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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C357E7 it is the complementary color #3CA818. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C357E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C357E7 shade: #C857E2, #D969F5, #EA7BFF, #FB8DFF and #FF9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C357E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C357E7 shade: #C357E7, #B245D4, #A133C1, #9021AE and #7F0F9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C357E7 shade: #C255E7, #E755E4, #E755BD, #E75596 and #E7556E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C357E7 shade: #C255E7, #9B55E7, #7455E7 and #5555E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C357E7 shade matches the following richer shades: #C255E7 and #CA46F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C357E7 shade: #C255E7, #BB65D7, #B375C7, #AB84B8 and #A394A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C357E7 shade: #7555E7, #9C55E7, #C255E7, #E755E4 and #E755BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C357E7 shade: #A11DCC, #B631E2, #C255E7, #CF7AEC and #DC9EF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C357E7 shade: #C357E7, #E7555D and #55E788

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C357E7 shade: #C357E7, #E7C255 and #55E7C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C357E7 shade: #C357E7, #E7555D, #7AE755 and #55E7E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C357E7 shade: #C357E7, #E77A55, #7AE755 and #55C2E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 62 / 0 / 9

HEX #C357E7

RGB 195 87 231

HSL 285, 0.75%, 0.62%

LAB 56.28, 64.21, -54.45

 

Complementary color

CMYK 64 / 0 / 86 / 34

HEX #3CA818

RGB 60 168 24

HSL 105, 0.75%, 0.38%

LAB 60.81, -54.82, 57.95

 

CMYK 12 / 62 / 0 / 11

HEX #C857E2

RGB 200 87 226

HSL 288.78, 0.71%, 0.61%

LAB 56.67, 64.42, -50.97

 

CMYK 11 / 57 / 0 / 4

HEX #D969F5

RGB 217 105 245

HSL 288, 0.88%, 0.69%

LAB 62.88, 64.01, -51.56

 

CMYK 8 / 52 / 0 / 0

HEX #EA7BFF

RGB 234 123 255

HSL 290.45, 1%, 0.74%

LAB 68.66, 61.75, -47.78

 

CMYK 2 / 45 / 0 / 0

HEX #FB8DFF

RGB 251 141 255

HSL 297.89, 1%, 0.78%

LAB 74.05, 57.64, -39.21

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 16 / 62 / 0 / 9

HEX #C357E7

RGB 195 87 231

HSL 285, 0.75%, 0.62%

LAB 56.28, 64.21, -54.45

 

CMYK 16 / 67 / 0 / 17

HEX #B245D4

RGB 178 69 212

HSL 285.73, 0.62%, 0.55%

LAB 50.07, 64.41, -53.75

 

CMYK 17 / 74 / 0 / 24

HEX #A133C1

RGB 161 51 193

HSL 286.48, 0.58%, 0.48%

LAB 43.94, 64.16, -52.76

 

CMYK 17 / 81 / 0 / 32

HEX #9021AE

RGB 144 33 174

HSL 287.23, 0.68%, 0.41%

LAB 37.97, 63.18, -51.31

 

CMYK 18 / 90 / 0 / 39

HEX #7F0F9B

RGB 127 15 155

HSL 288, 0.82%, 0.33%

LAB 32.3, 61.03, -49.16

 

CMYK 16 / 63 / 0 / 9

HEX #C255E7

RGB 194 85 231

HSL 284.79, 0.75%, 0.62%

LAB 55.82, 64.87, -55.18

 

CMYK 0 / 63 / 1 / 9

HEX #E755E4

RGB 231 85 228

HSL 301.23, 0.75%, 0.62%

LAB 60.86, 72.9, -45.18

 

CMYK 0 / 63 / 18 / 9

HEX #E755BD

RGB 231 85 189

HSL 317.26, 0.75%, 0.62%

LAB 59.12, 67.01, -25.8

 

CMYK 0 / 63 / 35 / 9

HEX #E75596

RGB 231 85 150

HSL 333.29, 0.75%, 0.62%

LAB 57.74, 62.11, -5.3

 

CMYK 0 / 63 / 52 / 9

HEX #E7556E

RGB 231 85 110

HSL 349.73, 0.75%, 0.62%

LAB 56.7, 58.26, 16.71

 

CMYK 16 / 63 / 0 / 9

HEX #C255E7

RGB 194 85 231

HSL 284.79, 0.75%, 0.62%

LAB 55.82, 64.87, -55.18

 

CMYK 33 / 63 / 0 / 9

HEX #9B55E7

RGB 155 85 231

HSL 268.77, 0.75%, 0.62%

LAB 50.96, 56.25, -63.25

 

CMYK 50 / 63 / 0 / 9

HEX #7455E7

RGB 116 85 231

HSL 252.74, 0.75%, 0.62%

LAB 46.95, 48.5, -69.94

 

CMYK 63 / 63 / 0 / 9

HEX #5555E7

RGB 85 85 231

HSL 240, 0.75%, 0.62%

LAB 44.52, 43.42, -74.01

 

CMYK 16 / 63 / 0 / 9

HEX #C255E7

RGB 194 85 231

HSL 284.79, 0.75%, 0.62%

LAB 55.82, 64.87, -55.18

 

CMYK 18 / 72 / 0 / 4

HEX #CA46F6

RGB 202 70 246

HSL 285, 0.91%, 0.62%

LAB 55.68, 75.43, -63.75

 

CMYK 16 / 63 / 0 / 9

HEX #C255E7

RGB 194 85 231

HSL 284.79, 0.75%, 0.62%

LAB 55.82, 64.87, -55.18

 

