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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C32F43 it is the complementary color #3CD0BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C32F43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C32F43 shade: #C82F3E, #D94151, #EA5364, #FB6577 and #FF778A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C32F43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C32F43 shade: #C32F43, #B21D30, #A10B1D, #90000A and #7F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C32F43 shade: #C12F43 and #C12F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C32F43 shade: #C12F43, #C12F6A, #C12F91, #C12FB9 and #A22FC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C32F43 shade matches the following richer shades: #C12F43, #D41B34 and #E80826

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C32F43 shade: #C12F43, #AE4251, #9A565F, #87696D and #737C7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C32F43 shade: #C12F93, #C12F6C, #C12F45, #C1402F and #C1672F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C32F43 shade: #7F1F2C, #A02737, #C12F43, #D2475A and #DA6877

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C32F43 shade: #C32F43, #BAC12F and #2F7FC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C32F43 shade: #C32F43, #45C12F and #2F45C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C32F43 shade: #C32F43, #BAC12F, #2FC1AB and #362FC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C32F43 shade: #C32F43, #8EC12F, #2FC1AB and #622FC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 66 / 24

HEX #C32F43

RGB 195 47 67

HSL 351.89, 0.61%, 0.47%

LAB 44.29, 58.49, 24.88

 

Complementary color

CMYK 71 / 0 / 10 / 18

HEX #3CD0BC

RGB 60 208 188

HSL 171.89, 0.61%, 0.53%

LAB 75.89, -42.89, -1.25

 

CMYK 0 / 77 / 69 / 22

HEX #C82F3E

RGB 200 47 62

HSL 354.12, 0.62%, 0.48%

LAB 45.17, 59.7, 29.21

 

CMYK 0 / 70 / 63 / 15

HEX #D94151

RGB 217 65 81

HSL 353.68, 0.67%, 0.55%

LAB 50.83, 59.72, 25.63

 

CMYK 0 / 65 / 57 / 8

HEX #EA5364

RGB 234 83 100

HSL 353.25, 0.78%, 0.62%

LAB 56.68, 59.29, 22.64

 

CMYK 0 / 60 / 53 / 2

HEX #FB6577

RGB 251 101 119

HSL 352.8, 0.95%, 0.69%

LAB 62.63, 58.59, 20.12

 

CMYK 0 / 53 / 46 / 0

HEX #FF778A

RGB 255 119 138

HSL 351.62, 1%, 0.73%

LAB 66.74, 53.41, 15.04

 

CMYK 0 / 76 / 66 / 24

HEX #C32F43

RGB 195 47 67

HSL 351.89, 0.61%, 0.47%

LAB 44.29, 58.49, 24.88

 

CMYK 0 / 84 / 73 / 30

HEX #B21D30

RGB 178 29 48

HSL 352.35, 0.72%, 0.41%

LAB 38.82, 57.74, 29.08

 

CMYK 0 / 93 / 82 / 37

HEX #A10B1D

RGB 161 11 29

HSL 352.8, 0.87%, 0.34%

LAB 33.78, 55.85, 34

 

CMYK 0 / 100 / 93 / 44

HEX #90000A

RGB 144 0 10

HSL 355.83, 1%, 0.28%

LAB 29.29, 52.49, 38.67

 

CMYK 0 / 100 / 100 / 50

HEX #7F0000

RGB 127 0 0

HSL 0, 1%, 0.25%

LAB 25.3, 47.78, 37.76

 

CMYK 0 / 76 / 65 / 24

HEX #C12F43

RGB 193 47 67

HSL 351.78, 0.61%, 0.47%

LAB 43.91, 57.89, 24.32

 

CMYK 0 / 76 / 76 / 24

HEX #C12F2F

RGB 193 47 47

HSL 0, 0.61%, 0.47%

LAB 43.62, 56.94, 35.92

 

CMYK 0 / 76 / 65 / 24

HEX #C12F43

RGB 193 47 67

HSL 351.78, 0.61%, 0.47%

LAB 43.91, 57.89, 24.32

 

CMYK 0 / 76 / 45 / 24

HEX #C12F6A

RGB 193 47 106

HSL 335.75, 0.61%, 0.47%

LAB 44.82, 60.8, 1.41

 

CMYK 0 / 76 / 25 / 24

HEX #C12F91

RGB 193 47 145

HSL 319.73, 0.61%, 0.47%

LAB 46.2, 65.07, -20.37

 

CMYK 0 / 76 / 4 / 24

HEX #C12FB9

RGB 193 47 185

HSL 303.29, 0.61%, 0.47%

LAB 48.1, 70.69, -41.15

 

CMYK 16 / 76 / 0 / 24

HEX #A22FC1

RGB 162 47 193

HSL 287.26, 0.61%, 0.47%

LAB 43.6, 65.75, -53.29

 

CMYK 0 / 76 / 65 / 24

HEX #C12F43

RGB 193 47 67

HSL 351.78, 0.61%, 0.47%

LAB 43.91, 57.89, 24.32

 

CMYK 0 / 87 / 75 / 17

HEX #D41B34

RGB 212 27 52

HSL 351.89, 0.77%, 0.47%

LAB 45.67, 67.5, 36.35

 

CMYK 0 / 97 / 84 / 9

HEX #E80826

RGB 232 8 38

HSL 351.96, 0.93%, 0.47%

LAB 48.85, 74.43, 48.65

 

CMYK 0 / 76 / 65 / 24

HEX #C12F43

RGB 193 47 67

HSL 351.78, 0.61%, 0.47%

LAB 43.91, 57.89, 24.32

 

