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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2E570 it is the complementary color #3D1A8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2E570. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2E570 shade: #C7E56B, #D8F77E, #E9FF91, #FAFFA4 and #FFFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2E570. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2E570 shade: #C2E570, #B1D35D, #A0C14A, #8FAF37 and #7E9D24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2E570 shade: #C2E571, #E1E571, #E5C971, #E5AA71 and #E58A71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2E570 shade: #C2E571, #A3E571, #84E571, #71E57D and #71E59D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2E570 shade matches the following richer shades: #C2E571 and #C8F363

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2E570 shade: #C2E571, #BDD77E, #B7CA8C, #B2BC9A and #ACAEA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2E570 shade: #E5C871, #E3E571, #C4E571, #A5E571 and #86E571

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2E570 shade: #A4D82B, #B3DF4E, #C2E571, #D1EB94 and #E0F2B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2E570 shade: #C2E570, #71E5A9 and #D771E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2E570 shade: #C2E570, #71C4E5 and #E571C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2E570 shade: #C2E570, #71E5A9, #9271E5 and #E571AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2E570 shade: #C2E570, #71E5CC, #9271E5 and #E5718A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 51 / 10

HEX #C2E570

RGB 194 229 112

HSL 77.95, 0.69%, 0.67%

LAB 86.34, -29.1, 52.72

 

Complementary color

CMYK 57 / 82 / 0 / 44

HEX #3D1A8F

RGB 61 26 143

HSL 257.95, 0.69%, 0.33%

LAB 22.7, 45.24, -57.86

 

CMYK 13 / 0 / 53 / 10

HEX #C7E56B

RGB 199 229 107

HSL 74.75, 0.7%, 0.66%

LAB 86.62, -27.65, 55.43

 

CMYK 13 / 0 / 49 / 3

HEX #D8F77E

RGB 216 247 126

HSL 75.37, 0.88%, 0.73%

LAB 92.85, -27.89, 54.37

 

CMYK 9 / 0 / 43 / 0

HEX #E9FF91

RGB 233 255 145

HSL 72, 1%, 0.78%

LAB 96.36, -23.37, 50.01

 

CMYK 2 / 0 / 36 / 0

HEX #FAFFA4

RGB 250 255 164

HSL 63.3, 1%, 0.82%

LAB 97.84, -14.94, 42.96

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 15 / 0 / 51 / 10

HEX #C2E570

RGB 194 229 112

HSL 77.95, 0.69%, 0.67%

LAB 86.34, -29.1, 52.72

 

CMYK 16 / 0 / 56 / 17

HEX #B1D35D

RGB 177 211 93

HSL 77.29, 0.57%, 0.6%

LAB 80.03, -28.87, 53.76

 

CMYK 17 / 0 / 62 / 24

HEX #A0C14A

RGB 160 193 74

HSL 76.64, 0.49%, 0.52%

LAB 73.62, -28.56, 54.67

 

CMYK 18 / 0 / 69 / 31

HEX #8FAF37

RGB 143 175 55

HSL 76, 0.52%, 0.45%

LAB 67.11, -28.14, 55.3

 

CMYK 20 / 0 / 77 / 38

HEX #7E9D24

RGB 126 157 36

HSL 75.37, 0.63%, 0.38%

LAB 60.5, -27.55, 55.37

 

CMYK 15 / 0 / 51 / 10

HEX #C2E571

RGB 194 229 113

HSL 78.1, 0.69%, 0.67%

LAB 86.36, -29, 52.27

 

CMYK 2 / 0 / 51 / 10

HEX #E1E571

RGB 225 229 113

HSL 62.07, 0.69%, 0.67%

LAB 88.56, -16.94, 55.43

 

CMYK 0 / 12 / 51 / 10

HEX #E5C971

RGB 229 201 113

HSL 45.52, 0.69%, 0.67%

LAB 81.63, -1.22, 47.23

 

CMYK 0 / 26 / 51 / 10

HEX #E5AA71

RGB 229 170 113

HSL 29.48, 0.69%, 0.67%

LAB 73.93, 15.09, 37.7

 

CMYK 0 / 40 / 51 / 10

HEX #E58A71

RGB 229 138 113

HSL 12.93, 0.69%, 0.67%

LAB 66.54, 32.13, 28.17

 

CMYK 15 / 0 / 51 / 10

HEX #C2E571

RGB 194 229 113

HSL 78.1, 0.69%, 0.67%

LAB 86.36, -29, 52.27

 

CMYK 29 / 0 / 51 / 10

HEX #A3E571

RGB 163 229 113

HSL 94.14, 0.69%, 0.67%

LAB 84.49, -40.3, 49.59

 

CMYK 42 / 0 / 51 / 10

HEX #84E571

RGB 132 229 113

HSL 110.17, 0.69%, 0.67%

LAB 82.99, -50.37, 47.42

 

CMYK 51 / 0 / 45 / 10

HEX #71E57D

RGB 113 229 125

HSL 126.21, 0.69%, 0.67%

LAB 82.39, -54.07, 40.74

 

CMYK 51 / 0 / 31 / 10

HEX #71E59D

RGB 113 229 157

HSL 142.76, 0.69%, 0.67%

LAB 82.9, -48.78, 25.28

 

CMYK 15 / 0 / 51 / 10

HEX #C2E571

RGB 194 229 113

HSL 78.1, 0.69%, 0.67%

LAB 86.36, -29, 52.27

 

CMYK 18 / 0 / 59 / 5

HEX #C8F363

RGB 200 243 99

HSL 77.92, 0.86%, 0.67%

LAB 90.45, -34.44, 63.3

 

CMYK 15 / 0 / 51 / 10

HEX #C2E571

RGB 194 229 113

HSL 78.1, 0.69%, 0.67%

LAB 86.36, -29, 52.27

 

