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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2D54F it is the complementary color #3D2AB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2D54F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2D54F shade: #C7D54A, #D8E75D, #E9F970, #FAFF83 and #FFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2D54F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2D54F shade: #C2D54F, #B1C33C, #A0B129, #8F9F16 and #7E8D03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2D54F shade: #C1D44E, #D4C34E, #D49F4E, #D47B4E and #D4574E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2D54F shade: #C1D44E, #9DD44E, #79D44E, #55D44E and #4ED46C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2D54F shade matches the following richer shades: #C1D44E, #CEE63D and #DBF82B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2D54F shade: #C1D44E, #B5C260, #A8B172, #9B9F84 and #8E8D95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2D54F shade: #D49F4E, #D4C24E, #C2D44E, #9FD44E and #7BD44E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2D54F shade: #96A829, #B3C931, #C1D44E, #CDDC70 and #D8E491

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2D54F shade: #C2D54F, #4ED47B and #B14ED4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2D54F shade: #C2D54F, #4EC2D4 and #D44EC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2D54F shade: #C2D54F, #4ED47B, #604ED4 and #D44EA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2D54F shade: #C2D54F, #4ED4A3, #604ED4 and #D44E80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 63 / 16

HEX #C2D54F

RGB 194 213 79

HSL 68.51, 0.61%, 0.57%

LAB 81.63, -24.17, 61.91

 

Complementary color

CMYK 65 / 76 / 0 / 31

HEX #3D2AB0

RGB 61 42 176

HSL 248.51, 0.61%, 0.43%

LAB 28.86, 47.24, -67.82

 

CMYK 7 / 0 / 65 / 16

HEX #C7D54A

RGB 199 213 74

HSL 66.04, 0.62%, 0.56%

LAB 81.96, -22.46, 64.37

 

CMYK 6 / 0 / 60 / 9

HEX #D8E75D

RGB 216 231 93

HSL 66.52, 0.74%, 0.64%

LAB 88.23, -23.05, 63.68

 

CMYK 6 / 0 / 55 / 2

HEX #E9F970

RGB 233 249 112

HSL 67.01, 0.92%, 0.71%

LAB 94.42, -23.53, 62.79

 

CMYK 2 / 0 / 49 / 0

HEX #FAFF83

RGB 250 255 131

HSL 62.42, 1%, 0.76%

LAB 97.42, -18.23, 58.11

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 9 / 0 / 63 / 16

HEX #C2D54F

RGB 194 213 79

HSL 68.51, 0.61%, 0.57%

LAB 81.63, -24.17, 61.91

 

CMYK 9 / 0 / 69 / 24

HEX #B1C33C

RGB 177 195 60

HSL 68, 0.53%, 0.5%

LAB 75.27, -23.56, 62.41

 

CMYK 10 / 0 / 77 / 31

HEX #A0B129

RGB 160 177 41

HSL 67.5, 0.62%, 0.43%

LAB 68.81, -22.79, 62.36

 

CMYK 10 / 0 / 86 / 38

HEX #8F9F16

RGB 143 159 22

HSL 67.01, 0.76%, 0.35%

LAB 62.25, -21.82, 61.31

 

CMYK 11 / 0 / 98 / 45

HEX #7E8D03

RGB 126 141 3

HSL 66.52, 0.96%, 0.28%

LAB 55.58, -20.61, 58.84

 

CMYK 9 / 0 / 63 / 17

HEX #C1D44E

RGB 193 212 78

HSL 68.51, 0.61%, 0.57%

LAB 81.28, -24.16, 61.92

 

CMYK 0 / 8 / 63 / 17

HEX #D4C34E

RGB 212 195 78

HSL 52.39, 0.61%, 0.57%

LAB 78.21, -7.81, 59.11

 

CMYK 0 / 25 / 63 / 17

HEX #D49F4E

RGB 212 159 78

HSL 36.27, 0.61%, 0.57%

LAB 69, 11.18, 48.97

 

