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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2FDCD it is the complementary color #3D0232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2FDCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2FDCD shade: #C7FDC8, #D8FFDB, #E9FFEE and #FAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2FDCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2FDCD shade: #C2FDCD, #B1EBBA, #A0D9A7, #8FC794 and #7EB581

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2FDCD shade: #C3FDCE, #C8FDC3, #D7FDC3, #E7FDC3 and #F6FDC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2FDCD shade: #C3FDCE, #C3FDDD, #C3FDED, #C3FDFC and #C3EDFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2FDCD shade matches the following richer shades: #C3FDCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2FDCD shade: #C3FDCE, #C8F8D1, #CDF3D4, #D2EED7 and #D7E9DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2FDCD shade: #D7FDC3, #C8FDC3, #C3FDCE, #C3FDDD and #C3FDEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2FDCD shade: #73FA8C, #9BFBAD, #C3FDCE and #EBFEEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2FDCD shade: #C2FDCD, #C3E7FD and #FDC3D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2FDCD shade: #C2FDCD, #CEC3FD and #FDCEC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2FDCD shade: #C2FDCD, #C3E7FD, #FDC3F2 and #FDD9C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2FDCD shade: #C2FDCD, #C3D5FD, #FDC3F2 and #FDEAC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 19 / 1

HEX #C2FDCD

RGB 194 253 205

HSL 131.19, 0.94%, 0.88%

LAB 94.37, -27.67, 17.04

 

Complementary color

CMYK 0 / 97 / 18 / 76

HEX #3D0232

RGB 61 2 50

HSL 311.19, 0.94%, 0.12%

LAB 11.03, 32.6, -14.65

 

CMYK 21 / 0 / 21 / 1

HEX #C7FDC8

RGB 199 253 200

HSL 121.11, 0.93%, 0.89%

LAB 94.55, -26.92, 19.9

 

CMYK 15 / 0 / 14 / 0

HEX #D8FFDB

RGB 216 255 219

HSL 124.62, 1%, 0.92%

LAB 96.51, -19.1, 13.07

 

CMYK 9 / 0 / 7 / 0

HEX #E9FFEE

RGB 233 255 238

HSL 133.64, 1%, 0.96%

LAB 98.04, -10.21, 5.67

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 23 / 0 / 19 / 1

HEX #C2FDCD

RGB 194 253 205

HSL 131.19, 0.94%, 0.88%

LAB 94.37, -27.67, 17.04

 

CMYK 25 / 0 / 21 / 8

HEX #B1EBBA

RGB 177 235 186

HSL 129.31, 0.59%, 0.81%

LAB 88.12, -27.87, 17.93

 

CMYK 26 / 0 / 23 / 15

HEX #A0D9A7

RGB 160 217 167

HSL 127.37, 0.43%, 0.74%

LAB 81.78, -28.08, 18.86

 

CMYK 28 / 0 / 26 / 22

HEX #8FC794

RGB 143 199 148

HSL 125.36, 0.33%, 0.67%

LAB 75.34, -28.32, 19.85

 

CMYK 30 / 0 / 29 / 29

HEX #7EB581

RGB 126 181 129

HSL 123.27, 0.27%, 0.6%

LAB 68.8, -28.56, 20.91

 

CMYK 23 / 0 / 19 / 1

HEX #C3FDCE

RGB 195 253 206

HSL 131.38, 0.94%, 0.88%

LAB 94.44, -27.18, 16.64

 

CMYK 21 / 0 / 23 / 1

HEX #C8FDC3

RGB 200 253 195

HSL 114.83, 0.94%, 0.88%

LAB 94.51, -27.42, 22.4

 

CMYK 15 / 0 / 23 / 1

HEX #D7FDC3

RGB 215 253 195

HSL 99.31, 0.94%, 0.88%

LAB 95.43, -22.4, 23.81

 

CMYK 9 / 0 / 23 / 1

HEX #E7FDC3

RGB 231 253 195

HSL 82.76, 0.94%, 0.88%

LAB 96.48, -16.87, 25.43

 

CMYK 3 / 0 / 23 / 1

HEX #F6FDC3

RGB 246 253 195

HSL 67.24, 0.94%, 0.88%

LAB 97.54, -11.54, 27.06

 

CMYK 23 / 0 / 19 / 1

HEX #C3FDCE

RGB 195 253 206

HSL 131.38, 0.94%, 0.88%

LAB 94.44, -27.18, 16.64

 

CMYK 23 / 0 / 13 / 1

HEX #C3FDDD

RGB 195 253 221

HSL 146.9, 0.94%, 0.88%

LAB 94.77, -24.46, 9.4

 

CMYK 23 / 0 / 6 / 1

HEX #C3FDED

RGB 195 253 237

HSL 163.45, 0.94%, 0.88%

LAB 95.15, -21.36, 1.7

 

CMYK 23 / 0 / 0 / 1

HEX #C3FDFC

RGB 195 253 252

HSL 178.97, 0.94%, 0.88%

LAB 95.53, -18.28, -5.48

 

CMYK 23 / 6 / 0 / 1

HEX #C3EDFD

RGB 195 237 253

HSL 196.55, 0.94%, 0.88%

LAB 91.35, -10.08, -12.2

 

CMYK 23 / 0 / 19 / 1

HEX #C3FDCE

RGB 195 253 206

HSL 131.38, 0.94%, 0.88%

LAB 94.44, -27.18, 16.64

 

CMYK 23 / 0 / 19 / 1

HEX #C3FDCE

RGB 195 253 206

HSL 131.38, 0.94%, 0.88%

LAB 94.44, -27.18, 16.64

 

