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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2D24D it is the complementary color #3D2DB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2D24D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2D24D shade: #C7D248, #D8E45B, #E9F66E, #FAFF81 and #FFFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2D24D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2D24D shade: #C2D24D, #B1C03A, #A0AE27, #8F9C14 and #7E8A01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2D24D shade: #C2D24B, #D2BE4B, #D29A4B, #D2754B and #D2514B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2D24D shade: #C2D24B, #9ED24B, #79D24B, #55D24B and #4BD266

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2D24D shade matches the following richer shades: #C2D24B, #D0E439 and #DDF627

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2D24D shade: #C2D24B, #B4C05E, #A6AE70, #999C82 and #8B8A94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2D24D shade: #D29A4B, #D2BE4B, #C2D24B, #9FD24B and #7BD24B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2D24D shade: #94A229, #B2C331, #C2D24B, #CDDA6C and #D8E38D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2D24D shade: #C2D24D, #4BD276 and #AC4BD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2D24D shade: #C2D24D, #4BC2D2 and #D24BC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2D24D shade: #C2D24D, #4BD276, #5B4BD2 and #D24BA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2D24D shade: #C2D24D, #4BD29F, #5B4BD2 and #D24B7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 63 / 18

HEX #C2D24D

RGB 194 210 77

HSL 67.22, 0.6%, 0.56%

LAB 80.79, -22.85, 61.84

 

Complementary color

CMYK 66 / 75 / 0 / 30

HEX #3D2DB2

RGB 61 45 178

HSL 247.22, 0.6%, 0.44%

LAB 29.62, 46.27, -67.76

 

CMYK 5 / 0 / 66 / 18

HEX #C7D248

RGB 199 210 72

HSL 64.78, 0.61%, 0.55%

LAB 81.13, -21.12, 64.3

 

CMYK 5 / 0 / 60 / 11

HEX #D8E45B

RGB 216 228 91

HSL 65.26, 0.72%, 0.63%

LAB 87.41, -21.75, 63.63

 

CMYK 5 / 0 / 55 / 4

HEX #E9F66E

RGB 233 246 110

HSL 65.74, 0.88%, 0.7%

LAB 93.61, -22.26, 62.74

 

CMYK 2 / 0 / 49 / 0

HEX #FAFF81

RGB 250 255 129

HSL 62.38, 1%, 0.75%

LAB 97.4, -18.4, 59

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 8 / 0 / 63 / 18

HEX #C2D24D

RGB 194 210 77

HSL 67.22, 0.6%, 0.56%

LAB 80.79, -22.85, 61.84

 

CMYK 8 / 0 / 70 / 25

HEX #B1C03A

RGB 177 192 58

HSL 66.72, 0.54%, 0.49%

LAB 74.41, -22.2, 62.31

 

CMYK 8 / 0 / 78 / 32

HEX #A0AE27

RGB 160 174 39

HSL 66.22, 0.63%, 0.42%

LAB 67.94, -21.38, 62.19

 

CMYK 8 / 0 / 87 / 39

HEX #8F9C14

RGB 143 156 20

HSL 65.74, 0.77%, 0.35%

LAB 61.37, -20.36, 61.02

 

CMYK 9 / 0 / 99 / 46

HEX #7E8A01

RGB 126 138 1

HSL 65.26, 0.99%, 0.27%

LAB 54.67, -19.11, 58.5

 

CMYK 8 / 0 / 64 / 18

HEX #C2D24B

RGB 194 210 75

HSL 67.11, 0.6%, 0.56%

LAB 80.78, -22.98, 62.63

 

CMYK 0 / 10 / 64 / 18

HEX #D2BE4B

RGB 210 190 75

HSL 51.11, 0.6%, 0.56%

LAB 76.7, -6.27, 58.72

 

CMYK 0 / 27 / 64 / 18

HEX #D29A4B

RGB 210 154 75

HSL 35.11, 0.6%, 0.56%

LAB 67.52, 12.84, 48.69

 

