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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C345DE it is the complementary color #3CBA21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C345DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C345DE shade: #C845D9, #D957EC, #EA69FF, #FB7BFF and #FF8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C345DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C345DE shade: #C345DE, #B233CB, #A121B8, #900FA5 and #7F0092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C345DE shade: #C345DE, #DE45D0, #DE45A6, #DE457D and #DE4554

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C345DE shade: #C345DE, #9A45DE, #7045DE, #4745DE and #4545DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C345DE shade matches the following richer shades: #C345DE and #CE33F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C345DE shade: #C345DE, #B856CC, #AC68BB, #A17AA9 and #958C97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C345DE shade: #7045DE, #9945DE, #C245DE, #DE45D1 and #DE45A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C345DE shade: #971FB1, #B525D4, #C345DE, #CE68E4 and #DA8BEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C345DE shade: #C345DE, #DE4745 and #45DE85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C345DE shade: #C345DE, #DEC245 and #45DEC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C345DE shade: #C345DE, #DE4745, #61DE45 and #45DCDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C345DE shade: #C345DE, #DE7545, #61DE45 and #45ADDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 69 / 0 / 13

HEX #C345DE

RGB 195 69 222

HSL 289.41, 0.7%, 0.57%

LAB 53.09, 69.94, -54.46

 

Complementary color

CMYK 68 / 0 / 82 / 27

HEX #3CBA21

RGB 60 186 33

HSL 109.41, 0.7%, 0.43%

LAB 66.66, -60.42, 60.96

 

CMYK 8 / 68 / 0 / 15

HEX #C845D9

RGB 200 69 217

HSL 293.11, 0.66%, 0.56%

LAB 53.54, 70.11, -50.87

 

CMYK 8 / 63 / 0 / 7

HEX #D957EC

RGB 217 87 236

HSL 292.35, 0.8%, 0.63%

LAB 59.55, 70.21, -51.86

 

CMYK 8 / 59 / 0 / 0

HEX #EA69FF

RGB 234 105 255

HSL 291.6, 1%, 0.71%

LAB 65.6, 69.98, -52.61

 

CMYK 2 / 52 / 0 / 0

HEX #FB7BFF

RGB 251 123 255

HSL 298.18, 1%, 0.74%

LAB 70.8, 66.2, -44.28

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 12 / 69 / 0 / 13

HEX #C345DE

RGB 195 69 222

HSL 289.41, 0.7%, 0.57%

LAB 53.09, 69.94, -54.46

 

CMYK 12 / 75 / 0 / 20

HEX #B233CB

RGB 178 51 203

HSL 290.13, 0.6%, 0.5%

LAB 47.16, 69.4, -53.24

 

CMYK 13 / 82 / 0 / 28

HEX #A121B8

RGB 161 33 184

HSL 290.86, 0.7%, 0.43%

LAB 41.41, 68.08, -51.54

 

CMYK 13 / 91 / 0 / 35

HEX #900FA5

RGB 144 15 165

HSL 291.6, 0.83%, 0.35%

LAB 35.96, 65.61, -49.17

 

CMYK 13 / 100 / 0 / 43

HEX #7F0092

RGB 127 0 146

HSL 292.19, 1%, 0.29%

LAB 30.85, 61.75, -46

 

CMYK 12 / 69 / 0 / 13

HEX #C345DE

RGB 195 69 222

HSL 289.41, 0.7%, 0.57%

LAB 53.09, 69.94, -54.46

 

CMYK 0 / 69 / 6 / 13

HEX #DE45D0

RGB 222 69 208

HSL 305.49, 0.7%, 0.57%

LAB 56.43, 73.54, -40.96

 

CMYK 0 / 69 / 25 / 13

HEX #DE45A6

RGB 222 69 166

HSL 321.96, 0.7%, 0.57%

LAB 54.59, 67.69, -19.55

 

CMYK 0 / 69 / 44 / 13

HEX #DE457D

RGB 222 69 125

HSL 338.04, 0.7%, 0.57%

LAB 53.24, 63.16, 2.71

 

CMYK 0 / 69 / 62 / 13

HEX #DE4554

RGB 222 69 84

HSL 354.12, 0.7%, 0.57%

LAB 52.32, 59.96, 25.94

 

CMYK 12 / 69 / 0 / 13

HEX #C345DE

RGB 195 69 222

HSL 289.41, 0.7%, 0.57%

LAB 53.09, 69.94, -54.46

 

CMYK 31 / 69 / 0 / 13

HEX #9A45DE

RGB 154 69 222

HSL 273.33, 0.7%, 0.57%

LAB 47.5, 61.52, -63.76

 

CMYK 50 / 69 / 0 / 13

HEX #7045DE

RGB 112 69 222

HSL 256.86, 0.7%, 0.57%

LAB 42.73, 53.85, -71.73

 

CMYK 68 / 69 / 0 / 13

HEX #4745DE

RGB 71 69 222

HSL 240.78, 0.7%, 0.57%

LAB 39.36, 48.04, -77.38

 

CMYK 69 / 69 / 0 / 13

HEX #4545DE

RGB 69 69 222

HSL 240, 0.7%, 0.57%

LAB 39.23, 47.81, -77.59

 

CMYK 12 / 69 / 0 / 13

HEX #C345DE

RGB 195 69 222

HSL 289.41, 0.7%, 0.57%

LAB 53.09, 69.94, -54.46

 

CMYK 14 / 79 / 0 / 6

HEX #CE33F0

RGB 206 51 240

HSL 289.21, 0.86%, 0.57%

LAB 53.79, 81.11, -63.39

 

CMYK 12 / 69 / 0 / 13

HEX #C345DE

RGB 195 69 222

HSL 289.41, 0.7%, 0.57%

LAB 53.09, 69.94, -54.46

 

