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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C319B8 it is the complementary color #3CE647. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C319B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C319B8 shade: #C819B3, #D92BC6, #EA3DD9, #FB4FEC and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C319B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C319B8 shade: #C319B8, #B207A5, #A10092, #90007F and #7F006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C319B8 shade: #C219B7, #C2198A, #C2195C, #C2192F and #C21919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C319B8 shade: #C219B7, #9F19C2, #7219C2, #4419C2 and #1919C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C319B8 shade matches the following richer shades: #C219B7 and #D407C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C319B8 shade: #C219B7, #B02BA8, #9F3D98, #8D4E89 and #7B6079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C319B8 shade: #7019C2, #9D19C2, #C219BA, #C2198D and #C21960

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C319B8 shade: #791072, #9E1495, #C219B7, #E222D6 and #E747DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C319B8 shade: #C319B8, #C24319 and #19C287

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C319B8 shade: #C319B8, #BAC219 and #19BAC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C319B8 shade: #C319B8, #C24319, #19C222 and #1998C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C319B8 shade: #C319B8, #C27619, #19C222 and #1965C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 6 / 24

HEX #C319B8

RGB 195 25 184

HSL 303.88, 0.77%, 0.43%

LAB 46.66, 75.97, -42.83

 

Complementary color

CMYK 74 / 0 / 69 / 10

HEX #3CE647

RGB 60 230 71

HSL 123.88, 0.77%, 0.57%

LAB 80.74, -71.73, 62.35

 

CMYK 0 / 88 / 11 / 22

HEX #C819B3

RGB 200 25 179

HSL 307.2, 0.78%, 0.44%

LAB 47.27, 76.2, -38.86

 

CMYK 0 / 80 / 9 / 15

HEX #D92BC6

RGB 217 43 198

HSL 306.55, 0.7%, 0.51%

LAB 52.46, 78.58, -41.54

 

CMYK 0 / 74 / 7 / 8

HEX #EA3DD9

RGB 234 61 217

HSL 305.9, 0.8%, 0.58%

LAB 57.88, 80.05, -43.65

 

CMYK 0 / 69 / 6 / 2

HEX #FB4FEC

RGB 251 79 236

HSL 305.23, 0.96%, 0.65%

LAB 63.47, 80.86, -45.33

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 87 / 6 / 24

HEX #C319B8

RGB 195 25 184

HSL 303.88, 0.77%, 0.43%

LAB 46.66, 75.97, -42.83

 

CMYK 0 / 96 / 7 / 30

HEX #B207A5

RGB 178 7 165

HSL 304.56, 0.92%, 0.36%

LAB 41.74, 72.44, -39.57

 

CMYK 0 / 100 / 9 / 37

HEX #A10092

RGB 161 0 146

HSL 305.59, 1%, 0.32%

LAB 37.21, 67.47, -35.45

 

CMYK 0 / 100 / 12 / 44

HEX #90007F

RGB 144 0 127

HSL 307.08, 1%, 0.28%

LAB 32.84, 61.68, -30.82

 

CMYK 0 / 100 / 15 / 50

HEX #7F006C

RGB 127 0 108

HSL 308.98, 1%, 0.25%

LAB 28.37, 55.77, -26.02

 

CMYK 0 / 87 / 6 / 24

HEX #C219B7

RGB 194 25 183

HSL 303.91, 0.77%, 0.43%

LAB 46.42, 75.64, -42.63

 

CMYK 0 / 87 / 29 / 24

HEX #C2198A

RGB 194 25 138

HSL 319.88, 0.77%, 0.43%

LAB 44.23, 69.8, -19.13

 

CMYK 0 / 87 / 53 / 24

HEX #C2195C

RGB 194 25 92

HSL 336.21, 0.77%, 0.43%

LAB 42.67, 65.45, 7.08

 

CMYK 0 / 87 / 76 / 24

HEX #C2192F

RGB 194 25 47

HSL 352.19, 0.77%, 0.43%

LAB 41.8, 62.94, 33.96

 

CMYK 0 / 87 / 87 / 24

HEX #C21919

RGB 194 25 25

HSL 0, 0.77%, 0.43%

LAB 41.59, 62.32, 45.81

 

CMYK 0 / 87 / 6 / 24

HEX #C219B7

RGB 194 25 183

HSL 303.91, 0.77%, 0.43%

LAB 46.42, 75.64, -42.63

 

CMYK 18 / 87 / 0 / 24

HEX #9F19C2

RGB 159 25 194

HSL 287.57, 0.77%, 0.43%

LAB 41.15, 71.35, -57.85

 

CMYK 41 / 87 / 0 / 24

HEX #7219C2

RGB 114 25 194

HSL 271.6, 0.77%, 0.43%

LAB 34.33, 64.91, -69.27

 

CMYK 65 / 87 / 0 / 24

HEX #4419C2

RGB 68 25 194

HSL 255.27, 0.77%, 0.43%

LAB 28.95, 60.3, -78.33

 

CMYK 87 / 87 / 0 / 24

HEX #1919C2

RGB 25 25 194

HSL 240, 0.77%, 0.43%

LAB 26.15, 58.13, -83.07

 

CMYK 0 / 87 / 6 / 24

HEX #C219B7

RGB 194 25 183

HSL 303.91, 0.77%, 0.43%

LAB 46.42, 75.64, -42.63

 

CMYK 0 / 97 / 6 / 17

HEX #D407C7

RGB 212 7 199

HSL 303.8, 0.94%, 0.43%

LAB 49.82, 83.11, -46.35

 

CMYK 0 / 87 / 6 / 24

HEX #C219B7

RGB 194 25 183

HSL 303.91, 0.77%, 0.43%

LAB 46.42, 75.64, -42.63

 

