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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2E04A it is the complementary color #3D1FB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2E04A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2E04A shade: #C7E045, #D8F258, #E9FF6B, #FAFF7E and #FFFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2E04A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2E04A shade: #C2E04A, #B1CE37, #A0BC24, #8FAA11 and #7E9800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2E04A shade: #C2E048, #E0D548, #E0AC48, #E08348 and #E05A48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2E04A shade: #C2E048, #99E048, #70E048, #48E049 and #48E072

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2E04A shade matches the following richer shades: #C2E048 and #CCF137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2E04A shade: #C2E048, #B7CF59, #ADBD6B, #A2AC7C and #989B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2E04A shade: #E0AD48, #E0D648, #C2E048, #99E048 and #70E048

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2E04A shade: #98B61F, #B5DA25, #C2E048, #CDE66B and #D9EC8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2E04A shade: #C2E04A, #48E085 and #C248E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2E04A shade: #C2E04A, #48C2E0 and #E048C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2E04A shade: #C2E04A, #48E085, #6648E0 and #E048A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2E04A shade: #C2E04A, #48E0B2, #6648E0 and #E04875

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 67 / 12

HEX #C2E04A

RGB 194 224 74

HSL 72, 0.71%, 0.58%

LAB 84.63, -29.73, 67

 

Complementary color

CMYK 66 / 83 / 0 / 29

HEX #3D1FB5

RGB 61 31 181

HSL 252, 0.71%, 0.42%

LAB 27.6, 53.93, -72.89

 

CMYK 11 / 0 / 69 / 12

HEX #C7E045

RGB 199 224 69

HSL 69.68, 0.71%, 0.57%

LAB 84.94, -28.02, 69.28

 

CMYK 11 / 0 / 64 / 5

HEX #D8F258

RGB 216 242 88

HSL 70.13, 0.86%, 0.65%

LAB 91.15, -28.6, 68.84

 

CMYK 9 / 0 / 58 / 0

HEX #E9FF6B

RGB 233 255 107

HSL 68.92, 1%, 0.71%

LAB 95.96, -26.74, 66.66

 

CMYK 2 / 0 / 51 / 0

HEX #FAFF7E

RGB 250 255 126

HSL 62.33, 1%, 0.75%

LAB 97.37, -18.65, 60.32

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 13 / 0 / 67 / 12

HEX #C2E04A

RGB 194 224 74

HSL 72, 0.71%, 0.58%

LAB 84.63, -29.73, 67

 

CMYK 14 / 0 / 73 / 19

HEX #B1CE37

RGB 177 206 55

HSL 71.52, 0.61%, 0.51%

LAB 78.32, -29.11, 67.18

 

CMYK 15 / 0 / 81 / 26

HEX #A0BC24

RGB 160 188 36

HSL 71.05, 0.68%, 0.44%

LAB 71.94, -28.34, 66.65

 

CMYK 16 / 0 / 90 / 33

HEX #8FAA11

RGB 143 170 17

HSL 70.59, 0.82%, 0.37%

LAB 65.46, -27.36, 64.96

 

CMYK 17 / 0 / 100 / 40

HEX #7E9800

RGB 126 152 0

HSL 70.26, 1%, 0.3%

LAB 58.87, -26.17, 61.81

 

CMYK 13 / 0 / 68 / 12

HEX #C2E048

RGB 194 224 72

HSL 71.84, 0.71%, 0.58%

LAB 84.61, -29.85, 67.74

 

CMYK 0 / 5 / 68 / 12

HEX #E0D548

RGB 224 213 72

HSL 55.66, 0.71%, 0.58%

LAB 83.92, -12.24, 67.77

 

CMYK 0 / 23 / 68 / 12

HEX #E0AC48

RGB 224 172 72

HSL 39.47, 0.71%, 0.58%

LAB 73.43, 8.97, 56.94

 

CMYK 0 / 42 / 68 / 12

HEX #E08348

RGB 224 131 72

HSL 23.29, 0.71%, 0.58%

LAB 63.79, 30.84, 46.43

 

CMYK 0 / 60 / 68 / 12

HEX #E05A48

RGB 224 90 72

HSL 7.11, 0.71%, 0.58%

LAB 55.71, 51.2, 37.12

 

CMYK 13 / 0 / 68 / 12

HEX #C2E048

RGB 194 224 72

HSL 71.84, 0.71%, 0.58%

LAB 84.61, -29.85, 67.74

 

CMYK 32 / 0 / 68 / 12

HEX #99E048

RGB 153 224 72

HSL 88.03, 0.71%, 0.58%

LAB 82.14, -45.33, 64.42

 

CMYK 50 / 0 / 68 / 12

HEX #70E048

RGB 112 224 72

HSL 104.21, 0.71%, 0.58%

LAB 80.31, -58.42, 61.94

 

CMYK 68 / 0 / 67 / 12

HEX #48E049

RGB 72 224 73

HSL 120.39, 0.71%, 0.58%

LAB 79.14, -67.65, 59.96

 

CMYK 68 / 0 / 49 / 12

HEX #48E072

RGB 72 224 114

HSL 136.58, 0.71%, 0.58%

LAB 79.56, -62.74, 42.28

 

CMYK 13 / 0 / 68 / 12

HEX #C2E048

RGB 194 224 72

HSL 71.84, 0.71%, 0.58%

LAB 84.61, -29.85, 67.74

 

CMYK 15 / 0 / 77 / 5

HEX #CCF137

RGB 204 241 55

HSL 71.94, 0.87%, 0.58%

LAB 89.87, -34.58, 78.6

 

CMYK 13 / 0 / 68 / 12

HEX #C2E048

RGB 194 224 72

HSL 71.84, 0.71%, 0.58%

LAB 84.61, -29.85, 67.74

 

