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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C339D7 it is the complementary color #3CC628. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C339D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C339D7 shade: #C839D2, #D94BE5, #EA5DF8, #FB6FFF and #FF81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C339D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C339D7 shade: #C339D7, #B227C4, #A115B1, #90039E and #7F008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C339D7 shade: #C238D6, #D638C0, #D63895, #D6386A and #D63840

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C339D7 shade: #C238D6, #9838D6, #6D38D6, #4238D6 and #3838D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C339D7 shade matches the following richer shades: #C238D6, #D125EA and #DF11FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C339D7 shade: #C238D6, #B44BC3, #A55FAF, #97729C and #888689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C339D7 shade: #6D38D6, #9738D6, #C138D6, #D638C1 and #D63897

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C339D7 shade: #8C209C, #AB27BE, #C238D6, #CD5ADD and #D77DE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C339D7 shade: #C339D7, #D64338 and #38D682

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C339D7 shade: #C339D7, #D6C138 and #38D6C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C339D7 shade: #C339D7, #D64338, #4DD638 and #38CCD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C339D7 shade: #C339D7, #D67238, #4DD638 and #389CD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 73 / 0 / 16

HEX #C339D7

RGB 195 57 215

HSL 292.41, 0.66%, 0.53%

LAB 51.19, 72.93, -53.53

 

Complementary color

CMYK 70 / 0 / 80 / 22

HEX #3CC628

RGB 60 198 40

HSL 112.41, 0.66%, 0.47%

LAB 70.53, -63.93, 62.6

 

CMYK 5 / 73 / 0 / 18

HEX #C839D2

RGB 200 57 210

HSL 296.08, 0.63%, 0.52%

LAB 51.68, 73.09, -49.85

 

CMYK 5 / 67 / 0 / 10

HEX #D94BE5

RGB 217 75 229

HSL 295.32, 0.75%, 0.6%

LAB 57.5, 73.67, -51.19

 

CMYK 6 / 63 / 0 / 3

HEX #EA5DF8

RGB 234 93 248

HSL 294.58, 0.92%, 0.67%

LAB 63.42, 73.78, -52.22

 

CMYK 2 / 56 / 0 / 0

HEX #FB6FFF

RGB 251 111 255

HSL 298.33, 1%, 0.72%

LAB 68.82, 71.53, -47.38

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 9 / 73 / 0 / 16

HEX #C339D7

RGB 195 57 215

HSL 292.41, 0.66%, 0.53%

LAB 51.19, 72.93, -53.53

 

CMYK 9 / 80 / 0 / 23

HEX #B227C4

RGB 178 39 196

HSL 293.12, 0.67%, 0.46%

LAB 45.5, 71.72, -51.86

 

CMYK 9 / 88 / 0 / 31

HEX #A115B1

RGB 161 21 177

HSL 293.85, 0.79%, 0.39%

LAB 40.06, 69.49, -49.58

 

CMYK 9 / 98 / 0 / 38

HEX #90039E

RGB 144 3 158

HSL 294.58, 0.96%, 0.32%

LAB 34.93, 66.04, -46.6

 

CMYK 9 / 100 / 0 / 45

HEX #7F008B

RGB 127 0 139

HSL 294.82, 1%, 0.27%

LAB 30.34, 60.56, -42.49

 

CMYK 9 / 74 / 0 / 16

HEX #C238D6

RGB 194 56 214

HSL 292.41, 0.66%, 0.53%

LAB 50.87, 72.88, -53.49

 

CMYK 0 / 74 / 10 / 16

HEX #D638C0

RGB 214 56 192

HSL 308.35, 0.66%, 0.53%

LAB 52.87, 73.6, -37.46

 

CMYK 0 / 74 / 30 / 16

HEX #D63895

RGB 214 56 149

HSL 324.68, 0.66%, 0.53%

LAB 51.03, 67.99, -15.06

 

