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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2EFEE it is the complementary color #3D1011. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2EFEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2EFEE shade: #C7EFE9, #D8FFFC, #E9FFFF, #FAFFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2EFEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2EFEE shade: #C2EFEE, #B1DDDB, #A0CBC8, #8FB9B5 and #7EA7A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2EFEE shade: #C3EFEE, #C3EFE2, #C3EFD6, #C3EFCA and #C7EFC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2EFEE shade: #C3EFEE, #C3E4EF, #C3D8EF, #C3CCEF and #C3C3EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2EFEE shade matches the following richer shades: #C3EFEE, #BCF5F4 and #B6FBFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2EFEE shade: #C3EFEE, #C9E9E8, #CFE3E2, #D5DCDC and #DBD6D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2EFEE shade: #C3EFD6, #C3EFE2, #C3EFED, #C3E5EF and #C3D9EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2EFEE shade: #81DEDC, #A2E6E5, #C3EFEE, #E3F8F7 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2EFEE shade: #C2EFEE, #CAC3EF and #EFDCC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2EFEE shade: #C2EFEE, #EDC3EF and #EFEDC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2EFEE shade: #C2EFEE, #CAC3EF, #EFC3C4 and #E8EFC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2EFEE shade: #C2EFEE, #D7C3EF, #EFC3C4 and #DAEFC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 0 / 6

HEX #C2EFEE

RGB 194 239 238

HSL 178.67, 0.58%, 0.85%

LAB 91.4, -14.56, -4.31

 

Complementary color

CMYK 0 / 74 / 72 / 76

HEX #3D1011

RGB 61 16 17

HSL 358.67, 0.58%, 0.15%

LAB 11.98, 22.13, 10.86

 

CMYK 17 / 0 / 3 / 6

HEX #C7EFE9

RGB 199 239 233

HSL 171, 0.56%, 0.86%

LAB 91.58, -14.04, -1.41

 

CMYK 15 / 0 / 1 / 0

HEX #D8FFFC

RGB 216 255 252

HSL 175.38, 1%, 0.92%

LAB 97.29, -13, -2.75

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFF

RGB 233 255 255

HSL 180, 1%, 0.96%

LAB 98.46, -7.11, -2.45

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 19 / 0 / 0 / 6

HEX #C2EFEE

RGB 194 239 238

HSL 178.67, 0.58%, 0.85%

LAB 91.4, -14.56, -4.31

 

CMYK 20 / 0 / 1 / 13

HEX #B1DDDB

RGB 177 221 219

HSL 177.27, 0.39%, 0.78%

LAB 85.09, -14.62, -3.75

 

CMYK 21 / 0 / 1 / 20

HEX #A0CBC8

RGB 160 203 200

HSL 175.81, 0.29%, 0.71%

LAB 78.67, -14.7, -3.17

 

CMYK 23 / 0 / 2 / 27

HEX #8FB9B5

RGB 143 185 181

HSL 174.29, 0.23%, 0.64%

LAB 72.14, -14.79, -2.57

 

CMYK 25 / 0 / 3 / 35

HEX #7EA7A2

RGB 126 167 162

HSL 172.68, 0.19%, 0.57%

LAB 65.5, -14.9, -1.94

 

CMYK 18 / 0 / 0 / 6

HEX #C3EFEE

RGB 195 239 238

HSL 178.64, 0.58%, 0.85%

LAB 91.46, -14.26, -4.21

 

CMYK 18 / 0 / 5 / 6

HEX #C3EFE2

RGB 195 239 226

HSL 162.27, 0.58%, 0.85%

LAB 91.16, -16.67, 1.59

 

CMYK 18 / 0 / 10 / 6

HEX #C3EFD6

RGB 195 239 214

HSL 145.91, 0.58%, 0.85%

LAB 90.87, -18.97, 7.42

 

CMYK 18 / 0 / 15 / 6

HEX #C3EFCA

RGB 195 239 202

HSL 129.55, 0.58%, 0.85%

LAB 90.6, -21.15, 13.27

 

CMYK 17 / 0 / 18 / 6

HEX #C7EFC3

RGB 199 239 195

HSL 114.55, 0.58%, 0.85%

LAB 90.7, -21.03, 17.07

 

CMYK 18 / 0 / 0 / 6

HEX #C3EFEE

RGB 195 239 238

HSL 178.64, 0.58%, 0.85%

LAB 91.46, -14.26, -4.21

 

CMYK 18 / 5 / 0 / 6

HEX #C3E4EF

RGB 195 228 239

HSL 195, 0.58%, 0.85%

LAB 88.6, -8.48, -8.97

 

CMYK 18 / 10 / 0 / 6

HEX #C3D8EF

RGB 195 216 239

HSL 211.36, 0.58%, 0.85%

LAB 85.48, -2.28, -13.62

 

CMYK 18 / 15 / 0 / 6

HEX #C3CCEF

RGB 195 204 239

HSL 227.73, 0.58%, 0.85%

LAB 82.39, 4.06, -18.26

 

CMYK 18 / 18 / 0 / 6

HEX #C3C3EF

RGB 195 195 239

HSL 240, 0.58%, 0.85%

LAB 80.1, 8.89, -21.72

 

CMYK 18 / 0 / 0 / 6

HEX #C3EFEE

RGB 195 239 238

HSL 178.64, 0.58%, 0.85%

LAB 91.46, -14.26, -4.21

 

CMYK 23 / 0 / 0 / 4

HEX #BCF5F4

RGB 188 245 244

HSL 178.95, 0.74%, 0.85%

LAB 92.81, -18.07, -5.4

 

CMYK 27 / 0 / 0 / 2

HEX #B6FBFA

RGB 182 251 250

HSL 179.13, 0.9%, 0.85%

LAB 94.24, -21.43, -6.42

 

