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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C32BD0 it is the complementary color #3CD42F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C32BD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C32BD0 shade: #C82BCB, #D93DDE, #EA4FF1, #FB61FF and #FF73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C32BD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C32BD0 shade: #C32BD0, #B219BD, #A107AA, #900097 and #7F0084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C32BD0 shade: #C22ACF, #CF2AB0, #CF2A83, #CF2A57 and #CF2A2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C32BD0 shade: #C22ACF, #962ACF, #692ACF, #3D2ACF and #2A2ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C32BD0 shade matches the following richer shades: #C22ACF, #D316E4 and #E402F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C32BD0 shade: #C22ACF, #B13FBB, #A053A7, #8F6793 and #7E7B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C32BD0 shade: #6A2ACF, #962ACF, #C22ACF, #CF2AB1 and #CF2A85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C32BD0 shade: #821C8B, #A223AD, #C22ACF, #CE49DA and #D86CE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C32BD0 shade: #C32BD0, #CF3E2A and #2ACF80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C32BD0 shade: #C32BD0, #CFC22A and #2ACFC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C32BD0 shade: #C32BD0, #CF3E2A, #38CF2A and #2ABCCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C32BD0 shade: #C32BD0, #CF6F2A, #38CF2A and #2A8BCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 79 / 0 / 18

HEX #C32BD0

RGB 195 43 208

HSL 295.27, 0.66%, 0.49%

LAB 49.36, 75.84, -52.46

 

Complementary color

CMYK 72 / 0 / 78 / 17

HEX #3CD42F

RGB 60 212 47

HSL 115.27, 0.66%, 0.51%

LAB 74.98, -67.93, 64.76

 

CMYK 1 / 79 / 0 / 20

HEX #C82BCB

RGB 200 43 203

HSL 298.88, 0.65%, 0.48%

LAB 49.88, 75.99, -48.69

 

CMYK 2 / 73 / 0 / 13

HEX #D93DDE

RGB 217 61 222

HSL 298.14, 0.71%, 0.55%

LAB 55.44, 77.28, -50.52

 

CMYK 3 / 67 / 0 / 5

HEX #EA4FF1

RGB 234 79 241

HSL 297.41, 0.85%, 0.63%

LAB 61.16, 77.92, -51.92

 

CMYK 2 / 62 / 0 / 0

HEX #FB61FF

RGB 251 97 255

HSL 298.48, 1%, 0.69%

LAB 66.73, 77.28, -50.68

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 6 / 79 / 0 / 18

HEX #C32BD0

RGB 195 43 208

HSL 295.27, 0.66%, 0.49%

LAB 49.36, 75.84, -52.46

 

CMYK 6 / 87 / 0 / 26

HEX #B219BD

RGB 178 25 189

HSL 295.98, 0.77%, 0.42%

LAB 43.99, 73.67, -50.18

 

CMYK 5 / 96 / 0 / 33

HEX #A107AA

RGB 161 7 170

HSL 296.69, 0.92%, 0.35%

LAB 38.95, 70.27, -47.19

 

CMYK 5 / 100 / 0 / 41

HEX #900097

RGB 144 0 151

HSL 297.22, 1%, 0.3%

LAB 34.32, 65.29, -43.31

 

CMYK 4 / 100 / 0 / 48

HEX #7F0084

RGB 127 0 132

HSL 297.73, 1%, 0.26%

LAB 29.86, 59.41, -38.9

 

CMYK 6 / 80 / 0 / 19

HEX #C22ACF

RGB 194 42 207

HSL 295.27, 0.66%, 0.49%

LAB 49.04, 75.75, -52.39

 

CMYK 0 / 80 / 15 / 19

HEX #CF2AB0

RGB 207 42 176

HSL 311.27, 0.66%, 0.49%

LAB 49.56, 73.71, -33.4

 

CMYK 0 / 80 / 37 / 19

HEX #CF2A83

RGB 207 42 131

HSL 327.64, 0.66%, 0.49%

LAB 47.7, 68.33, -9.37

 

