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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3326E it is the complementary color #3CCD91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3326E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3326E shade: #C83269, #D9447C, #EA568F, #FB68A2 and #FF7AB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3326E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3326E shade: #C3326E, #B2205B, #A10E48, #900035 and #7F0022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3326E shade: #C3326E, #C33247 and #C33232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3326E shade: #C3326E, #C33295, #C332BC, #A232C3 and #7B32C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3326E shade matches the following richer shades: #C3326E, #D61E6B and #EA0B67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3326E shade: #C3326E, #AF4671, #9B5A75, #876E78 and #73817C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3326E shade: #C332BB, #C33295, #C3326E, #C33248 and #C34332

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3326E shade: #812149, #A22A5B, #C3326E, #D14D84 and #DA6E9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3326E shade: #C3326E, #C3A332 and #32A8C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3326E shade: #C3326E, #6EC332 and #326EC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3326E shade: #C3326E, #C3A332, #32C386 and #3251C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3326E shade: #C3326E, #B7C332, #32C386 and #3E32C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 44 / 24

HEX #C3326E

RGB 195 50 110

HSL 335.17, 0.59%, 0.48%

LAB 45.65, 60.76, 0.19

 

Complementary color

CMYK 71 / 0 / 29 / 20

HEX #3CCD91

RGB 60 205 145

HSL 155.17, 0.59%, 0.52%

LAB 73.98, -51.98, 19.08

 

CMYK 0 / 75 / 48 / 22

HEX #C83269

RGB 200 50 105

HSL 338, 0.6%, 0.49%

LAB 46.42, 61.69, 4.51

 

CMYK 0 / 69 / 43 / 15

HEX #D9447C

RGB 217 68 124

HSL 337.45, 0.66%, 0.56%

LAB 52.22, 61.99, 1.73

 

CMYK 0 / 63 / 39 / 8

HEX #EA568F

RGB 234 86 143

HSL 336.89, 0.78%, 0.63%

LAB 58.16, 61.83, -0.53

 

CMYK 0 / 59 / 35 / 2

HEX #FB68A2

RGB 251 104 162

HSL 336.33, 0.95%, 0.7%

LAB 64.18, 61.39, -2.4

 

CMYK 0 / 52 / 29 / 0

HEX #FF7AB5

RGB 255 122 181

HSL 333.38, 1%, 0.74%

LAB 68.4, 56.72, -6.88

 

CMYK 0 / 74 / 44 / 24

HEX #C3326E

RGB 195 50 110

HSL 335.17, 0.59%, 0.48%

LAB 45.65, 60.76, 0.19

 

CMYK 0 / 82 / 49 / 30

HEX #B2205B

RGB 178 32 91

HSL 335.75, 0.7%, 0.41%

LAB 40, 59.74, 3.48

 

CMYK 0 / 91 / 55 / 37

HEX #A10E48

RGB 161 14 72

HSL 336.33, 0.84%, 0.34%

LAB 34.72, 57.6, 7.71

 

CMYK 0 / 100 / 63 / 44

HEX #900035

RGB 144 0 53

HSL 337.92, 1%, 0.28%

LAB 29.88, 54.08, 13.05

 

CMYK 0 / 100 / 73 / 50

HEX #7F0022

RGB 127 0 34

HSL 343.94, 1%, 0.25%

LAB 25.65, 48.73, 19.66

 

CMYK 0 / 74 / 44 / 24

HEX #C3326E

RGB 195 50 110

HSL 335.17, 0.59%, 0.48%

LAB 45.65, 60.76, 0.19

 

CMYK 0 / 74 / 64 / 24

HEX #C33247

RGB 195 50 71

HSL 351.31, 0.59%, 0.48%

LAB 44.71, 57.73, 22.98

 

CMYK 0 / 74 / 74 / 24

HEX #C33232

RGB 195 50 50

HSL 0, 0.59%, 0.48%

LAB 44.4, 56.68, 35.16

 

CMYK 0 / 74 / 44 / 24

HEX #C3326E

RGB 195 50 110

HSL 335.17, 0.59%, 0.48%

LAB 45.65, 60.76, 0.19

 

CMYK 0 / 74 / 24 / 24

HEX #C33295

RGB 195 50 149

HSL 319.03, 0.59%, 0.48%

LAB 47.04, 65.14, -21.45

 

CMYK 0 / 74 / 4 / 24

HEX #C332BC

RGB 195 50 188

HSL 302.9, 0.59%, 0.48%

LAB 48.9, 70.69, -41.61

 

CMYK 17 / 74 / 0 / 24

HEX #A232C3

RGB 162 50 195

HSL 286.34, 0.59%, 0.48%

LAB 44.09, 65.1, -53.67

 

CMYK 37 / 74 / 0 / 24

HEX #7B32C3

RGB 123 50 195

HSL 270.21, 0.59%, 0.48%

LAB 38.61, 57.79, -62.81

 

CMYK 0 / 74 / 44 / 24

HEX #C3326E

RGB 195 50 110

HSL 335.17, 0.59%, 0.48%

LAB 45.65, 60.76, 0.19

 

CMYK 0 / 86 / 50 / 16

HEX #D61E6B

RGB 214 30 107

HSL 334.89, 0.75%, 0.48%

LAB 47.35, 70.57, 4.95

 

CMYK 0 / 95 / 56 / 8

HEX #EA0B67

RGB 234 11 103

HSL 335.25, 0.91%, 0.48%

LAB 50.35, 77.45, 12.21

 

CMYK 0 / 74 / 44 / 24

HEX #C3326E

RGB 195 50 110

HSL 335.17, 0.59%, 0.48%

LAB 45.65, 60.76, 0.19

 

