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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2CFF4 it is the complementary color #3D300B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2CFF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2CFF4 shade: #C7CFEF, #D8E1FF, #E9F3FF, #FAFFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2CFF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2CFF4 shade: #C2CFF4, #B1BDE1, #A0ABCE, #8F99BB and #7E87A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2CFF4 shade: #C3CFF4, #C3C3F4, #D0C3F4, #DEC3F4 and #EBC3F4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2CFF4 shade: #C3CFF4 and #C3C3F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2CFF4 shade matches the following richer shades: #C3CFF4 and #BDCDFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2CFF4 shade: #C3CFF4, #C8D2EE, #CED5E8, #D4D8E3 and #DADBDD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2CFF4 shade: #C3EAF4, #C3DDF4, #C3D0F4, #C3C3F4 and #D0C3F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2CFF4 shade: #7D99E7, #A0B4EE, #C3CFF4, #E6EBFA and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2CFF4 shade: #C2CFF4, #F1C3F4 and #E4F4C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2CFF4 shade: #C2CFF4, #F4C3D0 and #D0F4C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2CFF4 shade: #C2CFF4, #F1C3F4, #F4E7C3 and #C6F4C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2CFF4 shade: #C2CFF4, #F4C3E8, #F4E7C3 and #C3F4CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 15 / 0 / 4

HEX #C2CFF4

RGB 194 207 244

HSL 224.4, 0.69%, 0.86%

LAB 83.25, 3.25, -19.64

 

Complementary color

CMYK 0 / 21 / 82 / 76

HEX #3D300B

RGB 61 48 11

HSL 44.4, 0.69%, 0.14%

LAB 20.56, 1.17, 24.57

 

CMYK 17 / 13 / 0 / 6

HEX #C7CFEF

RGB 199 207 239

HSL 228, 0.56%, 0.86%

LAB 83.44, 3.71, -16.65

 

CMYK 15 / 12 / 0 / 0

HEX #D8E1FF

RGB 216 225 255

HSL 226.15, 1%, 0.92%

LAB 89.71, 2.88, -15.56

 

CMYK 9 / 5 / 0 / 0

HEX #E9F3FF

RGB 233 243 255

HSL 212.73, 1%, 0.96%

LAB 95.43, -1.05, -6.91

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 20 / 15 / 0 / 4

HEX #C2CFF4

RGB 194 207 244

HSL 224.4, 0.69%, 0.86%

LAB 83.25, 3.25, -19.64

 

CMYK 21 / 16 / 0 / 12

HEX #B1BDE1

RGB 177 189 225

HSL 225, 0.44%, 0.79%

LAB 76.79, 3.47, -19.34

 

CMYK 22 / 17 / 0 / 19

HEX #A0ABCE

RGB 160 171 206

HSL 225.65, 0.32%, 0.72%

LAB 70.21, 3.7, -19.06

 

CMYK 24 / 18 / 0 / 27

HEX #8F99BB

RGB 143 153 187

HSL 226.36, 0.24%, 0.65%

LAB 63.52, 3.96, -18.79

 

CMYK 25 / 20 / 0 / 34

HEX #7E87A8

RGB 126 135 168

HSL 227.14, 0.19%, 0.58%

LAB 56.67, 4.25, -18.54

 

CMYK 20 / 15 / 0 / 4

HEX #C3CFF4

RGB 195 207 244

HSL 225.31, 0.69%, 0.86%

LAB 83.32, 3.55, -19.53

 

CMYK 20 / 20 / 0 / 4

HEX #C3C3F4

RGB 195 195 244

HSL 240, 0.69%, 0.86%

LAB 80.27, 9.99, -24.14

 

CMYK 15 / 20 / 0 / 4

HEX #D0C3F4

RGB 208 195 244

HSL 255.92, 0.69%, 0.86%

LAB 81.28, 14, -22.52

 

CMYK 9 / 20 / 0 / 4

HEX #DEC3F4

RGB 222 195 244

HSL 273.06, 0.69%, 0.86%

LAB 82.43, 18.43, -20.67

 

CMYK 4 / 20 / 0 / 4

HEX #EBC3F4

RGB 235 195 244

HSL 288.98, 0.69%, 0.86%

LAB 83.56, 22.62, -18.85

 

CMYK 20 / 15 / 0 / 4

HEX #C3CFF4

RGB 195 207 244

HSL 225.31, 0.69%, 0.86%

LAB 83.32, 3.55, -19.53

 

CMYK 20 / 20 / 0 / 4

HEX #C3C3F4

RGB 195 195 244

HSL 240, 0.69%, 0.86%

LAB 80.27, 9.99, -24.14

 

CMYK 20 / 15 / 0 / 4

HEX #C3CFF4

RGB 195 207 244

HSL 225.31, 0.69%, 0.86%

LAB 83.32, 3.55, -19.53

 

CMYK 24 / 18 / 0 / 2

HEX #BDCDFA

RGB 189 205 250

HSL 224.26, 0.86%, 0.86%

LAB 82.58, 4.16, -23.86

 

CMYK 20 / 15 / 0 / 4

HEX #C3CFF4

RGB 195 207 244

HSL 225.31, 0.69%, 0.86%

LAB 83.32, 3.55, -19.53

 

CMYK 16 / 12 / 0 / 7

HEX #C8D2EE

RGB 200 210 238

HSL 224.21, 0.53%, 0.86%

LAB 84.25, 2.22, -14.9

 

