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Color name
HEX #C2F4A6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2F4A6 it is the complementary color #3D0B59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2F4A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2F4A6 shade: #C7F4A1, #D8FFB4, #E9FFC7, #FAFFDA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2F4A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2F4A6 shade: #C2F4A6, #B1E293, #A0D080, #8FBE6D and #7EAC5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2F4A6 shade: #C1F4A4, #D6F4A4, #ECF4A4, #F4E6A4 and #F4D1A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2F4A6 shade: #C1F4A4, #ABF4A4, #A4F4B3, #A4F4C8 and #A4F4DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2F4A6 shade matches the following richer shades: #C1F4A4 and #BEFC9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2F4A6 shade: #C1F4A4, #C3ECAC, #C5E3B5, #C8DBBD and #CAD3C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2F4A6 shade: #ECF4A4, #D7F4A4, #C1F4A4, #ACF4A4 and #A4F4B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2F4A6 shade: #8EEB5B, #A8EF7F, #C1F4A4, #DAF8C9 and #F3FDEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2F4A6 shade: #C2F4A6, #A4F4E7 and #F4A4E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2F4A6 shade: #C2F4A6, #A4C1F4 and #F4A4C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2F4A6 shade: #C2F4A6, #A4F4E7, #D7A4F4 and #F4A4B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2F4A6 shade: #C2F4A6, #A4E9F4, #D7A4F4 and #F4AFA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 32 / 4

HEX #C2F4A6

RGB 194 244 166

HSL 98.46, 0.78%, 0.8%

LAB 91.2, -29.65, 32.54

 

Complementary color

CMYK 31 / 88 / 0 / 65

HEX #3D0B59

RGB 61 11 89

HSL 278.46, 0.78%, 0.2%

LAB 15.24, 37.03, -35.24

 

CMYK 18 / 0 / 34 / 4

HEX #C7F4A1

RGB 199 244 161

HSL 92.53, 0.79%, 0.79%

LAB 91.42, -28.61, 35.4

 

CMYK 15 / 0 / 29 / 0

HEX #D8FFB4

RGB 216 255 180

HSL 91.2, 1%, 0.85%

LAB 95.75, -25.23, 31.84

 

CMYK 9 / 0 / 22 / 0

HEX #E9FFC7

RGB 233 255 199

HSL 83.57, 1%, 0.89%

LAB 97.21, -16.55, 24.43

 

CMYK 2 / 0 / 15 / 0

HEX #FAFFDA

RGB 250 255 218

HSL 68.11, 1%, 0.93%

LAB 98.79, -7.76, 17.14

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 20 / 0 / 32 / 4

HEX #C2F4A6

RGB 194 244 166

HSL 98.46, 0.78%, 0.8%

LAB 91.2, -29.65, 32.54

 

CMYK 22 / 0 / 35 / 11

HEX #B1E293

RGB 177 226 147

HSL 97.22, 0.58%, 0.73%

LAB 84.92, -29.77, 33.62

 

CMYK 23 / 0 / 38 / 18

HEX #A0D080

RGB 160 208 128

HSL 96, 0.46%, 0.66%

LAB 78.55, -29.89, 34.75

 

CMYK 25 / 0 / 43 / 25

HEX #8FBE6D

RGB 143 190 109

HSL 94.81, 0.38%, 0.59%

LAB 72.07, -29.99, 35.93

 

CMYK 27 / 0 / 48 / 33

HEX #7EAC5A

RGB 126 172 90

HSL 93.66, 0.33%, 0.51%

LAB 65.5, -30.06, 37.13

 

CMYK 21 / 0 / 33 / 4

HEX #C1F4A4

RGB 193 244 164

HSL 98.25, 0.78%, 0.8%

LAB 91.11, -30.28, 33.41

 

CMYK 12 / 0 / 33 / 4

HEX #D6F4A4

RGB 214 244 164

HSL 82.5, 0.78%, 0.8%

LAB 92.43, -22.87, 35.41

 