CMYK 12 / 0 / 57 / 19

HEX #B7CF59

RGB 183 207 89

HSL 72.2, 0.55%, 0.58%

LAB 79.28, -24.94, 54.82

 

CMYK 8 / 0 / 43 / 26

HEX #ADBD6B

RGB 173 189 107

HSL 71.71, 0.38%, 0.58%

LAB 73.77, -18.31, 39.5

 

CMYK 6 / 0 / 28 / 33

HEX #A2AC7C

RGB 162 172 124

HSL 72.5, 0.22%, 0.58%

LAB 68.49, -11.73, 23.58

 

CMYK 2 / 0 / 9 / 39

HEX #989B8D

RGB 152 155 141

HSL 72.86, 0.07%, 0.58%

LAB 63.38, -3.7, 6.96

 

CMYK 0 / 23 / 68 / 12

HEX #E0AD48

RGB 224 173 72

HSL 39.87, 0.71%, 0.58%

LAB 73.68, 8.44, 57.21

 

CMYK 0 / 4 / 68 / 12

HEX #E0D648

RGB 224 214 72

HSL 56.05, 0.71%, 0.58%

LAB 84.18, -12.74, 68.04

 

CMYK 13 / 0 / 68 / 12

HEX #C2E048

RGB 194 224 72

HSL 71.84, 0.71%, 0.58%

LAB 84.61, -29.85, 67.74

 

CMYK 32 / 0 / 68 / 12

HEX #99E048

RGB 153 224 72

HSL 88.03, 0.71%, 0.58%

LAB 82.14, -45.33, 64.42

 

CMYK 50 / 0 / 68 / 12

HEX #70E048

RGB 112 224 72

HSL 104.21, 0.71%, 0.58%

LAB 80.31, -58.42, 61.94

 

CMYK 16 / 0 / 83 / 29

HEX #98B61F

RGB 152 182 31

HSL 71.92, 0.71%, 0.42%

LAB 69.63, -28.96, 65.72

 

CMYK 17 / 0 / 83 / 15

HEX #B5DA25

RGB 181 218 37

HSL 72.27, 0.71%, 0.5%

LAB 81.89, -33.81, 75.61

 

CMYK 13 / 0 / 68 / 12

HEX #C2E048

RGB 194 224 72

HSL 71.84, 0.71%, 0.58%

LAB 84.61, -29.85, 67.74

 

CMYK 11 / 0 / 53 / 10

HEX #CDE66B

RGB 205 230 107

HSL 72.2, 0.71%, 0.66%

LAB 87.31, -25.8, 56.33

 

CMYK 8 / 0 / 40 / 7

HEX #D9EC8E

RGB 217 236 142

HSL 72.13, 0.71%, 0.74%

LAB 90.18, -20.59, 43.45

 

CMYK 13 / 0 / 67 / 12

HEX #C2E04A

RGB 194 224 74

HSL 72, 0.71%, 0.58%

LAB 84.63, -29.73, 67

 

CMYK 68 / 0 / 41 / 12

HEX #48E085

RGB 72 224 133

HSL 144.08, 0.71%, 0.58%

LAB 79.83, -59.66, 33.22

 

CMYK 13 / 68 / 0 / 12

HEX #C248E0

RGB 194 72 224

HSL 288.16, 0.71%, 0.58%

LAB 53.48, 68.94, -54.99

 

CMYK 13 / 0 / 67 / 12

HEX #C2E04A

RGB 194 224 74

HSL 72, 0.71%, 0.58%

LAB 84.63, -29.73, 67

 

CMYK 68 / 13 / 0 / 12

HEX #48C2E0

RGB 72 194 224

HSL 191.84, 0.71%, 0.58%

LAB 73.12, -24.32, -24.85

 

CMYK 0 / 68 / 13 / 12

HEX #E048C2

RGB 224 72 194

HSL 311.84, 0.71%, 0.58%

LAB 56.46, 70.89, -32.87

 

CMYK 13 / 0 / 67 / 12

HEX #C2E04A

RGB 194 224 74

HSL 72, 0.71%, 0.58%

LAB 84.63, -29.73, 67

 

CMYK 68 / 0 / 41 / 12

HEX #48E085

RGB 72 224 133

HSL 144.08, 0.71%, 0.58%

LAB 79.83, -59.66, 33.22

 

CMYK 54 / 68 / 0 / 12

HEX #6648E0

RGB 102 72 224

HSL 251.84, 0.71%, 0.58%

LAB 42.52, 51.22, -73.24

 

CMYK 0 / 68 / 27 / 12

HEX #E048A3

RGB 224 72 163

HSL 324.08, 0.71%, 0.58%

LAB 55.2, 66.75, -16.83

 

CMYK 13 / 0 / 67 / 12

HEX #C2E04A

RGB 194 224 74

HSL 72, 0.71%, 0.58%

LAB 84.63, -29.73, 67

 

CMYK 68 / 0 / 21 / 12

HEX #48E0B2

RGB 72 224 178

HSL 161.84, 0.71%, 0.58%

LAB 80.69, -50.47, 11.05

 

CMYK 54 / 68 / 0 / 12

HEX #6648E0

RGB 102 72 224

HSL 251.84, 0.71%, 0.58%

LAB 42.52, 51.22, -73.24

 

CMYK 0 / 68 / 48 / 12

HEX #E04875

RGB 224 72 117

HSL 342.24, 0.71%, 0.58%

LAB 53.78, 61.89, 8.31

 

Description

Color code: HEX #C2E04A | qconv.com Color code: HEX #C2E04A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 224 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 224 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 67 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 67% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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