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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2EC95 it is the complementary color #3D136A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2EC95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2EC95 shade: #C7EC90, #D8FEA3, #E9FFB6, #FAFFC9 and #FFFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2EC95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2EC95 shade: #C2EC95, #B1DA82, #A0C86F, #8FB65C and #7EA449

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2EC95 shade: #C1EC93, #D9EC93, #ECE793, #ECCF93 and #ECB793

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2EC95 shade: #C1EC93, #A9EC93, #93EC95, #93ECAD and #93ECC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2EC95 shade matches the following richer shades: #C1EC93 and #C1F688

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2EC95 shade: #C1EC93, #C0E29D, #C0D7A7, #C0CDB2 and #BFC3BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2EC95 shade: #ECE693, #DAEC93, #C2EC93, #AAEC93 and #93EC93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2EC95 shade: #99DF4C, #ADE670, #C1EC93, #D5F2B6 and #E9F8D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2EC95 shade: #C2EC95, #93ECCE and #EC93E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2EC95 shade: #C2EC95, #93C2EC and #EC93C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2EC95 shade: #C2EC95, #93ECCE, #BC93EC and #EC93B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2EC95 shade: #C2EC95, #93ECE9, #BC93EC and #EC9396

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 37 / 7

HEX #C2EC95

RGB 194 236 149

HSL 88.97, 0.7%, 0.75%

LAB 88.75, -28.21, 37.83

 

Complementary color

CMYK 42 / 82 / 0 / 58

HEX #3D136A

RGB 61 19 106

HSL 268.97, 0.7%, 0.25%

LAB 17.91, 38.11, -42.16

 

CMYK 16 / 0 / 39 / 7

HEX #C7EC90

RGB 199 236 144

HSL 84.13, 0.71%, 0.75%

LAB 88.99, -27.04, 40.69

 

CMYK 15 / 0 / 36 / 0

HEX #D8FEA3

RGB 216 254 163

HSL 85.05, 0.98%, 0.82%

LAB 95.21, -27.04, 39.59

 

CMYK 9 / 0 / 29 / 0

HEX #E9FFB6

RGB 233 255 182

HSL 78.08, 1%, 0.86%

LAB 96.91, -18.95, 32.59

 

CMYK 2 / 0 / 21 / 0

HEX #FAFFC9

RGB 250 255 201

HSL 65.56, 1%, 0.89%

LAB 98.46, -10.26, 25.32

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 18 / 0 / 37 / 7

HEX #C2EC95

RGB 194 236 149

HSL 88.97, 0.7%, 0.75%

LAB 88.75, -28.21, 37.83

 

CMYK 19 / 0 / 40 / 15

HEX #B1DA82

RGB 177 218 130

HSL 87.95, 0.54%, 0.68%

LAB 82.43, -28.24, 38.96

 

CMYK 20 / 0 / 45 / 22

HEX #A0C86F

RGB 160 200 111

HSL 86.97, 0.45%, 0.61%

LAB 76.03, -28.26, 40.12

 

CMYK 21 / 0 / 49 / 29

HEX #8FB65C

RGB 143 182 92

HSL 86, 0.38%, 0.54%

LAB 69.52, -28.23, 41.3

 

CMYK 23 / 0 / 55 / 36

HEX #7EA449

RGB 126 164 73

HSL 85.05, 0.38%, 0.46%

LAB 62.9, -28.14, 42.44

 

CMYK 18 / 0 / 38 / 7

HEX #C1EC93

RGB 193 236 147

HSL 88.99, 0.7%, 0.75%

LAB 88.65, -28.83, 38.69

 

CMYK 8 / 0 / 38 / 7

HEX #D9EC93

RGB 217 236 147

HSL 72.81, 0.7%, 0.75%

LAB 90.25, -20.02, 41.07

 

CMYK 0 / 2 / 38 / 7

HEX #ECE793

RGB 236 231 147

HSL 56.63, 0.7%, 0.75%

LAB 90.36, -10.32, 41.5

 