CMYK 0 / 74 / 50 / 16

HEX #D6386A

RGB 214 56 106

HSL 341.01, 0.66%, 0.53%

LAB 49.7, 63.75, 8.91

 

CMYK 0 / 74 / 70 / 16

HEX #D63840

RGB 214 56 64

HSL 356.96, 0.66%, 0.53%

LAB 48.88, 61.06, 33.13

 

CMYK 9 / 74 / 0 / 16

HEX #C238D6

RGB 194 56 214

HSL 292.41, 0.66%, 0.53%

LAB 50.87, 72.88, -53.49

 

CMYK 29 / 74 / 0 / 16

HEX #9838D6

RGB 152 56 214

HSL 276.46, 0.66%, 0.53%

LAB 44.74, 64.82, -63.67

 

CMYK 49 / 74 / 0 / 16

HEX #6D38D6

RGB 109 56 214

HSL 260.13, 0.66%, 0.53%

LAB 39.47, 57.6, -72.49

 

CMYK 69 / 74 / 0 / 16

HEX #4238D6

RGB 66 56 214

HSL 243.8, 0.66%, 0.53%

LAB 35.68, 52.17, -78.86

 

CMYK 74 / 74 / 0 / 16

HEX #3838D6

RGB 56 56 214

HSL 240, 0.66%, 0.53%

LAB 35.05, 51.24, -79.92

 

CMYK 9 / 74 / 0 / 16

HEX #C238D6

RGB 194 56 214

HSL 292.41, 0.66%, 0.53%

LAB 50.87, 72.88, -53.49

 

CMYK 11 / 84 / 0 / 8

HEX #D125EA

RGB 209 37 234

HSL 292.39, 0.82%, 0.53%

LAB 52.75, 83.92, -61.68

 

CMYK 12 / 93 / 0 / 1

HEX #DF11FD

RGB 223 17 253

HSL 292.37, 0.98%, 0.53%

LAB 55.26, 92.02, -68.15

 

CMYK 9 / 74 / 0 / 16

HEX #C238D6

RGB 194 56 214

HSL 292.41, 0.66%, 0.53%

LAB 50.87, 72.88, -53.49

 

CMYK 8 / 62 / 0 / 24

HEX #B44BC3

RGB 180 75 195

HSL 292.5, 0.5%, 0.53%

LAB 50.31, 59.07, -43.59

 

CMYK 6 / 46 / 0 / 31

HEX #A55FAF

RGB 165 95 175

HSL 292.5, 0.33%, 0.53%

LAB 51.01, 41.24, -31.01

 

CMYK 3 / 27 / 0 / 39

HEX #97729C

RGB 151 114 156

HSL 292.86, 0.18%, 0.53%

LAB 52.97, 22.16, -17.05

 

CMYK 1 / 2 / 0 / 46

HEX #888689

RGB 136 134 137

HSL 280, 0.01%, 0.53%

LAB 56.18, 1.34, -1.35

 

CMYK 49 / 74 / 0 / 16

HEX #6D38D6

RGB 109 56 214

HSL 260.13, 0.66%, 0.53%

LAB 39.47, 57.6, -72.49

 

CMYK 29 / 74 / 0 / 16

HEX #9738D6

RGB 151 56 214

HSL 276.08, 0.66%, 0.53%

LAB 44.61, 64.64, -63.89

 

CMYK 10 / 74 / 0 / 16

HEX #C138D6

RGB 193 56 214

HSL 292.03, 0.66%, 0.53%

LAB 50.71, 72.68, -53.74

 

CMYK 0 / 74 / 10 / 16

HEX #D638C1

RGB 214 56 193

HSL 307.97, 0.66%, 0.53%

LAB 52.92, 73.74, -37.96

 

CMYK 0 / 74 / 29 / 16

HEX #D63897

RGB 214 56 151

HSL 323.92, 0.66%, 0.53%

LAB 51.1, 68.22, -16.13

 