CMYK 0 / 80 / 58 / 19

HEX #CF2A57

RGB 207 42 87

HSL 343.64, 0.66%, 0.49%

LAB 46.46, 64.58, 15.86

 

CMYK 0 / 80 / 79 / 19

HEX #CF2A2B

RGB 207 42 43

HSL 359.64, 0.66%, 0.49%

LAB 45.77, 62.44, 41.27

 

CMYK 6 / 80 / 0 / 19

HEX #C22ACF

RGB 194 42 207

HSL 295.27, 0.66%, 0.49%

LAB 49.04, 75.75, -52.39

 

CMYK 28 / 80 / 0 / 19

HEX #962ACF

RGB 150 42 207

HSL 279.27, 0.66%, 0.49%

LAB 42.22, 67.97, -63.74

 

CMYK 49 / 80 / 0 / 19

HEX #692ACF

RGB 105 42 207

HSL 262.91, 0.66%, 0.49%

LAB 36.3, 61.26, -73.67

 

CMYK 71 / 80 / 0 / 19

HEX #3D2ACF

RGB 61 42 207

HSL 246.91, 0.66%, 0.49%

LAB 32.15, 56.6, -80.65

 

CMYK 80 / 80 / 0 / 19

HEX #2A2ACF

RGB 42 42 207

HSL 240, 0.66%, 0.49%

LAB 31, 55.31, -82.59

 

CMYK 6 / 80 / 0 / 19

HEX #C22ACF

RGB 194 42 207

HSL 295.27, 0.66%, 0.49%

LAB 49.04, 75.75, -52.39

 

CMYK 7 / 90 / 0 / 11

HEX #D316E4

RGB 211 22 228

HSL 295.05, 0.82%, 0.49%

LAB 51.86, 85.75, -59.7

 

CMYK 8 / 99 / 0 / 3

HEX #E402F8

RGB 228 2 248

HSL 295.12, 0.98%, 0.49%

LAB 55.4, 93.07, -65.11

 

CMYK 6 / 80 / 0 / 19

HEX #C22ACF

RGB 194 42 207

HSL 295.27, 0.66%, 0.49%

LAB 49.04, 75.75, -52.39

 

CMYK 5 / 66 / 0 / 27

HEX #B13FBB

RGB 177 63 187

HSL 295.16, 0.5%, 0.49%

LAB 47.61, 61.95, -43.25

 

CMYK 4 / 50 / 0 / 35

HEX #A053A7

RGB 160 83 167

HSL 295, 0.34%, 0.49%

LAB 47.56, 44.53, -31.77

 

CMYK 3 / 30 / 0 / 42

HEX #8F6793

RGB 143 103 147

HSL 294.55, 0.18%, 0.49%

LAB 49.06, 23.94, -17.79

 

CMYK 1 / 3 / 0 / 50

HEX #7E7B7F

RGB 126 123 127

HSL 285, 0.02%, 0.49%

LAB 51.99, 1.93, -1.78

 

CMYK 49 / 80 / 0 / 19

HEX #6A2ACF

RGB 106 42 207

HSL 263.27, 0.66%, 0.49%

LAB 36.41, 61.39, -73.47

 

CMYK 28 / 80 / 0 / 19

HEX #962ACF

RGB 150 42 207

HSL 279.27, 0.66%, 0.49%

LAB 42.22, 67.97, -63.74

 

CMYK 6 / 80 / 0 / 19

HEX #C22ACF

RGB 194 42 207

HSL 295.27, 0.66%, 0.49%

LAB 49.04, 75.75, -52.39

 

CMYK 0 / 80 / 14 / 19

HEX #CF2AB1

RGB 207 42 177

HSL 310.91, 0.66%, 0.49%

LAB 49.61, 73.84, -33.92

 

CMYK 0 / 80 / 36 / 19

HEX #CF2A85

RGB 207 42 133

HSL 326.91, 0.66%, 0.49%

LAB 47.77, 68.53, -10.48

 