CMYK 0 / 12 / 38 / 7

HEX #ECCF93

RGB 236 207 147

HSL 40.45, 0.7%, 0.75%

LAB 84.26, 1.88, 33.56

 

CMYK 0 / 22 / 38 / 7

HEX #ECB793

RGB 236 183 147

HSL 24.27, 0.7%, 0.75%

LAB 78.35, 14.46, 25.67

 

CMYK 18 / 0 / 38 / 7

HEX #C1EC93

RGB 193 236 147

HSL 88.99, 0.7%, 0.75%

LAB 88.65, -28.83, 38.69

 

CMYK 28 / 0 / 38 / 7

HEX #A9EC93

RGB 169 236 147

HSL 105.17, 0.7%, 0.75%

LAB 87.26, -37.12, 36.61

 

CMYK 38 / 0 / 37 / 7

HEX #93EC95

RGB 147 236 149

HSL 121.35, 0.7%, 0.75%

LAB 86.19, -43.81, 33.99

 

CMYK 38 / 0 / 27 / 7

HEX #93ECAD

RGB 147 236 173

HSL 137.53, 0.7%, 0.75%

LAB 86.61, -39.81, 22.32

 

CMYK 38 / 0 / 17 / 7

HEX #93ECC5

RGB 147 236 197

HSL 153.71, 0.7%, 0.75%

LAB 87.11, -35.21, 10.56

 

CMYK 18 / 0 / 38 / 7

HEX #C1EC93

RGB 193 236 147

HSL 88.99, 0.7%, 0.75%

LAB 88.65, -28.83, 38.69

 

CMYK 22 / 0 / 45 / 4

HEX #C1F688

RGB 193 246 136

HSL 88.91, 0.86%, 0.75%

LAB 91.25, -34.8, 47.36

 

CMYK 18 / 0 / 38 / 7

HEX #C1EC93

RGB 193 236 147

HSL 88.99, 0.7%, 0.75%

LAB 88.65, -28.83, 38.69

 

CMYK 15 / 0 / 31 / 11

HEX #C0E29D

RGB 192 226 157

HSL 89.57, 0.54%, 0.75%

LAB 86.02, -23.05, 30.16

 

CMYK 11 / 0 / 22 / 16

HEX #C0D7A7

RGB 192 215 167

HSL 88.75, 0.38%, 0.75%

LAB 83.23, -16.14, 21.18

 

CMYK 6 / 0 / 13 / 20

HEX #C0CDB2

RGB 192 205 178

HSL 88.89, 0.21%, 0.75%

LAB 80.79, -9.28, 11.94

 

CMYK 2 / 0 / 4 / 24

HEX #BFC3BC

RGB 191 195 188

HSL 94.29, 0.06%, 0.75%

LAB 78.31, -2.66, 3.02

 

CMYK 0 / 3 / 38 / 7

HEX #ECE693

RGB 236 230 147

HSL 55.96, 0.7%, 0.75%

LAB 90.11, -9.82, 41.17

 

CMYK 8 / 0 / 38 / 7

HEX #DAEC93

RGB 218 236 147

HSL 72.13, 0.7%, 0.75%

LAB 90.32, -19.64, 41.18

 

CMYK 18 / 0 / 38 / 7

HEX #C2EC93

RGB 194 236 147

HSL 88.31, 0.7%, 0.75%

LAB 88.72, -28.47, 38.79

 

CMYK 28 / 0 / 38 / 7

HEX #AAEC93

RGB 170 236 147

HSL 104.49, 0.7%, 0.75%

LAB 87.31, -36.79, 36.69

 

CMYK 38 / 0 / 38 / 7

HEX #93EC93

RGB 147 236 147

HSL 120, 0.7%, 0.75%

LAB 86.16, -44.12, 34.96

 