CMYK 11 / 8 / 0 / 9

HEX #CED5E8

RGB 206 213 232

HSL 223.85, 0.36%, 0.86%

LAB 85.27, 1.31, -10.15

 

CMYK 7 / 5 / 0 / 11

HEX #D4D8E3

RGB 212 216 227

HSL 224, 0.21%, 0.86%

LAB 86.33, 0.72, -5.87

 

CMYK 1 / 1 / 0 / 13

HEX #DADBDD

RGB 218 219 221

HSL 220, 0.04%, 0.86%

LAB 87.38, 0.03, -1.11

 

CMYK 20 / 4 / 0 / 4

HEX #C3EAF4

RGB 195 234 244

HSL 192.24, 0.69%, 0.86%

LAB 90.31, -10.49, -9.05

 

CMYK 20 / 9 / 0 / 4

HEX #C3DDF4

RGB 195 221 244

HSL 208.16, 0.69%, 0.86%

LAB 86.92, -3.81, -14.1

 

CMYK 20 / 15 / 0 / 4

HEX #C3D0F4

RGB 195 208 244

HSL 224.08, 0.69%, 0.86%

LAB 83.57, 3.02, -19.14

 

CMYK 20 / 20 / 0 / 4

HEX #C3C3F4

RGB 195 195 244

HSL 240, 0.69%, 0.86%

LAB 80.27, 9.99, -24.14

 

CMYK 15 / 20 / 0 / 4

HEX #D0C3F4

RGB 208 195 244

HSL 255.92, 0.69%, 0.86%

LAB 81.28, 14, -22.52

 

CMYK 46 / 34 / 0 / 9

HEX #7D99E7

RGB 125 153 231

HSL 224.15, 0.69%, 0.7%

LAB 64.09, 10.67, -42.5

 

CMYK 33 / 24 / 0 / 7

HEX #A0B4EE

RGB 160 180 238

HSL 224.62, 0.7%, 0.78%

LAB 73.73, 6.5, -31.15

 

CMYK 20 / 15 / 0 / 4

HEX #C3CFF4

RGB 195 207 244

HSL 225.31, 0.69%, 0.86%

LAB 83.32, 3.55, -19.53

 

CMYK 8 / 6 / 0 / 2

HEX #E6EBFA

RGB 230 235 250

HSL 225, 0.67%, 0.94%

LAB 93.08, 1.13, -7.82

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 20 / 15 / 0 / 4

HEX #C2CFF4

RGB 194 207 244

HSL 224.4, 0.69%, 0.86%

LAB 83.25, 3.25, -19.64

 

CMYK 1 / 20 / 0 / 4

HEX #F1C3F4

RGB 241 195 244

HSL 296.33, 0.69%, 0.86%

LAB 84.1, 24.57, -17.98

 

CMYK 7 / 0 / 20 / 4

HEX #E4F4C3

RGB 228 244 195

HSL 79.59, 0.69%, 0.86%

LAB 93.94, -13.5, 21.89

 

CMYK 20 / 15 / 0 / 4

HEX #C2CFF4

RGB 194 207 244

HSL 224.4, 0.69%, 0.86%

LAB 83.25, 3.25, -19.64

 

CMYK 0 / 20 / 15 / 4

HEX #F4C3D0

RGB 244 195 208

HSL 344.08, 0.69%, 0.86%

LAB 83.35, 19.43, 0.16

 

CMYK 15 / 0 / 20 / 4

HEX #D0F4C3

RGB 208 244 195

HSL 104.08, 0.69%, 0.86%

LAB 92.6, -20.43, 19.81

 

CMYK 20 / 15 / 0 / 4

HEX #C2CFF4

RGB 194 207 244

HSL 224.4, 0.69%, 0.86%

LAB 83.25, 3.25, -19.64

 

CMYK 1 / 20 / 0 / 4

HEX #F1C3F4

RGB 241 195 244

HSL 296.33, 0.69%, 0.86%

LAB 84.1, 24.57, -17.98

 

CMYK 0 / 5 / 20 / 4

HEX #F4E7C3

RGB 244 231 195

HSL 44.08, 0.69%, 0.86%

LAB 91.83, -1.25, 19.13

 

CMYK 19 / 0 / 20 / 4

HEX #C6F4C3

RGB 198 244 195

HSL 116.33, 0.69%, 0.86%

LAB 91.97, -23.79, 18.85

 

CMYK 20 / 15 / 0 / 4

HEX #C2CFF4

RGB 194 207 244

HSL 224.4, 0.69%, 0.86%

LAB 83.25, 3.25, -19.64

 

CMYK 0 / 20 / 5 / 4

HEX #F4C3E8

RGB 244 195 232

HSL 314.69, 0.69%, 0.86%

LAB 84.01, 23.41, -11.68

 

CMYK 0 / 5 / 20 / 4

HEX #F4E7C3

RGB 244 231 195

HSL 44.08, 0.69%, 0.86%

LAB 91.83, -1.25, 19.13

 

CMYK 20 / 0 / 16 / 4

HEX #C3F4CE

RGB 195 244 206

HSL 133.47, 0.69%, 0.86%

LAB 92.02, -22.87, 13.22

 

Description

Color code: HEX #C2CFF4 | qconv.com Color code: HEX #C2CFF4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 207 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 207 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 15 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 15% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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