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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3327B it is the complementary color #3CCD84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3327B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3327B shade: #C83276, #D94489, #EA569C, #FB68AF and #FF7AC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3327B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3327B shade: #C3327B, #B22068, #A10E55, #900042 and #7F002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3327B shade: #C3327B, #C33254 and #C33232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3327B shade: #C3327B, #C332A2, #BC32C3, #9532C3 and #6F32C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3327B shade matches the following richer shades: #C3327B, #D61E7B and #EA0B7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3327B shade: #C3327B, #AF467B, #9B5A7B, #876E7A and #73817A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3327B shade: #BB32C3, #C332A3, #C3327D, #C33256 and #C33532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3327B shade: #812151, #A22A66, #C3327B, #D14D8F and #DA6EA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3327B shade: #C3327B, #C39532 and #32B7C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3327B shade: #C3327B, #7DC332 and #327DC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3327B shade: #C3327B, #C39532, #32C378 and #3260C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3327B shade: #C3327B, #C3C032, #32C378 and #3235C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 37 / 24

HEX #C3327B

RGB 195 50 123

HSL 329.79, 0.59%, 0.48%

LAB 46.06, 62.08, -7.18

 

Complementary color

CMYK 71 / 0 / 36 / 20

HEX #3CCD84

RGB 60 205 132

HSL 149.79, 0.59%, 0.52%

LAB 73.73, -54.64, 25.6

 

CMYK 0 / 75 / 41 / 22

HEX #C83276

RGB 200 50 118

HSL 332.8, 0.6%, 0.49%

LAB 46.8, 62.9, -2.92

 

CMYK 0 / 69 / 37 / 15

HEX #D94489

RGB 217 68 137

HSL 332.21, 0.66%, 0.56%

LAB 52.61, 63.32, -5.48

 

CMYK 0 / 63 / 33 / 8

HEX #EA569C

RGB 234 86 156

HSL 331.62, 0.78%, 0.63%

LAB 58.55, 63.26, -7.54

 

CMYK 0 / 59 / 30 / 2

HEX #FB68AF

RGB 251 104 175

HSL 331.02, 0.95%, 0.7%

LAB 64.57, 62.9, -9.24

 

CMYK 0 / 52 / 24 / 0

HEX #FF7AC2

RGB 255 122 194

HSL 327.52, 1%, 0.74%

LAB 68.8, 58.41, -13.57

 

CMYK 0 / 74 / 37 / 24

HEX #C3327B

RGB 195 50 123

HSL 329.79, 0.59%, 0.48%

LAB 46.06, 62.08, -7.18

 

CMYK 0 / 82 / 42 / 30

HEX #B22068

RGB 178 32 104

HSL 330.41, 0.7%, 0.41%

LAB 40.41, 60.93, -4.15

 

CMYK 0 / 91 / 47 / 37

HEX #A10E55

RGB 161 14 85

HSL 331.02, 0.84%, 0.34%

LAB 35.1, 58.65, -0.22

 

CMYK 0 / 100 / 54 / 44

HEX #900042

RGB 144 0 66

HSL 332.5, 1%, 0.28%

LAB 30.21, 54.98, 4.79

 

CMYK 0 / 100 / 63 / 50

HEX #7F002F

RGB 127 0 47

HSL 337.8, 1%, 0.25%

LAB 25.91, 49.45, 11.12

 

CMYK 0 / 74 / 37 / 24

HEX #C3327B

RGB 195 50 123

HSL 329.79, 0.59%, 0.48%

LAB 46.06, 62.08, -7.18

 

CMYK 0 / 74 / 57 / 24

HEX #C33254

RGB 195 50 84

HSL 345.93, 0.59%, 0.48%

LAB 44.97, 58.59, 15.32

 

CMYK 0 / 74 / 74 / 24

HEX #C33232

RGB 195 50 50

HSL 0, 0.59%, 0.48%

LAB 44.4, 56.68, 35.16

 

CMYK 0 / 74 / 37 / 24

HEX #C3327B

RGB 195 50 123

HSL 329.79, 0.59%, 0.48%

LAB 46.06, 62.08, -7.18

 

CMYK 0 / 74 / 17 / 24

HEX #C332A2

RGB 195 50 162

HSL 313.66, 0.59%, 0.48%

LAB 47.61, 66.87, -28.33

 

CMYK 4 / 74 / 0 / 24

HEX #BC32C3

RGB 188 50 195

HSL 297.1, 0.59%, 0.48%

LAB 48.15, 70.35, -46.94

 

CMYK 24 / 74 / 0 / 24

HEX #9532C3

RGB 149 50 195

HSL 280.97, 0.59%, 0.48%

LAB 42.17, 62.57, -56.86

 

CMYK 43 / 74 / 0 / 24

HEX #6F32C3

RGB 111 50 195

HSL 265.24, 0.59%, 0.48%

LAB 37.12, 55.75, -65.31

 

CMYK 0 / 74 / 37 / 24

HEX #C3327B

RGB 195 50 123

HSL 329.79, 0.59%, 0.48%

LAB 46.06, 62.08, -7.18

 

CMYK 0 / 86 / 43 / 16

HEX #D61E7B

RGB 214 30 123

HSL 329.67, 0.75%, 0.48%

LAB 47.82, 71.91, -4.18

 

CMYK 0 / 95 / 47 / 8

HEX #EA0B7B

RGB 234 11 123

HSL 329.87, 0.91%, 0.48%

LAB 50.88, 78.87, 0.76

 

CMYK 0 / 74 / 37 / 24

HEX #C3327B

RGB 195 50 123

HSL 329.79, 0.59%, 0.48%

LAB 46.06, 62.08, -7.18

 