CMYK 0 / 44 / 64 / 18

HEX #D2754B

RGB 210 117 75

HSL 18.67, 0.6%, 0.56%

LAB 58.91, 32.77, 38.77

 

CMYK 0 / 61 / 64 / 18

HEX #D2514B

RGB 210 81 75

HSL 2.67, 0.6%, 0.56%

LAB 51.94, 50.54, 30.31

 

CMYK 8 / 0 / 64 / 18

HEX #C2D24B

RGB 194 210 75

HSL 67.11, 0.6%, 0.56%

LAB 80.78, -22.98, 62.63

 

CMYK 25 / 0 / 64 / 18

HEX #9ED24B

RGB 158 210 75

HSL 83.11, 0.6%, 0.56%

LAB 78.39, -37.15, 59.37

 

CMYK 42 / 0 / 64 / 18

HEX #79D24B

RGB 121 210 75

HSL 99.56, 0.6%, 0.56%

LAB 76.48, -50.04, 56.75

 

CMYK 60 / 0 / 64 / 18

HEX #55D24B

RGB 85 210 75

HSL 115.56, 0.6%, 0.56%

LAB 75.16, -59.99, 54.93

 

CMYK 64 / 0 / 51 / 18

HEX #4BD266

RGB 75 210 102

HSL 132, 0.6%, 0.56%

LAB 75.17, -58.91, 42.66

 

CMYK 8 / 0 / 64 / 18

HEX #C2D24B

RGB 194 210 75

HSL 67.11, 0.6%, 0.56%

LAB 80.78, -22.98, 62.63

 

CMYK 9 / 0 / 75 / 11

HEX #D0E439

RGB 208 228 57

HSL 67.02, 0.76%, 0.56%

LAB 86.6, -26.86, 75.11

 

CMYK 10 / 0 / 84 / 4

HEX #DDF627

RGB 221 246 39

HSL 67.25, 0.92%, 0.56%

LAB 92.32, -30.63, 85.08

 

CMYK 8 / 0 / 64 / 18

HEX #C2D24B

RGB 194 210 75

HSL 67.11, 0.6%, 0.56%

LAB 80.78, -22.98, 62.63

 

CMYK 6 / 0 / 51 / 25

HEX #B4C05E

RGB 180 192 94

HSL 67.35, 0.44%, 0.56%

LAB 74.96, -18.33, 47.46

 

CMYK 5 / 0 / 36 / 32

HEX #A6AE70

RGB 166 174 112

HSL 67.74, 0.28%, 0.56%

LAB 69.15, -12.82, 30.92

 

CMYK 2 / 0 / 17 / 39

HEX #999C82

RGB 153 156 130

HSL 66.92, 0.12%, 0.56%

LAB 63.48, -5.75, 13.27

 

CMYK 6 / 7 / 0 / 42

HEX #8B8A94

RGB 139 138 148

HSL 246, 0.04%, 0.56%

LAB 57.85, 2.38, -5.19

 

CMYK 0 / 27 / 64 / 18

HEX #D29A4B

RGB 210 154 75

HSL 35.11, 0.6%, 0.56%

LAB 67.52, 12.84, 48.69

 

CMYK 0 / 10 / 64 / 18

HEX #D2BE4B

RGB 210 190 75

HSL 51.11, 0.6%, 0.56%

LAB 76.7, -6.27, 58.72

 

CMYK 8 / 0 / 64 / 18

HEX #C2D24B

RGB 194 210 75

HSL 67.11, 0.6%, 0.56%

LAB 80.78, -22.98, 62.63

 

CMYK 24 / 0 / 64 / 18

HEX #9FD24B

RGB 159 210 75

HSL 82.67, 0.6%, 0.56%

LAB 78.45, -36.77, 59.45

 

CMYK 41 / 0 / 64 / 18

HEX #7BD24B

RGB 123 210 75

HSL 98.67, 0.6%, 0.56%

LAB 76.57, -49.4, 56.87

 

