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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C30FEA it is the complementary color #3CF015. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C30FEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C30FEA shade: #C80FE5, #D921F8, #EA33FF, #FB45FF and #FF57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C30FEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C30FEA shade: #C30FEA, #B200D7, #A100C4, #9000B1 and #7F009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C30FEA shade: #C40FEB, #EB0FD7, #EB0F9B, #EB0F60 and #EB0F25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C30FEA shade: #C40FEB, #880FEB, #4D0FEB, #120FEB and #0F0FEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C30FEA shade matches the following richer shades: #C40FEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C30FEA shade: #C40FEB, #B723D7, #AA37C2, #9D4CAE and #90609A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C30FEA shade: #4D0FEB, #880FEB, #C30FEB, #EB0FD9 and #EB0F9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C30FEA shade: #830A9D, #A30DC4, #C40FEB, #D031F2 and #D958F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C30FEA shade: #C30FEA, #EB130F and #0FEB6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C30FEA shade: #C30FEA, #EBC30F and #0FEBC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C30FEA shade: #C30FEA, #EB130F, #37EB0F and #0FE7EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C30FEA shade: #C30FEA, #EB550F, #37EB0F and #0FA5EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 94 / 0 / 8

HEX #C30FEA

RGB 195 15 234

HSL 289.32, 0.88%, 0.49%

LAB 49.36, 85.11, -67.27

 

Complementary color

CMYK 75 / 0 / 91 / 6

HEX #3CF015

RGB 60 240 21

HSL 109.32, 0.88%, 0.51%

LAB 83.62, -77.4, 78.08

 

CMYK 13 / 93 / 0 / 10

HEX #C80FE5

RGB 200 15 229

HSL 291.87, 0.88%, 0.48%

LAB 49.83, 85.01, -63.63

 

CMYK 13 / 87 / 0 / 3

HEX #D921F8

RGB 217 33 248

HSL 291.35, 0.94%, 0.55%

LAB 54.68, 88.22, -66.36

 

CMYK 8 / 80 / 0 / 0

HEX #EA33FF

RGB 234 51 255

HSL 293.82, 1%, 0.6%

LAB 59.05, 88.49, -63.07

 

CMYK 2 / 73 / 0 / 0

HEX #FB45FF

RGB 251 69 255

HSL 298.71, 1%, 0.64%

LAB 63.33, 86.88, -56.07

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 17 / 94 / 0 / 8

HEX #C30FEA

RGB 195 15 234

HSL 289.32, 0.88%, 0.49%

LAB 49.36, 85.11, -67.27

 

CMYK 17 / 100 / 0 / 16

HEX #B200D7

RGB 178 0 215

HSL 289.67, 1%, 0.42%

LAB 44.76, 80.88, -64.03

 

CMYK 18 / 100 / 0 / 23

HEX #A100C4

RGB 161 0 196

HSL 289.29, 1%, 0.38%

LAB 40.51, 75.32, -60.05

 

CMYK 19 / 100 / 0 / 31

HEX #9000B1

RGB 144 0 177

HSL 288.81, 1%, 0.35%

LAB 36.18, 69.65, -56

 

CMYK 20 / 100 / 0 / 38

HEX #7F009E

RGB 127 0 158

HSL 288.23, 1%, 0.31%

LAB 31.76, 63.87, -51.87

 

CMYK 17 / 94 / 0 / 8

HEX #C40FEB

RGB 196 15 235

HSL 289.36, 0.88%, 0.49%

LAB 49.59, 85.41, -67.45

 

CMYK 0 / 94 / 9 / 8

HEX #EB0FD7

RGB 235 15 215

HSL 305.45, 0.88%, 0.49%

LAB 54.98, 88.59, -47.1

 

CMYK 0 / 94 / 34 / 8

HEX #EB0F9B

RGB 235 15 155

HSL 321.82, 0.88%, 0.49%

LAB 52.25, 81.58, -16.41

 

CMYK 0 / 94 / 59 / 8

HEX #EB0F60

RGB 235 15 96

HSL 337.91, 0.88%, 0.49%

LAB 50.51, 76.9, 16.75

 

CMYK 0 / 94 / 84 / 8

HEX #EB0F25

RGB 235 15 37

HSL 354, 0.88%, 0.49%

LAB 49.66, 74.55, 50.12

 

CMYK 17 / 94 / 0 / 8

HEX #C40FEB

RGB 196 15 235

HSL 289.36, 0.88%, 0.49%

LAB 49.59, 85.41, -67.45

 

CMYK 42 / 94 / 0 / 8

HEX #880FEB

RGB 136 15 235

HSL 273, 0.88%, 0.49%

LAB 40.53, 78.05, -82.62

 

CMYK 67 / 94 / 0 / 8

HEX #4D0FEB

RGB 77 15 235

HSL 256.91, 0.88%, 0.49%

LAB 33.81, 73.63, -93.96

 

CMYK 92 / 94 / 0 / 8

HEX #120FEB

RGB 18 15 235

HSL 240.82, 0.88%, 0.49%

LAB 30.56, 71.96, -99.46

 

CMYK 94 / 94 / 0 / 8

HEX #0F0FEB

RGB 15 15 235

HSL 240, 0.88%, 0.49%

LAB 30.5, 71.94, -99.57

 

CMYK 17 / 94 / 0 / 8

HEX #C40FEB

RGB 196 15 235

HSL 289.36, 0.88%, 0.49%

LAB 49.59, 85.41, -67.45

 

CMYK 17 / 94 / 0 / 8

HEX #C40FEB

RGB 196 15 235

HSL 289.36, 0.88%, 0.49%

LAB 49.59, 85.41, -67.45

 

