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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C33EC7 it is the complementary color #3CC138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C33EC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C33EC7 shade: #C83EC2, #D950D5, #EA62E8, #FB74FB and #FF86FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C33EC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C33EC7 shade: #C33EC7, #B22CB4, #A11AA1, #90088E and #7F007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C33EC7 shade: #C33DC7, #C73DA6, #C73D81, #C73D5C and #C73D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C33EC7 shade: #C33DC7, #9E3DC7, #793DC7, #543DC7 and #3D3DC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C33EC7 shade matches the following richer shades: #C33DC7, #D629DB and #E915EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C33EC7 shade: #C33DC7, #B052B3, #9D669E, #8A7A8A and #778E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C33EC7 shade: #793DC7, #9E3DC7, #C23DC7, #C73DA7 and #C73D82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C33EC7 shade: #87288A, #A631AA, #C33DC7, #CD5DD0 and #D77DD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C33EC7 shade: #C33EC7, #C7543D and #3DC78B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C33EC7 shade: #C33EC7, #C7C23D and #3DC7C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C33EC7 shade: #C33EC7, #C7543D, #42C73D and #3DB0C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C33EC7 shade: #C33EC7, #C77D3D, #42C73D and #3D87C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 69 / 0 / 22

HEX #C33EC7

RGB 195 62 199

HSL 298.25, 0.55%, 0.51%

LAB 50.89, 68.49, -44.84

 

Complementary color

CMYK 69 / 0 / 71 / 24

HEX #3CC138

RGB 60 193 56

HSL 118.25, 0.55%, 0.49%

LAB 69.03, -61.16, 55.76

 

CMYK 0 / 69 / 3 / 22

HEX #C83EC2

RGB 200 62 194

HSL 302.61, 0.56%, 0.51%

LAB 51.4, 68.8, -41.08

 

CMYK 0 / 63 / 2 / 15

HEX #D950D5

RGB 217 80 213

HSL 301.75, 0.64%, 0.58%

LAB 57.36, 69.1, -42.39

 

CMYK 0 / 58 / 1 / 8

HEX #EA62E8

RGB 234 98 232

HSL 300.88, 0.76%, 0.65%

LAB 63.39, 69.01, -43.4

 

CMYK 0 / 54 / 0 / 2

HEX #FB74FB

RGB 251 116 251

HSL 300, 0.94%, 0.72%

LAB 69.44, 68.67, -44.22

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 2 / 69 / 0 / 22

HEX #C33EC7

RGB 195 62 199

HSL 298.25, 0.55%, 0.51%

LAB 50.89, 68.49, -44.84

 

CMYK 1 / 76 / 0 / 29

HEX #B22CB4

RGB 178 44 180

HSL 299.12, 0.61%, 0.44%

LAB 45.03, 67.65, -43.25

 

CMYK 0 / 84 / 0 / 37

HEX #A11AA1

RGB 161 26 161

HSL 300, 0.72%, 0.37%

LAB 39.39, 65.89, -41.09

 

CMYK 0 / 94 / 1 / 44

HEX #90088E

RGB 144 8 142

HSL 300.88, 0.89%, 0.3%

LAB 34.1, 62.82, -38.14

 

CMYK 0 / 100 / 3 / 50

HEX #7F007B

RGB 127 0 123

HSL 301.89, 1%, 0.25%

LAB 29.27, 57.98, -34.18

 

CMYK 2 / 69 / 0 / 22

HEX #C33DC7

RGB 195 61 199

HSL 298.26, 0.55%, 0.51%

LAB 50.76, 68.85, -45.04

 

CMYK 0 / 69 / 17 / 22

HEX #C73DA6

RGB 199 61 166

HSL 314.35, 0.55%, 0.51%

LAB 49.78, 64.69, -27.28

 

CMYK 0 / 69 / 35 / 22

HEX #C73D81

RGB 199 61 129

HSL 330.43, 0.55%, 0.51%

LAB 48.34, 59.99, -7.35

 

