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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2FD1F it is the complementary color #3D02E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2FD1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2FD1F shade: #C7FD1A, #D8FF2D, #E9FF40, #FAFF53 and #FFFF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2FD1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2FD1F shade: #C2FD1F, #B1EB0C, #A0D900, #8FC700 and #7EB500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2FD1F shade: #C2FC20, #FCFB20, #FCC020, #FC8520 and #FC4A20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2FD1F shade: #C2FC20, #86FC20, #4BFC20, #20FC31 and #20FC6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2FD1F shade matches the following richer shades: #C2FC20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2FD1F shade: #C2FC20, #B9EA32, #B1D845, #A8C657 and #A0B469

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2FD1F shade: #FCBE20, #FCF920, #C5FC20, #8BFC20 and #50FC20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2FD1F shade: #94C902, #B2F102, #C2FC20, #CDFD49 and #D8FD72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2FD1F shade: #C2FD1F, #20FC83 and #DB20FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2FD1F shade: #C2FD1F, #20C5FC and #FC20C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2FD1F shade: #C2FD1F, #20FC83, #5720FC and #FC2099

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2FD1F shade: #C2FD1F, #20FCC5, #5720FC and #FC2057

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 88 / 1

HEX #C2FD1F

RGB 194 253 31

HSL 75.95, 0.98%, 0.56%

LAB 92.49, -44.48, 85.99

 

Complementary color

CMYK 73 / 99 / 0 / 12

HEX #3D02E0

RGB 61 2 224

HSL 255.95, 0.98%, 0.44%

LAB 30.44, 72.41, -93.32

 

CMYK 21 / 0 / 90 / 1

HEX #C7FD1A

RGB 199 253 26

HSL 74.27, 0.98%, 0.55%

LAB 92.78, -42.69, 87.11

 

CMYK 15 / 0 / 82 / 0

HEX #D8FF2D

RGB 216 255 45

HSL 71.14, 1%, 0.59%

LAB 94.44, -36.55, 85.46

 

CMYK 9 / 0 / 75 / 0

HEX #E9FF40

RGB 233 255 64

HSL 66.91, 1%, 0.63%

LAB 95.67, -29.18, 82.03

 

CMYK 2 / 0 / 67 / 0

HEX #FAFF53

RGB 250 255 83

HSL 61.74, 1%, 0.66%

LAB 97.01, -21.52, 77.51

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF66

RGB 255 255 102

HSL 60, 1%, 0.7%

LAB 97.53, -18.44, 70.9

 

CMYK 23 / 0 / 88 / 1

HEX #C2FD1F

RGB 194 253 31

HSL 75.95, 0.98%, 0.56%

LAB 92.49, -44.48, 85.99

 

CMYK 25 / 0 / 95 / 8

HEX #B1EB0C

RGB 177 235 12

HSL 75.61, 0.9%, 0.48%

LAB 86.4, -43.47, 83.12

 

CMYK 26 / 0 / 100 / 15

HEX #A0D900

RGB 160 217 0

HSL 75.76, 1%, 0.43%

LAB 80.24, -42.28, 78.97

 

CMYK 28 / 0 / 100 / 22

HEX #8FC700

RGB 143 199 0

HSL 76.88, 1%, 0.39%

LAB 73.99, -40.95, 73.76

 

CMYK 30 / 0 / 100 / 29

HEX #7EB500

RGB 126 181 0

HSL 78.23, 1%, 0.35%

LAB 67.64, -39.6, 68.48

 

CMYK 23 / 0 / 87 / 1

HEX #C2FC20

RGB 194 252 32

HSL 75.82, 0.97%, 0.56%

LAB 92.22, -44.02, 85.6

 

CMYK 0 / 0 / 87 / 1

HEX #FCFB20

RGB 252 251 32

HSL 59.73, 0.97%, 0.56%

LAB 95.91, -20.54, 90.23

 

CMYK 0 / 24 / 87 / 1

HEX #FCC020

RGB 252 192 32

HSL 43.64, 0.97%, 0.56%

LAB 81.02, 8.97, 78.45

 

CMYK 0 / 47 / 87 / 1

HEX #FC8520

RGB 252 133 32

HSL 27.55, 0.97%, 0.56%

LAB 67.71, 39.55, 68.01

 

CMYK 0 / 71 / 87 / 1

HEX #FC4A20

RGB 252 74 32

HSL 11.45, 0.97%, 0.56%

LAB 57.75, 65.52, 60.29

 

CMYK 23 / 0 / 87 / 1

HEX #C2FC20

RGB 194 252 32

HSL 75.82, 0.97%, 0.56%

LAB 92.22, -44.02, 85.6

 

CMYK 47 / 0 / 87 / 1

HEX #86FC20

RGB 134 252 32

HSL 92.18, 0.97%, 0.56%

LAB 89.3, -64.45, 81.97

 

CMYK 70 / 0 / 87 / 1

HEX #4BFC20

RGB 75 252 32

HSL 108.27, 0.97%, 0.56%

LAB 87.59, -78.26, 79.84

 

CMYK 87 / 0 / 81 / 1

HEX #20FC31

RGB 32 252 49

HSL 124.64, 0.97%, 0.56%

LAB 87.07, -82.64, 75.46

 

CMYK 87 / 0 / 57 / 1

HEX #20FC6C

RGB 32 252 108

HSL 140.73, 0.97%, 0.56%

LAB 87.49, -77.37, 54.53

 

CMYK 23 / 0 / 87 / 1

HEX #C2FC20

RGB 194 252 32

HSL 75.82, 0.97%, 0.56%

LAB 92.22, -44.02, 85.6

 

