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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2E40E it is the complementary color #3D1BF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2E40E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2E40E shade: #C7E409, #D8F61C, #E9FF2F, #FAFF42 and #FFFF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2E40E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2E40E shade: #C2E40E, #B1D200, #A0C000, #8FAE00 and #7E9C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2E40E shade: #C0E10E, #E1CA0E, #E1910E, #E1580E and #E11F0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2E40E shade: #C0E10E, #87E10E, #4EE10E, #15E10E and #0EE140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2E40E shade matches the following richer shades: #C0E10E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2E40E shade: #C0E10E, #B3CE22, #A5BB35, #98A749 and #8B945C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2E40E shade: #E1900E, #E1C90E, #C2E10E, #89E10E and #51E10E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2E40E shade: #7E9409, #9FBB0C, #C0E10E, #D1F128 and #D9F44E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2E40E shade: #C2E40E, #0EE158 and #AD0EE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2E40E shade: #C2E40E, #0EC2E1 and #E10EC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2E40E shade: #C2E40E, #0EE158, #2E0EE1 and #E10E97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2E40E shade: #C2E40E, #0EE197, #2E0EE1 and #E10E58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 94 / 11

HEX #C2E40E

RGB 194 228 14

HSL 69.53, 0.88%, 0.47%

LAB 85.5, -33.67, 82.68

 

Complementary color

CMYK 75 / 89 / 0 / 5

HEX #3D1BF1

RGB 61 27 241

HSL 249.53, 0.88%, 0.53%

LAB 34.25, 71.58, -96.67

 

CMYK 13 / 0 / 96 / 11

HEX #C7E409

RGB 199 228 9

HSL 67.95, 0.92%, 0.46%

LAB 85.83, -31.71, 83.54

 

CMYK 12 / 0 / 89 / 4

HEX #D8F61C

RGB 216 246 28

HSL 68.26, 0.92%, 0.54%

LAB 91.95, -32.88, 86.6

 

CMYK 9 / 0 / 82 / 0

HEX #E9FF2F

RGB 233 255 47

HSL 66.35, 1%, 0.59%

LAB 95.6, -29.77, 86.45

 

CMYK 2 / 0 / 74 / 0

HEX #FAFF42

RGB 250 255 66

HSL 61.59, 1%, 0.63%

LAB 96.92, -22.29, 83.03

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 15 / 0 / 94 / 11

HEX #C2E40E

RGB 194 228 14

HSL 69.53, 0.88%, 0.47%

LAB 85.5, -33.67, 82.68

 

CMYK 16 / 0 / 100 / 18

HEX #B1D200

RGB 177 210 0

HSL 69.43, 1%, 0.41%

LAB 79.29, -32.41, 78.72

 

CMYK 17 / 0 / 100 / 25

HEX #A0C000

RGB 160 192 0

HSL 70, 1%, 0.38%

LAB 73.01, -31, 73.48

 

CMYK 18 / 0 / 100 / 32

HEX #8FAE00

RGB 143 174 0

HSL 70.69, 1%, 0.34%

LAB 66.61, -29.56, 68.15

 

CMYK 19 / 0 / 100 / 39

HEX #7E9C00

RGB 126 156 0

HSL 71.54, 1%, 0.31%

LAB 60.08, -28.12, 62.72

 

CMYK 15 / 0 / 94 / 12

HEX #C0E10E

RGB 192 225 14

HSL 69.38, 0.88%, 0.47%

LAB 84.53, -33.1, 81.87

 

CMYK 0 / 10 / 94 / 12

HEX #E1CA0E

RGB 225 202 14

HSL 53.46, 0.88%, 0.47%

LAB 80.89, -8.05, 80.23

 

CMYK 0 / 36 / 94 / 12

HEX #E1910E

RGB 225 145 14

HSL 37.25, 0.88%, 0.47%

LAB 66.74, 21.93, 69.88

 

CMYK 0 / 61 / 94 / 12

HEX #E1580E

RGB 225 88 14

HSL 21.04, 0.88%, 0.47%

LAB 55.09, 50.65, 61.94

 

CMYK 0 / 86 / 94 / 12

HEX #E11F0E

RGB 225 31 14

HSL 4.83, 0.88%, 0.47%

LAB 48.28, 69.37, 57.77

 

CMYK 15 / 0 / 94 / 12

HEX #C0E10E

RGB 192 225 14

HSL 69.38, 0.88%, 0.47%

LAB 84.53, -33.1, 81.87

 

CMYK 40 / 0 / 94 / 12

HEX #87E10E

RGB 135 225 14

HSL 85.59, 0.88%, 0.47%

LAB 81.31, -54.37, 77.96

 

CMYK 65 / 0 / 94 / 12

HEX #4EE10E

RGB 78 225 14

HSL 101.8, 0.88%, 0.47%

LAB 79.33, -69.92, 75.53

 

CMYK 91 / 0 / 94 / 12

HEX #15E10E

RGB 21 225 14

HSL 118.01, 0.88%, 0.47%

LAB 78.49, -77.31, 74.49

 

CMYK 94 / 0 / 72 / 12

HEX #0EE140

RGB 14 225 64

HSL 134.22, 0.88%, 0.47%

LAB 78.64, -75.13, 62.58

 

CMYK 15 / 0 / 94 / 12

HEX #C0E10E

RGB 192 225 14

HSL 69.38, 0.88%, 0.47%

LAB 84.53, -33.1, 81.87

 

CMYK 15 / 0 / 94 / 12

HEX #C0E10E

RGB 192 225 14

HSL 69.38, 0.88%, 0.47%

LAB 84.53, -33.1, 81.87

 

