49%, 0.54%

LAB 70.56, -53.39, 40.91

 

CMYK 52 / 59 / 0 / 24

HEX #5E50C3

RGB 94 80 195

HSL 247.3, 0.49%, 0.54%

LAB 41.31, 36.54, -58.56

 

CMYK 0 / 51 / 58 / 24

HEX #C36051

RGB 195 96 81

HSL 7.89, 0.49%, 0.54%

LAB 52.47, 38.26, 27.01

 

CMYK 18 / 0 / 59 / 24

HEX #9FC350

RGB 159 195 80

HSL 78.78, 0.49%, 0.54%

LAB 74.18, -29.42, 52.65

 

CMYK 59 / 7 / 0 / 24

HEX #50B6C3

RGB 80 182 195

HSL 186.78, 0.49%, 0.54%

LAB 68.82, -25.62, -15.5

 

CMYK 40 / 59 / 0 / 24

HEX #7550C3

RGB 117 80 195

HSL 259.3, 0.49%, 0.54%

LAB 43.45, 41.43, -55

 

CMYK 0 / 51 / 58 / 24

HEX #C36051

RGB 195 96 81

HSL 7.89, 0.49%, 0.54%

LAB 52.47, 38.26, 27.01

 

CMYK 36 / 0 / 59 / 24

HEX #7CC350

RGB 124 195 80

HSL 97.04, 0.49%, 0.54%

LAB 72.16, -42.32, 49.82

 

CMYK 59 / 7 / 0 / 24

HEX #50B6C3

RGB 80 182 195

HSL 186.78, 0.49%, 0.54%

LAB 68.82, -25.62, -15.5

 

CMYK 23 / 59 / 0 / 24

HEX #9750C3

RGB 151 80 195

HSL 277.04, 0.49%, 0.54%

LAB 47.31, 49.52, -48.59

 

Description

Color code: HEX #C36051 | qconv.com Color code: HEX #C36051 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 96 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 96 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 58 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 58% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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