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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C344A2 it is the complementary color #3CBB5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C344A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C344A2 shade: #C8449D, #D956B0, #EA68C3, #FB7AD6 and #FF8CE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C344A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C344A2 shade: #C344A2, #B2328F, #A1207C, #900E69 and #7F0056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C344A2 shade: #C346A3, #C34681, #C3465F and #C34646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C344A2 shade: #C346A3, #C246C3, #A046C3, #7E46C3 and #5D46C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C344A2 shade matches the following richer shades: #C346A3, #D732AC, #EB1FB6 and #FE0BBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C344A2 shade: #C346A3, #AF5A99, #9B6E90, #888286 and #74957D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C344A2 shade: #A046C3, #C146C3, #C346A4, #C34683 and #C34661

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C344A2 shade: #8A2D72, #A9378B, #C346A3, #CD65B2 and #D784C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C344A2 shade: #C344A2, #C37E46 and #46C3B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C344A2 shade: #C344A2, #A4C346 and #46A4C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C344A2 shade: #C344A2, #C37E46, #46C365 and #468BC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C344A2 shade: #C344A2, #C3A446, #46C365 and #4665C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 17 / 24

HEX #C344A2

RGB 195 68 162

HSL 315.59, 0.51%, 0.52%

LAB 49.91, 60.42, -24.76

 

Complementary color

CMYK 68 / 0 / 50 / 27

HEX #3CBB5D

RGB 60 187 93

HSL 135.59, 0.51%, 0.48%

LAB 67.5, -54.73, 37.51

 

CMYK 0 / 66 / 22 / 22

HEX #C8449D

RGB 200 68 157

HSL 319.55, 0.55%, 0.53%

LAB 50.51, 61.06, -20.82

 

CMYK 0 / 60 / 19 / 15

HEX #D956B0

RGB 217 86 176

HSL 318.78, 0.63%, 0.59%

LAB 56.63, 60.96, -22.33

 

CMYK 0 / 56 / 17 / 8

HEX #EA68C3

RGB 234 104 195

HSL 318, 0.76%, 0.66%

LAB 62.79, 60.58, -23.55

 

CMYK 0 / 51 / 15 / 2

HEX #FB7AD6

RGB 251 122 214

HSL 317.21, 0.94%, 0.73%

LAB 68.96, 60.04, -24.56

 

CMYK 0 / 45 / 9 / 0

HEX #FF8CE9

RGB 255 140 233

HSL 311.48, 1%, 0.77%

LAB 73.48, 55.56, -28.06

 

CMYK 0 / 65 / 17 / 24

HEX #C344A2

RGB 195 68 162

HSL 315.59, 0.51%, 0.52%

LAB 49.91, 60.42, -24.76

 

CMYK 0 / 72 / 20 / 30

HEX #B2328F

RGB 178 50 143

HSL 316.41, 0.56%, 0.45%

LAB 43.84, 60.09, -23.01

 

CMYK 0 / 80 / 23 / 37

HEX #A1207C

RGB 161 32 124

HSL 317.21, 0.67%, 0.38%

LAB 37.96, 59.01, -20.69

 

CMYK 0 / 90 / 27 / 44

HEX #900E69

RGB 144 14 105

HSL 318, 0.82%, 0.31%

LAB 32.4, 56.75, -17.54

 

CMYK 0 / 100 / 32 / 50

HEX #7F0056

RGB 127 0 86

HSL 319.37, 1%, 0.25%

LAB 27.25, 52.96, -13.36

 

CMYK 0 / 64 / 16 / 24

HEX #C346A3

RGB 195 70 163

HSL 315.36, 0.51%, 0.52%

LAB 50.25, 59.75, -24.83

 

CMYK 0 / 64 / 34 / 24

HEX #C34681

RGB 195 70 129

HSL 331.68, 0.51%, 0.52%

LAB 48.97, 55.25, -6.49

 