CMYK 0 / 60 / 30 / 31

HEX #AF467B

RGB 175 70 123

HSL 329.71, 0.43%, 0.48%

LAB 45.53, 48.35, -8.33

 

CMYK 0 / 42 / 21 / 39

HEX #9B5A7B

RGB 155 90 123

HSL 329.54, 0.27%, 0.48%

LAB 46.59, 31.26, -7.04

 

CMYK 0 / 19 / 10 / 47

HEX #876E7A

RGB 135 110 122

HSL 331.2, 0.1%, 0.48%

LAB 49.14, 11.99, -2.92

 

CMYK 11 / 0 / 5 / 49

HEX #73817A

RGB 115 129 122

HSL 150, 0.06%, 0.48%

LAB 52.68, -6.6, 2.04

 

CMYK 4 / 74 / 0 / 24

HEX #BB32C3

RGB 187 50 195

HSL 296.69, 0.59%, 0.48%

LAB 47.99, 70.14, -47.21

 

CMYK 0 / 74 / 16 / 24

HEX #C332A3

RGB 195 50 163

HSL 313.24, 0.59%, 0.48%

LAB 47.66, 67.01, -28.85

 

CMYK 0 / 74 / 36 / 24

HEX #C3327D

RGB 195 50 125

HSL 328.97, 0.59%, 0.48%

LAB 46.13, 62.29, -8.3

 

CMYK 0 / 74 / 56 / 24

HEX #C33256

RGB 195 50 86

HSL 345.1, 0.59%, 0.48%

LAB 45.02, 58.73, 14.14

 

CMYK 0 / 73 / 74 / 24

HEX #C33532

RGB 195 53 50

HSL 1.24, 0.59%, 0.48%

LAB 44.77, 55.63, 35.58

 

CMYK 0 / 74 / 37 / 49

HEX #812151

RGB 129 33 81

HSL 330, 0.59%, 0.32%

LAB 30.28, 44.8, -5.44

 

CMYK 0 / 74 / 37 / 36

HEX #A22A66

RGB 162 42 102

HSL 330, 0.59%, 0.4%

LAB 38.37, 53.45, -6.24

 

CMYK 0 / 74 / 37 / 24

HEX #C3327B

RGB 195 50 123

HSL 329.79, 0.59%, 0.48%

LAB 46.06, 62.08, -7.18

 

CMYK 0 / 63 / 32 / 18

HEX #D14D8F

RGB 209 77 143

HSL 330, 0.59%, 0.56%

LAB 52.78, 58.14, -8.93

 

CMYK 0 / 50 / 25 / 15

HEX #DA6EA4

RGB 218 110 164

HSL 330, 0.59%, 0.64%

LAB 60.55, 48.42, -9.44

 

CMYK 0 / 74 / 37 / 24

HEX #C3327B

RGB 195 50 123

HSL 329.79, 0.59%, 0.48%

LAB 46.06, 62.08, -7.18

 

CMYK 0 / 24 / 74 / 24

HEX #C39532

RGB 195 149 50

HSL 40.97, 0.59%, 0.48%

LAB 64.43, 7.68, 56.07

 

CMYK 74 / 6 / 0 / 24

HEX #32B7C3

RGB 50 183 195

HSL 184.97, 0.59%, 0.48%

LAB 68.38, -30.61, -16.25

 

CMYK 0 / 74 / 37 / 24

HEX #C3327B

RGB 195 50 123

HSL 329.79, 0.59%, 0.48%

LAB 46.06, 62.08, -7.18

 

CMYK 36 / 0 / 74 / 24

HEX #7DC332

RGB 125 195 50

HSL 88.97, 0.59%, 0.48%

LAB 71.97, -44.35, 61.65

 

CMYK 74 / 36 / 0 / 24

HEX #327DC3

RGB 50 125 195

HSL 208.97, 0.59%, 0.48%

LAB 51.02, 0.89, -43.13

 

CMYK 0 / 74 / 37 / 24

HEX #C3327B

RGB 195 50 123

HSL 329.79, 0.59%, 0.48%

LAB 46.06, 62.08, -7.18

 

CMYK 0 / 24 / 74 / 24

HEX #C39532

RGB 195 149 50

HSL 40.97, 0.59%, 0.48%

LAB 64.43, 7.68, 56.07

 

CMYK 74 / 0 / 38 / 24

HEX #32C378

RGB 50 195 120

HSL 148.97, 0.59%, 0.48%

LAB 70.22, -54.65, 27.14

 

CMYK 74 / 51 / 0 / 24

HEX #3260C3

RGB 50 96 195

HSL 220.97, 0.59%, 0.48%

LAB 42.74, 19.09, -56.38

 

CMYK 0 / 74 / 37 / 24

HEX #C3327B

RGB 195 50 123

HSL 329.79, 0.59%, 0.48%

LAB 46.06, 62.08, -7.18

 

CMYK 0 / 2 / 74 / 24

HEX #C3C032

RGB 195 192 50

HSL 58.76, 0.59%, 0.48%

LAB 75.78, -14.98, 66.91

 

CMYK 74 / 0 / 38 / 24

HEX #32C378

RGB 50 195 120

HSL 148.97, 0.59%, 0.48%

LAB 70.22, -54.65, 27.14

 

CMYK 74 / 73 / 0 / 24

HEX #3235C3

RGB 50 53 195

HSL 238.76, 0.59%, 0.48%

LAB 32.18, 46.19, -73.62

 

Description

Color code: HEX #C3327B | qconv.com Color code: HEX #C3327B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 50 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 50 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 37 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 37% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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