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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C348DD it is the complementary color #3CB722. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C348DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C348DD shade: #C848D8, #D95AEB, #EA6CFE, #FB7EFF and #FF90FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C348DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C348DD shade: #C348DD, #B236CA, #A124B7, #9012A4 and #7F0091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C348DD shade: #C346DD, #DD46CF, #DD46A6, #DD467D and #DD4654

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C348DD shade: #C346DD, #9A46DD, #7146DD, #4846DD and #4646DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C348DD shade matches the following richer shades: #C346DD and #CE34EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C348DD shade: #C346DD, #B757CB, #AC69BA, #A07BA8 and #948D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C348DD shade: #7146DD, #9946DD, #C146DD, #DD46D0 and #DD46A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C348DD shade: #9720B0, #B527D3, #C346DD, #CE69E3 and #D98BEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C348DD shade: #C348DD, #DD4846 and #46DD85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C348DD shade: #C348DD, #DDC146 and #46DDC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C348DD shade: #C348DD, #DD4846, #61DD46 and #46DADD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C348DD shade: #C348DD, #DD7646, #61DD46 and #46ADDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 67 / 0 / 13

HEX #C348DD

RGB 195 72 221

HSL 289.53, 0.69%, 0.57%

LAB 53.45, 68.6, -53.33

 

Complementary color

CMYK 67 / 0 / 81 / 28

HEX #3CB722

RGB 60 183 34

HSL 109.53, 0.69%, 0.43%

LAB 65.7, -59.38, 59.8

 

CMYK 7 / 67 / 0 / 15

HEX #C848D8

RGB 200 72 216

HSL 293.33, 0.65%, 0.56%

LAB 53.89, 68.8, -49.74

 

CMYK 8 / 62 / 0 / 8

HEX #D95AEB

RGB 217 90 235

HSL 292.55, 0.78%, 0.64%

LAB 59.94, 68.79, -50.67

 

CMYK 8 / 57 / 0 / 0

HEX #EA6CFE

RGB 234 108 254

HSL 291.78, 0.99%, 0.71%

LAB 66.04, 68.49, -51.38

 

CMYK 2 / 51 / 0 / 0

HEX #FB7EFF

RGB 251 126 255

HSL 298.14, 1%, 0.75%

LAB 71.32, 64.81, -43.47

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 12 / 67 / 0 / 13

HEX #C348DD

RGB 195 72 221

HSL 289.53, 0.69%, 0.57%

LAB 53.45, 68.6, -53.33

 

CMYK 12 / 73 / 0 / 21

HEX #B236CA

RGB 178 54 202

HSL 290.27, 0.58%, 0.5%

LAB 47.45, 68.21, -52.2

 

CMYK 12 / 80 / 0 / 28

HEX #A124B7

RGB 161 36 183

HSL 291.02, 0.67%, 0.43%

LAB 41.62, 67.11, -50.62

 

CMYK 12 / 89 / 0 / 36

HEX #9012A4

RGB 144 18 164

HSL 291.78, 0.8%, 0.36%

LAB 36.07, 64.92, -48.4

 

CMYK 12 / 100 / 0 / 43

HEX #7F0091

RGB 127 0 145

HSL 292.55, 1%, 0.28%

LAB 30.77, 61.58, -45.5

 

CMYK 12 / 68 / 0 / 13

HEX #C346DD

RGB 195 70 221

HSL 289.67, 0.69%, 0.57%

LAB 53.17, 69.37, -53.77

 

CMYK 0 / 68 / 6 / 13

HEX #DD46CF

RGB 221 70 207

HSL 305.56, 0.69%, 0.57%

LAB 56.34, 72.81, -40.53

 

CMYK 0 / 68 / 25 / 13

HEX #DD46A6

RGB 221 70 166

HSL 321.85, 0.69%, 0.57%

LAB 54.56, 67.07, -19.61

 

CMYK 0 / 68 / 43 / 13

HEX #DD467D

RGB 221 70 125

HSL 338.15, 0.69%, 0.57%

LAB 53.2, 62.5, 2.64

 

CMYK 0 / 68 / 62 / 13

HEX #DD4654

RGB 221 70 84

HSL 354.44, 0.69%, 0.57%

LAB 52.28, 59.27, 25.85

 

CMYK 12 / 68 / 0 / 13

HEX #C346DD

RGB 195 70 221

HSL 289.67, 0.69%, 0.57%

LAB 53.17, 69.37, -53.77

 

CMYK 30 / 68 / 0 / 13

HEX #9A46DD

RGB 154 70 221

HSL 273.38, 0.69%, 0.57%

LAB 47.59, 60.85, -63.05

 

CMYK 49 / 68 / 0 / 13

HEX #7146DD

RGB 113 70 221

HSL 257.09, 0.69%, 0.57%

LAB 42.93, 53.22, -70.82

 

CMYK 67 / 68 / 0 / 13

HEX #4846DD

RGB 72 70 221

HSL 240.79, 0.69%, 0.57%

LAB 39.54, 47.26, -76.5

 

CMYK 68 / 68 / 0 / 13

HEX #4646DD

RGB 70 70 221

HSL 240, 0.69%, 0.57%

LAB 39.42, 47.02, -76.72

 

CMYK 12 / 68 / 0 / 13

HEX #C346DD

RGB 195 70 221

HSL 289.67, 0.69%, 0.57%

LAB 53.17, 69.37, -53.77

 

CMYK 14 / 78 / 0 / 6

HEX #CE34EF

RGB 206 52 239

HSL 289.41, 0.85%, 0.57%

LAB 53.82, 80.66, -62.78

 

CMYK 12 / 68 / 0 / 13

HEX #C346DD

RGB 195 70 221

HSL 289.67, 0.69%, 0.57%

LAB 53.17, 69.37, -53.77

 

