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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2DAA3 it is the complementary color #3D255C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2DAA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2DAA3 shade: #C7DA9E, #D8ECB1, #E9FEC4, #FAFFD7 and #FFFFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2DAA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2DAA3 shade: #C2DAA3, #B1C890, #A0B67D, #8FA46A and #7E9257

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2DAA3 shade: #C3DBA4, #D2DBA4, #DBD5A4, #DBC6A4 and #DBB7A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2DAA3 shade: #C3DBA4, #B4DBA4, #A5DBA4, #A4DBB1 and #A4DBC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2DAA3 shade matches the following richer shades: #C3DBA4, #C4E59A, #C5EF8F and #C7FA85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2DAA3 shade: #C3DBA4, #C1D0AE, #C0C6B8, #BFBCC3 and #BDB1CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2DAA3 shade: #DBD5A4, #D2DBA4, #C3DBA4, #B4DBA4 and #A6DBA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2DAA3 shade: #9CC369, #AFCF86, #C3DBA4, #D6E6C1 and #EAF2DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2DAA3 shade: #C2DAA3, #A4DBC7 and #DBA4D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2DAA3 shade: #C2DAA3, #A4C3DB and #DBA4C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2DAA3 shade: #C2DAA3, #A4DBC7, #BCA4DB and #DBA4B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2DAA3 shade: #C2DAA3, #A4DBD7, #BCA4DB and #DBA4A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 25 / 15

HEX #C2DAA3

RGB 194 218 163

HSL 86.18, 0.43%, 0.75%

LAB 84.1, -17.52, 24.49

 

Complementary color

CMYK 34 / 60 / 0 / 64

HEX #3D255C

RGB 61 37 92

HSL 266.18, 0.43%, 0.25%

LAB 20.39, 24.25, -28.92

 

CMYK 9 / 0 / 28 / 15

HEX #C7DA9E

RGB 199 218 158

HSL 79, 0.45%, 0.74%

LAB 84.36, -16.43, 27.49

 

CMYK 8 / 0 / 25 / 7

HEX #D8ECB1

RGB 216 236 177

HSL 80.34, 0.61%, 0.81%

LAB 90.67, -16.47, 26.48

 

CMYK 8 / 0 / 23 / 0

HEX #E9FEC4

RGB 233 254 196

HSL 81.72, 0.97%, 0.88%

LAB 96.9, -16.5, 25.52

 

CMYK 2 / 0 / 16 / 0

HEX #FAFFD7

RGB 250 255 215

HSL 67.5, 1%, 0.92%

LAB 98.73, -8.22, 18.58

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 11 / 0 / 25 / 15

HEX #C2DAA3

RGB 194 218 163

HSL 86.18, 0.43%, 0.75%

LAB 84.1, -17.52, 24.49

 

CMYK 12 / 0 / 28 / 22

HEX #B1C890

RGB 177 200 144

HSL 84.64, 0.34%, 0.67%

LAB 77.68, -17.53, 25.51

 

CMYK 12 / 0 / 31 / 29

HEX #A0B67D

RGB 160 182 125

HSL 83.16, 0.28%, 0.6%

LAB 71.15, -17.53, 26.59

 

CMYK 13 / 0 / 35 / 36

HEX #8FA46A

RGB 143 164 106

HSL 81.72, 0.24%, 0.53%

LAB 64.51, -17.51, 27.73

 

CMYK 14 / 0 / 40 / 43

HEX #7E9257

RGB 126 146 87

HSL 80.34, 0.25%, 0.46%

LAB 57.73, -17.46, 28.93

 

CMYK 11 / 0 / 25 / 14

HEX #C3DBA4

RGB 195 219 164

HSL 86.18, 0.43%, 0.75%

LAB 84.46, -17.51, 24.46

 

CMYK 4 / 0 / 25 / 14

HEX #D2DBA4

RGB 210 219 164

HSL 69.82, 0.43%, 0.75%

LAB 85.53, -12.03, 26.1

 

CMYK 0 / 3 / 25 / 14

HEX #DBD5A4

RGB 219 213 164

HSL 53.45, 0.43%, 0.75%

LAB 84.65, -5.63, 25.02

 

