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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C35AE3 it is the complementary color #3CA51C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C35AE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C35AE3 shade: #C85ADE, #D96CF1, #EA7EFF, #FB90FF and #FFA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C35AE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C35AE3 shade: #C35AE3, #B248D0, #A136BD, #9024AA and #7F1297

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C35AE3 shade: #C359E3, #E359DE, #E359B9, #E35994 and #E3596F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C35AE3 shade: #C359E3, #9E59E3, #7959E3 and #5959E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C35AE3 shade matches the following richer shades: #C359E3 and #CB4AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C35AE3 shade: #C359E3, #BA69D3, #B279C4, #AA88B4 and #A198A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C35AE3 shade: #7759E3, #9C59E3, #C059E3, #E359E1 and #E359BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C35AE3 shade: #A122C8, #B636DD, #C359E3, #D07DE9 and #DCA0EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C35AE3 shade: #C35AE3, #E35960 and #59E389

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C35AE3 shade: #C35AE3, #E3C059 and #59E3C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C35AE3 shade: #C35AE3, #E35960, #7CE359 and #59E3DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C35AE3 shade: #C35AE3, #E37C59, #7CE359 and #59C0E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 60 / 0 / 11

HEX #C35AE3

RGB 195 90 227

HSL 285.99, 0.71%, 0.62%

LAB 56.55, 62.08, -51.77

 

Complementary color

CMYK 64 / 0 / 83 / 35

HEX #3CA51C

RGB 60 165 28

HSL 105.99, 0.71%, 0.38%

LAB 59.85, -53.59, 56.06

 

CMYK 10 / 59 / 0 / 13

HEX #C85ADE

RGB 200 90 222

HSL 290, 0.67%, 0.61%

LAB 56.94, 62.33, -48.29

 

CMYK 10 / 55 / 0 / 5

HEX #D96CF1

RGB 217 108 241

HSL 289.17, 0.83%, 0.68%

LAB 63.2, 61.86, -48.85

 

CMYK 8 / 51 / 0 / 0

HEX #EA7EFF

RGB 234 126 255

HSL 290.23, 1%, 0.75%

LAB 69.21, 60.31, -46.93

 

CMYK 2 / 44 / 0 / 0

HEX #FB90FF

RGB 251 144 255

HSL 297.84, 1%, 0.78%

LAB 74.62, 56.16, -38.32

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 14 / 60 / 0 / 11

HEX #C35AE3

RGB 195 90 227

HSL 285.99, 0.71%, 0.62%

LAB 56.55, 62.08, -51.77

 

CMYK 14 / 65 / 0 / 18

HEX #B248D0

RGB 178 72 208

HSL 286.76, 0.59%, 0.55%

LAB 50.28, 62.37, -51.12

 

CMYK 15 / 71 / 0 / 26

HEX #A136BD

RGB 161 54 189

HSL 287.56, 0.56%, 0.48%

LAB 44.07, 62.28, -50.2

 

CMYK 15 / 79 / 0 / 33

HEX #9024AA

RGB 144 36 170

HSL 288.36, 0.65%, 0.4%

LAB 38.01, 61.53, -48.86

 

CMYK 16 / 88 / 0 / 41

HEX #7F1297

RGB 127 18 151

HSL 289.17, 0.79%, 0.33%

LAB 32.21, 59.69, -46.87

 

CMYK 14 / 61 / 0 / 11

HEX #C359E3

RGB 195 89 227

HSL 286.09, 0.71%, 0.62%

LAB 56.38, 62.53, -52.04

 

CMYK 0 / 61 / 2 / 11

HEX #E359DE

RGB 227 89 222

HSL 302.17, 0.71%, 0.62%

LAB 60.56, 69.37, -42.33

 

CMYK 0 / 61 / 19 / 11

HEX #E359B9

RGB 227 89 185

HSL 318.26, 0.71%, 0.62%

LAB 58.95, 63.73, -23.81

 

CMYK 0 / 61 / 35 / 11

HEX #E35994

RGB 227 89 148

HSL 334.35, 0.71%, 0.62%

LAB 57.67, 59.01, -4.3

 

CMYK 0 / 61 / 51 / 11

HEX #E3596F

RGB 227 89 111

HSL 350.43, 0.71%, 0.62%

LAB 56.71, 55.34, 16.03

 

CMYK 14 / 61 / 0 / 11

HEX #C359E3

RGB 195 89 227

HSL 286.09, 0.71%, 0.62%

LAB 56.38, 62.53, -52.04

 

CMYK 30 / 61 / 0 / 11

HEX #9E59E3

RGB 158 89 227

HSL 270, 0.71%, 0.62%

LAB 51.79, 53.95, -59.64

 

CMYK 47 / 61 / 0 / 11

HEX #7959E3

RGB 121 89 227

HSL 253.91, 0.71%, 0.62%

LAB 47.95, 46.08, -66.03

 

CMYK 61 / 61 / 0 / 11

HEX #5959E3

RGB 89 89 227

HSL 240, 0.71%, 0.62%

LAB 45.38, 40.36, -70.33

 

CMYK 14 / 61 / 0 / 11

HEX #C359E3

RGB 195 89 227

HSL 286.09, 0.71%, 0.62%

LAB 56.38, 62.53, -52.04

 

CMYK 16 / 70 / 0 / 5

HEX #CB4AF3

RGB 203 74 243

HSL 285.8, 0.88%, 0.62%

LAB 56.15, 73.59, -61.3

 

CMYK 14 / 61 / 0 / 11

HEX #C359E3

RGB 195 89 227

HSL 286.09, 0.71%, 0.62%

LAB 56.38, 62.53, -52.04

 