CMYK 0 / 76 / 5 / 31

HEX #B02BA8

RGB 176 43 168

HSL 303.61, 0.61%, 0.43%

LAB 43.92, 65.6, -37.92

 

CMYK 0 / 62 / 4 / 38

HEX #9F3D98

RGB 159 61 152

HSL 304.29, 0.45%, 0.43%

LAB 42.73, 52.15, -30.42

 

CMYK 0 / 45 / 3 / 45

HEX #8D4E89

RGB 141 78 137

HSL 303.81, 0.29%, 0.43%

LAB 42.64, 35.57, -21.69

 

CMYK 0 / 22 / 2 / 52

HEX #7B6079

RGB 123 96 121

HSL 304.44, 0.12%, 0.43%

LAB 44.17, 15.58, -9.85

 

CMYK 42 / 87 / 0 / 24

HEX #7019C2

RGB 112 25 194

HSL 270.89, 0.77%, 0.43%

LAB 34.06, 64.66, -69.73

 

CMYK 19 / 87 / 0 / 24

HEX #9D19C2

RGB 157 25 194

HSL 286.86, 0.77%, 0.43%

LAB 40.83, 71.03, -58.39

 

CMYK 0 / 87 / 4 / 24

HEX #C219BA

RGB 194 25 186

HSL 302.84, 0.77%, 0.43%

LAB 46.59, 76.07, -44.12

 

CMYK 0 / 87 / 27 / 24

HEX #C2198D

RGB 194 25 141

HSL 318.82, 0.77%, 0.43%

LAB 44.36, 70.15, -20.76

 

CMYK 0 / 87 / 51 / 24

HEX #C21960

RGB 194 25 96

HSL 334.79, 0.77%, 0.43%

LAB 42.78, 65.75, 4.72

 

CMYK 0 / 87 / 6 / 53

HEX #791072

RGB 121 16 114

HSL 304, 0.77%, 0.27%

LAB 28.51, 52.59, -29.72

 

CMYK 0 / 87 / 6 / 38

HEX #9E1495

RGB 158 20 149

HSL 303.91, 0.78%, 0.35%

LAB 37.73, 64.67, -36.49

 

CMYK 0 / 87 / 6 / 24

HEX #C219B7

RGB 194 25 183

HSL 303.91, 0.77%, 0.43%

LAB 46.42, 75.64, -42.63

 

CMYK 0 / 85 / 5 / 11

HEX #E222D6

RGB 226 34 214

HSL 303.75, 0.77%, 0.51%

LAB 54.2, 84.4, -47.85

 

CMYK 0 / 69 / 4 / 9

HEX #E747DD

RGB 231 71 221

HSL 303.75, 0.77%, 0.59%

LAB 58.71, 76.86, -44.64

 

CMYK 0 / 87 / 6 / 24

HEX #C319B8

RGB 195 25 184

HSL 303.88, 0.77%, 0.43%

LAB 46.66, 75.97, -42.83

 

CMYK 0 / 65 / 87 / 24

HEX #C24319

RGB 194 67 25

HSL 14.91, 0.77%, 0.43%

LAB 46.38, 49.01, 49.71

 

CMYK 87 / 0 / 30 / 24

HEX #19C287

RGB 25 194 135

HSL 159.05, 0.77%, 0.43%

LAB 69.85, -53.73, 18.64

 

CMYK 0 / 87 / 6 / 24

HEX #C319B8

RGB 195 25 184

HSL 303.88, 0.77%, 0.43%

LAB 46.66, 75.97, -42.83

 

CMYK 4 / 0 / 87 / 24

HEX #BAC219

RGB 186 194 25

HSL 62.84, 0.77%, 0.43%

LAB 75.51, -20.63, 72.97

 

CMYK 87 / 4 / 0 / 24

HEX #19BAC2

RGB 25 186 194

HSL 182.84, 0.77%, 0.43%

LAB 68.91, -34.5, -14.93

 

CMYK 0 / 87 / 6 / 24

HEX #C319B8

RGB 195 25 184

HSL 303.88, 0.77%, 0.43%

LAB 46.66, 75.97, -42.83

 

CMYK 0 / 65 / 87 / 24

HEX #C24319

RGB 194 67 25

HSL 14.91, 0.77%, 0.43%

LAB 46.38, 49.01, 49.71

 

CMYK 87 / 0 / 82 / 24

HEX #19C222

RGB 25 194 34

HSL 123.2, 0.77%, 0.43%

LAB 68.68, -67.71, 62.34

 

CMYK 87 / 22 / 0 / 24

HEX #1998C2

RGB 25 152 194

HSL 194.91, 0.77%, 0.43%

LAB 58.56, -17.37, -30.76

 

CMYK 0 / 87 / 6 / 24

HEX #C319B8

RGB 195 25 184

HSL 303.88, 0.77%, 0.43%

LAB 46.66, 75.97, -42.83

 

CMYK 0 / 39 / 87 / 24

HEX #C27619

RGB 194 118 25

HSL 33.02, 0.77%, 0.43%

LAB 56.58, 23.38, 57.97

 

CMYK 87 / 0 / 82 / 24

HEX #19C222

RGB 25 194 34

HSL 123.2, 0.77%, 0.43%

LAB 68.68, -67.71, 62.34

 

CMYK 87 / 48 / 0 / 24

HEX #1965C2

RGB 25 101 194

HSL 213.02, 0.77%, 0.43%

LAB 43.37, 13.03, -54.81

 

Description

Color code: HEX #C319B8 | qconv.com Color code: HEX #C319B8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 25 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 25 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 6 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 6% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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