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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C35B85 it is the complementary color #3CA47A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C35B85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C35B85 shade: #C85B80, #D96D93, #EA7FA6, #FB91B9 and #FFA3CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C35B85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C35B85 shade: #C35B85, #B24972, #A1375F, #90254C and #7F1339

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C35B85 shade: #C25B85, #C25B69 and #C25B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C35B85 shade: #C25B85, #C25BA1, #C25BBD, #AC5BC2 and #915BC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C35B85 shade matches the following richer shades: #C25B85, #D54981, #E7377E and #F9257A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C35B85 shade: #C25B85, #B06D88, #9E7F8C, #8C928F and #7AA493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C35B85 shade: #C25BBD, #C25BA2, #C25B86, #C25B6B and #C2675B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C35B85 shade: #94375D, #B2426F, #C25B85, #CE799B and #D997B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C35B85 shade: #C35B85, #C2AC5B and #5BAFC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C35B85 shade: #C35B85, #86C25B and #5B86C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C35B85 shade: #C35B85, #C2AC5B, #5BC297 and #5B72C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C35B85 shade: #C35B85, #BAC25B, #5BC297 and #645BC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 32 / 24

HEX #C35B85

RGB 195 91 133

HSL 335.77, 0.46%, 0.56%

LAB 52.71, 46.1, -3.34

 

Complementary color

CMYK 63 / 0 / 26 / 36

HEX #3CA47A

RGB 60 164 122

HSL 155.77, 0.46%, 0.44%

LAB 60.71, -40.08, 13.13

 

CMYK 0 / 55 / 36 / 22

HEX #C85B80

RGB 200 91 128

HSL 339.63, 0.5%, 0.57%

LAB 53.3, 47.16, 0.58

 

CMYK 0 / 50 / 32 / 15

HEX #D96D93

RGB 217 109 147

HSL 338.89, 0.59%, 0.64%

LAB 59.7, 46.35, -0.9

 

CMYK 0 / 46 / 29 / 8

HEX #EA7FA6

RGB 234 127 166

HSL 338.13, 0.72%, 0.71%

LAB 66.08, 45.5, -2.16

 

CMYK 0 / 42 / 26 / 2

HEX #FB91B9

RGB 251 145 185

HSL 337.36, 0.93%, 0.78%

LAB 72.4, 44.66, -3.26

 

CMYK 0 / 36 / 20 / 0

HEX #FFA3CC

RGB 255 163 204

HSL 333.26, 1%, 0.82%

LAB 77.17, 39.46, -6.63

 

CMYK 0 / 53 / 32 / 24

HEX #C35B85

RGB 195 91 133

HSL 335.77, 0.46%, 0.56%

LAB 52.71, 46.1, -3.34

 

CMYK 0 / 59 / 36 / 30

HEX #B24972

RGB 178 73 114

HSL 336.57, 0.42%, 0.49%

LAB 46.24, 46.79, -1.74

 

CMYK 0 / 66 / 41 / 37

HEX #A1375F

RGB 161 55 95

HSL 337.36, 0.49%, 0.42%

LAB 39.81, 47.27, 0.28

 

CMYK 0 / 74 / 47 / 44

HEX #90254C

RGB 144 37 76

HSL 338.13, 0.59%, 0.35%

LAB 33.51, 47.27, 2.91

 

CMYK 0 / 85 / 55 / 50

HEX #7F1339

RGB 127 19 57

HSL 338.89, 0.74%, 0.29%

LAB 27.5, 46.35, 6.49

 

CMYK 0 / 53 / 31 / 24

HEX #C25B85

RGB 194 91 133

HSL 335.53, 0.46%, 0.56%

LAB 52.56, 45.76, -3.58

 

CMYK 0 / 53 / 46 / 24

HEX #C25B69

RGB 194 91 105

HSL 351.84, 0.46%, 0.56%

LAB 51.8, 42.55, 11.99

 

