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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C33D78 it is the complementary color #3CC287. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C33D78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C33D78 shade: #C83D73, #D94F86, #EA6199, #FB73AC and #FF85BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C33D78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C33D78 shade: #C33D78, #B22B65, #A11952, #90073F and #7F002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C33D78 shade: #C33C77, #C33C53 and #C33C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C33D78 shade: #C33C77, #C33C9C, #C33CC0, #A13CC3 and #7D3CC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C33D78 shade matches the following richer shades: #C33C77, #D82775 and #EC1373

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C33D78 shade: #C33C77, #AE517A, #9A657C, #857A7F and #718E81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C33D78 shade: #C33CC1, #C33C9D, #C33C79, #C33C55 and #C3473C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C33D78 shade: #842951, #A43264, #C33C77, #CD5B8D and #D67BA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C33D78 shade: #C33D78, #C3A13C and #3CAFC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C33D78 shade: #C33D78, #79C33C and #3C79C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C33D78 shade: #C33D78, #C3A13C, #3CC386 and #3C5EC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C33D78 shade: #C33D78, #BCC33C, #3CC386 and #433CC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 38 / 24

HEX #C33D78

RGB 195 61 120

HSL 333.58, 0.53%, 0.5%

LAB 47.36, 57.86, -3.42

 

Complementary color

CMYK 69 / 0 / 30 / 24

HEX #3CC287

RGB 60 194 135

HSL 153.58, 0.53%, 0.5%

LAB 70.38, -49.73, 19.45

 

CMYK 0 / 70 / 43 / 22

HEX #C83D73

RGB 200 61 115

HSL 336.69, 0.56%, 0.51%

LAB 48.08, 58.79, 0.78

 

CMYK 0 / 64 / 38 / 15

HEX #D94F86

RGB 217 79 134

HSL 336.09, 0.64%, 0.58%

LAB 54.1, 58.67, -1.5

 

CMYK 0 / 59 / 35 / 8

HEX #EA6199

RGB 234 97 153

HSL 335.47, 0.77%, 0.65%

LAB 60.2, 58.23, -3.36

 

CMYK 0 / 54 / 31 / 2

HEX #FB73AC

RGB 251 115 172

HSL 334.85, 0.94%, 0.72%

LAB 66.33, 57.61, -4.92

 

CMYK 0 / 48 / 25 / 0

HEX #FF85BF

RGB 255 133 191

HSL 331.48, 1%, 0.76%

LAB 70.73, 52.76, -9.01

 

CMYK 0 / 69 / 38 / 24

HEX #C33D78

RGB 195 61 120

HSL 333.58, 0.53%, 0.5%

LAB 47.36, 57.86, -3.42

 

CMYK 0 / 76 / 43 / 30

HEX #B22B65

RGB 178 43 101

HSL 334.22, 0.61%, 0.43%

LAB 41.43, 57.47, -0.76

 

CMYK 0 / 84 / 49 / 37

HEX #A11952

RGB 161 25 82

HSL 334.85, 0.73%, 0.36%

LAB 35.76, 56.23, 2.68

 

CMYK 0 / 95 / 56 / 44

HEX #90073F

RGB 144 7 63

HSL 335.47, 0.91%, 0.3%

LAB 30.5, 53.68, 7.2

 

CMYK 0 / 100 / 65 / 50

HEX #7F002C

RGB 127 0 44

HSL 339.21, 1%, 0.25%

LAB 25.84, 49.27, 13.09

 

CMYK 0 / 69 / 39 / 24

HEX #C33C77

RGB 195 60 119

HSL 333.78, 0.53%, 0.5%

LAB 47.19, 58.13, -3.06

 

CMYK 0 / 69 / 57 / 24

HEX #C33C53

RGB 195 60 83

HSL 349.78, 0.53%, 0.5%

LAB 46.26, 54.91, 17.67

 

CMYK 0 / 69 / 69 / 24

HEX #C33C3C

RGB 195 60 60

HSL 0, 0.53%, 0.5%

LAB 45.85, 53.48, 31.02

 

CMYK 0 / 69 / 39 / 24

HEX #C33C77

RGB 195 60 119

HSL 333.78, 0.53%, 0.5%

LAB 47.19, 58.13, -3.06

 

CMYK 0 / 69 / 20 / 24

HEX #C33C9C

RGB 195 60 156

HSL 317.33, 0.53%, 0.5%

LAB 48.55, 62.65, -23.3

 

CMYK 0 / 69 / 2 / 24

HEX #C33CC0

RGB 195 60 192

HSL 301.33, 0.53%, 0.5%

LAB 50.26, 68.05, -41.78

 

CMYK 17 / 69 / 0 / 24

HEX #A13CC3

RGB 161 60 195

HSL 284.89, 0.53%, 0.5%

LAB 45.29, 61.08, -51.75

 

CMYK 36 / 69 / 0 / 24

HEX #7D3CC3

RGB 125 60 195

HSL 268.89, 0.53%, 0.5%

LAB 40.46, 53.64, -59.79

 

CMYK 0 / 69 / 39 / 24

HEX #C33C77

RGB 195 60 119

HSL 333.78, 0.53%, 0.5%

LAB 47.19, 58.13, -3.06

 

CMYK 0 / 82 / 46 / 15

HEX #D82775

RGB 216 39 117

HSL 333.56, 0.69%, 0.5%

LAB 48.68, 69.97, 0.79

 

CMYK 0 / 92 / 51 / 7

HEX #EC1373

RGB 236 19 115

HSL 333.46, 0.85%, 0.5%

LAB 51.31, 77.96, 6.3

 

CMYK 0 / 69 / 39 / 24

HEX #C33C77

RGB 195 60 119

HSL 333.78, 0.53%, 0.5%

LAB 47.19, 58.13, -3.06

 