CMYK 0 / 69 / 54 / 22

HEX #C73D5C

RGB 199 61 92

HSL 346.52, 0.55%, 0.51%

LAB 47.3, 56.45, 13.71

 

CMYK 0 / 69 / 69 / 22

HEX #C73D3D

RGB 199 61 61

HSL 0, 0.55%, 0.51%

LAB 46.73, 54.44, 31.66

 

CMYK 2 / 69 / 0 / 22

HEX #C33DC7

RGB 195 61 199

HSL 298.26, 0.55%, 0.51%

LAB 50.76, 68.85, -45.04

 

CMYK 21 / 69 / 0 / 22

HEX #9E3DC7

RGB 158 61 199

HSL 282.17, 0.55%, 0.51%

LAB 45.26, 60.84, -54.14

 

CMYK 39 / 69 / 0 / 22

HEX #793DC7

RGB 121 61 199

HSL 266.09, 0.55%, 0.51%

LAB 40.45, 53.38, -62.15

 

CMYK 58 / 69 / 0 / 22

HEX #543DC7

RGB 84 61 199

HSL 250, 0.55%, 0.51%

LAB 36.64, 47.05, -68.53

 

CMYK 69 / 69 / 0 / 22

HEX #3D3DC7

RGB 61 61 199

HSL 240, 0.55%, 0.51%

LAB 34.91, 44, -71.44

 

CMYK 2 / 69 / 0 / 22

HEX #C33DC7

RGB 195 61 199

HSL 298.26, 0.55%, 0.51%

LAB 50.76, 68.85, -45.04

 

CMYK 2 / 81 / 0 / 14

HEX #D629DB

RGB 214 41 219

HSL 298.31, 0.71%, 0.51%

LAB 52.95, 81.56, -52.83

 

CMYK 3 / 91 / 0 / 6

HEX #E915EF

RGB 233 21 239

HSL 298.35, 0.87%, 0.51%

LAB 56.18, 91.03, -58.77

 

CMYK 2 / 69 / 0 / 22

HEX #C33DC7

RGB 195 61 199

HSL 298.26, 0.55%, 0.51%

LAB 50.76, 68.85, -45.04

 

CMYK 2 / 54 / 0 / 30

HEX #B052B3

RGB 176 82 179

HSL 298.14, 0.39%, 0.51%

LAB 50.12, 51.83, -34.63

 

CMYK 1 / 35 / 0 / 38

HEX #9D669E

RGB 157 102 158

HSL 298.93, 0.22%, 0.51%

LAB 50.85, 31.47, -21.4

 

CMYK 0 / 12 / 0 / 46

HEX #8A7A8A

RGB 138 122 138

HSL 300, 0.06%, 0.51%

LAB 53.12, 9.19, -6.43

 

CMYK 16 / 0 / 17 / 44

HEX #778E76

RGB 119 142 118

HSL 117.5, 0.1%, 0.51%

LAB 56.66, -13.09, 10.09

 

CMYK 39 / 69 / 0 / 22

HEX #793DC7

RGB 121 61 199

HSL 266.09, 0.55%, 0.51%

LAB 40.45, 53.38, -62.15

 

CMYK 21 / 69 / 0 / 22

HEX #9E3DC7

RGB 158 61 199

HSL 282.17, 0.55%, 0.51%

LAB 45.26, 60.84, -54.14

 

CMYK 3 / 69 / 0 / 22

HEX #C23DC7

RGB 194 61 199

HSL 297.83, 0.55%, 0.51%

LAB 50.61, 68.63, -45.29

 

CMYK 0 / 69 / 16 / 22

HEX #C73DA7

RGB 199 61 167

HSL 313.91, 0.55%, 0.51%

LAB 49.82, 64.83, -27.8

 

CMYK 0 / 69 / 35 / 22

HEX #C73D82

RGB 199 61 130

HSL 330, 0.55%, 0.51%

LAB 48.37, 60.1, -7.91

 