CMYK 0 / 64 / 51 / 24

HEX #C3465F

RGB 195 70 95

HSL 348, 0.51%, 0.52%

LAB 48.02, 51.77, 12.76

 

CMYK 0 / 64 / 64 / 24

HEX #C34646

RGB 195 70 70

HSL 0, 0.51%, 0.52%

LAB 47.53, 49.92, 27.16

 

CMYK 0 / 64 / 16 / 24

HEX #C346A3

RGB 195 70 163

HSL 315.36, 0.51%, 0.52%

LAB 50.25, 59.75, -24.83

 

CMYK 1 / 64 / 0 / 24

HEX #C246C3

RGB 194 70 195

HSL 299.52, 0.51%, 0.52%

LAB 51.6, 64.56, -41.41

 

CMYK 18 / 64 / 0 / 24

HEX #A046C3

RGB 160 70 195

HSL 283.2, 0.51%, 0.52%

LAB 46.7, 56.53, -49.49

 

CMYK 35 / 64 / 0 / 24

HEX #7E46C3

RGB 126 70 195

HSL 266.88, 0.51%, 0.52%

LAB 42.39, 48.86, -56.65

 

CMYK 52 / 64 / 0 / 24

HEX #5D46C3

RGB 93 70 195

HSL 251.04, 0.51%, 0.52%

LAB 38.98, 42.25, -62.35

 

CMYK 0 / 64 / 16 / 24

HEX #C346A3

RGB 195 70 163

HSL 315.36, 0.51%, 0.52%

LAB 50.25, 59.75, -24.83

 

CMYK 0 / 77 / 20 / 16

HEX #D732AC

RGB 215 50 172

HSL 315.64, 0.67%, 0.52%

LAB 51.5, 72.83, -27.92

 

CMYK 0 / 87 / 23 / 8

HEX #EB1FB6

RGB 235 31 182

HSL 315.59, 0.84%, 0.52%

LAB 54.05, 82.48, -29.55

 

CMYK 0 / 96 / 25 / 0

HEX #FE0BBF

RGB 254 11 191

HSL 315.56, 0.99%, 0.52%

LAB 57.15, 89.41, -29.69

 

CMYK 0 / 64 / 16 / 24

HEX #C346A3

RGB 195 70 163

HSL 315.36, 0.51%, 0.52%

LAB 50.25, 59.75, -24.83

 

CMYK 0 / 49 / 13 / 31

HEX #AF5A99

RGB 175 90 153

HSL 315.53, 0.35%, 0.52%

LAB 50.37, 42.97, -19

 

CMYK 0 / 29 / 7 / 39

HEX #9B6E90

RGB 155 110 144

HSL 314.67, 0.18%, 0.52%

LAB 51.99, 23.53, -11.46

 

CMYK 0 / 4 / 1 / 47

HEX #888286

RGB 136 130 134

HSL 320, 0.02%, 0.52%

LAB 54.99, 3.03, -1.36

 

CMYK 22 / 0 / 16 / 42

HEX #74957D

RGB 116 149 125

HSL 136.36, 0.13%, 0.52%

LAB 58.68, -16.55, 8.95

 

CMYK 18 / 64 / 0 / 24

HEX #A046C3

RGB 160 70 195

HSL 283.2, 0.51%, 0.52%

LAB 46.7, 56.53, -49.49

 

CMYK 1 / 64 / 0 / 24

HEX #C146C3

RGB 193 70 195

HSL 299.04, 0.51%, 0.52%

LAB 51.45, 64.33, -41.66

 

CMYK 0 / 64 / 16 / 24

HEX #C346A4

RGB 195 70 164

HSL 314.88, 0.51%, 0.52%

LAB 50.29, 59.9, -25.36

 

CMYK 0 / 64 / 33 / 24

HEX #C34683

RGB 195 70 131

HSL 330.72, 0.51%, 0.52%

LAB 49.03, 55.49, -7.6

 

CMYK 0 / 64 / 50 / 24

HEX #C34661

RGB 195 70 97

HSL 347.04, 0.51%, 0.52%

LAB 48.06, 51.95, 11.61

 

