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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C31A1B it is the complementary color #3CE5E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C31A1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C31A1B: #C81A16, #D92C29, #EA3E3C, #FB504F and #FF6262

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C31A1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C31A1B: #C31A1B, #B20808, #A10000, #900000 and #7F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 86 / 24

HEX #C31A1B

RGB 195 26 27

HSL 359.64, 0.76%, 0.43%

LAB 41.88, 62.44, 45.16

 

Complementary color

CMYK 74 / 0 / 0 / 10

HEX #3CE5E4

RGB 60 229 228

HSL 179.64, 0.76%, 0.57%

LAB 83.23, -41.27, -11.73

 

CMYK 0 / 87 / 89 / 22

HEX #C81A16

RGB 200 26 22

HSL 1.35, 0.8%, 0.44%

LAB 42.88, 63.7, 48.74

 

CMYK 0 / 80 / 81 / 15

HEX #D92C29

RGB 217 44 41

HSL 1.02, 0.7%, 0.51%

LAB 47.9, 64.7, 45.11

 

CMYK 0 / 74 / 74 / 8

HEX #EA3E3C

RGB 234 62 60

HSL 0.69, 0.81%, 0.58%

LAB 53.24, 64.89, 41.38

 

CMYK 0 / 68 / 69 / 2

HEX #FB504F

RGB 251 80 79

HSL 0.35, 0.96%, 0.65%

LAB 58.8, 64.57, 37.98

 

CMYK 0 / 62 / 62 / 0

HEX #FF6262

RGB 255 98 98

HSL 0, 1%, 0.69%

LAB 62.4, 59.7, 31.9

 

CMYK 0 / 87 / 86 / 24

HEX #C31A1B

RGB 195 26 27

HSL 359.64, 0.76%, 0.43%

LAB 41.88, 62.44, 45.16

 

CMYK 0 / 96 / 96 / 30

HEX #B20808

RGB 178 8 8

HSL 0, 0.91%, 0.36%

LAB 37.22, 60.33, 48.27

 

CMYK 0 / 100 / 100 / 37

HEX #A10000

RGB 161 0 0

HSL 0, 1%, 0.32%

LAB 33.09, 56.8, 47.21

 

CMYK 0 / 100 / 100 / 44

HEX #900000

RGB 144 0 0

HSL 0, 1%, 0.28%

LAB 29.23, 52.34, 42.7

 

CMYK 0 / 100 / 100 / 50

HEX #7F0000

RGB 127 0 0

HSL 0, 1%, 0.25%

LAB 25.3, 47.78, 37.76

 

CMYK 0 / 87 / 86 / 24

HEX #C31A1B

RGB 195 26 27

HSL 359.64, 0.76%, 0.43%

LAB 41.88, 62.44, 45.16

 

CMYK 0 / 73 / 86 / 25

HEX #C0331A

RGB 192 51 26

HSL 9.04, 0.76%, 0.43%

LAB 43.72, 54.63, 46.95

 

CMYK 0 / 59 / 86 / 25

HEX #C04F1A

RGB 192 79 26

HSL 19.16, 0.76%, 0.43%

LAB 48.1, 42.87, 50.58

 

CMYK 0 / 45 / 86 / 25

HEX #C06A1A

RGB 192 106 26

HSL 28.92, 0.76%, 0.43%

LAB 53.59, 29.05, 55.1

 

CMYK 0 / 30 / 86 / 25

HEX #C0861A

RGB 192 134 26

HSL 39.04, 0.76%, 0.43%

LAB 60.19, 13.73, 60.5

 

CMYK 0 / 87 / 86 / 24

HEX #C31A1B

RGB 195 26 27

HSL 359.64, 0.76%, 0.43%

LAB 41.88, 62.44, 45.16

 

CMYK 0 / 87 / 86 / 4

HEX #F62122

RGB 246 33 34

HSL 359.72, 0.92%, 0.55%

LAB 52.73, 74.8, 55.02

 

CMYK 0 / 86 / 86 / 84

HEX #2A0606

RGB 42 6 6

HSL 0, 0.75%, 0.09%

LAB 5.74, 17.74, 6.47

 

CMYK 0 / 87 / 86 / 64

HEX #5D0C0D

RGB 93 12 13

HSL 359.26, 0.77%, 0.21%

LAB 18.45, 35.27, 22.69

 

CMYK 0 / 87 / 86 / 44

HEX #901314

RGB 144 19 20

HSL 359.52, 0.77%, 0.32%

LAB 30.51, 49.39, 34.7

 

CMYK 0 / 87 / 86 / 24

HEX #C31A1B

RGB 195 26 27

HSL 359.64, 0.76%, 0.43%

LAB 41.88, 62.44, 45.16

 

CMYK 16 / 0 / 86 / 25

HEX #A2C01A

RGB 162 192 26

HSL 70.84, 0.76%, 0.43%

LAB 73.19, -29.73, 70.14

 

CMYK 86 / 51 / 0 / 25

HEX #1A5FC0

RGB 26 95 192

HSL 215.06, 0.76%, 0.43%

LAB 41.55, 16.21, -56.59

 

CMYK 0 / 87 / 86 / 24

HEX #C31A1B

RGB 195 26 27

HSL 359.64, 0.76%, 0.43%

LAB 41.88, 62.44, 45.16

 

CMYK 85 / 0 / 86 / 25

HEX #1DC01A

RGB 29 192 26

HSL 118.92, 0.76%, 0.43%

LAB 68.05, -67.16, 63.7

 

CMYK 86 / 85 / 0 / 25

HEX #1A1DC0

RGB 26 29 192

HSL 238.92, 0.76%, 0.43%

LAB 26.46, 55.98, -81.37

 

CMYK 0 / 87 / 86 / 24

HEX #C31A1B

RGB 195 26 27

HSL 359.64, 0.76%, 0.43%

LAB 41.88, 62.44, 45.16

 

CMYK 16 / 0 / 86 / 25

HEX #A2C01A

RGB 162 192 26

HSL 70.84, 0.76%, 0.43%

LAB 73.19, -29.73, 70.14

 

CMYK 86 / 0 / 1 / 25

HEX #1AC0BE

RGB 26 192 190

HSL 179.28, 0.76%, 0.43%

LAB 70.62, -38.43, -10.17

 

CMYK 71 / 86 / 0 / 25

HEX #381AC0

RGB 56 26 192

HSL 250.84, 0.76%, 0.43%

LAB 27.81, 58.59, -79.08

 

CMYK 0 / 87 / 86 / 24

HEX #C31A1B

RGB 195 26 27

HSL 359.64, 0.76%, 0.43%

LAB 41.88, 62.44, 45.16

 

CMYK 42 / 0 / 86 / 25

HEX #70C01A

RGB 112 192 26

HSL 88.92, 0.76%, 0.43%

LAB 70.33, -48.71, 66.58

 

CMYK 86 / 0 / 1 / 25

HEX #1AC0BE

RGB 26 192 190

HSL 179.28, 0.76%, 0.43%

LAB 70.62, -38.43, -10.17

 

CMYK 45 / 86 / 0 / 25

HEX #6A1AC0

RGB 106 26 192

HSL 268.92, 0.76%, 0.43%

LAB 33.15, 63.21, -70.07

 

Description

Color code: HEX #C31A1B | qconv.com Color code: HEX #C31A1B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 26 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 26 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 86 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 86% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Play.com – Great pri...
Link: http://www.play.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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