CMYK 19 / 0 / 16 / 3

HEX #C8F8D1

RGB 200 248 209

HSL 131.25, 0.77%, 0.88%

LAB 93.46, -22.66, 13.75

 

CMYK 16 / 0 / 13 / 5

HEX #CDF3D4

RGB 205 243 212

HSL 131.05, 0.61%, 0.88%

LAB 92.5, -18.06, 10.88

 

CMYK 12 / 0 / 10 / 7

HEX #D2EED7

RGB 210 238 215

HSL 130.71, 0.45%, 0.88%

LAB 91.58, -13.41, 8.04

 

CMYK 8 / 0 / 6 / 9

HEX #D7E9DA

RGB 215 233 218

HSL 130, 0.29%, 0.88%

LAB 90.68, -8.7, 5.24

 

CMYK 15 / 0 / 23 / 1

HEX #D7FDC3

RGB 215 253 195

HSL 99.31, 0.94%, 0.88%

LAB 95.43, -22.4, 23.81

 

CMYK 21 / 0 / 23 / 1

HEX #C8FDC3

RGB 200 253 195

HSL 114.83, 0.94%, 0.88%

LAB 94.51, -27.42, 22.4

 

CMYK 23 / 0 / 19 / 1

HEX #C3FDCE

RGB 195 253 206

HSL 131.38, 0.94%, 0.88%

LAB 94.44, -27.18, 16.64

 

CMYK 23 / 0 / 13 / 1

HEX #C3FDDD

RGB 195 253 221

HSL 146.9, 0.94%, 0.88%

LAB 94.77, -24.46, 9.4

 

CMYK 23 / 0 / 7 / 1

HEX #C3FDEC

RGB 195 253 236

HSL 162.41, 0.94%, 0.88%

LAB 95.12, -21.56, 2.18

 

CMYK 54 / 0 / 44 / 2

HEX #73FA8C

RGB 115 250 140

HSL 131.11, 0.93%, 0.72%

LAB 88.88, -59.53, 41.7

 

CMYK 38 / 0 / 31 / 2

HEX #9BFBAD

RGB 155 251 173

HSL 131.25, 0.92%, 0.8%

LAB 91.23, -44.12, 28.69

 

CMYK 23 / 0 / 19 / 1

HEX #C3FDCE

RGB 195 253 206

HSL 131.38, 0.94%, 0.88%

LAB 94.44, -27.18, 16.64

 

CMYK 7 / 0 / 6 / 0

HEX #EBFEEF

RGB 235 254 239

HSL 132.63, 0.9%, 0.96%

LAB 97.94, -8.88, 5.04

 

CMYK 23 / 0 / 19 / 1

HEX #C2FDCD

RGB 194 253 205

HSL 131.19, 0.94%, 0.88%

LAB 94.37, -27.67, 17.04

 

CMYK 23 / 9 / 0 / 1

HEX #C3E7FD

RGB 195 231 253

HSL 202.76, 0.94%, 0.88%

LAB 89.79, -7.02, -14.53

 

CMYK 0 / 23 / 18 / 1

HEX #FDC3D0

RGB 253 195 208

HSL 346.55, 0.94%, 0.88%

LAB 84.21, 22.61, 1.52

 

CMYK 23 / 0 / 19 / 1

HEX #C2FDCD

RGB 194 253 205

HSL 131.19, 0.94%, 0.88%

LAB 94.37, -27.67, 17.04

 

CMYK 19 / 23 / 0 / 1

HEX #CEC3FD

RGB 206 195 253

HSL 251.38, 0.94%, 0.88%

LAB 81.43, 15.32, -27.12

 

CMYK 0 / 19 / 23 / 1

HEX #FDCEC3

RGB 253 206 195

HSL 11.38, 0.94%, 0.88%

LAB 86.49, 14.94, 11.72

 

CMYK 23 / 0 / 19 / 1

HEX #C2FDCD

RGB 194 253 205

HSL 131.19, 0.94%, 0.88%

LAB 94.37, -27.67, 17.04

 

CMYK 23 / 9 / 0 / 1

HEX #C3E7FD

RGB 195 231 253

HSL 202.76, 0.94%, 0.88%

LAB 89.79, -7.02, -14.53

 

CMYK 0 / 23 / 4 / 1

HEX #FDC3F2

RGB 253 195 242

HSL 311.38, 0.94%, 0.88%

LAB 85.16, 28.14, -15.21

 

CMYK 0 / 14 / 23 / 1

HEX #FDD9C3

RGB 253 217 195

HSL 22.76, 0.94%, 0.88%

LAB 89.13, 9.23, 15.46

 

CMYK 23 / 0 / 19 / 1

HEX #C2FDCD

RGB 194 253 205

HSL 131.19, 0.94%, 0.88%

LAB 94.37, -27.67, 17.04

 

CMYK 23 / 16 / 0 / 1

HEX #C3D5FD

RGB 195 213 253

HSL 221.38, 0.94%, 0.88%

LAB 85.14, 2.36, -21.54

 

CMYK 0 / 23 / 4 / 1

HEX #FDC3F2

RGB 253 195 242

HSL 311.38, 0.94%, 0.88%

LAB 85.16, 28.14, -15.21

 

CMYK 0 / 8 / 23 / 1

HEX #FDEAC3

RGB 253 234 195

HSL 40.34, 0.94%, 0.88%

LAB 93.31, 0.51, 21.3

 

Description

Color code: HEX #C2FDCD | qconv.com Color code: HEX #C2FDCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 253 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 253 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 19 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 19% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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