CMYK 3 / 0 / 33 / 4

HEX #ECF4A4

RGB 236 244 164

HSL 66, 0.78%, 0.8%

LAB 93.98, -14.8, 37.73

 

CMYK 0 / 6 / 33 / 4

HEX #F4E6A4

RGB 244 230 164

HSL 49.5, 0.78%, 0.8%

LAB 91.01, -4.82, 33.93

 

CMYK 0 / 14 / 33 / 4

HEX #F4D1A4

RGB 244 209 164

HSL 33.75, 0.78%, 0.8%

LAB 85.76, 5.93, 26.89

 

CMYK 21 / 0 / 33 / 4

HEX #C1F4A4

RGB 193 244 164

HSL 98.25, 0.78%, 0.8%

LAB 91.11, -30.28, 33.41

 

CMYK 30 / 0 / 33 / 4

HEX #ABF4A4

RGB 171 244 164

HSL 114.75, 0.78%, 0.8%

LAB 89.88, -37.59, 31.55

 

CMYK 33 / 0 / 27 / 4

HEX #A4F4B3

RGB 164 244 179

HSL 131.25, 0.78%, 0.8%

LAB 89.79, -37.33, 23.75

 

CMYK 33 / 0 / 18 / 4

HEX #A4F4C8

RGB 164 244 200

HSL 147, 0.78%, 0.8%

LAB 90.21, -33.51, 13.52

 

CMYK 33 / 0 / 9 / 4

HEX #A4F4DD

RGB 164 244 221

HSL 162.75, 0.78%, 0.8%

LAB 90.7, -29.29, 3.32

 

CMYK 21 / 0 / 33 / 4

HEX #C1F4A4

RGB 193 244 164

HSL 98.25, 0.78%, 0.8%

LAB 91.11, -30.28, 33.41

 

CMYK 25 / 0 / 38 / 1

HEX #BEFC9C

RGB 190 252 156

HSL 98.75, 0.94%, 0.8%

LAB 93, -36.09, 39.85

 

CMYK 21 / 0 / 33 / 4

HEX #C1F4A4

RGB 193 244 164

HSL 98.25, 0.78%, 0.8%

LAB 91.11, -30.28, 33.41

 

CMYK 17 / 0 / 27 / 7

HEX #C3ECAC

RGB 195 236 172

HSL 98.44, 0.63%, 0.8%

LAB 89.19, -24.62, 26.79

 

CMYK 13 / 0 / 20 / 11

HEX #C5E3B5

RGB 197 227 181

HSL 99.13, 0.45%, 0.8%

LAB 87.07, -18.13, 19.24

 

CMYK 9 / 0 / 14 / 14

HEX #C8DBBD

RGB 200 219 189

HSL 98, 0.29%, 0.8%

LAB 85.31, -11.76, 12.61

 

CMYK 4 / 0 / 7 / 17

HEX #CAD3C5

RGB 202 211 197

HSL 98.57, 0.14%, 0.8%

LAB 83.54, -5.59, 5.86

 

CMYK 3 / 0 / 33 / 4

HEX #ECF4A4

RGB 236 244 164

HSL 66, 0.78%, 0.8%

LAB 93.98, -14.8, 37.73

 

CMYK 12 / 0 / 33 / 4

HEX #D7F4A4

RGB 215 244 164

HSL 81.75, 0.78%, 0.8%

LAB 92.5, -22.51, 35.51

 

CMYK 21 / 0 / 33 / 4

HEX #C1F4A4

RGB 193 244 164

HSL 98.25, 0.78%, 0.8%

LAB 91.11, -30.28, 33.41

 

CMYK 30 / 0 / 33 / 4

HEX #ACF4A4

RGB 172 244 164

HSL 114, 0.78%, 0.8%

LAB 89.93, -37.27, 31.63

 

CMYK 33 / 0 / 27 / 4

HEX #A4F4B1

RGB 164 244 177

HSL 129.75, 0.78%, 0.8%

LAB 89.75, -37.67, 24.72

 

