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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2FA7B it is the complementary color #3D0584. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2FA7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2FA7B shade: #C7FA76, #D8FF89, #E9FF9C, #FAFFAF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2FA7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2FA7B shade: #C2FA7B, #B1E868, #A0D655, #8FC442 and #7EB22F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2FA7B shade: #C2FA7A, #E4FA7A, #FAEE7A, #FACB7A and #FAA97A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2FA7B shade: #C2FA7A, #9FFA7A, #7DFA7A, #7AFA9A and #7AFABD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2FA7B shade matches the following richer shades: #C2FA7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2FA7B shade: #C2FA7A, #C0EF85, #BFE490, #BED99C and #BCCEA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2FA7B shade: #FAED7A, #E5FA7A, #C3FA7A, #A1FA7A and #7EFA7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2FA7B shade: #9DF72A, #AFF952, #C2FA7A, #D4FCA2 and #E6FDCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2FA7B shade: #C2FA7B, #7AFACB and #FA7AF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2FA7B shade: #C2FA7B, #7AC3FA and #FA7AC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2FA7B shade: #C2FA7B, #7AFACB, #B27AFA and #FA7AA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2FA7B shade: #C2FA7B, #7AFAF2, #B27AFA and #FA7A83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 51 / 2

HEX #C2FA7B

RGB 194 250 123

HSL 86.46, 0.93%, 0.73%

LAB 92.25, -37.66, 54.7

 

Complementary color

CMYK 54 / 96 / 0 / 48

HEX #3D0584

RGB 61 5 132

HSL 266.46, 0.93%, 0.27%

LAB 19.08, 49.44, -56.94

 

CMYK 20 / 0 / 53 / 2

HEX #C7FA76

RGB 199 250 118

HSL 83.18, 0.93%, 0.72%

LAB 92.5, -36.35, 57.33

 

CMYK 15 / 0 / 46 / 0

HEX #D8FF89

RGB 216 255 137

HSL 79.83, 1%, 0.77%

LAB 95.13, -30.52, 52.01

 

CMYK 9 / 0 / 39 / 0

HEX #E9FF9C

RGB 233 255 156

HSL 73.33, 1%, 0.81%

LAB 96.51, -22.17, 44.91

 

CMYK 2 / 0 / 31 / 0

HEX #FAFFAF

RGB 250 255 175

HSL 63.75, 1%, 0.84%

LAB 98.01, -13.65, 37.76

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 22 / 0 / 51 / 2

HEX #C2FA7B

RGB 194 250 123

HSL 86.46, 0.93%, 0.73%

LAB 92.25, -37.66, 54.7

 

CMYK 24 / 0 / 55 / 9

HEX #B1E868

RGB 177 232 104

HSL 85.78, 0.74%, 0.66%

LAB 86.04, -37.57, 55.74

 

CMYK 25 / 0 / 60 / 16

HEX #A0D655

RGB 160 214 85

HSL 85.12, 0.61%, 0.59%

LAB 79.74, -37.41, 56.69

 

CMYK 27 / 0 / 66 / 23

HEX #8FC442

RGB 143 196 66

HSL 84.46, 0.52%, 0.51%

LAB 73.36, -37.15, 57.42

 

CMYK 29 / 0 / 74 / 30

HEX #7EB22F

RGB 126 178 47

HSL 83.82, 0.58%, 0.44%

LAB 66.89, -36.75, 57.73

 

CMYK 22 / 0 / 51 / 2

HEX #C2FA7A

RGB 194 250 122

HSL 86.25, 0.93%, 0.73%

LAB 92.24, -37.76, 55.14

 

CMYK 9 / 0 / 51 / 2

HEX #E4FA7A

RGB 228 250 122

HSL 70.31, 0.93%, 0.73%

LAB 94.43, -25.11, 58.27

 

CMYK 0 / 5 / 51 / 2

HEX #FAEE7A

RGB 250 238 122

HSL 54.38, 0.93%, 0.73%

LAB 92.96, -10.7, 56.95

 

CMYK 0 / 19 / 51 / 2

HEX #FACB7A

RGB 250 203 122

HSL 37.97, 0.93%, 0.73%

LAB 84.19, 7.04, 46.39

 

CMYK 0 / 32 / 51 / 2

HEX #FAA97A

RGB 250 169 122

HSL 22.03, 0.93%, 0.73%

LAB 76.13, 24.83, 36.26

 

CMYK 22 / 0 / 51 / 2

HEX #C2FA7A

RGB 194 250 122

HSL 86.25, 0.93%, 0.73%

LAB 92.24, -37.76, 55.14

 

CMYK 36 / 0 / 51 / 2

HEX #9FFA7A

RGB 159 250 122

HSL 102.66, 0.93%, 0.73%

LAB 90.39, -49.65, 52.48

 

CMYK 50 / 0 / 51 / 2

HEX #7DFA7A

RGB 125 250 122

HSL 118.59, 0.93%, 0.73%

LAB 88.99, -59.52, 50.45

 

CMYK 51 / 0 / 38 / 2

HEX #7AFA9A

RGB 122 250 154

HSL 135, 0.93%, 0.73%

LAB 89.32, -55.67, 35.44

 

CMYK 51 / 0 / 24 / 2

HEX #7AFABD

RGB 122 250 189

HSL 151.41, 0.93%, 0.73%

LAB 89.94, -49.3, 18.57

 

CMYK 22 / 0 / 51 / 2

HEX #C2FA7A

RGB 194 250 122

HSL 86.25, 0.93%, 0.73%

LAB 92.24, -37.76, 55.14

 

CMYK 22 / 0 / 51 / 2

HEX #C2FA7A

RGB 194 250 122

HSL 86.25, 0.93%, 0.73%

LAB 92.24, -37.76, 55.14

 

