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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2F87F it is the complementary color #3D0780. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2F87F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2F87F shade: #C7F87A, #D8FF8D, #E9FFA0, #FAFFB3 and #FFFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2F87F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2F87F shade: #C2F87F, #B1E66C, #A0D459, #8FC246 and #7EB033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2F87F shade: #C3F881, #E3F881, #F8ED81, #F8CD81 and #F8AD81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2F87F shade: #C3F881, #A3F881, #83F881, #81F8A0 and #81F8C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2F87F shade matches the following richer shades: #C3F881

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2F87F shade: #C3F881, #C2EE8C, #C1E396, #C0D8A1 and #BECDAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2F87F shade: #F8EC81, #E4F881, #C5F881, #A5F881 and #85F881

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2F87F shade: #9EF433, #B0F65A, #C3F881, #D6FAA8 and #E8FCCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2F87F shade: #C2F87F, #81F8CD and #F881F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2F87F shade: #C2F87F, #81C5F8 and #F881C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2F87F shade: #C2F87F, #81F8CD, #B581F8 and #F881AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2F87F shade: #C2F87F, #81F8F0, #B581F8 and #F88189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 49 / 3

HEX #C2F87F

RGB 194 248 127

HSL 86.78, 0.9%, 0.74%

LAB 91.75, -36.35, 52.24

 

Complementary color

CMYK 52 / 95 / 0 / 50

HEX #3D0780

RGB 61 7 128

HSL 266.78, 0.9%, 0.26%

LAB 18.81, 47.89, -54.86

 

CMYK 20 / 0 / 51 / 3

HEX #C7F87A

RGB 199 248 122

HSL 83.33, 0.9%, 0.73%

LAB 91.99, -35.05, 54.92

 

CMYK 15 / 0 / 45 / 0

HEX #D8FF8D

RGB 216 255 141

HSL 80.53, 1%, 0.78%

LAB 95.18, -30.09, 50.18

 

CMYK 9 / 0 / 37 / 0

HEX #E9FFA0

RGB 233 255 160

HSL 73.89, 1%, 0.81%

LAB 96.57, -21.71, 43.03

 

CMYK 2 / 0 / 30 / 0

HEX #FAFFB3

RGB 250 255 179

HSL 63.95, 1%, 0.85%

LAB 98.07, -13.16, 35.86

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 22 / 0 / 49 / 3

HEX #C2F87F

RGB 194 248 127

HSL 86.78, 0.9%, 0.74%

LAB 91.75, -36.35, 52.24

 

CMYK 23 / 0 / 53 / 10

HEX #B1E66C

RGB 177 230 108

HSL 86.07, 0.71%, 0.66%

LAB 85.52, -36.28, 53.32

 

CMYK 25 / 0 / 58 / 17

HEX #A0D459

RGB 160 212 89

HSL 85.37, 0.59%, 0.59%

LAB 79.2, -36.15, 54.33

 

CMYK 26 / 0 / 64 / 24

HEX #8FC246

RGB 143 194 70

HSL 84.68, 0.5%, 0.52%

LAB 72.8, -35.94, 55.18

 

CMYK 28 / 0 / 71 / 31

HEX #7EB033

RGB 126 176 51

HSL 84, 0.55%, 0.45%

LAB 66.31, -35.59, 55.69

 

CMYK 21 / 0 / 48 / 3

HEX #C3F881

RGB 195 248 129

HSL 86.72, 0.89%, 0.74%

LAB 91.83, -35.78, 51.42

 

CMYK 8 / 0 / 48 / 3

HEX #E3F881

RGB 227 248 129

HSL 70.59, 0.89%, 0.74%

LAB 93.9, -23.9, 54.42

 

CMYK 0 / 4 / 48 / 3

HEX #F8ED81

RGB 248 237 129

HSL 54.45, 0.89%, 0.74%

LAB 92.62, -10.4, 53.25

 

CMYK 0 / 17 / 48 / 3

HEX #F8CD81

RGB 248 205 129

HSL 38.32, 0.89%, 0.74%

LAB 84.59, 5.82, 43.35

 

CMYK 0 / 30 / 48 / 3

HEX #F8AD81

RGB 248 173 129

HSL 22.18, 0.89%, 0.74%

LAB 76.94, 22.57, 33.57

 

CMYK 21 / 0 / 48 / 3

HEX #C3F881

RGB 195 248 129

HSL 86.72, 0.89%, 0.74%

LAB 91.83, -35.78, 51.42

 

CMYK 34 / 0 / 48 / 3

HEX #A3F881

RGB 163 248 129

HSL 102.86, 0.89%, 0.74%

LAB 90.09, -46.71, 48.9

 

CMYK 47 / 0 / 48 / 3

HEX #83F881

RGB 131 248 129

HSL 118.99, 0.89%, 0.74%

LAB 88.71, -56.24, 46.88

 

CMYK 48 / 0 / 35 / 3

HEX #81F8A0

RGB 129 248 160

HSL 135.63, 0.89%, 0.74%

LAB 89.08, -52.12, 32.17

 

CMYK 48 / 0 / 23 / 3

HEX #81F8C0

RGB 129 248 192

HSL 151.76, 0.89%, 0.74%

LAB 89.68, -46.21, 16.69

 

CMYK 21 / 0 / 48 / 3

HEX #C3F881

RGB 195 248 129

HSL 86.72, 0.89%, 0.74%

LAB 91.83, -35.78, 51.42

 

CMYK 21 / 0 / 48 / 3

HEX #C3F881

RGB 195 248 129

HSL 86.72, 0.89%, 0.74%

LAB 91.83, -35.78, 51.42

 