CMYK 31 / 0 / 66 / 13

HEX #99DF4C

RGB 153 223 76

HSL 88.57, 0.7%, 0.59%

LAB 81.88, -44.61, 62.6

 

CMYK 25 / 0 / 51 / 10

HEX #ADE670

RGB 173 230 112

HSL 88.98, 0.7%, 0.67%

LAB 85.33, -37.32, 51.2

 

CMYK 18 / 0 / 38 / 7

HEX #C1EC93

RGB 193 236 147

HSL 88.99, 0.7%, 0.75%

LAB 88.65, -28.83, 38.69

 

CMYK 12 / 0 / 25 / 5

HEX #D5F2B6

RGB 213 242 182

HSL 89, 0.7%, 0.83%

LAB 92.14, -19.75, 25.9

 

CMYK 6 / 0 / 13 / 3

HEX #E9F8D9

RGB 233 248 217

HSL 89.03, 0.69%, 0.91%

LAB 95.78, -10.31, 13.22

 

CMYK 18 / 0 / 37 / 7

HEX #C2EC95

RGB 194 236 149

HSL 88.97, 0.7%, 0.75%

LAB 88.75, -28.21, 37.83

 

CMYK 38 / 0 / 13 / 7

HEX #93ECCE

RGB 147 236 206

HSL 159.78, 0.7%, 0.75%

LAB 87.31, -33.34, 6.15

 

CMYK 0 / 38 / 3 / 7

HEX #EC93E6

RGB 236 147 230

HSL 304.04, 0.7%, 0.75%

LAB 72.5, 45.78, -28.11

 

CMYK 18 / 0 / 37 / 7

HEX #C2EC95

RGB 194 236 149

HSL 88.97, 0.7%, 0.75%

LAB 88.75, -28.21, 37.83

 

CMYK 38 / 18 / 0 / 7

HEX #93C2EC

RGB 147 194 236

HSL 208.31, 0.7%, 0.75%

LAB 76.58, -5.19, -25.76

 

CMYK 0 / 38 / 18 / 7

HEX #EC93C2

RGB 236 147 194

HSL 328.31, 0.7%, 0.75%

LAB 71.28, 39.85, -10.12

 

CMYK 18 / 0 / 37 / 7

HEX #C2EC95

RGB 194 236 149

HSL 88.97, 0.7%, 0.75%

LAB 88.75, -28.21, 37.83

 

CMYK 38 / 0 / 13 / 7

HEX #93ECCE

RGB 147 236 206

HSL 159.78, 0.7%, 0.75%

LAB 87.31, -33.34, 6.15

 

CMYK 20 / 38 / 0 / 7

HEX #BC93EC

RGB 188 147 236

HSL 267.64, 0.7%, 0.75%

LAB 67.74, 32.52, -39.19

 

CMYK 0 / 38 / 25 / 7

HEX #EC93B0

RGB 236 147 176

HSL 340.45, 0.7%, 0.75%

LAB 70.76, 37.23, -0.88

 

CMYK 18 / 0 / 37 / 7

HEX #C2EC95

RGB 194 236 149

HSL 88.97, 0.7%, 0.75%

LAB 88.75, -28.21, 37.83

 

CMYK 38 / 0 / 1 / 7

HEX #93ECE9

RGB 147 236 233

HSL 177.98, 0.7%, 0.75%

LAB 88.01, -27.31, -6.99

 

CMYK 20 / 38 / 0 / 7

HEX #BC93EC

RGB 188 147 236

HSL 267.64, 0.7%, 0.75%

LAB 67.74, 32.52, -39.19

 

CMYK 0 / 38 / 36 / 7

HEX #EC9396

RGB 236 147 150

HSL 357.98, 0.7%, 0.75%

LAB 70.11, 33.9, 12.66

 

Description

Color code: HEX #C2EC95 | qconv.com Color code: HEX #C2EC95 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 236 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 236 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 37 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 37% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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