CMYK 40 / 0 / 61 / 8

HEX #8EEB5B

RGB 142 235 91

HSL 98.75, 0.78%, 0.64%

LAB 84.96, -52.06, 59.68

 

CMYK 30 / 0 / 47 / 6

HEX #A8EF7F

RGB 168 239 127

HSL 98.04, 0.78%, 0.72%

LAB 87.77, -41.4, 47.04

 

CMYK 21 / 0 / 33 / 4

HEX #C1F4A4

RGB 193 244 164

HSL 98.25, 0.78%, 0.8%

LAB 91.11, -30.28, 33.41

 

CMYK 12 / 0 / 19 / 3

HEX #DAF8C9

RGB 218 248 201

HSL 98.3, 0.77%, 0.88%

LAB 94.42, -18.02, 19.38

 

CMYK 4 / 0 / 6 / 1

HEX #F3FDEE

RGB 243 253 238

HSL 100, 0.79%, 0.96%

LAB 98.22, -5.91, 6.03

 

CMYK 20 / 0 / 32 / 4

HEX #C2F4A6

RGB 194 244 166

HSL 98.46, 0.78%, 0.8%

LAB 91.2, -29.65, 32.54

 

CMYK 33 / 0 / 5 / 4

HEX #A4F4E7

RGB 164 244 231

HSL 170.25, 0.78%, 0.8%

LAB 90.95, -27.14, -1.52

 

CMYK 0 / 33 / 8 / 4

HEX #F4A4E1

RGB 244 164 225

HSL 314.25, 0.78%, 0.8%

LAB 76.81, 38.59, -18.73

 

CMYK 20 / 0 / 32 / 4

HEX #C2F4A6

RGB 194 244 166

HSL 98.46, 0.78%, 0.8%

LAB 91.2, -29.65, 32.54

 

CMYK 33 / 21 / 0 / 4

HEX #A4C1F4

RGB 164 193 244

HSL 218.25, 0.78%, 0.8%

LAB 77.62, 2, -28.39

 

CMYK 0 / 33 / 21 / 4

HEX #F4A4C1

RGB 244 164 193

HSL 338.25, 0.78%, 0.8%

LAB 75.84, 33.54, -2.7

 

CMYK 20 / 0 / 32 / 4

HEX #C2F4A6

RGB 194 244 166

HSL 98.46, 0.78%, 0.8%

LAB 91.2, -29.65, 32.54

 

CMYK 33 / 0 / 5 / 4

HEX #A4F4E7

RGB 164 244 231

HSL 170.25, 0.78%, 0.8%

LAB 90.95, -27.14, -1.52

 

CMYK 12 / 33 / 0 / 4

HEX #D7A4F4

RGB 215 164 244

HSL 278.25, 0.78%, 0.8%

LAB 74.53, 32.99, -32.81

 

CMYK 0 / 33 / 27 / 4

HEX #F4A4B1

RGB 244 164 177

HSL 350.25, 0.78%, 0.8%

LAB 75.43, 31.29, 5.46

 

CMYK 20 / 0 / 32 / 4

HEX #C2F4A6

RGB 194 244 166

HSL 98.46, 0.78%, 0.8%

LAB 91.2, -29.65, 32.54

 

CMYK 33 / 5 / 0 / 4

HEX #A4E9F4

RGB 164 233 244

HSL 188.25, 0.78%, 0.8%

LAB 88.31, -18.83, -12.22

 

CMYK 12 / 33 / 0 / 4

HEX #D7A4F4

RGB 215 164 244

HSL 278.25, 0.78%, 0.8%

LAB 74.53, 32.99, -32.81

 

CMYK 0 / 28 / 33 / 4

HEX #F4AFA4

RGB 244 175 164

HSL 8.25, 0.78%, 0.8%

LAB 77.62, 23.79, 15.67

 

Description

Color code: HEX #C2F4A6 | qconv.com Color code: HEX #C2F4A6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 244 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 244 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 32 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 32% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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