CMYK 9 / 0 / 75 / 36

HEX #94A229

RGB 148 162 41

HSL 66.94, 0.6%, 0.4%

LAB 63.59, -20.43, 57.15

 

CMYK 9 / 0 / 75 / 24

HEX #B2C331

RGB 178 195 49

HSL 66.99, 0.6%, 0.48%

LAB 75.27, -23.7, 66.29

 

CMYK 8 / 0 / 64 / 18

HEX #C2D24B

RGB 194 210 75

HSL 67.11, 0.6%, 0.56%

LAB 80.78, -22.98, 62.63

 

CMYK 6 / 0 / 50 / 15

HEX #CDDA6C

RGB 205 218 108

HSL 67.09, 0.6%, 0.64%

LAB 84.07, -19.92, 52.08

 

CMYK 5 / 0 / 38 / 11

HEX #D8E38D

RGB 216 227 141

HSL 67.67, 0.61%, 0.72%

LAB 87.71, -16.68, 40.77

 

CMYK 8 / 0 / 63 / 18

HEX #C2D24D

RGB 194 210 77

HSL 67.22, 0.6%, 0.56%

LAB 80.79, -22.85, 61.84

 

CMYK 64 / 0 / 44 / 18

HEX #4BD276

RGB 75 210 118

HSL 139.11, 0.6%, 0.56%

LAB 75.39, -56.46, 35.03

 

CMYK 18 / 64 / 0 / 18

HEX #AC4BD2

RGB 172 75 210

HSL 283.11, 0.6%, 0.56%

LAB 50.04, 60.1, -52.69

 

CMYK 8 / 0 / 63 / 18

HEX #C2D24D

RGB 194 210 77

HSL 67.22, 0.6%, 0.56%

LAB 80.79, -22.85, 61.84

 

CMYK 64 / 8 / 0 / 18

HEX #4BC2D2

RGB 75 194 210

HSL 187.11, 0.6%, 0.56%

LAB 72.72, -28.06, -17.85

 

CMYK 0 / 64 / 8 / 18

HEX #D24BC2

RGB 210 75 194

HSL 307.11, 0.6%, 0.56%

LAB 54.69, 66.32, -35.81

 

CMYK 8 / 0 / 63 / 18

HEX #C2D24D

RGB 194 210 77

HSL 67.22, 0.6%, 0.56%

LAB 80.79, -22.85, 61.84

 

CMYK 64 / 0 / 44 / 18

HEX #4BD276

RGB 75 210 118

HSL 139.11, 0.6%, 0.56%

LAB 75.39, -56.46, 35.03

 

CMYK 57 / 64 / 0 / 18

HEX #5B4BD2

RGB 91 75 210

HSL 247.11, 0.6%, 0.56%

LAB 41.07, 43.58, -67.64

 

CMYK 0 / 64 / 20 / 18

HEX #D24BA7

RGB 210 75 167

HSL 319.11, 0.6%, 0.56%

LAB 53.52, 62.35, -21.95

 

CMYK 8 / 0 / 63 / 18

HEX #C2D24D

RGB 194 210 77

HSL 67.22, 0.6%, 0.56%

LAB 80.79, -22.85, 61.84

 

CMYK 64 / 0 / 24 / 18

HEX #4BD29F

RGB 75 210 159

HSL 157.33, 0.6%, 0.56%

LAB 76.13, -48.51, 14.68

 

CMYK 57 / 64 / 0 / 18

HEX #5B4BD2

RGB 91 75 210

HSL 247.11, 0.6%, 0.56%

LAB 41.07, 43.58, -67.64

 

CMYK 0 / 64 / 40 / 18

HEX #D24B7F

RGB 210 75 127

HSL 336.89, 0.6%, 0.56%

LAB 52.14, 57.46, -0.33

 

Description

Color code: HEX #C2D24D | qconv.com Color code: HEX #C2D24D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 210 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 210 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 63 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 63% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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