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Color name
HEX #C3125F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3125F it is the complementary color #3CEDA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3125F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3125F shade: #C8125A, #D9246D, #EA3680, #FB4893 and #FF5AA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3125F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3125F shade: #C3125F, #B2004C, #A10039, #900026 and #7F0013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3125F shade: #C41260, #C41230 and #C41212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3125F shade: #C41260, #C4128F, #C412BF, #9912C4 and #6912C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3125F shade matches the following richer shades: #C41260 and #D5015D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3125F shade: #C41260, #B32462, #A13564, #904666 and #7F5869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3125F shade: #C412C1, #C41292, #C41262, #C41233 and #C42112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3125F shade: #780B3B, #9E0F4D, #C41260, #E91672 and #ED3C89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3125F shade: #C3125F, #C49812 and #12A9C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3125F shade: #C3125F, #62C412 and #1262C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3125F shade: #C3125F, #C49812, #12C474 and #123FC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3125F shade: #C3125F, #BBC412, #12C474 and #1B12C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 51 / 24

HEX #C3125F

RGB 195 18 95

HSL 333.9, 0.83%, 0.42%

LAB 42.55, 67.07, 5.06

 

Complementary color

CMYK 75 / 0 / 32 / 7

HEX #3CEDA0

RGB 60 237 160

HSL 153.9, 0.83%, 0.58%

LAB 84, -61.11, 25.01

 

CMYK 0 / 91 / 55 / 22

HEX #C8125A

RGB 200 18 90

HSL 336.26, 0.83%, 0.43%

LAB 43.43, 67.9, 9.59

 

CMYK 0 / 83 / 50 / 15

HEX #D9246D

RGB 217 36 109

HSL 335.8, 0.72%, 0.5%

LAB 48.41, 70.24, 5.32

 

CMYK 0 / 77 / 45 / 8

HEX #EA3680

RGB 234 54 128

HSL 335.33, 0.81%, 0.56%

LAB 53.7, 71.6, 1.84

 

CMYK 0 / 71 / 41 / 2

HEX #FB4893

RGB 251 72 147

HSL 334.86, 0.96%, 0.63%

LAB 59.21, 72.25, -1.01

 

CMYK 0 / 65 / 35 / 0

HEX #FF5AA6

RGB 255 90 166

HSL 332.36, 1%, 0.68%

LAB 62.78, 68.78, -6.68

 

CMYK 0 / 91 / 51 / 24

HEX #C3125F

RGB 195 18 95

HSL 333.9, 0.83%, 0.42%

LAB 42.55, 67.07, 5.06

 

CMYK 0 / 100 / 57 / 30

HEX #B2004C

RGB 178 0 76

HSL 334.38, 1%, 0.35%

LAB 37.82, 63.75, 9.98

 

CMYK 0 / 100 / 65 / 37

HEX #A10039

RGB 161 0 57

HSL 338.76, 1%, 0.32%

LAB 33.72, 58.5, 16.18

 

CMYK 0 / 100 / 74 / 44

HEX #900026

RGB 144 0 38

HSL 344.17, 1%, 0.28%

LAB 29.59, 53.3, 22.67

 

CMYK 0 / 100 / 85 / 50

HEX #7F0013

RGB 127 0 19

HSL 351.02, 1%, 0.25%

LAB 25.44, 48.17, 29.17

 

CMYK 0 / 91 / 51 / 23

HEX #C41260

RGB 196 18 96

HSL 333.71, 0.83%, 0.42%

LAB 42.78, 67.38, 4.78

 

CMYK 0 / 91 / 76 / 23

HEX #C41230

RGB 196 18 48

HSL 349.89, 0.83%, 0.42%

LAB 41.82, 64.68, 33.49

 

CMYK 0 / 91 / 91 / 23

HEX #C41212

RGB 196 18 18

HSL 0, 0.83%, 0.42%

LAB 41.55, 63.92, 49.12

 

CMYK 0 / 91 / 51 / 23

HEX #C41260

RGB 196 18 96

HSL 333.71, 0.83%, 0.42%

LAB 42.78, 67.38, 4.78

 

CMYK 0 / 91 / 27 / 23

HEX #C4128F

RGB 196 18 143

HSL 317.87, 0.83%, 0.42%

LAB 44.45, 71.89, -21.81

 

CMYK 0 / 91 / 3 / 23

HEX #C412BF

RGB 196 18 191

HSL 301.69, 0.83%, 0.42%

LAB 46.88, 78.18, -46.56

 

CMYK 22 / 91 / 0 / 23

HEX #9912C4

RGB 153 18 196

HSL 285.51, 0.83%, 0.42%

LAB 39.9, 72.06, -61.1

 

CMYK 46 / 91 / 0 / 23

HEX #6912C4

RGB 105 18 196

HSL 269.33, 0.83%, 0.42%

LAB 32.75, 65.99, -73.09

 

CMYK 0 / 91 / 51 / 23

HEX #C41260

RGB 196 18 96

HSL 333.71, 0.83%, 0.42%

LAB 42.78, 67.38, 4.78

 

CMYK 0 / 100 / 56 / 16

HEX #D5015D

RGB 213 1 93

HSL 333.96, 0.99%, 0.42%

LAB 45.58, 72.83, 11.1

 

CMYK 0 / 91 / 51 / 23

HEX #C41260

RGB 196 18 96

HSL 333.71, 0.83%, 0.42%

LAB 42.78, 67.38, 4.78

 