CMYK 0 / 60 / 35 / 31

HEX #AF4671

RGB 175 70 113

HSL 335.43, 0.43%, 0.48%

LAB 45.2, 47.1, -2.71

 

CMYK 0 / 42 / 25 / 39

HEX #9B5A75

RGB 155 90 117

HSL 335.08, 0.27%, 0.48%

LAB 46.4, 30.33, -3.7

 

CMYK 0 / 19 / 11 / 47

HEX #876E78

RGB 135 110 120

HSL 336, 0.1%, 0.48%

LAB 49.08, 11.62, -1.82

 

CMYK 11 / 0 / 4 / 49

HEX #73817C

RGB 115 129 124

HSL 158.57, 0.06%, 0.48%

LAB 52.73, -6.18, 0.95

 

CMYK 0 / 74 / 4 / 24

HEX #C332BB

RGB 195 50 187

HSL 303.31, 0.59%, 0.48%

LAB 48.85, 70.53, -41.11

 

CMYK 0 / 74 / 24 / 24

HEX #C33295

RGB 195 50 149

HSL 319.03, 0.59%, 0.48%

LAB 47.04, 65.14, -21.45

 

CMYK 0 / 74 / 44 / 24

HEX #C3326E

RGB 195 50 110

HSL 335.17, 0.59%, 0.48%

LAB 45.65, 60.76, 0.19

 

CMYK 0 / 74 / 63 / 24

HEX #C33248

RGB 195 50 72

HSL 350.9, 0.59%, 0.48%

LAB 44.73, 57.79, 22.39

 

CMYK 0 / 66 / 74 / 24

HEX #C34332

RGB 195 67 50

HSL 7.03, 0.59%, 0.48%

LAB 46.77, 50.16, 37.8

 

CMYK 0 / 74 / 43 / 49

HEX #812149

RGB 129 33 73

HSL 335, 0.59%, 0.32%

LAB 30, 43.9, -0.57

 

CMYK 0 / 74 / 44 / 36

HEX #A22A5B

RGB 162 42 91

HSL 335.5, 0.59%, 0.4%

LAB 38.01, 52.28, 0.2

 

CMYK 0 / 74 / 44 / 24

HEX #C3326E

RGB 195 50 110

HSL 335.17, 0.59%, 0.48%

LAB 45.65, 60.76, 0.19

 

CMYK 0 / 63 / 37 / 18

HEX #D14D84

RGB 209 77 132

HSL 335, 0.59%, 0.56%

LAB 52.43, 56.87, -2.91

 

CMYK 0 / 50 / 29 / 15

HEX #DA6E9A

RGB 218 110 154

HSL 335.56, 0.59%, 0.64%

LAB 60.24, 47.08, -4.14

 

CMYK 0 / 74 / 44 / 24

HEX #C3326E

RGB 195 50 110

HSL 335.17, 0.59%, 0.48%

LAB 45.65, 60.76, 0.19

 

CMYK 0 / 16 / 74 / 24

HEX #C3A332

RGB 195 163 50

HSL 46.76, 0.59%, 0.48%

LAB 68.04, 0.12, 59.59

 

CMYK 74 / 14 / 0 / 24

HEX #32A8C3

RGB 50 168 195

HSL 191.17, 0.59%, 0.48%

LAB 63.85, -23.13, -23.13

 

CMYK 0 / 74 / 44 / 24

HEX #C3326E

RGB 195 50 110

HSL 335.17, 0.59%, 0.48%

LAB 45.65, 60.76, 0.19

 

CMYK 44 / 0 / 74 / 24

HEX #6EC332

RGB 110 195 50

HSL 95.17, 0.59%, 0.48%

LAB 71.27, -49.42, 60.71

 

CMYK 74 / 44 / 0 / 24

HEX #326EC3

RGB 50 110 195

HSL 215.17, 0.59%, 0.48%

LAB 46.67, 10.14, -50.05

 

CMYK 0 / 74 / 44 / 24

HEX #C3326E

RGB 195 50 110

HSL 335.17, 0.59%, 0.48%

LAB 45.65, 60.76, 0.19

 

CMYK 0 / 16 / 74 / 24

HEX #C3A332

RGB 195 163 50

HSL 46.76, 0.59%, 0.48%

LAB 68.04, 0.12, 59.59

 

CMYK 74 / 0 / 31 / 24

HEX #32C386

RGB 50 195 134

HSL 154.76, 0.59%, 0.48%

LAB 70.48, -51.81, 20.08

 

CMYK 74 / 58 / 0 / 24

HEX #3251C3

RGB 50 81 195

HSL 227.17, 0.59%, 0.48%

LAB 38.73, 28.83, -62.88

 

CMYK 0 / 74 / 44 / 24

HEX #C3326E

RGB 195 50 110

HSL 335.17, 0.59%, 0.48%

LAB 45.65, 60.76, 0.19

 

CMYK 6 / 0 / 74 / 24

HEX #B7C332

RGB 183 195 50

HSL 64.97, 0.59%, 0.48%

LAB 75.65, -21.56, 66.45

 

CMYK 74 / 0 / 31 / 24

HEX #32C386

RGB 50 195 134

HSL 154.76, 0.59%, 0.48%

LAB 70.48, -51.81, 20.08

 

CMYK 68 / 74 / 0 / 24

HEX #3E32C3

RGB 62 50 195

HSL 244.97, 0.59%, 0.48%

LAB 32.36, 49.02, -73.3

 

Description

Color code: HEX #C3326E | qconv.com Color code: HEX #C3326E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 50 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 50 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 44 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 44% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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