CMYK 13 / 0 / 83 / 19

HEX #B3CE22

RGB 179 206 34

HSL 69.42, 0.72%, 0.47%

LAB 78.37, -29.13, 73.24

 

CMYK 12 / 0 / 72 / 27

HEX #A5BB35

RGB 165 187 53

HSL 69.85, 0.56%, 0.47%

LAB 72.09, -25.02, 61.55

 

CMYK 9 / 0 / 56 / 35

HEX #98A749

RGB 152 167 73

HSL 69.57, 0.39%, 0.47%

LAB 65.59, -19.1, 46.01

 

CMYK 6 / 0 / 38 / 42

HEX #8B945C

RGB 139 148 92

HSL 69.64, 0.23%, 0.47%

LAB 59.38, -12.58, 28.54

 

CMYK 0 / 36 / 94 / 12

HEX #E1900E

RGB 225 144 14

HSL 36.97, 0.88%, 0.47%

LAB 66.51, 22.47, 69.72

 

CMYK 0 / 11 / 94 / 12

HEX #E1C90E

RGB 225 201 14

HSL 53.18, 0.88%, 0.47%

LAB 80.63, -7.54, 80.03

 

CMYK 14 / 0 / 94 / 12

HEX #C2E10E

RGB 194 225 14

HSL 68.82, 0.88%, 0.47%

LAB 84.66, -32.29, 82.04

 

CMYK 39 / 0 / 94 / 12

HEX #89E10E

RGB 137 225 14

HSL 85.02, 0.88%, 0.47%

LAB 81.4, -53.7, 78.08

 

CMYK 64 / 0 / 94 / 12

HEX #51E10E

RGB 81 225 14

HSL 100.95, 0.88%, 0.47%

LAB 79.4, -69.29, 75.62

 

CMYK 15 / 0 / 94 / 42

HEX #7E9409

RGB 126 148 9

HSL 69.5, 0.89%, 0.31%

LAB 57.69, -24.03, 59.52

 

CMYK 15 / 0 / 94 / 27

HEX #9FBB0C

RGB 159 187 12

HSL 69.6, 0.88%, 0.39%

LAB 71.51, -28.89, 70.99

 

CMYK 15 / 0 / 94 / 12

HEX #C0E10E

RGB 192 225 14

HSL 69.38, 0.88%, 0.47%

LAB 84.53, -33.1, 81.87

 

CMYK 13 / 0 / 83 / 5

HEX #D1F128

RGB 209 241 40

HSL 69.55, 0.88%, 0.55%

LAB 90.15, -33.1, 82.71

 

CMYK 11 / 0 / 68 / 4

HEX #D9F44E

RGB 217 244 78

HSL 69.76, 0.88%, 0.63%

LAB 91.69, -29.74, 73.19

 

CMYK 15 / 0 / 94 / 11

HEX #C2E40E

RGB 194 228 14

HSL 69.53, 0.88%, 0.47%

LAB 85.5, -33.67, 82.68

 

CMYK 94 / 0 / 61 / 12

HEX #0EE158

RGB 14 225 88

HSL 141.04, 0.88%, 0.47%

LAB 78.84, -72.69, 53.22

 

CMYK 23 / 94 / 0 / 12

HEX #AD0EE1

RGB 173 14 225

HSL 285.21, 0.88%, 0.47%

LAB 45.13, 80.61, -69.19

 

CMYK 15 / 0 / 94 / 11

HEX #C2E40E

RGB 194 228 14

HSL 69.53, 0.88%, 0.47%

LAB 85.5, -33.67, 82.68

 

CMYK 94 / 14 / 0 / 12

HEX #0EC2E1

RGB 14 194 225

HSL 188.82, 0.88%, 0.47%

LAB 72.3, -28.97, -26.71

 

CMYK 0 / 94 / 14 / 12

HEX #E10EC2

RGB 225 14 194

HSL 308.82, 0.88%, 0.47%

LAB 52.08, 84.17, -39.73

 

CMYK 15 / 0 / 94 / 11

HEX #C2E40E

RGB 194 228 14

HSL 69.53, 0.88%, 0.47%

LAB 85.5, -33.67, 82.68

 

CMYK 94 / 0 / 61 / 12

HEX #0EE158

RGB 14 225 88

HSL 141.04, 0.88%, 0.47%

LAB 78.84, -72.69, 53.22

 

CMYK 80 / 94 / 0 / 12

HEX #2E0EE1

RGB 46 14 225

HSL 249.1, 0.88%, 0.47%

LAB 30.23, 70.16, -94.27

 

CMYK 0 / 94 / 33 / 12

HEX #E10E97

RGB 225 14 151

HSL 321.04, 0.88%, 0.47%

LAB 50.16, 79.22, -17.38

 

CMYK 15 / 0 / 94 / 11

HEX #C2E40E

RGB 194 228 14

HSL 69.53, 0.88%, 0.47%

LAB 85.5, -33.67, 82.68

 

CMYK 94 / 0 / 33 / 12

HEX #0EE197

RGB 14 225 151

HSL 158.96, 0.88%, 0.47%

LAB 79.72, -62.24, 23.72

 

CMYK 80 / 94 / 0 / 12

HEX #2E0EE1

RGB 46 14 225

HSL 249.1, 0.88%, 0.47%

LAB 30.23, 70.16, -94.27

 

CMYK 0 / 94 / 61 / 12

HEX #E10E58

RGB 225 14 88

HSL 338.96, 0.88%, 0.47%

LAB 48.29, 74.19, 18.32

 

Description

Color code: HEX #C2E40E | qconv.com Color code: HEX #C2E40E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 228 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 228 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 94 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 94% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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