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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C30ACE it is the complementary color #3CF531. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C30ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C30ACE shade: #C80AC9, #D91CDC, #EA2EEF, #FB40FF and #FF52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C30ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C30ACE shade: #C30ACE, #B200BB, #A100A8, #900095 and #7F0082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C30ACE shade: #C20ACD, #CD0AA3, #CD0A6E, #CD0A3A and #CD0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C30ACE shade: #C20ACD, #8D0ACD, #580ACD, #240ACD and #0A0ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C30ACE shade matches the following richer shades: #C20ACD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C30ACE shade: #C20ACD, #B21BBB, #A32CAA, #933E99 and #844F87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C30ACE shade: #580ACD, #8C0ACD, #C00ACD, #CD0AA6 and #CD0A72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C30ACE shade: #77067E, #9C08A5, #C20ACD, #E70CF4 and #EB33F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C30ACE shade: #C30ACE, #CD240A and #0ACD72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C30ACE shade: #C30ACE, #CDC00A and #0ACDC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C30ACE shade: #C30ACE, #CD240A, #17CD0A and #0AB3CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C30ACE shade: #C30ACE, #CD5E0A, #17CD0A and #0A78CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 95 / 0 / 19

HEX #C30ACE

RGB 195 10 206

HSL 296.63, 0.91%, 0.42%

LAB 47.33, 81.09, -54.55

 

Complementary color

CMYK 76 / 0 / 80 / 4

HEX #3CF531

RGB 60 245 49

HSL 116.63, 0.91%, 0.58%

LAB 85.24, -77.78, 73.88

 

CMYK 0 / 95 / 0 / 21

HEX #C80AC9

RGB 200 10 201

HSL 299.69, 0.91%, 0.41%

LAB 47.9, 81.15, -50.71

 

CMYK 1 / 87 / 0 / 14

HEX #D91CDC

RGB 217 28 220

HSL 299.06, 0.77%, 0.49%

LAB 52.67, 84.67, -53.8

 

CMYK 2 / 81 / 0 / 6

HEX #EA2EEF

RGB 234 46 239

HSL 298.45, 0.86%, 0.56%

LAB 57.73, 87.13, -56.28

 

CMYK 2 / 75 / 0 / 0

HEX #FB40FF

RGB 251 64 255

HSL 298.74, 1%, 0.63%

LAB 62.84, 88.29, -56.86

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 5 / 95 / 0 / 19

HEX #C30ACE

RGB 195 10 206

HSL 296.63, 0.91%, 0.42%

LAB 47.33, 81.09, -54.55

 

CMYK 5 / 100 / 0 / 27

HEX #B200BB

RGB 178 0 187

HSL 297.11, 1%, 0.37%

LAB 42.84, 76.38, -50.86

 

CMYK 4 / 100 / 0 / 34

HEX #A100A8

RGB 161 0 168

HSL 297.5, 1%, 0.33%

LAB 38.56, 70.74, -46.63

 

CMYK 3 / 100 / 0 / 42

HEX #900095

RGB 144 0 149

HSL 297.99, 1%, 0.29%

LAB 34.19, 64.98, -42.3

 

CMYK 2 / 100 / 0 / 49

HEX #7F0082

RGB 127 0 130

HSL 298.62, 1%, 0.25%

LAB 29.72, 59.09, -37.86

 

CMYK 5 / 95 / 0 / 20

HEX #C20ACD

RGB 194 10 205

HSL 296.62, 0.91%, 0.42%

LAB 47.1, 80.78, -54.36

 

CMYK 0 / 95 / 20 / 20

HEX #CD0AA3

RGB 205 10 163

HSL 312.92, 0.91%, 0.42%

LAB 46.76, 76.92, -30.12

 

CMYK 0 / 95 / 46 / 20

HEX #CD0A6E

RGB 205 10 110

HSL 329.23, 0.91%, 0.42%

LAB 44.69, 71.49, -0.98

 

CMYK 0 / 95 / 72 / 20

HEX #CD0A3A

RGB 205 10 58

HSL 345.23, 0.91%, 0.42%

LAB 43.51, 68.27, 29.87

 

CMYK 0 / 95 / 95 / 20

HEX #CD0A0A

RGB 205 10 10

HSL 0, 0.91%, 0.42%

LAB 43.09, 67.11, 53.9

 

CMYK 5 / 95 / 0 / 20

HEX #C20ACD

RGB 194 10 205

HSL 296.62, 0.91%, 0.42%

LAB 47.1, 80.78, -54.36

 

CMYK 31 / 95 / 0 / 20

HEX #8D0ACD

RGB 141 10 205

HSL 280.31, 0.91%, 0.42%

LAB 38.35, 73.23, -68.95

 

CMYK 57 / 95 / 0 / 20

HEX #580ACD

RGB 88 10 205

HSL 264, 0.91%, 0.42%

LAB 31.11, 68.04, -81.13

 

CMYK 82 / 95 / 0 / 20

HEX #240ACD

RGB 36 10 205

HSL 248, 0.91%, 0.42%

LAB 26.73, 65.62, -88.54

 

CMYK 95 / 95 / 0 / 20

HEX #0A0ACD

RGB 10 10 205

HSL 240, 0.91%, 0.42%

LAB 25.83, 65.21, -90.07

 

CMYK 5 / 95 / 0 / 20

HEX #C20ACD

RGB 194 10 205

HSL 296.62, 0.91%, 0.42%

LAB 47.1, 80.78, -54.36

 

CMYK 5 / 95 / 0 / 20

HEX #C20ACD

RGB 194 10 205

HSL 296.62, 0.91%, 0.42%

LAB 47.1, 80.78, -54.36

 

