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Color name
HEX #C35787

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C35787 it is the complementary color #3CA878. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C35787. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C35787 shade: #C85782, #D96995, #EA7BA8, #FB8DBB and #FF9FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C35787. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C35787 shade: #C35787, #B24574, #A13361, #90214E and #7F0F3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C35787 shade: #C25686, #C25669 and #C25656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C35787 shade: #C25686, #C256A3, #C256C0, #A756C2 and #8A56C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C35787 shade matches the following richer shades: #C25686, #D54484, #E73182 and #FA1F80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C35787 shade: #C25686, #B06988, #9D7B8A, #8A8E8C and #78A18F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C35787 shade: #C256C0, #C256A4, #C25687, #C2566A and #C25F56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C35787 shade: #92345E, #B03F71, #C25686, #CD759C and #D893B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C35787 shade: #C35787, #C2A756 and #56B2C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C35787 shade: #C35787, #87C256 and #5687C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C35787 shade: #C35787, #C2A756, #56C292 and #5671C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C35787 shade: #C35787, #BDC256, #56C292 and #5C56C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 31 / 24

HEX #C35787

RGB 195 87 135

HSL 333.33, 0.47%, 0.55%

LAB 52.03, 48.3, -5.54

 

Complementary color

CMYK 64 / 0 / 29 / 34

HEX #3CA878

RGB 60 168 120

HSL 153.33, 0.47%, 0.45%

LAB 61.93, -42.25, 15.93

 

CMYK 0 / 57 / 35 / 22

HEX #C85782

RGB 200 87 130

HSL 337.17, 0.51%, 0.56%

LAB 52.63, 49.31, -1.59

 

CMYK 0 / 52 / 31 / 15

HEX #D96995

RGB 217 105 149

HSL 336.43, 0.6%, 0.63%

LAB 59, 48.57, -3.1

 

CMYK 0 / 47 / 28 / 8

HEX #EA7BA8

RGB 234 123 168

HSL 335.68, 0.73%, 0.7%

LAB 65.35, 47.77, -4.37

 

CMYK 0 / 44 / 25 / 2

HEX #FB8DBB

RGB 251 141 187

HSL 334.91, 0.93%, 0.77%

LAB 71.65, 46.95, -5.47

 

CMYK 0 / 38 / 19 / 0

HEX #FF9FCE

RGB 255 159 206

HSL 330.63, 1%, 0.81%

LAB 76.38, 41.81, -8.89

 

CMYK 0 / 55 / 31 / 24

HEX #C35787

RGB 195 87 135

HSL 333.33, 0.47%, 0.55%

LAB 52.03, 48.3, -5.54

 

CMYK 0 / 61 / 35 / 30

HEX #B24574

RGB 178 69 116

HSL 334.13, 0.44%, 0.48%

LAB 45.61, 48.88, -3.88

 

CMYK 0 / 68 / 40 / 37

HEX #A13361

RGB 161 51 97

HSL 334.91, 0.52%, 0.42%

LAB 39.25, 49.17, -1.79

 

CMYK 0 / 77 / 46 / 44

HEX #90214E

RGB 144 33 78

HSL 335.68, 0.63%, 0.35%

LAB 33.06, 48.88, 0.96

 

CMYK 0 / 88 / 54 / 50

HEX #7F0F3B

RGB 127 15 59

HSL 336.43, 0.79%, 0.28%

LAB 27.21, 47.5, 4.73

 

CMYK 0 / 56 / 31 / 24

HEX #C25686

RGB 194 86 134

HSL 333.33, 0.47%, 0.55%

LAB 51.66, 48.32, -5.5

 

CMYK 0 / 56 / 46 / 24

HEX #C25669

RGB 194 86 105

HSL 349.44, 0.47%, 0.55%

LAB 50.86, 45.02, 10.67

 

CMYK 0 / 56 / 56 / 24

HEX #C25656

RGB 194 86 86

HSL 0, 0.47%, 0.55%

LAB 50.45, 43.3, 21.43

 

CMYK 0 / 56 / 31 / 24

HEX #C25686

RGB 194 86 134

HSL 333.33, 0.47%, 0.55%

LAB 51.66, 48.32, -5.5

 

CMYK 0 / 56 / 16 / 24

HEX #C256A3

RGB 194 86 163

HSL 317.22, 0.47%, 0.55%

LAB 52.7, 52.41, -21.08

 

CMYK 0 / 56 / 1 / 24

HEX #C256C0

RGB 194 86 192

HSL 301.11, 0.47%, 0.55%

LAB 53.95, 57.17, -35.97

 

CMYK 14 / 56 / 0 / 24

HEX #A756C2

RGB 167 86 194

HSL 285, 0.47%, 0.55%

LAB 50.41, 50.35, -42.95

 

CMYK 29 / 56 / 0 / 24

HEX #8A56C2

RGB 138 86 194

HSL 268.89, 0.47%, 0.55%

LAB 46.91, 42.85, -48.73

 

CMYK 0 / 56 / 31 / 24

HEX #C25686

RGB 194 86 134

HSL 333.33, 0.47%, 0.55%

LAB 51.66, 48.32, -5.5

 

CMYK 0 / 68 / 38 / 16

HEX #D54484

RGB 213 68 132

HSL 333.52, 0.63%, 0.55%

LAB 51.78, 61.65, -3.8

 

CMYK 0 / 79 / 44 / 9

HEX #E73182

RGB 231 49 130

HSL 333.3, 0.79%, 0.55%

LAB 52.73, 72.37, -0.83

 

CMYK 0 / 88 / 49 / 2

HEX #FA1F80

RGB 250 31 128

HSL 333.42, 0.96%, 0.55%

LAB 54.93, 80.5, 4.01

 