CMYK 10 / 57 / 0 / 20

HEX #B757CB

RGB 183 87 203

HSL 289.66, 0.53%, 0.57%

LAB 53.16, 55.83, -43.63

 

CMYK 8 / 44 / 0 / 27

HEX #AC69BA

RGB 172 105 186

HSL 289.63, 0.37%, 0.57%

LAB 54.47, 40.16, -31.92

 

CMYK 5 / 27 / 0 / 34

HEX #A07BA8

RGB 160 123 168

HSL 289.33, 0.21%, 0.57%

LAB 56.55, 22.52, -18.46

 

CMYK 1 / 6 / 0 / 41

HEX #948D96

RGB 148 141 150

HSL 286.67, 0.04%, 0.57%

LAB 59.48, 4.33, -3.85

 

CMYK 49 / 68 / 0 / 13

HEX #7146DD

RGB 113 70 221

HSL 257.09, 0.69%, 0.57%

LAB 42.93, 53.22, -70.82

 

CMYK 31 / 68 / 0 / 13

HEX #9946DD

RGB 153 70 221

HSL 272.98, 0.69%, 0.57%

LAB 47.46, 60.65, -63.26

 

CMYK 13 / 68 / 0 / 13

HEX #C146DD

RGB 193 70 221

HSL 288.87, 0.69%, 0.57%

LAB 52.88, 68.94, -54.25

 

CMYK 0 / 68 / 6 / 13

HEX #DD46D0

RGB 221 70 208

HSL 305.17, 0.69%, 0.57%

LAB 56.39, 72.97, -41.02

 

CMYK 0 / 68 / 24 / 13

HEX #DD46A8

RGB 221 70 168

HSL 321.06, 0.69%, 0.57%

LAB 54.64, 67.32, -20.67

 

CMYK 14 / 82 / 0 / 31

HEX #9720B0

RGB 151 32 176

HSL 289.58, 0.69%, 0.41%

LAB 39.15, 65.1, -50.54

 

CMYK 14 / 82 / 0 / 17

HEX #B527D3

RGB 181 39 211

HSL 289.53, 0.69%, 0.49%

LAB 46.95, 74.84, -58.17

 

CMYK 12 / 68 / 0 / 13

HEX #C346DD

RGB 195 70 221

HSL 289.67, 0.69%, 0.57%

LAB 53.17, 69.37, -53.77

 

CMYK 9 / 54 / 0 / 11

HEX #CE69E3

RGB 206 105 227

HSL 289.67, 0.69%, 0.65%

LAB 60.58, 57.79, -45.29

 

CMYK 7 / 41 / 0 / 8

HEX #D98BEA

RGB 217 139 234

HSL 289.26, 0.69%, 0.73%

LAB 68.87, 44.97, -36.1

 

CMYK 12 / 67 / 0 / 13

HEX #C348DD

RGB 195 72 221

HSL 289.53, 0.69%, 0.57%

LAB 53.45, 68.6, -53.33

 

CMYK 0 / 67 / 68 / 13

HEX #DD4846

RGB 221 72 70

HSL 0.79, 0.69%, 0.57%

LAB 52.34, 57.7, 34.1

 

CMYK 68 / 0 / 40 / 13

HEX #46DD85

RGB 70 221 133

HSL 145.03, 0.69%, 0.57%

LAB 78.87, -58.88, 31.96

 

CMYK 12 / 67 / 0 / 13

HEX #C348DD

RGB 195 72 221

HSL 289.53, 0.69%, 0.57%

LAB 53.45, 68.6, -53.33

 

CMYK 0 / 13 / 68 / 13

HEX #DDC146

RGB 221 193 70

HSL 48.87, 0.69%, 0.57%

LAB 78.44, -3.44, 62.91

 

CMYK 68 / 0 / 13 / 13

HEX #46DDC1

RGB 70 221 193

HSL 168.87, 0.69%, 0.57%

LAB 80.1, -45.87, 2.25

 

CMYK 12 / 67 / 0 / 13

HEX #C348DD

RGB 195 72 221

HSL 289.53, 0.69%, 0.57%

LAB 53.45, 68.6, -53.33

 

CMYK 0 / 67 / 68 / 13

HEX #DD4846

RGB 221 72 70

HSL 0.79, 0.69%, 0.57%

LAB 52.34, 57.7, 34.1

 

CMYK 56 / 0 / 68 / 13

HEX #61DD46

RGB 97 221 70

HSL 109.27, 0.69%, 0.57%

LAB 78.87, -61.46, 61.03

 

CMYK 68 / 1 / 0 / 13

HEX #46DADD

RGB 70 218 221

HSL 181.19, 0.69%, 0.57%

LAB 79.99, -37.05, -12.84

 

CMYK 12 / 67 / 0 / 13

HEX #C348DD

RGB 195 72 221

HSL 289.53, 0.69%, 0.57%

LAB 53.45, 68.6, -53.33

 

CMYK 0 / 47 / 68 / 13

HEX #DD7646

RGB 221 118 70

HSL 19.07, 0.69%, 0.57%

LAB 60.58, 36.32, 43.71

 

CMYK 56 / 0 / 68 / 13

HEX #61DD46

RGB 97 221 70

HSL 109.27, 0.69%, 0.57%

LAB 78.87, -61.46, 61.03

 

CMYK 68 / 22 / 0 / 13

HEX #46ADDD

RGB 70 173 221

HSL 199.07, 0.69%, 0.57%

LAB 66.83, -14.64, -32.89

 

Description

Color code: HEX #C348DD | qconv.com Color code: HEX #C348DD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 72 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 72 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 67 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 67% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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