CMYK 0 / 80 / 45 / 30

HEX #B32462

RGB 179 36 98

HSL 333.99, 0.67%, 0.42%

LAB 40.78, 59.56, 0.2

 

CMYK 0 / 67 / 38 / 37

HEX #A13564

RGB 161 53 100

HSL 333.89, 0.5%, 0.42%

LAB 39.65, 48.68, -3.09

 

CMYK 0 / 51 / 29 / 44

HEX #904666

RGB 144 70 102

HSL 334.05, 0.35%, 0.42%

LAB 40.03, 35.09, -4.1

 

CMYK 0 / 31 / 17 / 50

HEX #7F5869

RGB 127 88 105

HSL 333.85, 0.18%, 0.42%

LAB 42.02, 18.87, -3.26

 

CMYK 0 / 91 / 2 / 23

HEX #C412C1

RGB 196 18 193

HSL 301.01, 0.83%, 0.42%

LAB 47, 78.47, -47.54

 

CMYK 0 / 91 / 26 / 23

HEX #C41292

RGB 196 18 146

HSL 316.85, 0.83%, 0.42%

LAB 44.58, 72.24, -23.42

 

CMYK 0 / 91 / 50 / 23

HEX #C41262

RGB 196 18 98

HSL 333.03, 0.83%, 0.42%

LAB 42.84, 67.54, 3.61

 

CMYK 0 / 91 / 74 / 23

HEX #C41233

RGB 196 18 51

HSL 348.88, 0.83%, 0.42%

LAB 41.86, 64.79, 31.73

 

CMYK 0 / 83 / 91 / 23

HEX #C42112

RGB 196 33 18

HSL 5.06, 0.83%, 0.42%

LAB 42.56, 61.03, 49.82

 

CMYK 0 / 91 / 51 / 53

HEX #780B3B

RGB 120 11 59

HSL 333.58, 0.83%, 0.26%

LAB 25.41, 46.47, 1.94

 

CMYK 0 / 91 / 51 / 38

HEX #9E0F4D

RGB 158 15 77

HSL 333.99, 0.83%, 0.34%

LAB 34.29, 57.07, 3.74

 

CMYK 0 / 91 / 51 / 23

HEX #C41260

RGB 196 18 96

HSL 333.71, 0.83%, 0.42%

LAB 42.78, 67.38, 4.78

 

CMYK 0 / 91 / 51 / 9

HEX #E91672

RGB 233 22 114

HSL 333.84, 0.83%, 0.5%

LAB 50.82, 76.84, 6.13

 

CMYK 0 / 75 / 42 / 7

HEX #ED3C89

RGB 237 60 137

HSL 333.9, 0.83%, 0.58%

LAB 55.12, 71.43, -1.39

 

CMYK 0 / 91 / 51 / 24

HEX #C3125F

RGB 195 18 95

HSL 333.9, 0.83%, 0.42%

LAB 42.55, 67.07, 5.06

 

CMYK 0 / 22 / 91 / 23

HEX #C49812

RGB 196 152 18

HSL 45.17, 0.83%, 0.42%

LAB 65.15, 5.51, 66.51

 

CMYK 91 / 14 / 0 / 23

HEX #12A9C4

RGB 18 169 196

HSL 189.1, 0.83%, 0.42%

LAB 63.75, -25.95, -23.89

 

CMYK 0 / 91 / 51 / 24

HEX #C3125F

RGB 195 18 95

HSL 333.9, 0.83%, 0.42%

LAB 42.55, 67.07, 5.06

 

CMYK 50 / 0 / 91 / 23

HEX #62C412

RGB 98 196 18

HSL 93.03, 0.83%, 0.42%

LAB 70.95, -54.93, 68.34

 

CMYK 91 / 50 / 0 / 23

HEX #1262C4

RGB 18 98 196

HSL 213.03, 0.83%, 0.42%

LAB 42.54, 15.35, -57.32

 

CMYK 0 / 91 / 51 / 24

HEX #C3125F

RGB 195 18 95

HSL 333.9, 0.83%, 0.42%

LAB 42.55, 67.07, 5.06

 

CMYK 0 / 22 / 91 / 23

HEX #C49812

RGB 196 152 18

HSL 45.17, 0.83%, 0.42%

LAB 65.15, 5.51, 66.51

 

CMYK 91 / 0 / 41 / 23

HEX #12C474

RGB 18 196 116

HSL 153.03, 0.83%, 0.42%

LAB 70.08, -58.84, 28.98

 

CMYK 91 / 68 / 0 / 23

HEX #123FC4

RGB 18 63 196

HSL 224.83, 0.83%, 0.42%

LAB 33.28, 38.34, -72.43

 

CMYK 0 / 91 / 51 / 24

HEX #C3125F

RGB 195 18 95

HSL 333.9, 0.83%, 0.42%

LAB 42.55, 67.07, 5.06

 

CMYK 5 / 0 / 91 / 23

HEX #BBC412

RGB 187 196 18

HSL 63.03, 0.83%, 0.42%

LAB 76.12, -21.32, 74.67

 

CMYK 91 / 0 / 41 / 23

HEX #12C474

RGB 18 196 116

HSL 153.03, 0.83%, 0.42%

LAB 70.08, -58.84, 28.98

 

CMYK 86 / 91 / 0 / 23

HEX #1B12C4

RGB 27 18 196

HSL 243.03, 0.83%, 0.42%

LAB 25.72, 61.1, -84.97

 

Description

Color code: HEX #C3125F | qconv.com Color code: HEX #C3125F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 18 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 18 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 51 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 51% 24% C M Y K

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Provide designers and agencies with accurate color values.

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