CMYK 0 / 53 / 53 / 24

HEX #C25B5B

RGB 194 91 91

HSL 0, 0.46%, 0.56%

LAB 51.5, 41.24, 19.88

 

CMYK 0 / 53 / 31 / 24

HEX #C25B85

RGB 194 91 133

HSL 335.53, 0.46%, 0.56%

LAB 52.56, 45.76, -3.58

 

CMYK 0 / 53 / 17 / 24

HEX #C25BA1

RGB 194 91 161

HSL 319.22, 0.46%, 0.56%

LAB 53.52, 49.71, -18.65

 

CMYK 0 / 53 / 3 / 24

HEX #C25BBD

RGB 194 91 189

HSL 302.91, 0.46%, 0.56%

LAB 54.68, 54.3, -33.1

 

CMYK 11 / 53 / 0 / 24

HEX #AC5BC2

RGB 172 91 194

HSL 287.18, 0.46%, 0.56%

LAB 52, 49.16, -40.4

 

CMYK 25 / 53 / 0 / 24

HEX #915BC2

RGB 145 91 194

HSL 271.46, 0.46%, 0.56%

LAB 48.76, 41.9, -45.75

 

CMYK 0 / 53 / 31 / 24

HEX #C25B85

RGB 194 91 133

HSL 335.53, 0.46%, 0.56%

LAB 52.56, 45.76, -3.58

 

CMYK 0 / 66 / 39 / 16

HEX #D54981

RGB 213 73 129

HSL 336, 0.63%, 0.56%

LAB 52.39, 59.39, -1.09

 

CMYK 0 / 76 / 45 / 9

HEX #E7377E

RGB 231 55 126

HSL 335.8, 0.79%, 0.56%

LAB 53.2, 70.36, 2.25

 

CMYK 0 / 85 / 51 / 2

HEX #F9257A

RGB 249 37 122

HSL 335.94, 0.95%, 0.56%

LAB 54.94, 78.79, 7.59

 

CMYK 0 / 53 / 31 / 24

HEX #C25B85

RGB 194 91 133

HSL 335.53, 0.46%, 0.56%

LAB 52.56, 45.76, -3.58

 

CMYK 0 / 38 / 23 / 31

HEX #B06D88

RGB 176 109 136

HSL 335.82, 0.3%, 0.56%

LAB 53.97, 30.38, -3.54

 

CMYK 0 / 20 / 11 / 38

HEX #9E7F8C

RGB 158 127 140

HSL 334.84, 0.14%, 0.56%

LAB 56.43, 14.14, -2.48

 

CMYK 4 / 0 / 2 / 43

HEX #8C928F

RGB 140 146 143

HSL 150, 0.03%, 0.56%

LAB 59.99, -2.77, 0.82

 

CMYK 26 / 0 / 10 / 36

HEX #7AA493

RGB 122 164 147

HSL 155.71, 0.19%, 0.56%

LAB 63.99, -17.88, 4.21

 

CMYK 0 / 53 / 3 / 24

HEX #C25BBD

RGB 194 91 189

HSL 302.91, 0.46%, 0.56%

LAB 54.68, 54.3, -33.1

 

CMYK 0 / 53 / 16 / 24

HEX #C25BA2

RGB 194 91 162

HSL 318.64, 0.46%, 0.56%

LAB 53.56, 49.86, -19.17

 

CMYK 0 / 53 / 31 / 24

HEX #C25B86

RGB 194 91 134

HSL 334.95, 0.46%, 0.56%

LAB 52.59, 45.89, -4.13

 

CMYK 0 / 53 / 45 / 24

HEX #C25B6B

RGB 194 91 107

HSL 350.68, 0.46%, 0.56%

LAB 51.85, 42.76, 10.87

 

CMYK 0 / 47 / 53 / 24

HEX #C2675B

RGB 194 103 91

HSL 6.99, 0.46%, 0.56%

LAB 53.95, 35.06, 23.13

 