CMYK 0 / 62 / 53 / 32

HEX #AE4251

RGB 174 66 81

HSL 351.67, 0.45%, 0.47%

LAB 43.49, 45.31, 14.53

 

CMYK 0 / 44 / 38 / 40

HEX #9A565F

RGB 154 86 95

HSL 352.06, 0.28%, 0.47%

LAB 44.73, 29.13, 7.23

 

CMYK 0 / 22 / 19 / 47

HEX #87696D

RGB 135 105 109

HSL 352, 0.13%, 0.47%

LAB 47.44, 12.63, 2.35

 

CMYK 7 / 0 / 1 / 51

HEX #737C7B

RGB 115 124 123

HSL 173.33, 0.04%, 0.47%

LAB 51.26, -3.55, -0.61

 

CMYK 0 / 76 / 24 / 24

HEX #C12F93

RGB 193 47 147

HSL 318.9, 0.61%, 0.47%

LAB 46.28, 65.33, -21.45

 

CMYK 0 / 76 / 44 / 24

HEX #C12F6C

RGB 193 47 108

HSL 334.93, 0.61%, 0.47%

LAB 44.88, 60.99, 0.26

 

CMYK 0 / 76 / 64 / 24

HEX #C12F45

RGB 193 47 69

HSL 350.96, 0.61%, 0.47%

LAB 43.94, 58.01, 23.14

 

CMYK 0 / 67 / 76 / 24

HEX #C1402F

RGB 193 64 47

HSL 6.99, 0.61%, 0.47%

LAB 45.92, 50.61, 38.43

 

CMYK 0 / 47 / 76 / 24

HEX #C1672F

RGB 193 103 47

HSL 23.01, 0.61%, 0.47%

LAB 53.21, 31.78, 46.09

 

CMYK 0 / 76 / 65 / 50

HEX #7F1F2C

RGB 127 31 44

HSL 351.88, 0.61%, 0.31%

LAB 28.57, 41.5, 16.67

 

CMYK 0 / 76 / 66 / 37

HEX #A02737

RGB 160 39 55

HSL 352.07, 0.61%, 0.39%

LAB 36.37, 49.85, 20.88

 

CMYK 0 / 76 / 65 / 24

HEX #C12F43

RGB 193 47 67

HSL 351.78, 0.61%, 0.47%

LAB 43.91, 57.89, 24.32

 

CMYK 0 / 66 / 57 / 18

HEX #D2475A

RGB 210 71 90

HSL 351.8, 0.61%, 0.55%

LAB 50.62, 55.8, 19.75

 

CMYK 0 / 52 / 45 / 15

HEX #DA6877

RGB 218 104 119

HSL 352.11, 0.61%, 0.63%

LAB 58.17, 46.03, 13.18

 

CMYK 0 / 76 / 66 / 24

HEX #C32F43

RGB 195 47 67

HSL 351.89, 0.61%, 0.47%

LAB 44.29, 58.49, 24.88

 

CMYK 4 / 0 / 76 / 24

HEX #BAC12F

RGB 186 193 47

HSL 62.88, 0.61%, 0.47%

LAB 75.32, -19.44, 67.19

 

CMYK 76 / 34 / 0 / 24

HEX #2F7FC1

RGB 47 127 193

HSL 207.12, 0.61%, 0.47%

LAB 51.42, -1.43, -41.35

 

CMYK 0 / 76 / 66 / 24

HEX #C32F43

RGB 195 47 67

HSL 351.89, 0.61%, 0.47%

LAB 44.29, 58.49, 24.88

 

CMYK 64 / 0 / 76 / 24

HEX #45C12F

RGB 69 193 47

HSL 110.96, 0.61%, 0.47%

LAB 69.19, -60.03, 59.2

 

CMYK 76 / 64 / 0 / 24

HEX #2F45C1

RGB 47 69 193

HSL 230.96, 0.61%, 0.47%

LAB 35.42, 35.48, -67.12

 

CMYK 0 / 76 / 66 / 24

HEX #C32F43

RGB 195 47 67

HSL 351.89, 0.61%, 0.47%

LAB 44.29, 58.49, 24.88

 

CMYK 4 / 0 / 76 / 24

HEX #BAC12F

RGB 186 193 47

HSL 62.88, 0.61%, 0.47%

LAB 75.32, -19.44, 67.19

 

CMYK 76 / 0 / 11 / 24

HEX #2FC1AB

RGB 47 193 171

HSL 170.96, 0.61%, 0.47%

LAB 70.65, -42.43, 0.29

 

CMYK 72 / 76 / 0 / 24

HEX #362FC1

RGB 54 47 193

HSL 242.88, 0.61%, 0.47%

LAB 31.04, 49.22, -74.32

 

CMYK 0 / 76 / 66 / 24

HEX #C32F43

RGB 195 47 67

HSL 351.89, 0.61%, 0.47%

LAB 44.29, 58.49, 24.88

 

CMYK 26 / 0 / 76 / 24

HEX #8EC12F

RGB 142 193 47

HSL 80.96, 0.61%, 0.47%

LAB 72.29, -37.37, 63.27

 

CMYK 76 / 0 / 11 / 24

HEX #2FC1AB

RGB 47 193 171

HSL 170.96, 0.61%, 0.47%

LAB 70.65, -42.43, 0.29

 

CMYK 49 / 76 / 0 / 24

HEX #622FC1

RGB 98 47 193

HSL 260.96, 0.61%, 0.47%

LAB 34.96, 54.55, -67.72

 

Description

Color code: HEX #C32F43 | qconv.com Color code: HEX #C32F43 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 47 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 47 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 66 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 66% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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