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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3417B it is the complementary color #3CBE84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3417B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3417B shade: #C84176, #D95389, #EA659C, #FB77AF and #FF89C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3417B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3417B shade: #C3417B, #B22F68, #A11D55, #900B42 and #7F002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3417B shade: #C3417B, #C34158 and #C34141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3417B shade: #C3417B, #C3419E, #C341C1, #A241C3 and #7F41C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3417B shade matches the following richer shades: #C3417B, #D72D79 and #EB1977

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3417B shade: #C3417B, #AF557D, #9B6A7F, #867E82 and #729284

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3417B shade: #C341C1, #C3419E, #C3417C, #C34159 and #C34C41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3417B shade: #872B54, #A63567, #C3417B, #CD6091 and #D780A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3417B shade: #C3417B, #C3A341 and #41B0C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3417B shade: #C3417B, #7CC341 and #417CC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3417B shade: #C3417B, #C3A341, #41C389 and #4162C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3417B shade: #C3417B, #BDC341, #41C389 and #4841C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 37 / 24

HEX #C3417B

RGB 195 65 123

HSL 333.23, 0.52%, 0.51%

LAB 48.02, 56.62, -4.26

 

Complementary color

CMYK 68 / 0 / 31 / 25

HEX #3CBE84

RGB 60 190 132

HSL 153.23, 0.52%, 0.49%

LAB 69.08, -48.76, 19.27

 

CMYK 0 / 68 / 41 / 22

HEX #C84176

RGB 200 65 118

HSL 336.44, 0.55%, 0.52%

LAB 48.72, 57.56, -0.11

 

CMYK 0 / 62 / 37 / 15

HEX #D95389

RGB 217 83 137

HSL 335.82, 0.64%, 0.59%

LAB 54.81, 57.3, -2.23

 

CMYK 0 / 57 / 33 / 8

HEX #EA659C

RGB 234 101 156

HSL 335.19, 0.76%, 0.66%

LAB 60.96, 56.78, -3.98

 

CMYK 0 / 53 / 30 / 2

HEX #FB77AF

RGB 251 119 175

HSL 334.55, 0.94%, 0.73%

LAB 67.13, 56.12, -5.44

 

CMYK 0 / 46 / 24 / 0

HEX #FF89C2

RGB 255 137 194

HSL 331.02, 1%, 0.77%

LAB 71.59, 51.21, -9.41

 

CMYK 0 / 67 / 37 / 24

HEX #C3417B

RGB 195 65 123

HSL 333.23, 0.52%, 0.51%

LAB 48.02, 56.62, -4.26

 

CMYK 0 / 74 / 42 / 30

HEX #B22F68

RGB 178 47 104

HSL 333.89, 0.58%, 0.44%

LAB 42, 56.43, -1.8

 

CMYK 0 / 82 / 47 / 37

HEX #A11D55

RGB 161 29 85

HSL 334.55, 0.69%, 0.37%

LAB 36.2, 55.48, 1.39

 

CMYK 0 / 92 / 54 / 44

HEX #900B42

RGB 144 11 66

HSL 335.19, 0.86%, 0.3%

LAB 30.79, 53.3, 5.61

 

CMYK 0 / 100 / 63 / 50

HEX #7F002F

RGB 127 0 47

HSL 337.8, 1%, 0.25%

LAB 25.91, 49.45, 11.12

 

CMYK 0 / 67 / 37 / 24

HEX #C3417B

RGB 195 65 123

HSL 333.23, 0.52%, 0.51%

LAB 48.02, 56.62, -4.26

 

CMYK 0 / 67 / 55 / 24

HEX #C34158

RGB 195 65 88

HSL 349.38, 0.52%, 0.51%

LAB 47.09, 53.29, 15.74

 

CMYK 0 / 67 / 67 / 24

HEX #C34141

RGB 195 65 65

HSL 0, 0.52%, 0.51%

LAB 46.66, 51.75, 29.05

 

CMYK 0 / 67 / 37 / 24

HEX #C3417B

RGB 195 65 123

HSL 333.23, 0.52%, 0.51%

LAB 48.02, 56.62, -4.26

 

CMYK 0 / 67 / 19 / 24

HEX #C3419E

RGB 195 65 158

HSL 317.08, 0.52%, 0.51%

LAB 49.32, 61.03, -23.32

 

CMYK 0 / 67 / 1 / 24

HEX #C341C1

RGB 195 65 193

HSL 300.92, 0.52%, 0.51%

LAB 50.96, 66.4, -41.26

 

CMYK 17 / 67 / 0 / 24

HEX #A241C3

RGB 162 65 195

HSL 284.77, 0.52%, 0.51%

LAB 46.18, 59.2, -50.32

 

CMYK 35 / 67 / 0 / 24

HEX #7F41C3

RGB 127 65 195

HSL 268.62, 0.52%, 0.51%

LAB 41.58, 51.61, -57.96

 

CMYK 0 / 67 / 37 / 24

HEX #C3417B

RGB 195 65 123

HSL 333.23, 0.52%, 0.51%

LAB 48.02, 56.62, -4.26

 

CMYK 0 / 79 / 44 / 16

HEX #D72D79

RGB 215 45 121

HSL 333.18, 0.68%, 0.51%

LAB 49.14, 68.57, -1

 

CMYK 0 / 89 / 49 / 8

HEX #EB1977

RGB 235 25 119

HSL 333.14, 0.84%, 0.51%

LAB 51.48, 77.26, 4.09

 

CMYK 0 / 67 / 37 / 24

HEX #C3417B

RGB 195 65 123

HSL 333.23, 0.52%, 0.51%

LAB 48.02, 56.62, -4.26

 