CMYK 10 / 58 / 0 / 20

HEX #B856CC

RGB 184 86 204

HSL 289.83, 0.54%, 0.57%

LAB 53.17, 56.75, -44.18

 

CMYK 8 / 44 / 0 / 27

HEX #AC68BB

RGB 172 104 187

HSL 289.16, 0.38%, 0.57%

LAB 54.3, 40.91, -32.76

 

CMYK 5 / 28 / 0 / 34

HEX #A17AA9

RGB 161 122 169

HSL 289.79, 0.21%, 0.57%

LAB 56.45, 23.63, -19.18

 

CMYK 1 / 7 / 0 / 41

HEX #958C97

RGB 149 140 151

HSL 289.09, 0.05%, 0.57%

LAB 59.32, 5.46, -4.64

 

CMYK 50 / 69 / 0 / 13

HEX #7045DE

RGB 112 69 222

HSL 256.86, 0.7%, 0.57%

LAB 42.73, 53.85, -71.73

 

CMYK 31 / 69 / 0 / 13

HEX #9945DE

RGB 153 69 222

HSL 272.94, 0.7%, 0.57%

LAB 47.37, 61.32, -63.98

 

CMYK 13 / 69 / 0 / 13

HEX #C245DE

RGB 194 69 222

HSL 289.02, 0.7%, 0.57%

LAB 52.95, 69.72, -54.7

 

CMYK 0 / 69 / 6 / 13

HEX #DE45D1

RGB 222 69 209

HSL 305.1, 0.7%, 0.57%

LAB 56.48, 73.69, -41.45

 

CMYK 0 / 69 / 24 / 13

HEX #DE45A8

RGB 222 69 168

HSL 321.18, 0.7%, 0.57%

LAB 54.67, 67.94, -20.6

 

CMYK 15 / 82 / 0 / 31

HEX #971FB1

RGB 151 31 177

HSL 289.32, 0.7%, 0.41%

LAB 39.13, 65.55, -51.17

 

CMYK 15 / 83 / 0 / 17

HEX #B525D4

RGB 181 37 212

HSL 289.37, 0.7%, 0.49%

LAB 46.84, 75.51, -58.91

 

CMYK 12 / 69 / 0 / 13

HEX #C345DE

RGB 195 69 222

HSL 289.41, 0.7%, 0.57%

LAB 53.09, 69.94, -54.46

 

CMYK 10 / 54 / 0 / 11

HEX #CE68E4

RGB 206 104 228

HSL 289.35, 0.7%, 0.65%

LAB 60.45, 58.46, -46.06

 

CMYK 7 / 41 / 0 / 8

HEX #DA8BEA

RGB 218 139 234

HSL 289.89, 0.69%, 0.73%

LAB 68.98, 45.26, -35.92

 

CMYK 12 / 69 / 0 / 13

HEX #C345DE

RGB 195 69 222

HSL 289.41, 0.7%, 0.57%

LAB 53.09, 69.94, -54.46

 

CMYK 0 / 68 / 69 / 13

HEX #DE4745

RGB 222 71 69

HSL 0.78, 0.7%, 0.57%

LAB 52.36, 58.36, 34.74

 

CMYK 69 / 0 / 40 / 13

HEX #45DE85

RGB 69 222 133

HSL 145.1, 0.7%, 0.57%

LAB 79.16, -59.42, 32.33

 

CMYK 12 / 69 / 0 / 13

HEX #C345DE

RGB 195 69 222

HSL 289.41, 0.7%, 0.57%

LAB 53.09, 69.94, -54.46

 

CMYK 0 / 13 / 69 / 13

HEX #DEC245

RGB 222 194 69

HSL 49.02, 0.7%, 0.57%

LAB 78.78, -3.58, 63.69

 

CMYK 69 / 0 / 13 / 13

HEX #45DEC2

RGB 69 222 194

HSL 169.02, 0.7%, 0.57%

LAB 80.41, -46.19, 2.16

 

CMYK 12 / 69 / 0 / 13

HEX #C345DE

RGB 195 69 222

HSL 289.41, 0.7%, 0.57%

LAB 53.09, 69.94, -54.46

 

CMYK 0 / 68 / 69 / 13

HEX #DE4745

RGB 222 71 69

HSL 0.78, 0.7%, 0.57%

LAB 52.36, 58.36, 34.74

 

CMYK 56 / 0 / 69 / 13

HEX #61DE45

RGB 97 222 69

HSL 109.02, 0.7%, 0.57%

LAB 79.16, -61.9, 61.72

 

CMYK 69 / 1 / 0 / 13

HEX #45DCDE

RGB 69 220 222

HSL 180.78, 0.7%, 0.57%

LAB 80.59, -37.82, -12.48

 

CMYK 12 / 69 / 0 / 13

HEX #C345DE

RGB 195 69 222

HSL 289.41, 0.7%, 0.57%

LAB 53.09, 69.94, -54.46

 

CMYK 0 / 47 / 69 / 13

HEX #DE7545

RGB 222 117 69

HSL 18.82, 0.7%, 0.57%

LAB 60.5, 37.17, 44.18

 

CMYK 56 / 0 / 69 / 13

HEX #61DE45

RGB 97 222 69

HSL 109.02, 0.7%, 0.57%

LAB 79.16, -61.9, 61.72

 

CMYK 69 / 22 / 0 / 13

HEX #45ADDE

RGB 69 173 222

HSL 199.22, 0.7%, 0.57%

LAB 66.84, -14.47, -33.42

 

Description

Color code: HEX #C345DE | qconv.com Color code: HEX #C345DE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 69 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 69 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 69 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 69% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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