CMYK 2 / 71 / 0 / 46

HEX #87288A

RGB 135 40 138

HSL 298.16, 0.55%, 0.35%

LAB 35.01, 52.34, -34.32

 

CMYK 2 / 71 / 0 / 33

HEX #A631AA

RGB 166 49 170

HSL 298.02, 0.55%, 0.43%

LAB 43.07, 61.76, -40.56

 

CMYK 2 / 69 / 0 / 22

HEX #C33DC7

RGB 195 61 199

HSL 298.26, 0.55%, 0.51%

LAB 50.76, 68.85, -45.04

 

CMYK 1 / 55 / 0 / 18

HEX #CD5DD0

RGB 205 93 208

HSL 298.43, 0.55%, 0.59%

LAB 57.43, 59.68, -39.56

 

CMYK 1 / 42 / 0 / 15

HEX #D77DD9

RGB 215 125 217

HSL 298.7, 0.55%, 0.67%

LAB 65.06, 48.45, -32.61

 

CMYK 2 / 69 / 0 / 22

HEX #C33EC7

RGB 195 62 199

HSL 298.25, 0.55%, 0.51%

LAB 50.89, 68.49, -44.84

 

CMYK 0 / 58 / 69 / 22

HEX #C7543D

RGB 199 84 61

HSL 10, 0.55%, 0.51%

LAB 50.48, 44.43, 36.07

 

CMYK 69 / 0 / 30 / 22

HEX #3DC78B

RGB 61 199 139

HSL 153.91, 0.55%, 0.51%

LAB 72.03, -50.72, 19.59

 

CMYK 2 / 69 / 0 / 22

HEX #C33EC7

RGB 195 62 199

HSL 298.25, 0.55%, 0.51%

LAB 50.89, 68.49, -44.84

 

CMYK 0 / 3 / 69 / 22

HEX #C7C23D

RGB 199 194 61

HSL 57.83, 0.55%, 0.51%

LAB 76.72, -13.77, 64.05

 

CMYK 69 / 0 / 3 / 22

HEX #3DC7C2

RGB 61 199 194

HSL 177.83, 0.55%, 0.51%

LAB 73.37, -37.08, -8.2

 

CMYK 2 / 69 / 0 / 22

HEX #C33EC7

RGB 195 62 199

HSL 298.25, 0.55%, 0.51%

LAB 50.89, 68.49, -44.84

 

CMYK 0 / 58 / 69 / 22

HEX #C7543D

RGB 199 84 61

HSL 10, 0.55%, 0.51%

LAB 50.48, 44.43, 36.07

 

CMYK 67 / 0 / 69 / 22

HEX #42C73D

RGB 66 199 61

HSL 117.83, 0.55%, 0.51%

LAB 71.11, -61.58, 56.06

 

CMYK 69 / 12 / 0 / 22

HEX #3DB0C7

RGB 61 176 199

HSL 190, 0.55%, 0.51%

LAB 66.65, -24.5, -21.06

 

CMYK 2 / 69 / 0 / 22

HEX #C33EC7

RGB 195 62 199

HSL 298.25, 0.55%, 0.51%

LAB 50.89, 68.49, -44.84

 

CMYK 0 / 37 / 69 / 22

HEX #C77D3D

RGB 199 125 61

HSL 27.83, 0.55%, 0.51%

LAB 59.11, 23.1, 45.79

 

CMYK 67 / 0 / 69 / 22

HEX #42C73D

RGB 66 199 61

HSL 117.83, 0.55%, 0.51%

LAB 71.11, -61.58, 56.06

 

CMYK 69 / 32 / 0 / 22

HEX #3D87C7

RGB 61 135 199

HSL 207.83, 0.55%, 0.51%

LAB 54.49, -2.08, -39.89

 

Description

Color code: HEX #C33EC7 | qconv.com Color code: HEX #C33EC7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 62 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 62 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 69 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 69% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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