CMYK 0 / 51 / 29 / 31

HEX #AF557D

RGB 175 85 125

HSL 333.33, 0.36%, 0.51%

LAB 48.38, 41.29, -5.3

 

CMYK 0 / 32 / 18 / 39

HEX #9B6A7F

RGB 155 106 127

HSL 334.29, 0.2%, 0.51%

LAB 50.46, 22.84, -3.69

 

CMYK 0 / 6 / 3 / 47

HEX #867E82

RGB 134 126 130

HSL 330, 0.03%, 0.51%

LAB 53.6, 3.8, -1.09

 

CMYK 22 / 0 / 10 / 43

HEX #729284

RGB 114 146 132

HSL 153.75, 0.13%, 0.51%

LAB 57.85, -14.21, 3.75

 

CMYK 0 / 67 / 1 / 24

HEX #C341C1

RGB 195 65 193

HSL 300.92, 0.52%, 0.51%

LAB 50.96, 66.4, -41.26

 

CMYK 0 / 67 / 19 / 24

HEX #C3419E

RGB 195 65 158

HSL 317.08, 0.52%, 0.51%

LAB 49.32, 61.03, -23.32

 

CMYK 0 / 67 / 36 / 24

HEX #C3417C

RGB 195 65 124

HSL 332.77, 0.52%, 0.51%

LAB 48.06, 56.73, -4.82

 

CMYK 0 / 67 / 54 / 24

HEX #C34159

RGB 195 65 89

HSL 348.92, 0.52%, 0.51%

LAB 47.11, 53.37, 15.16

 

CMYK 0 / 61 / 67 / 24

HEX #C34C41

RGB 195 76 65

HSL 5.08, 0.52%, 0.51%

LAB 48.45, 46.95, 31.24

 

CMYK 0 / 68 / 38 / 47

HEX #872B54

RGB 135 43 84

HSL 333.26, 0.52%, 0.35%

LAB 32.96, 42.94, -3.29

 

CMYK 0 / 68 / 38 / 35

HEX #A63567

RGB 166 53 103

HSL 333.45, 0.52%, 0.43%

LAB 40.63, 50.55, -3.44

 

CMYK 0 / 67 / 37 / 24

HEX #C3417B

RGB 195 65 123

HSL 333.23, 0.52%, 0.51%

LAB 48.02, 56.62, -4.26

 

CMYK 0 / 53 / 29 / 20

HEX #CD6091

RGB 205 96 145

HSL 333.03, 0.52%, 0.59%

LAB 55.47, 48.5, -6.17

 

CMYK 0 / 40 / 22 / 16

HEX #D780A7

RGB 215 128 167

HSL 333.1, 0.52%, 0.67%

LAB 63.9, 38.61, -6.22

 

CMYK 0 / 67 / 37 / 24

HEX #C3417B

RGB 195 65 123

HSL 333.23, 0.52%, 0.51%

LAB 48.02, 56.62, -4.26

 

CMYK 0 / 16 / 67 / 24

HEX #C3A341

RGB 195 163 65

HSL 45.23, 0.52%, 0.51%

LAB 68.15, 0.9, 53.54

 

CMYK 67 / 10 / 0 / 24

HEX #41B0C3

RGB 65 176 195

HSL 188.77, 0.52%, 0.51%

LAB 66.61, -25.14, -18.9

 

CMYK 0 / 67 / 37 / 24

HEX #C3417B

RGB 195 65 123

HSL 333.23, 0.52%, 0.51%

LAB 48.02, 56.62, -4.26

 

CMYK 36 / 0 / 67 / 24

HEX #7CC341

RGB 124 195 65

HSL 92.77, 0.52%, 0.51%

LAB 72.03, -43.66, 56.1

 

CMYK 67 / 36 / 0 / 24

HEX #417CC3

RGB 65 124 195

HSL 212.77, 0.52%, 0.51%

LAB 51.24, 3.73, -42.74

 

CMYK 0 / 67 / 37 / 24

HEX #C3417B

RGB 195 65 123

HSL 333.23, 0.52%, 0.51%

LAB 48.02, 56.62, -4.26

 

CMYK 0 / 16 / 67 / 24

HEX #C3A341

RGB 195 163 65

HSL 45.23, 0.52%, 0.51%

LAB 68.15, 0.9, 53.54

 

CMYK 67 / 0 / 30 / 24

HEX #41C389

RGB 65 195 137

HSL 153.23, 0.52%, 0.51%

LAB 70.84, -48.88, 19.03

 

CMYK 67 / 50 / 0 / 24

HEX #4162C3

RGB 65 98 195

HSL 224.77, 0.52%, 0.51%

LAB 43.94, 19.97, -54.4

 

CMYK 0 / 67 / 37 / 24

HEX #C3417B

RGB 195 65 123

HSL 333.23, 0.52%, 0.51%

LAB 48.02, 56.62, -4.26

 

CMYK 3 / 0 / 67 / 24

HEX #BDC341

RGB 189 195 65

HSL 62.77, 0.52%, 0.51%

LAB 76.21, -18.27, 61.75

 

CMYK 67 / 0 / 30 / 24

HEX #41C389

RGB 65 195 137

HSL 153.23, 0.52%, 0.51%

LAB 70.84, -48.88, 19.03

 

CMYK 63 / 67 / 0 / 24

HEX #4841C3

RGB 72 65 195

HSL 243.23, 0.52%, 0.51%

LAB 36.17, 41.75, -67

 

Description

Color code: HEX #C3417B | qconv.com Color code: HEX #C3417B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 65 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 65 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 37 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 37% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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