CMYK 12 / 50 / 0 / 17

HEX #BA69D3

RGB 186 105 211

HSL 285.85, 0.55%, 0.62%

LAB 57.31, 49.27, -41.61

 

CMYK 9 / 38 / 0 / 23

HEX #B279C4

RGB 178 121 196

HSL 285.6, 0.39%, 0.62%

LAB 59.09, 35.27, -30.4

 

CMYK 6 / 24 / 0 / 29

HEX #AA88B4

RGB 170 136 180

HSL 286.36, 0.23%, 0.62%

LAB 61.18, 20.95, -18.19

 

CMYK 2 / 7 / 0 / 36

HEX #A198A4

RGB 161 152 164

HSL 285, 0.06%, 0.62%

LAB 63.93, 5.57, -5.09

 

CMYK 48 / 61 / 0 / 11

HEX #7759E3

RGB 119 89 227

HSL 253.04, 0.71%, 0.62%

LAB 47.77, 45.69, -66.34

 

CMYK 31 / 61 / 0 / 11

HEX #9C59E3

RGB 156 89 227

HSL 269.13, 0.71%, 0.62%

LAB 51.56, 53.5, -60.02

 

CMYK 15 / 61 / 0 / 11

HEX #C059E3

RGB 192 89 227

HSL 284.78, 0.71%, 0.62%

LAB 55.98, 61.82, -52.69

 

CMYK 0 / 61 / 1 / 11

HEX #E359E1

RGB 227 89 225

HSL 300.87, 0.71%, 0.62%

LAB 60.7, 69.87, -43.78

 

CMYK 0 / 61 / 17 / 11

HEX #E359BC

RGB 227 89 188

HSL 316.96, 0.71%, 0.62%

LAB 59.07, 64.16, -25.35

 

CMYK 20 / 83 / 0 / 22

HEX #A122C8

RGB 161 34 200

HSL 285.9, 0.71%, 0.46%

LAB 42.6, 70.72, -59

 

CMYK 18 / 76 / 0 / 13

HEX #B636DD

RGB 182 54 221

HSL 285.99, 0.71%, 0.54%

LAB 49.26, 72.47, -60.16

 

CMYK 14 / 61 / 0 / 11

HEX #C359E3

RGB 195 89 227

HSL 286.09, 0.71%, 0.62%

LAB 56.38, 62.53, -52.04

 

CMYK 11 / 46 / 0 / 9

HEX #D07DE9

RGB 208 125 233

HSL 286.11, 0.71%, 0.7%

LAB 64.93, 49.48, -41.77

 

CMYK 8 / 33 / 0 / 6

HEX #DCA0EF

RGB 220 160 239

HSL 285.57, 0.71%, 0.78%

LAB 73.93, 35.67, -30.98

 

CMYK 14 / 60 / 0 / 11

HEX #C35AE3

RGB 195 90 227

HSL 285.99, 0.71%, 0.62%

LAB 56.55, 62.08, -51.77

 

CMYK 0 / 61 / 58 / 11

HEX #E35960

RGB 227 89 96

HSL 356.96, 0.71%, 0.62%

LAB 56.41, 54.17, 24.4

 

CMYK 61 / 0 / 40 / 11

HEX #59E389

RGB 89 227 137

HSL 140.87, 0.71%, 0.62%

LAB 81.22, -56.94, 33.1

 

CMYK 14 / 60 / 0 / 11

HEX #C35AE3

RGB 195 90 227

HSL 285.99, 0.71%, 0.62%

LAB 56.55, 62.08, -51.77

 

CMYK 0 / 15 / 61 / 11

HEX #E3C059

RGB 227 192 89

HSL 44.78, 0.71%, 0.62%

LAB 78.9, 0.76, 55.37

 

CMYK 61 / 0 / 15 / 11

HEX #59E3C0

RGB 89 227 192

HSL 164.78, 0.71%, 0.62%

LAB 82.31, -45.63, 6.03

 

CMYK 14 / 60 / 0 / 11

HEX #C35AE3

RGB 195 90 227

HSL 285.99, 0.71%, 0.62%

LAB 56.55, 62.08, -51.77

 

CMYK 0 / 61 / 58 / 11

HEX #E35960

RGB 227 89 96

HSL 356.96, 0.71%, 0.62%

LAB 56.41, 54.17, 24.4

 

CMYK 45 / 0 / 61 / 11

HEX #7CE359

RGB 124 227 89

HSL 104.78, 0.71%, 0.62%

LAB 81.81, -54.59, 56.79

 

CMYK 61 / 0 / 3 / 11

HEX #59E3DC

RGB 89 227 220

HSL 176.96, 0.71%, 0.62%

LAB 83.04, -38.61, -7.73

 

CMYK 14 / 60 / 0 / 11

HEX #C35AE3

RGB 195 90 227

HSL 285.99, 0.71%, 0.62%

LAB 56.55, 62.08, -51.77

 

CMYK 0 / 45 / 61 / 11

HEX #E37C59

RGB 227 124 89

HSL 15.22, 0.71%, 0.62%

LAB 62.9, 36.75, 36.6

 

CMYK 45 / 0 / 61 / 11

HEX #7CE359

RGB 124 227 89

HSL 104.78, 0.71%, 0.62%

LAB 81.81, -54.59, 56.79

 

CMYK 61 / 15 / 0 / 11

HEX #59C0E3

RGB 89 192 227

HSL 195.22, 0.71%, 0.62%

LAB 73.13, -19.66, -26.41

 

Description

Color code: HEX #C35AE3 | qconv.com Color code: HEX #C35AE3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 90 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 90 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 60 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 60% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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