CMYK 5 / 86 / 0 / 27

HEX #B21BBB

RGB 178 27 187

HSL 296.63, 0.75%, 0.42%

LAB 44, 72.98, -49.01

 

CMYK 4 / 74 / 0 / 33

HEX #A32CAA

RGB 163 44 170

HSL 296.67, 0.59%, 0.42%

LAB 41.98, 62.82, -42.32

 

CMYK 4 / 59 / 0 / 40

HEX #933E99

RGB 147 62 153

HSL 296.04, 0.42%, 0.42%

LAB 41.13, 48.66, -33.65

 

CMYK 2 / 41 / 0 / 47

HEX #844F87

RGB 132 79 135

HSL 296.79, 0.26%, 0.42%

LAB 41.61, 31.66, -22.17

 

CMYK 57 / 95 / 0 / 20

HEX #580ACD

RGB 88 10 205

HSL 264, 0.91%, 0.42%

LAB 31.11, 68.04, -81.13

 

CMYK 32 / 95 / 0 / 20

HEX #8C0ACD

RGB 140 10 205

HSL 280, 0.91%, 0.42%

LAB 38.2, 73.11, -69.21

 

CMYK 6 / 95 / 0 / 20

HEX #C00ACD

RGB 192 10 205

HSL 296, 0.91%, 0.42%

LAB 46.75, 80.46, -54.93

 

CMYK 0 / 95 / 19 / 20

HEX #CD0AA6

RGB 205 10 166

HSL 312, 0.91%, 0.42%

LAB 46.91, 77.29, -31.68

 

CMYK 0 / 95 / 44 / 20

HEX #CD0A72

RGB 205 10 114

HSL 328, 0.91%, 0.42%

LAB 44.82, 71.82, -3.28

 

CMYK 6 / 95 / 0 / 51

HEX #77067E

RGB 119 6 126

HSL 296.5, 0.91%, 0.26%

LAB 28.27, 56.04, -37.76

 

CMYK 5 / 95 / 0 / 35

HEX #9C08A5

RGB 156 8 165

HSL 296.56, 0.91%, 0.34%

LAB 37.77, 68.53, -46.15

 

CMYK 5 / 95 / 0 / 20

HEX #C20ACD

RGB 194 10 205

HSL 296.62, 0.91%, 0.42%

LAB 47.1, 80.78, -54.36

 

CMYK 5 / 95 / 0 / 4

HEX #E70CF4

RGB 231 12 244

HSL 296.64, 0.91%, 0.5%

LAB 55.87, 92.26, -62.08

 

CMYK 4 / 79 / 0 / 4

HEX #EB33F5

RGB 235 51 245

HSL 296.91, 0.91%, 0.58%

LAB 58.62, 87.09, -58.19

 

CMYK 5 / 95 / 0 / 19

HEX #C30ACE

RGB 195 10 206

HSL 296.63, 0.91%, 0.42%

LAB 47.33, 81.09, -54.55

 

CMYK 0 / 82 / 95 / 20

HEX #CD240A

RGB 205 36 10

HSL 8, 0.91%, 0.42%

LAB 44.61, 62.76, 54.73

 

CMYK 95 / 0 / 44 / 20

HEX #0ACD72

RGB 10 205 114

HSL 152, 0.91%, 0.42%

LAB 72.85, -62.66, 33.61

 

CMYK 5 / 95 / 0 / 19

HEX #C30ACE

RGB 195 10 206

HSL 296.63, 0.91%, 0.42%

LAB 47.33, 81.09, -54.55

 

CMYK 0 / 6 / 95 / 20

HEX #CDC00A

RGB 205 192 10

HSL 56, 0.91%, 0.42%

LAB 76.5, -11.67, 76.59

 

CMYK 95 / 0 / 6 / 20

HEX #0ACDC0

RGB 10 205 192

HSL 176, 0.91%, 0.42%

LAB 74.53, -44.31, -5.47

 

CMYK 5 / 95 / 0 / 19

HEX #C30ACE

RGB 195 10 206

HSL 296.63, 0.91%, 0.42%

LAB 47.33, 81.09, -54.55

 

CMYK 0 / 82 / 95 / 20

HEX #CD240A

RGB 205 36 10

HSL 8, 0.91%, 0.42%

LAB 44.61, 62.76, 54.73

 

CMYK 89 / 0 / 95 / 20

HEX #17CD0A

RGB 23 205 10

HSL 116, 0.91%, 0.42%

LAB 72.14, -71.81, 69.68

 

CMYK 95 / 13 / 0 / 20

HEX #0AB3CD

RGB 10 179 205

HSL 188, 0.91%, 0.42%

LAB 67.06, -28.27, -23.81

 

CMYK 5 / 95 / 0 / 19

HEX #C30ACE

RGB 195 10 206

HSL 296.63, 0.91%, 0.42%

LAB 47.33, 81.09, -54.55

 

CMYK 0 / 54 / 95 / 20

HEX #CD5E0A

RGB 205 94 10

HSL 25.85, 0.91%, 0.42%

LAB 52.96, 40.28, 59.85

 

CMYK 89 / 0 / 95 / 20

HEX #17CD0A

RGB 23 205 10

HSL 116, 0.91%, 0.42%

LAB 72.14, -71.81, 69.68

 

CMYK 95 / 41 / 0 / 20

HEX #0A78CD

RGB 10 120 205

HSL 206.15, 0.91%, 0.42%

LAB 49.38, 4.58, -51.49

 

Description

Color code: HEX #C30ACE | qconv.com Color code: HEX #C30ACE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 10 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 10 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 95 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 95% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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