CMYK 0 / 67 / 17 / 46

HEX #8A2D72

RGB 138 45 114

HSL 315.48, 0.51%, 0.36%

LAB 34.99, 47.1, -19.35

 

CMYK 0 / 67 / 18 / 34

HEX #A9378B

RGB 169 55 139

HSL 315.79, 0.51%, 0.44%

LAB 42.81, 55.3, -22.3

 

CMYK 0 / 64 / 16 / 24

HEX #C346A3

RGB 195 70 163

HSL 315.36, 0.51%, 0.52%

LAB 50.25, 59.75, -24.83

 

CMYK 0 / 51 / 13 / 20

HEX #CD65B2

RGB 205 101 178

HSL 315.58, 0.51%, 0.6%

LAB 57.56, 50.84, -22.2

 

CMYK 0 / 39 / 10 / 16

HEX #D784C2

RGB 215 132 194

HSL 315.18, 0.51%, 0.68%

LAB 65.63, 40.76, -18.87

 

CMYK 0 / 65 / 17 / 24

HEX #C344A2

RGB 195 68 162

HSL 315.59, 0.51%, 0.52%

LAB 49.91, 60.42, -24.76

 

CMYK 0 / 35 / 64 / 24

HEX #C37E46

RGB 195 126 70

HSL 26.88, 0.51%, 0.52%

LAB 58.94, 21.41, 40.94

 

CMYK 64 / 0 / 10 / 24

HEX #46C3B0

RGB 70 195 176

HSL 170.88, 0.51%, 0.52%

LAB 71.87, -38.79, -0.6

 

CMYK 0 / 65 / 17 / 24

HEX #C344A2

RGB 195 68 162

HSL 315.59, 0.51%, 0.52%

LAB 49.91, 60.42, -24.76

 

CMYK 16 / 0 / 64 / 24

HEX #A4C346

RGB 164 195 70

HSL 74.88, 0.51%, 0.52%

LAB 74.42, -28.22, 57.31

 

CMYK 64 / 16 / 0 / 24

HEX #46A4C3

RGB 70 164 195

HSL 194.88, 0.51%, 0.52%

LAB 63.17, -18.14, -24.13

 

CMYK 0 / 65 / 17 / 24

HEX #C344A2

RGB 195 68 162

HSL 315.59, 0.51%, 0.52%

LAB 49.91, 60.42, -24.76

 

CMYK 0 / 35 / 64 / 24

HEX #C37E46

RGB 195 126 70

HSL 26.88, 0.51%, 0.52%

LAB 58.94, 21.41, 40.94

 

CMYK 64 / 0 / 48 / 24

HEX #46C365

RGB 70 195 101

HSL 134.88, 0.51%, 0.52%

LAB 70.37, -54.54, 37.16

 

CMYK 64 / 29 / 0 / 24

HEX #468BC3

RGB 70 139 195

HSL 206.88, 0.51%, 0.52%

LAB 55.79, -4.29, -35.56

 

CMYK 0 / 65 / 17 / 24

HEX #C344A2

RGB 195 68 162

HSL 315.59, 0.51%, 0.52%

LAB 49.91, 60.42, -24.76

 

CMYK 0 / 16 / 64 / 24

HEX #C3A446

RGB 195 164 70

HSL 45.12, 0.51%, 0.52%

LAB 68.46, 0.67, 51.63

 

CMYK 64 / 0 / 48 / 24

HEX #46C365

RGB 70 195 101

HSL 134.88, 0.51%, 0.52%

LAB 70.37, -54.54, 37.16

 

CMYK 64 / 48 / 0 / 24

HEX #4665C3

RGB 70 101 195

HSL 225.12, 0.51%, 0.52%

LAB 45.01, 18.9, -52.67

 

Description

Color code: HEX #C344A2 | qconv.com Color code: HEX #C344A2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 68 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 68 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 17 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 17% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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