CMYK 12 / 0 / 41 / 16

HEX #BDD77E

RGB 189 215 126

HSL 77.53, 0.53%, 0.67%

LAB 82.34, -22.81, 41

 

CMYK 9 / 0 / 31 / 21

HEX #B7CA8C

RGB 183 202 140

HSL 78.39, 0.37%, 0.67%

LAB 78.58, -16.87, 28.89

 

CMYK 5 / 0 / 18 / 26

HEX #B2BC9A

RGB 178 188 154

HSL 77.65, 0.2%, 0.67%

LAB 74.68, -9.48, 16.06

 

CMYK 1 / 0 / 4 / 32

HEX #ACAEA7

RGB 172 174 167

HSL 77.14, 0.04%, 0.67%

LAB 70.76, -2.01, 3.33

 

CMYK 0 / 13 / 51 / 10

HEX #E5C871

RGB 229 200 113

HSL 45, 0.69%, 0.67%

LAB 81.38, -0.7, 46.93

 

CMYK 1 / 0 / 51 / 10

HEX #E3E571

RGB 227 229 113

HSL 61.03, 0.69%, 0.67%

LAB 88.71, -16.15, 55.64

 

CMYK 14 / 0 / 51 / 10

HEX #C4E571

RGB 196 229 113

HSL 77.07, 0.69%, 0.67%

LAB 86.49, -28.24, 52.46

 

CMYK 28 / 0 / 51 / 10

HEX #A5E571

RGB 165 229 113

HSL 93.1, 0.69%, 0.67%

LAB 84.6, -39.6, 49.75

 

CMYK 41 / 0 / 51 / 10

HEX #86E571

RGB 134 229 113

HSL 109.14, 0.69%, 0.67%

LAB 83.07, -49.76, 47.54

 

CMYK 24 / 0 / 80 / 15

HEX #A4D82B

RGB 164 216 43

HSL 78.03, 0.69%, 0.51%

LAB 80.28, -39.37, 72.3

 

CMYK 20 / 0 / 65 / 13

HEX #B3DF4E

RGB 179 223 78

HSL 78.21, 0.69%, 0.59%

LAB 83.39, -34.86, 63.87

 

CMYK 15 / 0 / 51 / 10

HEX #C2E571

RGB 194 229 113

HSL 78.1, 0.69%, 0.67%

LAB 86.36, -29, 52.27

 

CMYK 11 / 0 / 37 / 8

HEX #D1EB94

RGB 209 235 148

HSL 77.93, 0.69%, 0.75%

LAB 89.44, -22.4, 39.42

 

CMYK 7 / 0 / 24 / 5

HEX #E0F2B7

RGB 224 242 183

HSL 78.31, 0.69%, 0.83%

LAB 92.91, -15.7, 26.56

 

CMYK 15 / 0 / 51 / 10

HEX #C2E570

RGB 194 229 112

HSL 77.95, 0.69%, 0.67%

LAB 86.34, -29.1, 52.72

 

CMYK 51 / 0 / 26 / 10

HEX #71E5A9

RGB 113 229 169

HSL 148.97, 0.69%, 0.67%

LAB 83.13, -46.49, 19.37

 

CMYK 6 / 51 / 0 / 10

HEX #D771E5

RGB 215 113 229

HSL 292.76, 0.69%, 0.67%

LAB 63.27, 56.68, -42.09

 

CMYK 15 / 0 / 51 / 10

HEX #C2E570

RGB 194 229 112

HSL 77.95, 0.69%, 0.67%

LAB 86.34, -29.1, 52.72

 

CMYK 51 / 14 / 0 / 10

HEX #71C4E5

RGB 113 196 229

HSL 197.07, 0.69%, 0.67%

LAB 75.23, -16.39, -24.2

 

CMYK 0 / 51 / 14 / 10

HEX #E571C4

RGB 229 113 196

HSL 317.07, 0.69%, 0.67%

LAB 63.72, 55.07, -22.75

 

CMYK 15 / 0 / 51 / 10

HEX #C2E570

RGB 194 229 112

HSL 77.95, 0.69%, 0.67%

LAB 86.34, -29.1, 52.72

 

CMYK 51 / 0 / 26 / 10

HEX #71E5A9

RGB 113 229 169

HSL 148.97, 0.69%, 0.67%

LAB 83.13, -46.49, 19.37

 

CMYK 36 / 51 / 0 / 10

HEX #9271E5

RGB 146 113 229

HSL 257.07, 0.69%, 0.67%

LAB 55.66, 38.59, -54.63

 

CMYK 0 / 51 / 24 / 10

HEX #E571AD

RGB 229 113 173

HSL 328.97, 0.69%, 0.67%

LAB 62.92, 51.73, -10.9

 

CMYK 15 / 0 / 51 / 10

HEX #C2E570

RGB 194 229 112

HSL 77.95, 0.69%, 0.67%

LAB 86.34, -29.1, 52.72

 

CMYK 51 / 0 / 11 / 10

HEX #71E5CC

RGB 113 229 204

HSL 167.07, 0.69%, 0.67%

LAB 83.92, -38.89, 2.12

 

CMYK 36 / 51 / 0 / 10

HEX #9271E5

RGB 146 113 229

HSL 257.07, 0.69%, 0.67%

LAB 55.66, 38.59, -54.63

 

CMYK 0 / 51 / 40 / 10

HEX #E5718A

RGB 229 113 138

HSL 347.07, 0.69%, 0.67%

LAB 61.91, 47.42, 7.7

 

Description

Color code: HEX #C2E570 | qconv.com Color code: HEX #C2E570 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 229 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 229 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 51 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 51% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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