CMYK 13 / 53 / 0 / 16

HEX #BB65D7

RGB 187 101 215

HSL 285.26, 0.59%, 0.62%

LAB 56.86, 52.39, -44.58

 

CMYK 10 / 41 / 0 / 22

HEX #B375C7

RGB 179 117 199

HSL 285.37, 0.42%, 0.62%

LAB 58.44, 38.4, -33.1

 

CMYK 7 / 28 / 0 / 28

HEX #AB84B8

RGB 171 132 184

HSL 285, 0.27%, 0.62%

LAB 60.45, 24.37, -21.56

 

CMYK 3 / 12 / 0 / 34

HEX #A394A8

RGB 163 148 168

HSL 285, 0.1%, 0.62%

LAB 63.17, 9.32, -8.45

 

CMYK 49 / 63 / 0 / 9

HEX #7555E7

RGB 117 85 231

HSL 253.15, 0.75%, 0.62%

LAB 47.04, 48.68, -69.79

 

CMYK 32 / 63 / 0 / 9

HEX #9C55E7

RGB 156 85 231

HSL 269.18, 0.75%, 0.62%

LAB 51.08, 56.46, -63.06

 

CMYK 16 / 63 / 0 / 9

HEX #C255E7

RGB 194 85 231

HSL 284.79, 0.75%, 0.62%

LAB 55.82, 64.87, -55.18

 

CMYK 0 / 63 / 1 / 9

HEX #E755E4

RGB 231 85 228

HSL 301.23, 0.75%, 0.62%

LAB 60.86, 72.9, -45.18

 

CMYK 0 / 63 / 18 / 9

HEX #E755BE

RGB 231 85 190

HSL 316.85, 0.75%, 0.62%

LAB 59.16, 67.15, -26.31

 

CMYK 21 / 86 / 0 / 20

HEX #A11DCC

RGB 161 29 204

HSL 285.26, 0.75%, 0.46%

LAB 42.48, 72.64, -61.5

 

CMYK 19 / 78 / 0 / 11

HEX #B631E2

RGB 182 49 226

HSL 285.08, 0.75%, 0.54%

LAB 49.05, 74.97, -63.34

 

CMYK 16 / 63 / 0 / 9

HEX #C255E7

RGB 194 85 231

HSL 284.79, 0.75%, 0.62%

LAB 55.82, 64.87, -55.18

 

CMYK 12 / 48 / 0 / 7

HEX #CF7AEC

RGB 207 122 236

HSL 284.74, 0.75%, 0.7%

LAB 64.36, 51.35, -44.34

 

CMYK 9 / 34 / 0 / 5

HEX #DC9EF1

RGB 220 158 241

HSL 284.82, 0.75%, 0.78%

LAB 73.56, 37.14, -32.63

 

CMYK 16 / 62 / 0 / 9

HEX #C357E7

RGB 195 87 231

HSL 285, 0.75%, 0.62%

LAB 56.28, 64.21, -54.45

 

CMYK 0 / 63 / 60 / 9

HEX #E7555D

RGB 231 85 93

HSL 356.71, 0.75%, 0.62%

LAB 56.36, 57.01, 26.21

 

CMYK 63 / 0 / 41 / 9

HEX #55E788

RGB 85 231 136

HSL 140.96, 0.75%, 0.62%

LAB 82.3, -59.41, 35.01

 

CMYK 16 / 62 / 0 / 9

HEX #C357E7

RGB 195 87 231

HSL 285, 0.75%, 0.62%

LAB 56.28, 64.21, -54.45

 

CMYK 0 / 16 / 63 / 9

HEX #E7C255

RGB 231 194 85

HSL 44.79, 0.75%, 0.62%

LAB 79.74, 1.14, 58.22

 

CMYK 63 / 0 / 16 / 9

HEX #55E7C2

RGB 85 231 194

HSL 164.79, 0.75%, 0.62%

LAB 83.43, -47.56, 6.58

 

CMYK 16 / 62 / 0 / 9

HEX #C357E7

RGB 195 87 231

HSL 285, 0.75%, 0.62%

LAB 56.28, 64.21, -54.45

 

CMYK 0 / 63 / 60 / 9

HEX #E7555D

RGB 231 85 93

HSL 356.71, 0.75%, 0.62%

LAB 56.36, 57.01, 26.21

 

CMYK 47 / 0 / 63 / 9

HEX #7AE755

RGB 122 231 85

HSL 104.79, 0.75%, 0.62%

LAB 82.88, -57.1, 59.65

 

CMYK 63 / 0 / 3 / 9

HEX #55E7E0

RGB 85 231 224

HSL 177.12, 0.75%, 0.62%

LAB 84.21, -40, -8.11

 

CMYK 16 / 62 / 0 / 9

HEX #C357E7

RGB 195 87 231

HSL 285, 0.75%, 0.62%

LAB 56.28, 64.21, -54.45

 

CMYK 0 / 47 / 63 / 9

HEX #E77A55

RGB 231 122 85

HSL 15.21, 0.75%, 0.62%

LAB 62.98, 39.05, 38.98

 

CMYK 47 / 0 / 63 / 9

HEX #7AE755

RGB 122 231 85

HSL 104.79, 0.75%, 0.62%

LAB 82.88, -57.1, 59.65

 

CMYK 63 / 16 / 0 / 9

HEX #55C2E7

RGB 85 194 231

HSL 195.21, 0.75%, 0.62%

LAB 73.73, -20.17, -27.67

 

Description

Color code: HEX #C357E7 | qconv.com Color code: HEX #C357E7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 87 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 87 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 62 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 62% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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