CMYK 0 / 42 / 63 / 17

HEX #D47B4E

RGB 212 123 78

HSL 20.15, 0.61%, 0.57%

LAB 60.53, 30.59, 39.16

 

CMYK 0 / 59 / 63 / 17

HEX #D4574E

RGB 212 87 78

HSL 4.03, 0.61%, 0.57%

LAB 53.35, 48.7, 30.4

 

CMYK 9 / 0 / 63 / 17

HEX #C1D44E

RGB 193 212 78

HSL 68.51, 0.61%, 0.57%

LAB 81.28, -24.16, 61.92

 

CMYK 26 / 0 / 63 / 17

HEX #9DD44E

RGB 157 212 78

HSL 84.63, 0.61%, 0.57%

LAB 78.93, -38.19, 58.71

 

CMYK 43 / 0 / 63 / 17

HEX #79D44E

RGB 121 212 78

HSL 100.75, 0.61%, 0.57%

LAB 77.1, -50.58, 56.19

 

CMYK 60 / 0 / 63 / 17

HEX #55D44E

RGB 85 212 78

HSL 116.87, 0.61%, 0.57%

LAB 75.8, -60.4, 54.38

 

CMYK 63 / 0 / 49 / 17

HEX #4ED46C

RGB 78 212 108

HSL 133.43, 0.61%, 0.57%

LAB 75.94, -58.17, 40.72

 

CMYK 9 / 0 / 63 / 17

HEX #C1D44E

RGB 193 212 78

HSL 68.51, 0.61%, 0.57%

LAB 81.28, -24.16, 61.92

 

CMYK 10 / 0 / 73 / 10

HEX #CEE63D

RGB 206 230 61

HSL 68.52, 0.77%, 0.57%

LAB 87.02, -28.44, 74.2

 

CMYK 12 / 0 / 83 / 3

HEX #DBF82B

RGB 219 248 43

HSL 68.49, 0.94%, 0.57%

LAB 92.74, -32.25, 84.52

 

CMYK 9 / 0 / 63 / 17

HEX #C1D44E

RGB 193 212 78

HSL 68.51, 0.61%, 0.57%

LAB 81.28, -24.16, 61.92

 

CMYK 7 / 0 / 51 / 24

HEX #B5C260

RGB 181 194 96

HSL 67.96, 0.45%, 0.57%

LAB 75.61, -18.74, 47.29

 

CMYK 5 / 0 / 36 / 31

HEX #A8B172

RGB 168 177 114

HSL 68.57, 0.29%, 0.57%

LAB 70.16, -13.33, 31.22

 

CMYK 3 / 0 / 17 / 38

HEX #9B9F84

RGB 155 159 132

HSL 68.89, 0.12%, 0.57%

LAB 64.51, -6.28, 13.63

 

CMYK 5 / 5 / 0 / 42

HEX #8E8D95

RGB 142 141 149

HSL 247.5, 0.04%, 0.57%

LAB 58.95, 1.96, -4.12

 

CMYK 0 / 25 / 63 / 17

HEX #D49F4E

RGB 212 159 78

HSL 36.27, 0.61%, 0.57%

LAB 69, 11.18, 48.97

 

CMYK 0 / 8 / 63 / 17

HEX #D4C24E

RGB 212 194 78

HSL 51.94, 0.61%, 0.57%

LAB 77.95, -7.3, 58.82

 

CMYK 8 / 0 / 63 / 17

HEX #C2D44E

RGB 194 212 78

HSL 68.06, 0.61%, 0.57%

LAB 81.35, -23.76, 62.02

 

CMYK 25 / 0 / 63 / 17

HEX #9FD44E

RGB 159 212 78

HSL 83.73, 0.61%, 0.57%

LAB 79.05, -37.45, 58.87

 

CMYK 42 / 0 / 63 / 17

HEX #7BD44E

RGB 123 212 78

HSL 99.85, 0.61%, 0.57%

LAB 77.19, -49.95, 56.31

 