CMYK 10 / 79 / 0 / 39

HEX #8C209C

RGB 140 32 156

HSL 292.26, 0.66%, 0.37%

LAB 36, 59.39, -43.7

 

CMYK 10 / 79 / 0 / 25

HEX #AB27BE

RGB 171 39 190

HSL 292.45, 0.66%, 0.45%

LAB 43.98, 69.38, -50.85

 

CMYK 9 / 74 / 0 / 16

HEX #C238D6

RGB 194 56 214

HSL 292.41, 0.66%, 0.53%

LAB 50.87, 72.88, -53.49

 

CMYK 7 / 59 / 0 / 13

HEX #CD5ADD

RGB 205 90 221

HSL 292.67, 0.66%, 0.61%

LAB 57.57, 63.37, -46.69

 

CMYK 6 / 45 / 0 / 11

HEX #D77DE4

RGB 215 125 228

HSL 292.43, 0.66%, 0.69%

LAB 65.53, 50.49, -38.01

 

CMYK 9 / 73 / 0 / 16

HEX #C339D7

RGB 195 57 215

HSL 292.41, 0.66%, 0.53%

LAB 51.19, 72.93, -53.53

 

CMYK 0 / 69 / 74 / 16

HEX #D64338

RGB 214 67 56

HSL 4.18, 0.66%, 0.53%

LAB 50.21, 56.74, 39.23

 

CMYK 74 / 0 / 39 / 16

HEX #38D682

RGB 56 214 130

HSL 148.1, 0.66%, 0.53%

LAB 76.4, -58.97, 30.18

 

CMYK 9 / 73 / 0 / 16

HEX #C339D7

RGB 195 57 215

HSL 292.41, 0.66%, 0.53%

LAB 51.19, 72.93, -53.53

 

CMYK 0 / 10 / 74 / 16

HEX #D6C138

RGB 214 193 56

HSL 52.03, 0.66%, 0.53%

LAB 77.71, -7.1, 67.27

 

CMYK 74 / 0 / 10 / 16

HEX #38D6C1

RGB 56 214 193

HSL 172.03, 0.66%, 0.53%

LAB 77.75, -44.67, -1.22

 

CMYK 9 / 73 / 0 / 16

HEX #C339D7

RGB 195 57 215

HSL 292.41, 0.66%, 0.53%

LAB 51.19, 72.93, -53.53

 

CMYK 0 / 69 / 74 / 16

HEX #D64338

RGB 214 67 56

HSL 4.18, 0.66%, 0.53%

LAB 50.21, 56.74, 39.23

 

CMYK 64 / 0 / 74 / 16

HEX #4DD638

RGB 77 214 56

HSL 112.03, 0.66%, 0.53%

LAB 76.04, -64.75, 63.02

 

CMYK 74 / 5 / 0 / 16

HEX #38CCD6

RGB 56 204 214

HSL 183.8, 0.66%, 0.53%

LAB 75.38, -34.26, -16.04

 

CMYK 9 / 73 / 0 / 16

HEX #C339D7

RGB 195 57 215

HSL 292.41, 0.66%, 0.53%

LAB 51.19, 72.93, -53.53

 

CMYK 0 / 47 / 74 / 16

HEX #D67238

RGB 214 114 56

HSL 22.03, 0.66%, 0.53%

LAB 58.62, 34.91, 48.29

 

CMYK 64 / 0 / 74 / 16

HEX #4DD638

RGB 77 214 56

HSL 112.03, 0.66%, 0.53%

LAB 76.04, -64.75, 63.02

 

CMYK 74 / 27 / 0 / 16

HEX #389CD6

RGB 56 156 214

HSL 202.03, 0.66%, 0.53%

LAB 61.2, -9.6, -37.82

 

Description

Color code: HEX #C339D7 | qconv.com Color code: HEX #C339D7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 57 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 57 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 73 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 73% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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