CMYK 0 / 10 / 25 / 14

HEX #DBC6A4

RGB 219 198 164

HSL 37.09, 0.43%, 0.75%

LAB 80.81, 2.15, 19.74

 

CMYK 0 / 16 / 25 / 14

HEX #DBB7A4

RGB 219 183 164

HSL 20.73, 0.43%, 0.75%

LAB 77.05, 10.09, 14.49

 

CMYK 11 / 0 / 25 / 14

HEX #C3DBA4

RGB 195 219 164

HSL 86.18, 0.43%, 0.75%

LAB 84.46, -17.51, 24.46

 

CMYK 18 / 0 / 25 / 14

HEX #B4DBA4

RGB 180 219 164

HSL 102.55, 0.43%, 0.75%

LAB 83.47, -22.82, 22.95

 

CMYK 25 / 0 / 25 / 14

HEX #A5DBA4

RGB 165 219 164

HSL 118.91, 0.43%, 0.75%

LAB 82.56, -27.92, 21.56

 

CMYK 25 / 0 / 19 / 14

HEX #A4DBB1

RGB 164 219 177

HSL 134.18, 0.43%, 0.75%

LAB 82.77, -25.97, 15.02

 

CMYK 25 / 0 / 12 / 14

HEX #A4DBC0

RGB 164 219 192

HSL 150.55, 0.43%, 0.75%

LAB 83.11, -23.13, 7.58

 

CMYK 11 / 0 / 25 / 14

HEX #C3DBA4

RGB 195 219 164

HSL 86.18, 0.43%, 0.75%

LAB 84.46, -17.51, 24.46

 

CMYK 14 / 0 / 33 / 10

HEX #C4E59A

RGB 196 229 154

HSL 86.4, 0.59%, 0.75%

LAB 87.05, -23.48, 33.11

 

CMYK 18 / 0 / 40 / 6

HEX #C5EF8F

RGB 197 239 143

HSL 86.25, 0.75%, 0.75%

LAB 89.67, -29.3, 42.03

 

CMYK 20 / 0 / 47 / 2

HEX #C7FA85

RGB 199 250 133

HSL 86.15, 0.92%, 0.75%

LAB 92.67, -34.82, 50.62

 

CMYK 11 / 0 / 25 / 14

HEX #C3DBA4

RGB 195 219 164

HSL 86.18, 0.43%, 0.75%

LAB 84.46, -17.51, 24.46

 

CMYK 7 / 0 / 16 / 18

HEX #C1D0AE

RGB 193 208 174

HSL 86.47, 0.27%, 0.75%

LAB 81.57, -11.12, 15.19

 

CMYK 3 / 0 / 7 / 22

HEX #C0C6B8

RGB 192 198 184

HSL 85.71, 0.11%, 0.75%

LAB 79.07, -4.61, 6.29

 

CMYK 2 / 4 / 0 / 24

HEX #BFBCC3

RGB 191 188 195

HSL 265.71, 0.06%, 0.75%

LAB 76.67, 2.35, -3.16

 

CMYK 8 / 14 / 0 / 20

HEX #BDB1CD

RGB 189 177 205

HSL 265.71, 0.22%, 0.75%

LAB 73.98, 9.58, -12.62

 

CMYK 0 / 3 / 25 / 14

HEX #DBD5A4

RGB 219 213 164

HSL 53.45, 0.43%, 0.75%

LAB 84.65, -5.63, 25.02

 

CMYK 4 / 0 / 25 / 14

HEX #D2DBA4

RGB 210 219 164

HSL 69.82, 0.43%, 0.75%

LAB 85.53, -12.03, 26.1

 

CMYK 11 / 0 / 25 / 14

HEX #C3DBA4

RGB 195 219 164

HSL 86.18, 0.43%, 0.75%

LAB 84.46, -17.51, 24.46

 

CMYK 18 / 0 / 25 / 14

HEX #B4DBA4

RGB 180 219 164

HSL 102.55, 0.43%, 0.75%

LAB 83.47, -22.82, 22.95

 