CMYK 0 / 56 / 31 / 24

HEX #C25686

RGB 194 86 134

HSL 333.33, 0.47%, 0.55%

LAB 51.66, 48.32, -5.5

 

CMYK 0 / 40 / 23 / 31

HEX #B06988

RGB 176 105 136

HSL 333.8, 0.31%, 0.55%

LAB 53.07, 32.58, -4.87

 

CMYK 0 / 22 / 12 / 38

HEX #9D7B8A

RGB 157 123 138

HSL 333.53, 0.15%, 0.55%

LAB 55.25, 15.7, -3.07

 

CMYK 3 / 0 / 1 / 44

HEX #8A8E8C

RGB 138 142 140

HSL 150, 0.02%, 0.55%

LAB 58.64, -1.85, 0.55

 

CMYK 25 / 0 / 11 / 37

HEX #78A18F

RGB 120 161 143

HSL 153.66, 0.18%, 0.55%

LAB 62.9, -17.82, 4.86

 

CMYK 0 / 56 / 1 / 24

HEX #C256C0

RGB 194 86 192

HSL 301.11, 0.47%, 0.55%

LAB 53.95, 57.17, -35.97

 

CMYK 0 / 56 / 15 / 24

HEX #C256A4

RGB 194 86 164

HSL 316.67, 0.47%, 0.55%

LAB 52.74, 52.56, -21.6

 

CMYK 0 / 56 / 30 / 24

HEX #C25687

RGB 194 86 135

HSL 332.78, 0.47%, 0.55%

LAB 51.69, 48.45, -6.05

 

CMYK 0 / 56 / 45 / 24

HEX #C2566A

RGB 194 86 106

HSL 348.89, 0.47%, 0.55%

LAB 50.88, 45.12, 10.1

 

CMYK 0 / 51 / 56 / 24

HEX #C25F56

RGB 194 95 86

HSL 5, 0.47%, 0.55%

LAB 52.2, 38.79, 23.74

 

CMYK 0 / 64 / 36 / 43

HEX #92345E

RGB 146 52 94

HSL 333.19, 0.47%, 0.39%

LAB 36.7, 43.67, -3.96

 

CMYK 0 / 64 / 36 / 31

HEX #B03F71

RGB 176 63 113

HSL 333.45, 0.47%, 0.47%

LAB 44.2, 50.56, -4.17

 

CMYK 0 / 56 / 31 / 24

HEX #C25686

RGB 194 86 134

HSL 333.33, 0.47%, 0.55%

LAB 51.66, 48.32, -5.5

 

CMYK 0 / 43 / 24 / 20

HEX #CD759C

RGB 205 117 156

HSL 333.41, 0.47%, 0.63%

LAB 59.98, 39.34, -5.87

 

CMYK 0 / 32 / 18 / 15

HEX #D893B2

RGB 216 147 178

HSL 333.04, 0.47%, 0.71%

LAB 68.52, 30.49, -5.56

 

CMYK 0 / 55 / 31 / 24

HEX #C35787

RGB 195 87 135

HSL 333.33, 0.47%, 0.55%

LAB 52.03, 48.3, -5.54

 

CMYK 0 / 14 / 56 / 24

HEX #C2A756

RGB 194 167 86

HSL 45, 0.47%, 0.55%

LAB 69.31, -0.2, 44.97

 

CMYK 56 / 8 / 0 / 24

HEX #56B2C2

RGB 86 178 194

HSL 188.89, 0.47%, 0.55%

LAB 67.81, -22.73, -16.47

 

CMYK 0 / 55 / 31 / 24

HEX #C35787

RGB 195 87 135

HSL 333.33, 0.47%, 0.55%

LAB 52.03, 48.3, -5.54

 

CMYK 30 / 0 / 56 / 24

HEX #87C256

RGB 135 194 86

HSL 92.78, 0.47%, 0.55%

LAB 72.5, -37.42, 47.61

 

CMYK 56 / 30 / 0 / 24

HEX #5687C2

RGB 86 135 194

HSL 212.78, 0.47%, 0.55%

LAB 55.28, 0.87, -35.75

 

CMYK 0 / 55 / 31 / 24

HEX #C35787

RGB 195 87 135

HSL 333.33, 0.47%, 0.55%

LAB 52.03, 48.3, -5.54

 

CMYK 0 / 14 / 56 / 24

HEX #C2A756

RGB 194 167 86

HSL 45, 0.47%, 0.55%

LAB 69.31, -0.2, 44.97

 

CMYK 56 / 0 / 25 / 24

HEX #56C292

RGB 86 194 146

HSL 153.33, 0.47%, 0.55%

LAB 71.31, -42.38, 14.94

 

CMYK 56 / 42 / 0 / 24

HEX #5671C2

RGB 86 113 194

HSL 225, 0.47%, 0.55%

LAB 49.11, 14.15, -45.49

 

CMYK 0 / 55 / 31 / 24

HEX #C35787

RGB 195 87 135

HSL 333.33, 0.47%, 0.55%

LAB 52.03, 48.3, -5.54

 

CMYK 3 / 0 / 56 / 24

HEX #BDC256

RGB 189 194 86

HSL 62.78, 0.47%, 0.55%

LAB 76.11, -16.34, 52.71

 

CMYK 56 / 0 / 25 / 24

HEX #56C292

RGB 86 194 146

HSL 153.33, 0.47%, 0.55%

LAB 71.31, -42.38, 14.94

 

CMYK 53 / 56 / 0 / 24

HEX #5C56C2

RGB 92 86 194

HSL 243.33, 0.47%, 0.55%

LAB 42.5, 32.18, -56.06

 

Description

Color code: HEX #C35787 | qconv.com Color code: HEX #C35787 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 87 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 87 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 31 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 31% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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