CMYK 18 / 0 / 0 / 6

HEX #C3EFEE

RGB 195 239 238

HSL 178.64, 0.58%, 0.85%

LAB 91.46, -14.26, -4.21

 

CMYK 14 / 0 / 0 / 9

HEX #C9E9E8

RGB 201 233 232

HSL 178.13, 0.42%, 0.85%

LAB 90.1, -10.6, -3.04

 

CMYK 9 / 0 / 0 / 11

HEX #CFE3E2

RGB 207 227 226

HSL 177, 0.26%, 0.85%

LAB 88.78, -6.8, -1.79

 

CMYK 3 / 0 / 0 / 14

HEX #D5DCDC

RGB 213 220 220

HSL 180, 0.09%, 0.85%

LAB 87.24, -2.35, -0.83

 

CMYK 0 / 2 / 2 / 14

HEX #DBD6D6

RGB 219 214 214

HSL 0, 0.06%, 0.85%

LAB 86.01, 1.71, 0.6

 

CMYK 18 / 0 / 10 / 6

HEX #C3EFD6

RGB 195 239 214

HSL 145.91, 0.58%, 0.85%

LAB 90.87, -18.97, 7.42

 

CMYK 18 / 0 / 5 / 6

HEX #C3EFE2

RGB 195 239 226

HSL 162.27, 0.58%, 0.85%

LAB 91.16, -16.67, 1.59

 

CMYK 18 / 0 / 1 / 6

HEX #C3EFED

RGB 195 239 237

HSL 177.27, 0.58%, 0.85%

LAB 91.44, -14.46, -3.73

 

CMYK 18 / 4 / 0 / 6

HEX #C3E5EF

RGB 195 229 239

HSL 193.64, 0.58%, 0.85%

LAB 88.86, -8.99, -8.58

 

CMYK 18 / 9 / 0 / 6

HEX #C3D9EF

RGB 195 217 239

HSL 210, 0.58%, 0.85%

LAB 85.74, -2.8, -13.24

 

CMYK 42 / 0 / 1 / 13

HEX #81DEDC

RGB 129 222 220

HSL 178.71, 0.58%, 0.69%

LAB 82.95, -28.1, -7.7

 

CMYK 30 / 0 / 0 / 10

HEX #A2E6E5

RGB 162 230 229

HSL 179.12, 0.58%, 0.77%

LAB 86.96, -21.33, -6.35

 

CMYK 18 / 0 / 0 / 6

HEX #C3EFEE

RGB 195 239 238

HSL 178.64, 0.58%, 0.85%

LAB 91.46, -14.26, -4.21

 

CMYK 8 / 0 / 0 / 3

HEX #E3F8F7

RGB 227 248 247

HSL 177.14, 0.6%, 0.93%

LAB 96.07, -7.01, -1.88

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 19 / 0 / 0 / 6

HEX #C2EFEE

RGB 194 239 238

HSL 178.67, 0.58%, 0.85%

LAB 91.4, -14.56, -4.31

 

CMYK 15 / 18 / 0 / 6

HEX #CAC3EF

RGB 202 195 239

HSL 249.55, 0.58%, 0.85%

LAB 80.64, 11.07, -20.86

 

CMYK 0 / 8 / 18 / 6

HEX #EFDCC3

RGB 239 220 195

HSL 34.09, 0.58%, 0.85%

LAB 88.67, 2.57, 14.64

 

CMYK 19 / 0 / 0 / 6

HEX #C2EFEE

RGB 194 239 238

HSL 178.67, 0.58%, 0.85%

LAB 91.4, -14.56, -4.31

 

CMYK 1 / 18 / 0 / 6

HEX #EDC3EF

RGB 237 195 239

HSL 297.27, 0.58%, 0.85%

LAB 83.58, 22.34, -16.13

 

CMYK 0 / 1 / 18 / 6

HEX #EFEDC3

RGB 239 237 195

HSL 57.27, 0.58%, 0.85%

LAB 92.95, -6.09, 20.64

 

CMYK 19 / 0 / 0 / 6

HEX #C2EFEE

RGB 194 239 238

HSL 178.67, 0.58%, 0.85%

LAB 91.4, -14.56, -4.31

 

CMYK 15 / 18 / 0 / 6

HEX #CAC3EF

RGB 202 195 239

HSL 249.55, 0.58%, 0.85%

LAB 80.64, 11.07, -20.86

 

CMYK 0 / 18 / 18 / 6

HEX #EFC3C4

RGB 239 195 196

HSL 358.64, 0.58%, 0.85%

LAB 82.58, 15.79, 5.41

 

CMYK 3 / 0 / 18 / 6

HEX #E8EFC3

RGB 232 239 195

HSL 69.55, 0.58%, 0.85%

LAB 92.94, -9.6, 20.54

 

CMYK 19 / 0 / 0 / 6

HEX #C2EFEE

RGB 194 239 238

HSL 178.67, 0.58%, 0.85%

LAB 91.4, -14.56, -4.31

 

CMYK 10 / 18 / 0 / 6

HEX #D7C3EF

RGB 215 195 239

HSL 267.27, 0.58%, 0.85%

LAB 81.68, 15.19, -19.19

 

CMYK 0 / 18 / 18 / 6

HEX #EFC3C4

RGB 239 195 196

HSL 358.64, 0.58%, 0.85%

LAB 82.58, 15.79, 5.41

 

CMYK 9 / 0 / 18 / 6

HEX #DAEFC3

RGB 218 239 195

HSL 88.64, 0.58%, 0.85%

LAB 91.94, -14.54, 19

 

Description

Color code: HEX #C2EFEE | qconv.com Color code: HEX #C2EFEE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 239 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 239 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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