CMYK 11 / 0 / 76 / 34

HEX #96A829

RGB 150 168 41

HSL 68.5, 0.61%, 0.41%

LAB 65.47, -22.58, 58.99

 

CMYK 11 / 0 / 76 / 21

HEX #B3C931

RGB 179 201 49

HSL 68.68, 0.61%, 0.49%

LAB 77.03, -26.19, 67.95

 

CMYK 9 / 0 / 63 / 17

HEX #C1D44E

RGB 193 212 78

HSL 68.51, 0.61%, 0.57%

LAB 81.28, -24.16, 61.92

 

CMYK 7 / 0 / 49 / 14

HEX #CDDC70

RGB 205 220 112

HSL 68.33, 0.61%, 0.65%

LAB 84.66, -20.53, 50.9

 

CMYK 5 / 0 / 36 / 11

HEX #D8E491

RGB 216 228 145

HSL 68.67, 0.61%, 0.73%

LAB 88.03, -16.71, 39.19

 

CMYK 9 / 0 / 63 / 16

HEX #C2D54F

RGB 194 213 79

HSL 68.51, 0.61%, 0.57%

LAB 81.63, -24.17, 61.91

 

CMYK 63 / 0 / 42 / 17

HEX #4ED47B

RGB 78 212 123

HSL 140.15, 0.61%, 0.57%

LAB 76.15, -55.8, 33.51

 

CMYK 17 / 63 / 0 / 17

HEX #B14ED4

RGB 177 78 212

HSL 284.33, 0.61%, 0.57%

LAB 51.32, 60.31, -51.75

 

CMYK 9 / 0 / 63 / 16

HEX #C2D54F

RGB 194 213 79

HSL 68.51, 0.61%, 0.57%

LAB 81.63, -24.17, 61.91

 

CMYK 63 / 8 / 0 / 17

HEX #4EC2D4

RGB 78 194 212

HSL 188.06, 0.61%, 0.57%

LAB 72.86, -26.99, -18.7

 

CMYK 0 / 63 / 8 / 17

HEX #D44EC2

RGB 212 78 194

HSL 308.06, 0.61%, 0.57%

LAB 55.42, 65.63, -34.64

 

CMYK 9 / 0 / 63 / 16

HEX #C2D54F

RGB 194 213 79

HSL 68.51, 0.61%, 0.57%

LAB 81.63, -24.17, 61.91

 

CMYK 63 / 0 / 42 / 17

HEX #4ED47B

RGB 78 212 123

HSL 140.15, 0.61%, 0.57%

LAB 76.15, -55.8, 33.51

 

CMYK 55 / 63 / 0 / 17

HEX #604ED4

RGB 96 78 212

HSL 248.06, 0.61%, 0.57%

LAB 42.29, 43.3, -66.78

 

CMYK 0 / 63 / 21 / 17

HEX #D44EA8

RGB 212 78 168

HSL 319.7, 0.61%, 0.57%

LAB 54.32, 61.81, -21.28

 

CMYK 9 / 0 / 63 / 16

HEX #C2D54F

RGB 194 213 79

HSL 68.51, 0.61%, 0.57%

LAB 81.63, -24.17, 61.91

 

CMYK 63 / 0 / 23 / 17

HEX #4ED4A3

RGB 78 212 163

HSL 158.06, 0.61%, 0.57%

LAB 76.89, -47.92, 13.64

 

CMYK 55 / 63 / 0 / 17

HEX #604ED4

RGB 96 78 212

HSL 248.06, 0.61%, 0.57%

LAB 42.29, 43.3, -66.78

 

CMYK 0 / 63 / 40 / 17

HEX #D44E80

RGB 212 78 128

HSL 337.61, 0.61%, 0.57%

LAB 52.95, 56.92, 0.3

 

Description

Color code: HEX #C2D54F | qconv.com Color code: HEX #C2D54F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 213 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 213 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 63 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 63% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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