CMYK 18 / 0 / 41 / 7

HEX #C2EE8C

RGB 194 238 140

HSL 86.94, 0.74%, 0.74%

LAB 89.16, -30.28, 42.82

 

CMYK 15 / 0 / 34 / 11

HEX #C1E396

RGB 193 227 150

HSL 86.49, 0.58%, 0.74%

LAB 86.24, -24.14, 34.04

 

CMYK 11 / 0 / 25 / 15

HEX #C0D8A1

RGB 192 216 161

HSL 86.18, 0.41%, 0.74%

LAB 83.39, -17.55, 24.53

 

CMYK 7 / 0 / 16 / 20

HEX #BECDAC

RGB 190 205 172

HSL 87.27, 0.25%, 0.74%

LAB 80.51, -10.99, 14.73

 

CMYK 0 / 5 / 48 / 3

HEX #F8EC81

RGB 248 236 129

HSL 53.95, 0.89%, 0.74%

LAB 92.37, -9.9, 52.94

 

CMYK 8 / 0 / 48 / 3

HEX #E4F881

RGB 228 248 129

HSL 70.08, 0.89%, 0.74%

LAB 93.98, -23.52, 54.52

 

CMYK 21 / 0 / 48 / 3

HEX #C5F881

RGB 197 248 129

HSL 85.71, 0.89%, 0.74%

LAB 91.95, -35.06, 51.6

 

CMYK 33 / 0 / 48 / 3

HEX #A5F881

RGB 165 248 129

HSL 101.85, 0.89%, 0.74%

LAB 90.19, -46.06, 49.04

 

CMYK 46 / 0 / 48 / 3

HEX #85F881

RGB 133 248 129

HSL 117.98, 0.89%, 0.74%

LAB 88.78, -55.7, 46.99

 

CMYK 35 / 0 / 79 / 4

HEX #9EF433

RGB 158 244 51

HSL 86.74, 0.9%, 0.58%

LAB 88.07, -53.05, 77.09

 

CMYK 28 / 0 / 63 / 4

HEX #B0F65A

RGB 176 246 90

HSL 86.92, 0.9%, 0.66%

LAB 89.8, -45.27, 65.88

 

CMYK 21 / 0 / 48 / 3

HEX #C3F881

RGB 195 248 129

HSL 86.72, 0.89%, 0.74%

LAB 91.83, -35.78, 51.42

 

CMYK 14 / 0 / 33 / 2

HEX #D6FAA8

RGB 214 250 168

HSL 86.34, 0.89%, 0.82%

LAB 94.1, -25.21, 35.61

 

CMYK 8 / 0 / 18 / 1

HEX #E8FCCF

RGB 232 252 207

HSL 86.67, 0.88%, 0.9%

LAB 96.53, -14.22, 19.39

 

CMYK 22 / 0 / 49 / 3

HEX #C2F87F

RGB 194 248 127

HSL 86.78, 0.9%, 0.74%

LAB 91.75, -36.35, 52.24

 

CMYK 48 / 0 / 17 / 3

HEX #81F8CD

RGB 129 248 205

HSL 158.32, 0.89%, 0.74%

LAB 89.96, -43.52, 10.37

 

CMYK 0 / 48 / 2 / 3

HEX #F881F4

RGB 248 129 244

HSL 302.02, 0.89%, 0.74%

LAB 71, 60.7, -37.98

 

CMYK 22 / 0 / 49 / 3

HEX #C2F87F

RGB 194 248 127

HSL 86.78, 0.9%, 0.74%

LAB 91.75, -36.35, 52.24

 

CMYK 48 / 21 / 0 / 3

HEX #81C5F8

RGB 129 197 248

HSL 205.71, 0.89%, 0.74%

LAB 76.91, -8, -31.79

 

CMYK 0 / 48 / 21 / 3

HEX #F881C5

RGB 248 129 197

HSL 325.71, 0.89%, 0.74%

LAB 69.25, 53.31, -14.68

 

CMYK 22 / 0 / 49 / 3

HEX #C2F87F

RGB 194 248 127

HSL 86.78, 0.9%, 0.74%

LAB 91.75, -36.35, 52.24

 

CMYK 48 / 0 / 17 / 3

HEX #81F8CD

RGB 129 248 205

HSL 158.32, 0.89%, 0.74%

LAB 89.96, -43.52, 10.37

 

CMYK 27 / 48 / 0 / 3

HEX #B581F8

RGB 181 129 248

HSL 266.22, 0.89%, 0.74%

LAB 63.59, 43.28, -52.35

 

CMYK 0 / 48 / 30 / 3

HEX #F881AD

RGB 248 129 173

HSL 337.82, 0.89%, 0.74%

LAB 68.51, 50.1, -2.31

 

CMYK 22 / 0 / 49 / 3

HEX #C2F87F

RGB 194 248 127

HSL 86.78, 0.9%, 0.74%

LAB 91.75, -36.35, 52.24

 

CMYK 48 / 0 / 3 / 3

HEX #81F8F0

RGB 129 248 240

HSL 175.97, 0.89%, 0.74%

LAB 90.82, -35.49, -6.56

 

CMYK 27 / 48 / 0 / 3

HEX #B581F8

RGB 181 129 248

HSL 266.22, 0.89%, 0.74%

LAB 63.59, 43.28, -52.35

 

CMYK 0 / 48 / 45 / 3

HEX #F88189

RGB 248 129 137

HSL 355.97, 0.89%, 0.74%

LAB 67.62, 46.06, 16.68

 

Description

Color code: HEX #C2F87F | qconv.com Color code: HEX #C2F87F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 248 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 248 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 49 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 49% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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