CMYK 6 / 80 / 0 / 45

HEX #821C8B

RGB 130 28 139

HSL 295.14, 0.66%, 0.33%

LAB 32.79, 55.52, -38.53

 

CMYK 6 / 80 / 0 / 32

HEX #A223AD

RGB 162 35 173

HSL 295.22, 0.66%, 0.41%

LAB 41.06, 65.84, -45.6

 

CMYK 6 / 80 / 0 / 19

HEX #C22ACF

RGB 194 42 207

HSL 295.27, 0.66%, 0.49%

LAB 49.04, 75.75, -52.39

 

CMYK 6 / 67 / 0 / 15

HEX #CE49DA

RGB 206 73 218

HSL 295.03, 0.66%, 0.57%

LAB 55.02, 70.1, -49.03

 

CMYK 4 / 52 / 0 / 12

HEX #D86CE1

RGB 216 108 225

HSL 295.38, 0.66%, 0.65%

LAB 62.3, 58.63, -41.37

 

CMYK 6 / 79 / 0 / 18

HEX #C32BD0

RGB 195 43 208

HSL 295.27, 0.66%, 0.49%

LAB 49.36, 75.84, -52.46

 

CMYK 0 / 70 / 80 / 19

HEX #CF3E2A

RGB 207 62 42

HSL 7.27, 0.66%, 0.49%

LAB 48.11, 55.87, 44.16

 

CMYK 80 / 0 / 38 / 19

HEX #2ACF80

RGB 42 207 128

HSL 151.27, 0.66%, 0.49%

LAB 73.98, -58.51, 27.96

 

CMYK 6 / 79 / 0 / 18

HEX #C32BD0

RGB 195 43 208

HSL 295.27, 0.66%, 0.49%

LAB 49.36, 75.84, -52.46

 

CMYK 0 / 6 / 80 / 19

HEX #CFC22A

RGB 207 194 42

HSL 55.27, 0.66%, 0.49%

LAB 77.29, -11.15, 71.11

 

CMYK 80 / 0 / 6 / 19

HEX #2ACFC2

RGB 42 207 194

HSL 175.27, 0.66%, 0.49%

LAB 75.46, -42.78, -5.14

 

CMYK 6 / 79 / 0 / 18

HEX #C32BD0

RGB 195 43 208

HSL 295.27, 0.66%, 0.49%

LAB 49.36, 75.84, -52.46

 

CMYK 0 / 70 / 80 / 19

HEX #CF3E2A

RGB 207 62 42

HSL 7.27, 0.66%, 0.49%

LAB 48.11, 55.87, 44.16

 

CMYK 73 / 0 / 80 / 19

HEX #38CF2A

RGB 56 207 42

HSL 114.91, 0.66%, 0.49%

LAB 73.31, -67.34, 64.61

 

CMYK 80 / 9 / 0 / 19

HEX #2ABCCF

RGB 42 188 207

HSL 186.91, 0.66%, 0.49%

LAB 70.15, -30.15, -20.17

 

CMYK 6 / 79 / 0 / 18

HEX #C32BD0

RGB 195 43 208

HSL 295.27, 0.66%, 0.49%

LAB 49.36, 75.84, -52.46

 

CMYK 0 / 46 / 80 / 19

HEX #CF6F2A

RGB 207 111 42

HSL 25.09, 0.66%, 0.49%

LAB 56.88, 33.09, 52.63

 

CMYK 73 / 0 / 80 / 19

HEX #38CF2A

RGB 56 207 42

HSL 114.91, 0.66%, 0.49%

LAB 73.31, -67.34, 64.61

 

CMYK 80 / 33 / 0 / 19

HEX #2A8BCF

RGB 42 139 207

HSL 204.73, 0.66%, 0.49%

LAB 55.55, -3.97, -42.8

 

Description

Color code: HEX #C32BD0 | qconv.com Color code: HEX #C32BD0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 43 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 43 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 79 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 79% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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