CMYK 24 / 0 / 25 / 14

HEX #A6DBA4

RGB 166 219 164

HSL 117.82, 0.43%, 0.75%

LAB 82.62, -27.58, 21.65

 

CMYK 20 / 0 / 46 / 24

HEX #9CC369

RGB 156 195 105

HSL 86, 0.43%, 0.59%

LAB 74.27, -28.07, 40.86

 

CMYK 15 / 0 / 35 / 19

HEX #AFCF86

RGB 175 207 134

HSL 86.3, 0.43%, 0.67%

LAB 79.31, -23.15, 32.86

 

CMYK 11 / 0 / 25 / 14

HEX #C3DBA4

RGB 195 219 164

HSL 86.18, 0.43%, 0.75%

LAB 84.46, -17.51, 24.46

 

CMYK 7 / 0 / 16 / 10

HEX #D6E6C1

RGB 214 230 193

HSL 85.95, 0.43%, 0.83%

LAB 89.27, -11.77, 16.25

 

CMYK 3 / 0 / 8 / 5

HEX #EAF2DF

RGB 234 242 223

HSL 85.26, 0.42%, 0.91%

LAB 94.45, -5.97, 8.24

 

CMYK 11 / 0 / 25 / 15

HEX #C2DAA3

RGB 194 218 163

HSL 86.18, 0.43%, 0.75%

LAB 84.1, -17.52, 24.49

 

CMYK 25 / 0 / 9 / 14

HEX #A4DBC7

RGB 164 219 199

HSL 158.18, 0.43%, 0.75%

LAB 83.27, -21.73, 4.11

 

CMYK 0 / 25 / 1 / 14

HEX #DBA4D9

RGB 219 164 217

HSL 302.18, 0.43%, 0.75%

LAB 73.95, 28.99, -18.96

 

CMYK 11 / 0 / 25 / 15

HEX #C2DAA3

RGB 194 218 163

HSL 86.18, 0.43%, 0.75%

LAB 84.1, -17.52, 24.49

 

CMYK 25 / 11 / 0 / 14

HEX #A4C3DB

RGB 164 195 219

HSL 206.18, 0.43%, 0.75%

LAB 77.3, -5.07, -15.41

 

CMYK 0 / 25 / 11 / 14

HEX #DBA4C3

RGB 219 164 195

HSL 326.18, 0.43%, 0.75%

LAB 73.25, 25.11, -7.93

 

CMYK 11 / 0 / 25 / 15

HEX #C2DAA3

RGB 194 218 163

HSL 86.18, 0.43%, 0.75%

LAB 84.1, -17.52, 24.49

 

CMYK 25 / 0 / 9 / 14

HEX #A4DBC7

RGB 164 219 199

HSL 158.18, 0.43%, 0.75%

LAB 83.27, -21.73, 4.11

 

CMYK 14 / 25 / 0 / 14

HEX #BCA4DB

RGB 188 164 219

HSL 266.18, 0.43%, 0.75%

LAB 71.12, 19.33, -24.63

 

CMYK 0 / 25 / 16 / 14

HEX #DBA4B8

RGB 219 164 184

HSL 338.18, 0.43%, 0.75%

LAB 72.94, 23.32, -2.34

 

CMYK 11 / 0 / 25 / 15

HEX #C2DAA3

RGB 194 218 163

HSL 86.18, 0.43%, 0.75%

LAB 84.1, -17.52, 24.49

 

CMYK 25 / 0 / 2 / 14

HEX #A4DBD7

RGB 164 219 215

HSL 175.64, 0.43%, 0.75%

LAB 83.68, -18.37, -3.77

 

CMYK 14 / 25 / 0 / 14

HEX #BCA4DB

RGB 188 164 219

HSL 266.18, 0.43%, 0.75%

LAB 71.12, 19.33, -24.63

 

CMYK 0 / 25 / 24 / 14

HEX #DBA4A7

RGB 219 164 167

HSL 356.73, 0.43%, 0.75%

LAB 72.5, 20.73, 6.39

 

Description

Color code: HEX #C2DAA3 | qconv.com Color code: HEX #C2DAA3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 218 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 218 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 25 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 25% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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