CMYK 23 / 0 / 87 / 1

HEX #C2FC20

RGB 194 252 32

HSL 75.82, 0.97%, 0.56%

LAB 92.22, -44.02, 85.6

 

CMYK 21 / 0 / 79 / 8

HEX #B9EA32

RGB 185 234 50

HSL 75.98, 0.81%, 0.56%

LAB 86.7, -39.02, 76.66

 

CMYK 18 / 0 / 68 / 15

HEX #B1D845

RGB 177 216 69

HSL 75.92, 0.65%, 0.56%

LAB 81.23, -33.01, 65.06

 

CMYK 15 / 0 / 56 / 22

HEX #A8C657

RGB 168 198 87

HSL 76.22, 0.49%, 0.56%

LAB 75.7, -26.71, 51.38

 

CMYK 11 / 0 / 42 / 29

HEX #A0B469

RGB 160 180 105

HSL 76, 0.33%, 0.56%

LAB 70.27, -19.13, 35.92

 

CMYK 0 / 25 / 87 / 1

HEX #FCBE20

RGB 252 190 32

HSL 43.09, 0.97%, 0.56%

LAB 80.53, 10, 78.07

 

CMYK 0 / 1 / 87 / 1

HEX #FCF920

RGB 252 249 32

HSL 59.18, 0.97%, 0.56%

LAB 95.39, -19.58, 89.82

 

CMYK 22 / 0 / 87 / 1

HEX #C5FC20

RGB 197 252 32

HSL 75, 0.97%, 0.56%

LAB 92.4, -42.89, 85.81

 

CMYK 45 / 0 / 87 / 1

HEX #8BFC20

RGB 139 252 32

HSL 90.82, 0.97%, 0.56%

LAB 89.49, -62.95, 82.22

 

CMYK 68 / 0 / 87 / 1

HEX #50FC20

RGB 80 252 32

HSL 106.91, 0.97%, 0.56%

LAB 87.69, -77.39, 79.97

 

CMYK 26 / 0 / 99 / 21

HEX #94C902

RGB 148 201 2

HSL 75.98, 0.98%, 0.4%

LAB 74.87, -39.87, 74.36

 

CMYK 26 / 0 / 99 / 5

HEX #B2F102

RGB 178 241 2

HSL 75.82, 0.98%, 0.48%

LAB 88.15, -45.77, 85.3

 

CMYK 23 / 0 / 87 / 1

HEX #C2FC20

RGB 194 252 32

HSL 75.82, 0.97%, 0.56%

LAB 92.22, -44.02, 85.6

 

CMYK 19 / 0 / 71 / 1

HEX #CDFD49

RGB 205 253 73

HSL 76, 0.98%, 0.64%

LAB 93.32, -38.75, 76.3

 

CMYK 15 / 0 / 55 / 1

HEX #D8FD72

RGB 216 253 114

HSL 75.97, 0.97%, 0.72%

LAB 94.34, -31.77, 61.52

 

CMYK 23 / 0 / 88 / 1

HEX #C2FD1F

RGB 194 253 31

HSL 75.95, 0.98%, 0.56%

LAB 92.49, -44.48, 85.99

 

CMYK 87 / 0 / 48 / 1

HEX #20FC83

RGB 32 252 131

HSL 147, 0.97%, 0.56%

LAB 87.76, -74.1, 44.28

 

CMYK 13 / 87 / 0 / 1

HEX #DB20FC

RGB 219 32 252

HSL 291, 0.97%, 0.56%

LAB 55.2, 89.34, -67.73

 

CMYK 23 / 0 / 88 / 1

HEX #C2FD1F

RGB 194 253 31

HSL 75.95, 0.98%, 0.56%

LAB 92.49, -44.48, 85.99

 

CMYK 87 / 22 / 0 / 1

HEX #20C5FC

RGB 32 197 252

HSL 195, 0.97%, 0.56%

LAB 74.36, -20.72, -38.1

 

CMYK 0 / 87 / 22 / 1

HEX #FC20C5

RGB 252 32 197

HSL 315, 0.97%, 0.56%

LAB 57.81, 87.47, -32.14

 

CMYK 23 / 0 / 88 / 1

HEX #C2FD1F

RGB 194 253 31

HSL 75.95, 0.98%, 0.56%

LAB 92.49, -44.48, 85.99

 

CMYK 87 / 0 / 48 / 1

HEX #20FC83

RGB 32 252 131

HSL 147, 0.97%, 0.56%

LAB 87.76, -74.1, 44.28

 

CMYK 65 / 87 / 0 / 1

HEX #5720FC

RGB 87 32 252

HSL 255, 0.97%, 0.56%

LAB 38, 74.32, -96.58

 

CMYK 0 / 87 / 39 / 1

HEX #FC2099

RGB 252 32 153

HSL 327, 0.97%, 0.56%

LAB 56.12, 82.88, -9.09

 

CMYK 23 / 0 / 88 / 1

HEX #C2FD1F

RGB 194 253 31

HSL 75.95, 0.98%, 0.56%

LAB 92.49, -44.48, 85.99

 

CMYK 87 / 0 / 22 / 1

HEX #20FCC5

RGB 32 252 197

HSL 165, 0.97%, 0.56%

LAB 88.9, -61.08, 12.72

 

CMYK 65 / 87 / 0 / 1

HEX #5720FC

RGB 87 32 252

HSL 255, 0.97%, 0.56%

LAB 38, 74.32, -96.58

 

CMYK 0 / 87 / 65 / 1

HEX #FC2057

RGB 252 32 87

HSL 345, 0.97%, 0.56%

LAB 54.47, 78.25, 28.04

 

Description

Color code: HEX #C2FD1F | qconv.com Color code: HEX #C2FD1F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 253 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 253 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 88 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 88% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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