CMYK 20 / 0 / 44 / 6

HEX #C0EF85

RGB 192 239 133

HSL 86.6, 0.77%, 0.73%

LAB 89.22, -32.29, 46.26

 

CMYK 16 / 0 / 37 / 11

HEX #BFE490

RGB 191 228 144

HSL 86.43, 0.61%, 0.73%

LAB 86.29, -26.13, 37.1

 

CMYK 12 / 0 / 28 / 15

HEX #BED99C

RGB 190 217 156

HSL 86.56, 0.45%, 0.73%

LAB 83.43, -19.5, 27.16

 

CMYK 9 / 0 / 19 / 19

HEX #BCCEA7

RGB 188 206 167

HSL 87.69, 0.28%, 0.73%

LAB 80.53, -13.03, 17.39

 

CMYK 0 / 5 / 51 / 2

HEX #FAED7A

RGB 250 237 122

HSL 53.91, 0.93%, 0.73%

LAB 92.71, -10.2, 56.65

 

CMYK 8 / 0 / 51 / 2

HEX #E5FA7A

RGB 229 250 122

HSL 69.84, 0.93%, 0.73%

LAB 94.5, -24.73, 58.37

 

CMYK 22 / 0 / 51 / 2

HEX #C3FA7A

RGB 195 250 122

HSL 85.78, 0.93%, 0.73%

LAB 92.3, -37.41, 55.23

 

CMYK 36 / 0 / 51 / 2

HEX #A1FA7A

RGB 161 250 122

HSL 101.72, 0.93%, 0.73%

LAB 90.48, -49.01, 52.62

 

CMYK 50 / 0 / 51 / 2

HEX #7EFA7A

RGB 126 250 122

HSL 118.13, 0.93%, 0.73%

LAB 89.02, -59.26, 50.5

 

CMYK 36 / 0 / 83 / 3

HEX #9DF72A

RGB 157 247 42

HSL 86.34, 0.93%, 0.57%

LAB 88.85, -54.94, 79.99

 

CMYK 30 / 0 / 67 / 2

HEX #AFF952

RGB 175 249 82

HSL 86.59, 0.93%, 0.65%

LAB 90.54, -47.48, 69.74

 

CMYK 22 / 0 / 51 / 2

HEX #C2FA7A

RGB 194 250 122

HSL 86.25, 0.93%, 0.73%

LAB 92.24, -37.76, 55.14

 

CMYK 16 / 0 / 36 / 1

HEX #D4FCA2

RGB 212 252 162

HSL 86.67, 0.94%, 0.81%

LAB 94.41, -27.65, 38.98

 

CMYK 9 / 0 / 20 / 1

HEX #E6FDCA

RGB 230 253 202

HSL 87.06, 0.93%, 0.89%

LAB 96.55, -16.17, 21.95

 

CMYK 22 / 0 / 51 / 2

HEX #C2FA7B

RGB 194 250 123

HSL 86.46, 0.93%, 0.73%

LAB 92.25, -37.66, 54.7

 

CMYK 51 / 0 / 19 / 2

HEX #7AFACB

RGB 122 250 203

HSL 157.97, 0.93%, 0.73%

LAB 90.24, -46.41, 11.77

 

CMYK 0 / 51 / 2 / 2

HEX #FA7AF6

RGB 250 122 246

HSL 301.88, 0.93%, 0.73%

LAB 70.1, 64.86, -40.46

 

CMYK 22 / 0 / 51 / 2

HEX #C2FA7B

RGB 194 250 123

HSL 86.46, 0.93%, 0.73%

LAB 92.25, -37.66, 54.7

 

CMYK 51 / 22 / 0 / 2

HEX #7AC3FA

RGB 122 195 250

HSL 205.78, 0.93%, 0.73%

LAB 76.11, -7.93, -34.12

 

CMYK 0 / 51 / 22 / 2

HEX #FA7AC3

RGB 250 122 195

HSL 325.78, 0.93%, 0.73%

LAB 68.16, 57.01, -15.18

 

CMYK 22 / 0 / 51 / 2

HEX #C2FA7B

RGB 194 250 123

HSL 86.46, 0.93%, 0.73%

LAB 92.25, -37.66, 54.7

 

CMYK 51 / 0 / 19 / 2

HEX #7AFACB

RGB 122 250 203

HSL 157.97, 0.93%, 0.73%

LAB 90.24, -46.41, 11.77

 

CMYK 29 / 51 / 0 / 2

HEX #B27AFA

RGB 178 122 250

HSL 266.25, 0.93%, 0.73%

LAB 61.9, 46.79, -56.16

 

CMYK 0 / 51 / 32 / 2

HEX #FA7AA9

RGB 250 122 169

HSL 337.97, 0.93%, 0.73%

LAB 67.36, 53.65, -1.73

 

CMYK 22 / 0 / 51 / 2

HEX #C2FA7B

RGB 194 250 123

HSL 86.46, 0.93%, 0.73%

LAB 92.25, -37.66, 54.7

 

CMYK 51 / 0 / 3 / 2

HEX #7AFAF2

RGB 122 250 242

HSL 176.25, 0.93%, 0.73%

LAB 91.2, -37.38, -7.07

 

CMYK 29 / 51 / 0 / 2

HEX #B27AFA

RGB 178 122 250

HSL 266.25, 0.93%, 0.73%

LAB 61.9, 46.79, -56.16

 

CMYK 0 / 51 / 48 / 2

HEX #FA7A83

RGB 250 122 131

HSL 355.78, 0.93%, 0.73%

LAB 66.43, 49.62, 18.46

 

Description

Color code: HEX #C2FA7B | qconv.com Color code: HEX #C2FA7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 250 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 250 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 51 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 51% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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