CMYK 0 / 53 / 30 / 32

HEX #AE517A

RGB 174 81 122

HSL 333.55, 0.36%, 0.5%

LAB 47.35, 42.57, -5.02

 

CMYK 0 / 34 / 19 / 40

HEX #9A657C

RGB 154 101 124

HSL 333.96, 0.21%, 0.5%

LAB 49.05, 24.83, -4.01

 

CMYK 0 / 8 / 5 / 48

HEX #857A7F

RGB 133 122 127

HSL 332.73, 0.04%, 0.5%

LAB 52.33, 5.15, -1.21

 

CMYK 20 / 0 / 9 / 44

HEX #718E81

RGB 113 142 129

HSL 153.1, 0.11%, 0.5%

LAB 56.53, -13.03, 3.55

 

CMYK 0 / 69 / 1 / 24

HEX #C33CC1

RGB 195 60 193

HSL 300.89, 0.53%, 0.5%

LAB 50.32, 68.21, -42.27

 

CMYK 0 / 69 / 19 / 24

HEX #C33C9D

RGB 195 60 157

HSL 316.89, 0.53%, 0.5%

LAB 48.6, 62.78, -23.83

 

CMYK 0 / 69 / 38 / 24

HEX #C33C79

RGB 195 60 121

HSL 332.89, 0.53%, 0.5%

LAB 47.25, 58.34, -4.18

 

CMYK 0 / 69 / 56 / 24

HEX #C33C55

RGB 195 60 85

HSL 348.89, 0.53%, 0.5%

LAB 46.3, 55.05, 16.5

 

CMYK 0 / 64 / 69 / 24

HEX #C3473C

RGB 195 71 60

HSL 4.89, 0.53%, 0.5%

LAB 47.54, 48.92, 33.03

 

CMYK 0 / 69 / 39 / 48

HEX #842951

RGB 132 41 81

HSL 333.63, 0.53%, 0.34%

LAB 32, 42.49, -2.82

 

CMYK 0 / 70 / 39 / 36

HEX #A43264

RGB 164 50 100

HSL 333.68, 0.53%, 0.42%

LAB 39.74, 50.82, -2.91

 

CMYK 0 / 69 / 39 / 24

HEX #C33C77

RGB 195 60 119

HSL 333.78, 0.53%, 0.5%

LAB 47.19, 58.13, -3.06

 

CMYK 0 / 56 / 31 / 20

HEX #CD5B8D

RGB 205 91 141

HSL 333.68, 0.53%, 0.58%

LAB 54.43, 50.39, -5.36

 

CMYK 0 / 43 / 24 / 16

HEX #D67BA3

RGB 214 123 163

HSL 333.63, 0.53%, 0.66%

LAB 62.6, 40.31, -5.88

 

CMYK 0 / 69 / 38 / 24

HEX #C33D78

RGB 195 61 120

HSL 333.58, 0.53%, 0.5%

LAB 47.36, 57.86, -3.42

 

CMYK 0 / 17 / 69 / 24

HEX #C3A13C

RGB 195 161 60

HSL 44.89, 0.53%, 0.5%

LAB 67.59, 1.69, 55.11

 

CMYK 69 / 10 / 0 / 24

HEX #3CAFC3

RGB 60 175 195

HSL 188.89, 0.53%, 0.5%

LAB 66.18, -25.38, -19.56

 

CMYK 0 / 69 / 38 / 24

HEX #C33D78

RGB 195 61 120

HSL 333.58, 0.53%, 0.5%

LAB 47.36, 57.86, -3.42

 

CMYK 38 / 0 / 69 / 24

HEX #79C33C

RGB 121 195 60

HSL 92.89, 0.53%, 0.5%

LAB 71.84, -45.08, 57.83

 

CMYK 69 / 38 / 0 / 24

HEX #3C79C3

RGB 60 121 195

HSL 212.89, 0.53%, 0.5%

LAB 50.19, 4.75, -44.43

 

CMYK 0 / 69 / 38 / 24

HEX #C33D78

RGB 195 61 120

HSL 333.58, 0.53%, 0.5%

LAB 47.36, 57.86, -3.42

 

CMYK 0 / 17 / 69 / 24

HEX #C3A13C

RGB 195 161 60

HSL 44.89, 0.53%, 0.5%

LAB 67.59, 1.69, 55.11

 

CMYK 69 / 0 / 31 / 24

HEX #3CC386

RGB 60 195 134

HSL 152.89, 0.53%, 0.5%

LAB 70.67, -50.34, 20.38

 

CMYK 69 / 52 / 0 / 24

HEX #3C5EC3

RGB 60 94 195

HSL 224.89, 0.53%, 0.5%

LAB 42.62, 21.76, -56.54

 

CMYK 0 / 69 / 38 / 24

HEX #C33D78

RGB 195 61 120

HSL 333.58, 0.53%, 0.5%

LAB 47.36, 57.86, -3.42

 

CMYK 4 / 0 / 69 / 24

HEX #BCC33C

RGB 188 195 60

HSL 63.11, 0.53%, 0.5%

LAB 76.1, -18.97, 63.52

 

CMYK 69 / 0 / 31 / 24

HEX #3CC386

RGB 60 195 134

HSL 152.89, 0.53%, 0.5%

LAB 70.67, -50.34, 20.38

 

CMYK 66 / 69 / 0 / 24

HEX #433CC3

RGB 67 60 195

HSL 243.11, 0.53%, 0.5%

LAB 34.73, 44, -69.38

 

Description

Color code: HEX #C33D78 | qconv.com Color code: HEX #C33D78 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 61 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 61 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 38 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 38% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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