CMYK 15 / 84 / 0 / 16

HEX #B723D7

RGB 183 35 215

HSL 289.33, 0.72%, 0.49%

LAB 47.2, 76.83, -60.04

 

CMYK 12 / 72 / 0 / 24

HEX #AA37C2

RGB 170 55 194

HSL 289.64, 0.56%, 0.49%

LAB 45.87, 64.74, -50.16

 

CMYK 10 / 56 / 0 / 32

HEX #9D4CAE

RGB 157 76 174

HSL 289.59, 0.39%, 0.49%

LAB 46.17, 48.63, -38.11

 

CMYK 6 / 38 / 0 / 40

HEX #90609A

RGB 144 96 154

HSL 289.66, 0.23%, 0.49%

LAB 47.79, 29.78, -23.88

 

CMYK 67 / 94 / 0 / 8

HEX #4D0FEB

RGB 77 15 235

HSL 256.91, 0.88%, 0.49%

LAB 33.81, 73.63, -93.96

 

CMYK 42 / 94 / 0 / 8

HEX #880FEB

RGB 136 15 235

HSL 273, 0.88%, 0.49%

LAB 40.53, 78.05, -82.62

 

CMYK 17 / 94 / 0 / 8

HEX #C30FEB

RGB 195 15 235

HSL 289.09, 0.88%, 0.49%

LAB 49.43, 85.27, -67.72

 

CMYK 0 / 94 / 8 / 8

HEX #EB0FD9

RGB 235 15 217

HSL 304.91, 0.88%, 0.49%

LAB 55.09, 88.86, -48.07

 

CMYK 0 / 94 / 33 / 8

HEX #EB0F9E

RGB 235 15 158

HSL 321, 0.88%, 0.49%

LAB 52.37, 81.88, -18.02

 

CMYK 17 / 94 / 0 / 38

HEX #830A9D

RGB 131 10 157

HSL 289.39, 0.88%, 0.33%

LAB 32.87, 62.85, -49.43

 

CMYK 17 / 93 / 0 / 23

HEX #A30DC4

RGB 163 13 196

HSL 289.18, 0.88%, 0.41%

LAB 41.31, 74.23, -58.74

 

CMYK 17 / 94 / 0 / 8

HEX #C40FEB

RGB 196 15 235

HSL 289.36, 0.88%, 0.49%

LAB 49.59, 85.41, -67.45

 

CMYK 14 / 80 / 0 / 5

HEX #D031F2

RGB 208 49 242

HSL 289.43, 0.88%, 0.57%

LAB 54.05, 82.33, -64.09

 

CMYK 11 / 64 / 0 / 4

HEX #D958F4

RGB 217 88 244

HSL 289.62, 0.88%, 0.65%

LAB 60.13, 71.24, -55.39

 

CMYK 17 / 94 / 0 / 8

HEX #C30FEA

RGB 195 15 234

HSL 289.32, 0.88%, 0.49%

LAB 49.36, 85.11, -67.27

 

CMYK 0 / 92 / 94 / 8

HEX #EB130F

RGB 235 19 15

HSL 1.09, 0.88%, 0.49%

LAB 49.69, 73.79, 59.33

 

CMYK 94 / 0 / 54 / 8

HEX #0FEB6B

RGB 15 235 107

HSL 145.09, 0.88%, 0.49%

LAB 82.15, -73.22, 48.61

 

CMYK 17 / 94 / 0 / 8

HEX #C30FEA

RGB 195 15 234

HSL 289.32, 0.88%, 0.49%

LAB 49.36, 85.11, -67.27

 

CMYK 0 / 17 / 94 / 8

HEX #EBC30F

RGB 235 195 15

HSL 49.09, 0.88%, 0.49%

LAB 80.03, -0.14, 79.88

 

CMYK 94 / 0 / 17 / 8

HEX #0FEBC3

RGB 15 235 195

HSL 169.09, 0.88%, 0.49%

LAB 83.68, -55.74, 6.29

 

CMYK 17 / 94 / 0 / 8

HEX #C30FEA

RGB 195 15 234

HSL 289.32, 0.88%, 0.49%

LAB 49.36, 85.11, -67.27

 

CMYK 0 / 92 / 94 / 8

HEX #EB130F

RGB 235 19 15

HSL 1.09, 0.88%, 0.49%

LAB 49.69, 73.79, 59.33

 

CMYK 77 / 0 / 94 / 8

HEX #37EB0F

RGB 55 235 15

HSL 109.09, 0.88%, 0.49%

LAB 81.98, -76.79, 77.42

 

CMYK 94 / 2 / 0 / 8

HEX #0FE7EB

RGB 15 231 235

HSL 181.09, 0.88%, 0.49%

LAB 83.57, -43.09, -14.97

 

CMYK 17 / 94 / 0 / 8

HEX #C30FEA

RGB 195 15 234

HSL 289.32, 0.88%, 0.49%

LAB 49.36, 85.11, -67.27

 

CMYK 0 / 64 / 94 / 8

HEX #EB550F

RGB 235 85 15

HSL 19.09, 0.88%, 0.49%

LAB 56.28, 55.47, 63.29

 

CMYK 77 / 0 / 94 / 8

HEX #37EB0F

RGB 55 235 15

HSL 109.09, 0.88%, 0.49%

LAB 81.98, -76.79, 77.42

 

CMYK 94 / 30 / 0 / 8

HEX #0FA5EB

RGB 15 165 235

HSL 199.09, 0.88%, 0.49%

LAB 64.17, -10.32, -44.81

 

Description

Color code: HEX #C30FEA | qconv.com Color code: HEX #C30FEA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 15 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 15 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 94 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 94% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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