CMYK 0 / 63 / 37 / 42

HEX #94375D

RGB 148 55 93

HSL 335.48, 0.46%, 0.4%

LAB 37.51, 42.82, -2.08

 

CMYK 0 / 63 / 38 / 30

HEX #B2426F

RGB 178 66 111

HSL 335.89, 0.46%, 0.48%

LAB 44.95, 49.64, -1.79

 

CMYK 0 / 53 / 31 / 24

HEX #C25B85

RGB 194 91 133

HSL 335.53, 0.46%, 0.56%

LAB 52.56, 45.76, -3.58

 

CMYK 0 / 41 / 25 / 19

HEX #CE799B

RGB 206 121 155

HSL 336, 0.46%, 0.64%

LAB 60.93, 37.44, -3.88

 

CMYK 0 / 30 / 18 / 15

HEX #D997B2

RGB 217 151 178

HSL 335.45, 0.46%, 0.72%

LAB 69.54, 28.68, -4.04

 

CMYK 0 / 53 / 32 / 24

HEX #C35B85

RGB 195 91 133

HSL 335.77, 0.46%, 0.56%

LAB 52.71, 46.1, -3.34

 

CMYK 0 / 11 / 53 / 24

HEX #C2AC5B

RGB 194 172 91

HSL 47.18, 0.46%, 0.56%

LAB 70.68, -2.45, 44.13

 

CMYK 53 / 10 / 0 / 24

HEX #5BAFC2

RGB 91 175 194

HSL 191.07, 0.46%, 0.56%

LAB 67.11, -20.16, -17.51

 

CMYK 0 / 53 / 32 / 24

HEX #C35B85

RGB 195 91 133

HSL 335.77, 0.46%, 0.56%

LAB 52.71, 46.1, -3.34

 

CMYK 31 / 0 / 53 / 24

HEX #86C25B

RGB 134 194 91

HSL 94.95, 0.46%, 0.56%

LAB 72.5, -37.25, 45.24

 

CMYK 53 / 31 / 0 / 24

HEX #5B86C2

RGB 91 134 194

HSL 214.95, 0.46%, 0.56%

LAB 55.25, 2.56, -35.78

 

CMYK 0 / 53 / 32 / 24

HEX #C35B85

RGB 195 91 133

HSL 335.77, 0.46%, 0.56%

LAB 52.71, 46.1, -3.34

 

CMYK 0 / 11 / 53 / 24

HEX #C2AC5B

RGB 194 172 91

HSL 47.18, 0.46%, 0.56%

LAB 70.68, -2.45, 44.13

 

CMYK 53 / 0 / 22 / 24

HEX #5BC297

RGB 91 194 151

HSL 154.95, 0.46%, 0.56%

LAB 71.58, -40.17, 12.65

 

CMYK 53 / 41 / 0 / 24

HEX #5B72C2

RGB 91 114 194

HSL 226.6, 0.46%, 0.56%

LAB 49.68, 14.63, -44.56

 

CMYK 0 / 53 / 32 / 24

HEX #C35B85

RGB 195 91 133

HSL 335.77, 0.46%, 0.56%

LAB 52.71, 46.1, -3.34

 

CMYK 4 / 0 / 53 / 24

HEX #BAC25B

RGB 186 194 91

HSL 64.66, 0.46%, 0.56%

LAB 75.93, -17.16, 50.13

 

CMYK 53 / 0 / 22 / 24

HEX #5BC297

RGB 91 194 151

HSL 154.95, 0.46%, 0.56%

LAB 71.58, -40.17, 12.65

 

CMYK 48 / 53 / 0 / 24

HEX #645BC2

RGB 100 91 194

HSL 245.24, 0.46%, 0.56%

LAB 44.36, 30.83, -53.04

 

Description

Color code: HEX #C35B85 | qconv.com Color code: HEX #C35B85 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 91 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 91 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 32 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 32% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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